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I Will Tune My Harp
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Vous avez sélectionné:
I Will Tune My Harp
Partitions à imprimer
24 partitions trouvées
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1
My Shepherd Will Supply My Need, for Harp, Two Flutes and Cello
My Shepherd Will Supply My Need, for Harp, Two Flutes and Cello
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Flûte, Harpe et Violoncelle
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INTERMÉDIAIRE
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American Folk Melody
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Cindy Blevins
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My Shepherd Will Supply My Nee
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Cindy Blevins
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SheetMusicPlus
Cello,Flute,Harp - Level 3 - SKU: A0.1267991 Composed by American Folk Melody. Arranged by Cindy Blevins. Folk,Religious. 12 pages. Cindy Blevins #86054...
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Cello,Flute,Harp - Level 3 - SKU: A0.1267991 Composed by American Folk Melody. Arranged by Cindy Blevins. Folk,Religious. 12 pages. Cindy Blevins #860544. Published by Cindy Blevins (A0.1267991). I did this arrangement by special request. It's a lovely, playable arrangement of a beautiful tune. You receive the score and the separate parts.
$8.99 ≈
8.30€
I Will Tune My Harp & Voice
I Will Tune My Harp & Voice
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Enoch Kwasi Boahen
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I Will Tune My Harp & Voic
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Enoch Kwasi Boahen
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1042730 Composed by Enoch Kwasi Boahen. Sacred. Octavo. 5 pages. Enoch Kwasi Boahen #647512. Published by Enoch ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1042730 Composed by Enoch Kwasi Boahen. Sacred. Octavo. 5 pages. Enoch Kwasi Boahen #647512. Published by Enoch Kwasi Boahen (A0.1042730). Anthem for SATB with Organ / Piano accompaniment.
$3.50 ≈
3.23€
A Hymn A Day Volume 5
A Hymn A Day Volume 5
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Harpe, Voix
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Hugh Callison
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A Hymn A Day Volume 5
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Afghan Press Music for the Harp
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SheetMusicPlus
Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship, Easter, Lent. 114 pages. Publis...
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Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship, Easter, Lent. 114 pages. Published by Afghan Press Music for the Harp
The fifth of a series of five volumes that are geared toward smaller lever harps with a bass range that goes to the G which is one and octaves below middle C. Volume five includes songs for Lent, Easter and Pentecost. These tunes have the added benefit of being arranged in keys that are accessible to most vocal ranges, which is especially helpful when playing along with congregational singing. Lever changes are indicated with diamond shaped notes. Some tunes have no lever changes, some have a lot. The left hand in a few of the tunes is quite active. 75 tunes, in all.
Table of Contents:
In the Hour of Trial, We Give Immortal Praise, Soldiers of Christ, Arise, How Firm a Foundation, Must Jesus Bear the Cross Alone, Lord Jesus Christ, My Life, My Light, Near to the Heart of God, Jesus, I My Cross Have Taken, Out of the Depths I Cry to Thee, Lenten Hymn, Break Thou the Bread of Life, O Love, How Deep, How Broad, How High, Here, O My Lord, I See Thee Face to Face, Tell Me the Story of Jesus, Forty Days and Forty Nights, Hail, Thou Once Despised Jesus, O Day of Rest and Gladness, Sing Praise to God Who Reigns Above, Wake, Awake, for Night Is Flying, The Lord Jehovah Reigns, Come, Thou Almighty King, Day by Day and with Each Passing Moment, I'll Praise My Maker While I've Breath, Ah, Holy Jesus, According to Thy Gracious Word, All Hail the Power of Jesus' Name, Jesus, Priceless Treasure, Before Jehovah's Awful Throne, There Is a Balm in Gilead, O Love That Will Not Let Me