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I Will Fly Violin 1
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Vous avez sélectionné:
I Will Fly Violin 1
Partitions à imprimer
16 partitions trouvées
<
1
I Will Fly - Violin 1
I Will Fly - Violin 1
#
James Eakin III
#
I Will Fly - Violin 1
#
Hal Leonard - Digital
#
SheetMusicPlus
Choir,Choral - SKU: HX.1412206 Composed by James Eakin III. This edition: scorch. Concert,Festival,Graduation. Choral Instrumental Pak. 2 pages. Hal Leo...
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Choir,Choral - SKU: HX.1412206 Composed by James Eakin III. This edition: scorch. Concert,Festival,Graduation. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #347253. Published by Hal Leonard - Digital (HX.1412206).
$7.00 ≈
6.38€
I Will Fly - Violin 1
I Will Fly - Violin 1
#
James Eakin
#
I Will Fly - Violin 1
#
Hal Leonard - Digital
#
SheetMusicPlus
Orchestra Choir,Choral - SKU: HX.1407692 Composed by James Eakin. This edition: scorch. Concert,Festival,Graduation. Choral Instrumental Pak. 2 pages. H...
(+)
Orchestra Choir,Choral - SKU: HX.1407692 Composed by James Eakin. This edition: scorch. Concert,Festival,Graduation. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #347253. Published by Hal Leonard - Digital (HX.1407692).
$7.00 ≈
6.38€
Come Fly With Me
Come Fly With Me
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
#
Jazz
#
James Van Heusen
#
Sherry Lewis Publishing
#
Come Fly With Me
#
Sherry Lewis Publishing
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.521235 Composed by James Van Heusen. Arranged by Sherry Lewis Publishing. Jazz. 17 pages. Sherry Lewi...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.521235 Composed by James Van Heusen. Arranged by Sherry Lewis Publishing. Jazz. 17 pages. Sherry Lewis Publishing #4289579. Published by Sherry Lewis Publishing (A0.521235). COME FLY WITH ME String Trio for 2 violins and cello or violin, viola and celloScore: 6 pagesParts: 8 pages Time: 1'50MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99 ≈
11.85€
Come Fly With Me
Come Fly With Me
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Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Contemporain
#
James Van Heusen
#
Sherry Lewis
#
Come Fly With Me
#
Sherry Lewis Publishing
#
SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.521747 Composed by James Van Heusen. Arranged by Sherry Lewis. Contempo...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.521747 Composed by James Van Heusen. Arranged by Sherry Lewis. Contemporary. 20 pages. Sherry Lewis Publishing #6421015. Published by Sherry Lewis Publishing (A0.521747). COME FLY WITH ME String Orchestra for 2 violins, viola, cello and string bass chords such as C, Em, etc. Score: 7 pages Parts: 10 pages Time: 1'50 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99 ≈
11.85€
Come Fly With Me
Come Fly With Me
#
Violon, Violoncelle (duo)
#
INTERMÉDIAIRE
#
Jazz
#
James Van Heusen
#
Sherry Lewis
#
Come Fly With Me
#
Sherry Lewis Publishing
#
SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.521236 Composed by James Van Heusen. Arranged by Sherry Lewis. Jazz. 10 pages. Sherry Lewis Publishin...
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Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.521236 Composed by James Van Heusen. Arranged by Sherry Lewis. Jazz. 10 pages. Sherry Lewis Publishing #4289589. Published by Sherry Lewis Publishing (A0.521236). COME FLY WITH ME String Duo for violin and cello Score: 3 pages Parts: 4 pages Time: 1'50 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.99 ≈
4.55€
Come Fly With Me
Come Fly With Me
#
Violon
#
INTERMÉDIAIRE
#
Jazz
#
James Van Heusen
#
Sherry Lewis
#
Come Fly With Me
#
Sherry Lewis Publishing
#
SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.521237 Composed by James Van Heusen. Arranged by Sherry Lewis. Jazz. 7 pages. Sherry Lewis Publishing #4289603. Publishe...
(+)
Violin Solo - Level 3 - SKU: A0.521237 Composed by James Van Heusen. Arranged by Sherry Lewis. Jazz. 7 pages. Sherry Lewis Publishing #4289603. Published by Sherry Lewis Publishing (A0.521237). COME FLY WITH ME Solo Violin Score: 0 pages Parts: 2 pages Time: 1'50 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.99 ≈
4.55€
Piano Trio No.1 for piano, violin, and 'cello "Night of Broken Glass"
Piano Trio No.1 for piano, violin, and 'cello "Night of Broken Glass"
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Piano Trio: piano, violon, violoncelle
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AVANCÉ
#
Contemporain
#
William Grosvenor Neil
#
More information
#
Piano Trio No.1 for piano, vio
#
TheComposerStudio.Com, LLC
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 5 - SKU: A0.980578 Composed by William Grosvenor Neil. Contemporary. 96 pages. TheComposerStudio.Com, LLC #3467744...