Go, Bread of Heaven, on Thee We Feed, Awake, My Soul, and With the Sun, The Heavens Declare Thy Glory, Lord, O the Deep, Deep Love of Jesus, Come, Christians, Join to Sing, A Wonderful Savior Is Jesus My Lord, I Am Thine, O Lord, I Am His, and He Is Mine, Turn Your Eyes Upon Jesus, Amazing Grace!, Jesus, Keep Me Near the Cross, Jesus Paid It All, There Is a Green Hill Far Away, Were You There?, Behold the Savior of Mankind, At Calvary, Come, Ye Faithful, Raise the Strain, The Old Rugged Cross, In the Cross of Christ I Glory, All Glory, Laud and Honor, O Sacred Head, Now Wounded, And Can It Be That I Should Gain?, The Day of Resurrection, Go To Dark Gethsemane, Hosanna, Loud Hosanna, Jesus Lives, and So Shall I, Christ, the Lord Is Risen Today, Bread of the World, in Mercy Broken, When I Survey the Wondrous Cross, Cross of Jesus, Cross of Sorrow, The Head That Once Was Crowned, My Savior's Love, The Strife Is O'er, The Battle Done, Christ Arose!, Never Further than Thy Cross, Beneath the Cross of Jesus, Let Us Break Bread Together, Alas! and Did My Savior Bleed?, Christ Jesus Lay in Death's Strong Bands, What Wondrous Love Is This?, Jesus Christ Is Risen Today, Loved With Everlasting Love, Low in the Grave He Lay, O Sons and Daughters, Let Us Sing, Welcome, Happy Morning
$25.00 ≈
23.07€
Wild Mountain Thyme in E Flat Major (Lever or Pedal Harp)
Wild Mountain Thyme in E Flat Major (Lever or Pedal Harp)
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Harpe
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Traditional Scottish
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Stephanie Claussen
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Wild Mountain Thyme in E Flat
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Stephanie Claussen
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SheetMusicPlus
Composed by Traditional Scottish. Arranged by Stephanie Claussen. Repertoire, World, Folk, Celtic. Sheet Music Single. 3 pages. Published by Stephanie Cla...
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Composed by Traditional Scottish. Arranged by Stephanie Claussen. Repertoire, World, Folk, Celtic. Sheet Music Single. 3 pages. Published by Stephanie Claussen
Also known as "Will Ye Go, Lassie, Go?," this traditional Scottish tune is a staple in every harpist's repertoire. My arrangement includes two versions (late beginner and intermediate) one verse each, with no frills (except some ornamentation!)
This version is in E Flat major, a lovely low register that allows the harp to ring beautifully. For smaller harps, I recommend the identical arrangement in C major instead: https://www.sheetmusicplus.com/title/wild-mountain-thyme-in-c-major-lap-harp-digital-sheet-music/21891496.
For lever harp or pedal harp
Chord symbols and some fingerings included
Late beginner and intermediate version included
The lowest note is the E flat an octave and a half below middle C. The highest note is the E flat an octave and a half above middle C.
$4.99 ≈
4.61€
A Hymn A Day Volume 1
A Hymn A Day Volume 1
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Harpe, Voix
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Hugh Callison
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A Hymn A Day Volume 1
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Afghan Press Music for the Harp
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SheetMusicPlus
Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship, Funeral. 118 pages. Published b...
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Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship, Funeral. 118 pages. Published by Afghan Press Music for the Harp
This valuable collection of hymns is just the first in a series of five! These are wonderful titles , from well-known favorites that many grew up with, to songs that are lesser known yet equally important. These tunes have the added benefit of being arranged in keys that are accessible to most vocal ranges, which is especially helpful when playing along with congregational singing. Arrangements are interesting and have lovely harmonies. Lever changes are indicated with diamond shaped notes. Some tunes have no lever changes, some have a lot. The left hand in a few of the tunes is quite active. An enormous amount of harp work for these 72 tunes.
Table of Contents: At the Lamb's High Feast,Hallelujah, What a Savior!,There Is a Fountain Filled with Blood, I Will Sing of My Redeemer, Am I a Soldier of the Cross?,I Know That My Redeemer Lives, Redeemed, My Faith Looks Up to Thee, Let Us Love, and Sing, and Wonder, Rejoice! Ye Pure in Heart, Blessed Be the Name, Rejoice, the Lord Is King!, All Creatures of Our God and King, Blessed Assurance, For the Beauty of the Earth, All Things Bright and Beautiful, All Nature's Works His Praise Declare, This Is My Father's World, Praise Him! Praise Him!, How Great Thou Art, Prayer Is the Soul's Sincere Desire, Come, Let Us Rise with Christ, Fairest Lord Jesus, Crown Him with Many Crowns, Come Down, O Love Divine, Spirit of God, Descend upon My Heart, Come, Gracious Spirit, Heavenly Dove, Come, Holy Ghost, Our Souls Inspire, Blessed Quietness, Come, Holy Spirit, Dove Divine, Holy Spirit, Truth Divine, Lord Jesus Christ, Be Present Now, Come, Holy Spirit, Heavenly Dove, Holy Ghost, with Light Divine, Holy, Holy, Holy, Christ for the World We Sing, Take Time to Be Holy, O for a Closer Walk with God, Jesus Shall Reign, Revive Us Again, Teach Me, O Lord, Thy Holy Way, Come, Holy Ghost, Our Hearts Inspire, O Zion Haste, Channels Only, Onward Christian Soldiers, I Love to Tell the Story, Stand Up, Stand Up for Jesus, Be Thou My Vision, I Surrender All, Give of Your Best to the Master, All for Jesus, All for Jesus!, Close to Thee, O Jesus, I Have Promised, God of Grace and God of Glory, All People That on Earth Do Dwell, Grace Greater than Our Sin, Battle Hymn of the Republic, Faith of Our Fathers, Dear Lord and Father of Mankind, Just As I Am, Praise the Lord! O Heavens Adore Him, Ancient of Days, Holy God, We Praise Your Name,
Come, We That Love the Lord, Who Is on the Lord?s Side, Softly and Tenderly, Immortal, Invisible, God Only Wise, God of Our Fathers, O My Soul, Bless God the Father, O for a Thousand Tongues to Sing, Depth of Mercy!
$25.00 ≈
23.07€
Leaves From The Vine
Leaves From The Vine
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Harpe
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DÉBUTANT
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Benjamin Wynn and Jeremy Zucke
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Rachael Acheson
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Leaves From The Vine
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TheHarpLibrarian
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SheetMusicPlus
Lever Harp - Level 1 - SKU: A0.1390699 Composed by Benjamin Wynn and Jeremy Zuckerman. Arranged by Rachael Acheson. 21st Century,Children,Film/TV,Multic...
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Lever Harp - Level 1 - SKU: A0.1390699 Composed by Benjamin Wynn and Jeremy Zuckerman. Arranged by Rachael Acheson. 21st Century,Children,Film/TV,Multicultural,Video Game,World. Score. 3 pages. TheHarpLibrarian #974251. Published by TheHarpLibrarian (A0.1390699). This is my simplified arrangement of Leaves from the Vine from the beloved animated series Avatar: the Last Airbender, as well as the more recent Netflix live-action adaptation by the same name. It is appropriate for beginner harpists working with an instrument as small as 24 strings, ranging from the F below middle C to the third F above Middle C (though the final verse of the song can be played an octave lower than written on smaller instruments). It is written in the key of B-flat Major with no accidentals or lever changes. As such, it could work on an instrument model without levers, so long as the instrument is tuned with Bs and Es flat. My own instrument is a Harpsicle Fullsicle Harp. But I believe it could also work, with few or no modifications, on a Harp-E, most/all of the Roosebeck Pakistani harp models, Dusty Strings Ravenna 26, or Musicmakers Sonnet 29. And, obviously, on any larger instrumentPlease note that this simplified version of the song for beginner harpists contains ONLY Leaves from the Vine and none of the medley themes in my more advanced version.I also, as mentioned, have a more complex arrangement of this piece, appropriate for intermediate harpists, published seperately. That more complex version is NOT included in the purchase of this document and will need to be purchased from its own link.Please note that the preview cuts off after the first half-page of score. When you download your purchase, you will recieve a pdf that contains both the preview and the full score.
$5.99 ≈
5.53€
15 Solos for Harp Volume 1
15 Solos for Harp Volume 1
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Harpe
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INTERMÉDIAIRE
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Celtique/Irlandais
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Monika Mandelartz
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15 Solos for Harp Volume 1
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by Monika Mandelartz. Book. 24 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.30403EB). - book - - Mel Bay Publications - Digital ...