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Piano Trio Cello,Piano,Violin - Level 5 - SKU: A0.980578 Composed by William Grosvenor Neil. Contemporary. 96 pages. TheComposerStudio.Com, LLC #3467744. Published by TheComposerStudio.Com, LLC (A0.980578). Piano Trio No. 1 (Night of Broken Glass) (2012) (score and parts) for piano trio is a tribute to the children who are often the innocent victims of the tragic and violent actions of men. Although I have referenced the Kristallnacht attacks against Jews throughout Nazi Germany and parts of Austria on 9–10 November 1938, I am, in my musical expression, alluding to all senseless demonstrations of violence that often reach catastrophic proportions as they shatter the lives of children. In these three movements, I juxtapose the intensely orchestrated sonorities with two Jewish traditional lullabies*. The themes, only briefly heard as lyric contrasts to the more aggressive music, interweave and develop their own narrative, gaining an increasing emotional weight as the episodes unfold. In addition, there are two enigma themes that I use to drive the transformation of the music to its emotional climax. Listen to Trio Malipiero's performance of the piece: More information on the composer: www.williamneil.net Contact and support email: thecomposerstudio@gmail.com.
$30.00 ≈
27.36€
I Believe I Can Fly
I Believe I Can Fly
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Soul/R&B
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Jermaine Paul
#
Fishel Pustilnik
#
I Believe I Can Fly
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F & N Enterprise
#
SheetMusicPlus
Small Ensemble Guitar,Piano,Violin - Level 4 - SKU: A0.632363 By Jermaine Paul. By Robert Kelly. Arranged by Fishel Pustilnik. R & B. Score and parts. 8...
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Small Ensemble Guitar,Piano,Violin - Level 4 - SKU: A0.632363 By Jermaine Paul. By Robert Kelly. Arranged by Fishel Pustilnik. R & B. Score and parts. 8 pages. F & N Enterprise #2882949. Published by F & N Enterprise (A0.632363). An excellent arrangement of famous Song I Believe I Can Fly for Guitar & Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99 ≈
4.55€
From Flutter to Flight
From Flutter to Flight
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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L
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From Flutter to Flight
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L.J Harding
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1028773 Composed by L.J Harding. Contemporary. Score and parts. 6 pages. L.J Harding #3921145. Publish...
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String Quartet String Quartet - Level 3 - SKU: A0.1028773 Composed by L.J Harding. Contemporary. Score and parts. 6 pages. L.J Harding #3921145. Published by L.J Harding (A0.1028773). ‘From Flutter to Flight’ is a String Quartet featuring sequencing, imitation, dynamics and a wide exploration of range. The reason I chose the name ‘From Flutter to Flight’ was because of the inspiration I gained while composing this piece. The story of a bird’s first experience of flight is something that is beautiful, however awkward it may be. The start of the piece, with the duet between Violin 1 & 2, symbolises young birds watching as their parents fly in a dance. The theme is then developed into a four part. The rhythmic pattern in the Viola part represents the fluttering and awkwardness of the young birds as they attempt to fly while the duet between the Violins is maintained and complemented by low notes from the Cello. This represents the birds as they finally begin to learn and begin flying faster and stronger. This swiftly follows by descending thirds on the Cello leading to a four-broken chord progression which creates a sense of adventure and willingness to advance forward. Violin comes in alongside the Cello as the younger birds begin to get more confident. The notes move with the movement of the birds, higher notes representing them flying higher whereas lower notes representing them flying lower. The second theme is then developed with the first theme being played in Violin 2 as a gentle reminder of the birds past and how far they have come. This ends with the return of the first theme in recapitulation followed with some new ideas including a much higher range in Violins 1 & 2 and it closes with the tonic 7th chord to symbolise an ending with the birds finally achieving flight.
$8.99 ≈
8.20€
Animal Sketches, Volume I, Op. 3
Animal Sketches, Volume I, Op. 3
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Johnathan Couch, Op
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Animal Sketches, Volume I, Op.
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Johnathan Couch
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SheetMusicPlus
Small Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.954534 Composed by Johnathan Couch, Op. 3. 20th Century,Children,Contemporary. Score and par...
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Small Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.954534 Composed by Johnathan Couch, Op. 3. 20th Century,Children,Contemporary. Score and parts. 29 pages. Johnathan Couch #3448263. Published by Johnathan Couch (A0.954534). One of the most unique works of Johnathan Couch's Opus 3, Animal Sketches, Volume I combines musical depictions of four diverse organisms into one entertaining program piece for piano quintet.1.) Blue Whale - Hear the yearning song of the earth's largest animal, portrayed beautifully by the cello, as the upper strings and piano provide a soft, leisurely, ocean-like background.2.) Penguins - Everyone loves penguins. This cute and cheerful movement captures the playful fun side of penguins which we all know and love. Beginning with a good-natured swing and transitioning into a marshal little march, audiences will go crazy for this happy little piece. 3.) Venus Fly Trap (and an Unfortunate Insect) - The title says it all! With Violin I representing the doomed insect, the rest of the instruments take on the role of Venus Fly Trap, creating a calm, peaceful atmosphere which lures the bug into the plants life-ending jaws. The final seconds of this movement are a climactic escalation of harmony and rhythm which depict the last fleeting moments of the insect's life as the Venus Fly Trap consumes it.4.) Spiders - Not just one spider: lots of them! The music of this movement (composed in a somewhat-classical style) is sure to leave the audience with the sensation of thousands of little spiders crawling all over! This is a great movement, using lots of chromatic themes and spider-sounding trills.