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Composed by Monika Mandelartz. Book. 24 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.30403EB). - book - - Mel Bay Publications - Digital Sheet Music
ISBN 9781619114586. This book for the Celtic harp encompasses diverse songs and tunes from the British Isles, commonly described as Celtic Music. This type of music is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance).Author Monika Mandelartz, a specialist in historical performance practice, follows Playford's tradition by arranging parts of the collection for Celtic harp. Thereby, Mandelartz points out that her arrangements constitute a snapshot in time. Her work emphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as The Duke of Lorraine's March, Nonesuch, Black and Grey, Virgin Queen, I Will Give My Love an Apple, The Scots Rant, Duke of Grafton's March, Kettle Drum, Nobody's Jig, Spanish Jig, Sidh Beag Agus Sidh Mor, She Rose and Let Me In, Oranges and Lemons, and The Scotish Gigg.
$9.99 ≈
9.22€
Leaves From The Vine
Leaves From The Vine
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Harpe
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INTERMÉDIAIRE
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Benjamin Wynn and Jeremy Zucke
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Rachael Acheson
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Leaves From The Vine
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TheHarpLibrarian
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SheetMusicPlus
Lever Harp - Level 3 - SKU: A0.1390693 Composed by Benjamin Wynn and Jeremy Zuckerman. Arranged by Rachael Acheson. 21st Century,Broadway,Children,Film/...
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Lever Harp - Level 3 - SKU: A0.1390693 Composed by Benjamin Wynn and Jeremy Zuckerman. Arranged by Rachael Acheson. 21st Century,Broadway,Children,Film/TV,Musical/Show,Video Game. Score. 5 pages. TheHarpLibrarian #974247. Published by TheHarpLibrarian (A0.1390693). This is my slightly more complex arrangement of Leaves from the Vine from the beloved animated series Avatar: the Last Airbender, as well as the more recent Netflix live-action adaptation by the same name. It is appropriate for intermediate harpists working with an instrument as small as 26 strings, ranging from the C below middle C to the third G above Middle C (though it can obviously also be played on a larger harp, as well). It is written in the key of B-flat Major with no accidentals or lever changes. As such, it could work on an instrument model without levers, so long as the instrument is tuned with Bs and Es flat. My own instrument is a Harpsicle Fullsicle Harp. But I believe it could also work, with one or two very minor modifications, on a Harp-E, some of the Roosebeck Pakistani harp models (though check your range to be sure), Dusty Strings Ravenna 26, or Musicmakers Sonnet 29.The intro, outro, and transitions of the song weave in a medley of other themes from Avatar: The Last Airbender, including excerpts from The Avatar's Love, Four Seasons, and the main title theme. The core of the arrangement, however, centers around on variations of Leaves from the Vine.I also have a simplified, beginner-appropriate arrangement of this piece published seperately. That simplified version is NOT included in the purchase of this document and will need to be purchased from its own link.Please note that the preview cuts off after the first half-page of score. When you download your purchase, you will recieve a pdf that contains both the preview and the full score.
$5.99 ≈
5.53€
A Hymn A Day Volume 3
A Hymn A Day Volume 3
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Harpe, Voix
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Hugh Callison
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A Hymn A Day Volume 3
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SheetMusicPlus
Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship. 108 pages. Published by Afghan ...
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Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship. 108 pages. Published by Afghan Press Music for the Harp
This valuable collection of hymns is the third in a series of five! You will find many wonderful titles arranged for harp, from well-known favorites to songs that are lesser known yet equally important. Mr. Callison came to the harp as an adult after retiring from 40 years as a music educator. His arrangements are interesting and have lovely harmonies. The left hand in a few of the tunes is quite active.
Table of Contents: Lord Jesus Think on Me, Blessed Jesus, at Thy Word, All Praise to Thee, My God This Night, From Greenland?s Icy Mountains, Cleanse Me, Praise the Savior, Ye Who Know Him, O Master Let Me Walk with Thee, More Love to Thee, O Christ, Nearer, My God, to Thee, Come, Thou Font of Every Blessing, Rise Up, O Men of God, Sun of My Soul, My Faith has Found a Resting Place, The King of Love, My Shepherd Is, Savior, Like a Shepherd Lead Us, How Sweet the Name of Jesus Sounds, May the Grace of Christ Our Savior, At the Name of Jesus, Glorious Things of Thee Are Spoken, A Charge to Keep I Have, Join All the Glorious Names, Almighty God, Thy Lofty Throne, What a Friend We Have in Jesus, Blessing and Honor and Glory and Power, Great God, Attend, While Zion Sings, How Lovely Is Thy Dwelling Place, Trust and Obey, I Am Not Skilled to Understand, Jesus Loves Me, Brethren, We Have Met to Worship, Come, Let Us Tune Our Loftiest Song, Rescue the Perishing, Have Thine Own Way, Lord!, Thy Faithfulness, Lord, Each Moment We Find, To God Be the Glory, Fill Thou My Life, O Lord My God, God of Our Fathers, Known of Old, Jesus Call Us, Let Thy Blood in Mercy Poured, O Jesus, King Most Wonderful, Not What These Hands Have Done, Under His Wings I Am Safely Abiding, Shepherd of Eager Youth, Lamb of God!, Just a Closer Walk with Thee, Open My Eyes, That I May See, O Splendor of God?s Glory Bright, The Lord Is King, For All the Saints, A Mighty Fortress Is Our God, Thy Works, Not Mine, Thee Will I Love, My Strength, My God, How Wonderful Thou Art, O Christ, Our True and Only Light, Teach Me, My God and King, Zion to Thy Savior Singing, O Christ, Our King, Creator, Lord, God of the Earth, the Sky, the Sea, In Christ, There Is No East or West, How Lovely Shines the Morning Star, God, in the Gospel of His Son, Praise, My Soul, the King of Heaven, Gentle Jesus, Meek and Mild, Songs of Thankfulness and Praise, Who is This So Weak and Helpless, Savior of the Nations, Come, O Dearest Jesus, O Lord, How Shall I Meet Thee, O Lord of Heaven and Earth and Sea, Jesus, Thou Joy of Loving Hearts, O Perfect Love, I Heard the Voice of Jesus Say
$25.00 ≈
23.07€
Adagio No 1, My Salvation from An Adagio Suite for Solo Medium (Baritone, Bass Clef) Voice and Piano
Adagio No 1, My Salvation from An Adagio Suite for Solo Medium (Baritone, Bass Clef) Voice and Piano
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James Nathaniel Holland
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Adagio No 1, My Salvation from
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James Nathaniel Holland
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,English Horn,Flute,Medium Voice,Oboe,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Level 3 - SKU: A0.730397 Comp...
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Large Ensemble Bassoon,Cello,Clarinet,English Horn,Flute,Medium Voice,Oboe,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Level 3 - SKU: A0.730397 Composed by James Nathaniel Holland. Concert,Contemporary,Graduation. Score and parts. 17 pages. James Nathaniel Holland #3077739. Published by James Nathaniel Holland (A0.730397). New and original music by 21st century, American Costa Rican composer James Nathaniel Holland. This beautiful piece arranged for medium voice (Baritone (Key of G, Range: C to high G), piano (or harp or organ) and additional instrumental duets (Treble instruments in C (flute, oboe, viola or violin), Treble instruments in Bb (clarinet, trumpet, tenor saxophone), bass instruments in C (cello, bassoon, trombone) or in F (horn or English horn) is adapted from the ballet the Wind in the Willows. This piece is perfect for funerals, graduations, or any solemn occasions. Text is non-religious, but expresses universal sentiments of one's helping others and impermanence. The sample here is presented with voice, piano and solo trumpet.Text:Those roads I have trodd'nAnd the faces I have known,If I've left a bit of good,That is my salvation.Though naught to fame,or of great deeds reserved to claim,or that fortune's passed me by.
$5.50 ≈
5.08€
George Butterworth: Idyll: The Banks of Green Willow - symphonic wind/bass
George Butterworth: Idyll: The Banks of Green Willow - symphonic wind/bass
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George Butterworth
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Ray Thompson
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George Butterworth: Idyll: The
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RayThompsonMusic
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SheetMusicPlus
Level 5 - SKU: A0.553781 Composed by George Butterworth. Arranged by Ray Thompson. 20th Century,Spiritual,Standards. 52 pages. RayThompsonMusic #4350463...