$6.99 ≈
6.37€
James Eakin III: I Will Fly - orchestra/band (violin 1)
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James Eakin III
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Virtualsheetmusic
Instantly printable sheet music by James Eakin III for orchestra/band (violin 1) of MEDIUM skill level.
Instantly printable sheet music by James Eakin III for orchestra/band (violin 1) of MEDIUM skill level.
$11.99 ≈
10.93€
James Eakin III: I Will Fly - orchestra/band (violin 1)
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James Eakin III
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Virtualsheetmusic
Instantly printable sheet music by James Eakin III for orchestra/band (violin 1) of MEDIUM skill level.
Instantly printable sheet music by James Eakin III for orchestra/band (violin 1) of MEDIUM skill level.
$11.99 ≈
10.93€
DECEMBER WINDS - ELEMENTARY STRING ORCHESTRA with optional Piano & Percussion
DECEMBER WINDS - ELEMENTARY STRING ORCHESTRA with optional Piano & Percussion
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Orchestre à Cordes
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FACILE
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Glen Poehlmann
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DECEMBER WINDS - ELEMENTARY ST
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arrangements by GPoehlmann
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.807051 Composed by Glen Poehlmann. Christmas,Instructional,Standards. Score and parts. 22 pages. Arrangements by GP...
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String Orchestra - Level 2 - SKU: A0.807051 Composed by Glen Poehlmann. Christmas,Instructional,Standards. Score and parts. 22 pages. Arrangements by GPoehlmann #6234005. Published by arrangements by GPoehlmann (A0.807051). DECEMBER WINDS - ELEMENTARY STRING ORCHESTRA with optional Piano & PercussionDECEMBER WINDS is an example of Program Music. It is a tone poem or a sound piece that was composed for a second year String Orchestra. It tells the story of a winter day that starts out cold and peaceful but soon the snow starts to fall and the winds start to pick up. Before long, a winter storm has arrived! You will hear many winter tunes stated briefly throughout. These represent various melodies that are carried around by the wind. You will hear the Hallelujah Chorus when school is cancelled! I hope it makes you think of snowmen, sledding, ice skating and snowballs flying. All the wonderful things that make winter a special season.MUSICAL ELEMENTS:• No slurs are written in but feel free to add them as desired. • The Piano part is optional but adds to the presentation• Accents• 5/4 meter 2 + 3 subdivision • Changing meter• Dynamic levels • Crescendo• Tremolo• Glissando (Cello and Viola - measure 50)• Pizzicato (in Violins and Double Bass)• Chance Music - random notes (Violin 1 - measure 31)51 measures. Performance Time approx. 2:35. Medium Easy (Grade 2-)Key: D (C with accidentals). Meter: 5/4 - 4/4. Optional Percussion Parts: Triangle, Snare Drum, Bass Drum, Sleigh Bells.
$6.00 ≈
5.47€
Surrender
Surrender
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Violon
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DÉBUTANT
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Natalie Taylor
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Josiel Oliveira
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Surrender
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M das Melodias
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SheetMusicPlus
Violin Solo - Level 1 - SKU: A0.589190 By Natalie Taylor. By Jonathan Michael Howard and Natalie Ann Howard. Arranged by Josiel Oliveira. Contemporary,I...
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Violin Solo - Level 1 - SKU: A0.589190 By Natalie Taylor. By Jonathan Michael Howard and Natalie Ann Howard. Arranged by Josiel Oliveira. Contemporary,Instructional,Multicultural,Pop,World. 1 pages. M das Melodias #198478. Published by M das Melodias (A0.589190). Music score Surrender for Violin. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. Relaxing music to dream. Natalie Taylor. We let the waters rise We drifted to survive I needed you to stay But I let you drift away My love, where are you? My love, where are you? Whenever you're ready, whenever you're ready Whenever you're ready, whenever you're ready Can we, can we surrender? Can we, can we surrender? I surrender No one will win this time I just want you back I'm running to your side Flying my white flag, my white flag My love, where are you? My love, where are you? Whenever you're ready, whenever you're ready Whenever you're ready, whenever you're ready Can we, can we surrender? Can we, can we surrender? I surrender Ooh-ooh-oh, oh-oh I surrender.
$4.99 ≈
4.55€
Funny Like a Monkey for piano quartet
Funny Like a Monkey for piano quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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Funny Like a Monkey for piano
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Robert M. Greenberg
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert ...
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Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00 ≈
32.83€
Concerto
Concerto
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Piano et Orchestre
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AVANCÉ
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Contemporain
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
21.88€
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I Will Fly Violin 1