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Level 5 - SKU: A0.553781 Composed by George Butterworth. Arranged by Ray Thompson. 20th Century,Spiritual,Standards. 52 pages. RayThompsonMusic #4350463. Published by RayThompsonMusic (A0.553781). The Banks of Green Willow The original is a short orchestral piece by George Butterworth, probably the most played of his three works for orchestra. It has certainly been his most recorded orchestral work. Described by its composer as an Idyll, and written in 1913, it is scored for a small orchestra consisting of two flutes, two oboes, two clarinets, two bassoons, two horns, one trumpet, harp and strings.Butterworth based The Banks of Green Willow on two folk song melodies that he noted in 1907 - The Banks of Green Willow and Green bushes. This popular piece is often used on TV in programmes with wholesome panoramic views of the British countryside. It has a relaxing pastoral English feel to it.This arrangement is in the original key so requires 2 clarinets in A. (alternate clarinets in Bb are provided)I have arranged it for wind dectet (double wind quintet) and bass.Opt. tuba/contra bassoon. I have also added an optional cut, avoiding the middle section, so that you can play it as reflective background music..There is an additional bar, to be omitted in the full version, and played in the cut one!The 4th mvt of Percy Aldridge Grainger's Lincolnshire Posy The Lost Lady Found has a similar tune to Green BushesI have arranged it for wind dectetThe mp3 is a live performance by Alliance Classical Players of New York on 21 June 2023.You can also purchase my wind quintet arrangement of Green Willow.I have also arranged English Idyll No.1 for wind dectet.https://youtu.be/_3YQfpnwaE4.
$14.95 ≈
13.80€
Gnome`s Dream For Harp And Strings
Gnome`s Dream For Harp And Strings
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Luis Anjos Teixeira
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Gnome`s Dream For Harp And Str
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - SKU: A0.889415 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and...
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Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - SKU: A0.889415 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 18 pages. Luis Anjos Teixeira #3479405. Published by Luis Anjos Teixeira (A0.889415). Dear music Lovers and Friends. Gnome`s Dream revealed in the2018 Chamber Music Contest Entry. Gnome`s Dream was designed to be performed by a group of five artists, or even seven, nine, one thousand or more! Any kind of diatonic Harp can be used to perform this piece. When playing the harp with the rest of the ensemble it might be better to perform it mostly as it was written. In the absence of a Double bass, than should the cello take its part. In the case of an ensemble with more artists where we have already formed a bowed stringed orquestra, The double bass while playing the introduction of the piece remains a soloist and it will than be reenforced with a cello while the other bowed instruments are also playing. It would be good to tune the E string of the double bass down to a D but if this is not possible than simply play the lower „D notes one octave higher. It is a perfect piece for a mixed group of early beginners and „early soloists, it is very easy to perform. It can be played by a group of five artists, as well as a complete string orquestra with harp. Some interpretation symbols where used in the score as a performance suggestion. Most of the score is left virgin to the interpretation of the artists involved, particularly the use of bowing and fingering. It is a very flexible piece that can be used in all kinds of events. The score For the 2018 Chamber Music Contest Entrywas written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was produced with samplers from Garritan, conceived as an audio support for the presentation of the score. It is here presented as a Harp Quintet. Thank you very much for taking your time to read this text and to listen to the file. This is the first time that it has been published in Sheet Music Plus. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Thanks to Stray Queen Mimi for my Family, all the Love and Compassion. Special thanks to my feline Family for all the Patience, Love and Compassion. Luis Anjos Teixeira
$16.44 ≈
15.17€
I Love My Kitty Cat
I Love My Kitty Cat
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Parry Gripp
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I Love My Kitty Cat
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Amphibia Cultural Legacy
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SheetMusicPlus
Mixed Percussion,Strings Acoustic Guitar,Bass Drum,Bass Voice,Body Percussion,Clarinet,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Flute,Han...
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Mixed Percussion,Strings Acoustic Guitar,Bass Drum,Bass Voice,Body Percussion,Clarinet,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Flute,Hand Percussion,Harp,Horn,Medium-High Voice,Oboe,Organ,Piano and Keyboard,Piccolo,Rhythm Instrument,Synthesizer,Tuba - SKU: A0.1143215 By Parry Gripp. By Amphibia Cultural Legacy and Parry P. Gripp. Broadway,Comedy,Disco,Musical/Show,Pop,Rock. 3 pages. Amphibia Cultural Legacy #741724. Published by Amphibia Cultural Legacy (A0.1143215). The internet is a beautiful place; every once in a while, it gifts us with something truly special. This time, we’ve been blessed with the epic remix of Parry Gripp’s I Love My Kitty Cat cover by Amphibia Cultural Legacy. The remix takes the catchy tune to another level, turning it into an upbeat and groovy orchestral piece that will have you rocking out on the dance floor.This remix will get your body moving with its driving percussion, funky bassline, and soaring strings section. Whether you’re a disco or rock n’ roll fan, there’s something for everyone here. The energy is infectious, and you’ll find yourself singing along to the lyrics in no time.But what sets this remix apart is its masterful use of orchestration.
$10.00 ≈
9.23€
A Hymn A Day Volume 4
A Hymn A Day Volume 4
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Harpe, Voix
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Hugh Callison
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A Hymn A Day Volume 4
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Afghan Press Music for the Harp
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SheetMusicPlus
Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship, Christmas, Thanksgiving. 121 pa...
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Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship, Christmas, Thanksgiving. 121 pages. Published by Afghan Press Music for the Harp
This valuable collection of hymns, 77 in all, is the fourth in a series of five! Volume four includes songs for Thanksgiving, Advent, Christmas, and Epiphany seasons as well as a few for the ordinary time between Epiphany and Lent. You will find many wonderful titles arranged for harp, from well-known favorites to songs that are lesser known yet equally important. These tunes have the added benefit of being arranged in keys that are accessible to most vocal ranges, which is especially helpful when playing along with congregational singing.
Table of Contents:
Thanks to God for My Redeemer, Now Thank We All Our God, Come, Ye Thankful People, Come, Sing to the Lord of Harvest, We Plow the Fields, Immanuel, to Thee We Sing, Hark! A Thrilling Voice Is Sounding, Away in a Manger, Comfort, Comfort Now My People, Lo! How a Rose E'er Blooming, The People That in Darkness Sat, Lift Up Your Heads, Ye Mighty Gates, Watchman, Tell Us of the Night, Hail to the Lord's Anointed, Come, Thou Long-Expected Jesus, O Come, O Come, Emmanuel, All Praise to Thee, Eternal Lord, Good Christian Men, Rejoice, From Heaven Above to Earth I Come, Thou Didst Leave Thy Throne, Let All Mortal Flesh Keep Silence, In the Bleak Midwinter, Earth Has Many a Noble City, God Rest Ye, Merry Gentlemen, Once In Royal David's City, The Friendly Beasts, The First Noel, It Came Upon a Midnight Clear, Angels, from the Realms of Glory, While Shepherds Watched Their Flocks, O Come, All Ye Faithful, Angels We Have Heard On High, O Little Town of Bethlehem, Hark! The Herald Angels Sing, What Child Is This?, Silent Night, Holy Night, Joy to the World!, Who Is He in Yonder Stall?, All Glory Be to God on High, Go Tell It on the Mountain, For All the Blessings of the Year, For Thy Mercy and Thy Grace, Another Year Is Dawning, May the Mind of Christ, My Savior, Great God, We Sing That Mighty Hand, Lead, Kindly Light, The Lord's My Shepherd, I'll Not Want, As With Gladness, Men of Old, We Three Kings of Orient Are, Like a River Glorious, Jesus, Lead Thou On, It Is Good to Sing Your Praises, Fear Not, O Little Flock, Guide Me, O Thou Great Jehovah, I Need Thee Every Hour, Lead On, O King Eternal, All the Way, My Savior Leads Me, Begin, My Tongue, Some Heavenly Theme, Lamp of Our Feet, Come, Sound His Praise Abroad, He Leadeth Me, In Heavenly Love Abiding, God Moves in a Mysterious Way, Great God of Wonders, Jesus, I Am Resting, Resting, O God of Bethel, Be Not Dismayed, Abide With Me, If Thou But Suffer God to Guide Thee, O God, Our Help in Ages Past, Leaning on the Everlasting Arms, Let Us, with a Gladsome Mind, Children of the Heavenly Father, The God of Abraham Praise, Take My Life and Let It Be, It Is Well with My Soul, At Even, Ere the Sun Was Set
$25.00 ≈
23.07€
FANTASIA on the 7th Tune of Thomas Tallis
FANTASIA on the 7th Tune of Thomas Tallis
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Classique
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Thomas Tallis and Alan Edgar
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FANTASIA on the 7th Tune of Th
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Alan Edgar Ted Moon
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 2 - SKU: A0.1279289 Composed by Thomas Tallis and Alan Edgar. Classical. 16 pages. Alan Edgar Ted...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 2 - SKU: A0.1279289 Composed by Thomas Tallis and Alan Edgar. Classical. 16 pages. Alan Edgar Ted Moon #870783. Published by Alan Edgar Ted Moon (A0.1279289). String quartet or String Orchestra.  In this humble tribute to Ralph Vaughan Williams, I offer this Fantasia on another theme from Thomas Tallis's contribution in 1567 to Archbishop Parker's Psalter: his Seventh Tune for Psalm 52. My Fantasia tries to reflect David's feelings of disgust, anger and sadness, but also his calm confidence in God.Why do you boast of your evil deeds, you champion of malice? All day long you plot harm; your tongue is like a sharpened razor,you master of deceit. etc.Any similarities to RVW's piece are entirely deliberate. DURATION: 5-6 minutes.
$11.00 ≈
10.15€
Over the Water
Over the Water
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Harpe, Voix
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INTERMÉDIAIRE
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Mary Lloyd
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Over the Water
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Afghan Press Music for the Harp
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Voice - Level 3 - SKU: A0.797553 Composed by Mary Lloyd. Arranged by Afghan Press Music for the Harp. Celtic,Co...
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Instrumental Duet Harp,Instrumental Duet,Voice - Level 3 - SKU: A0.797553 Composed by Mary Lloyd. Arranged by Afghan Press Music for the Harp. Celtic,Concert,Folk,World. Score and parts. 61 pages. Afghan Press Music for the Harp #5778699. Published by Afghan Press Music for the Harp (A0.797553). A delightful book of mostly Celtic tunes and songs and a few poems, collected, interpreted, arranged, and in some cases, composed by Mary K. Lloyd. Many favorites are included, some as harp solo, some as harp with voice, some as both. For intermediate harp in C, G, or D with one optional Eb. The poems, melodies (even a Ugandan folk song), and lyrics are all lovely! Contains: My Heart, A Song (poem), Over the Water, Soft Mild Morning, The Dawning of the Day, 'Tis A Pity I Don't See My Love, Ned of the Hill, Hector the Hero, Sir Charles Coote, Hewlett, Blind Mary, The Great Song of MacLeod, Kilcash (Cill Chais), Dark Isle, Arran Boat Song, Loch Tay Boat Song, Skye Boat Song, Red Is the Rose, Kelvin Grove (in 4/4, aka The Shearin's No For You), The Shearin's No For You (words), Will Ye No' Come Back Again?, Londonderry Air, The Young Man's Dream, Song (poem), Deus Meus, Mwana Wange
$17.00 ≈
15.69€
Welsh Folksongs for String Orchestra
Welsh Folksongs for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Traditional
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Yoel Epstein
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Welsh Folksongs for String Orc
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Yoel Epstein
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.773302 Composed by Traditional. Arranged by Yoel Epstein. Celtic,Christian,Folk,Holiday. Score and parts. 41 pages....
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String Orchestra - Level 3 - SKU: A0.773302 Composed by Traditional. Arranged by Yoel Epstein. Celtic,Christian,Folk,Holiday. Score and parts. 41 pages. Yoel Epstein #3236529. Published by Yoel Epstein (A0.773302). If ever there was a nation with song in its heart, it is the Welsh. These five traditional Celtic folksongs are among the best known and best loved of all folk music. Ar Hyd Y Nos (All Through The Night), first published in 1784 in Edward Jones's anthology of folk songs, Musical and Poetical Relics of the Welsh Bards, became one of the most popular hymns in the English-speaking world. A popular Christmas song, All Through the Night also appears in numerous films and stage productions, beginning with John Gay's opera of 1728 and up to the present day. Calon Lân (a pure heart), a traditional Celtic tune with lyrics later written by Daniel James (Gwyrosydd) in the 1890s, has become the anthem of the Welsh Rugby league. Llwyn Onn (The Ash Grove) was first published in 1892 in The Bardic Museum by harpist Edward Jones. In its English version, with words written by poet Thomas Oliphant, it is traditionally sung in America on Thanksgiving and Christmas. Dafydd y Gareg Wen (David of the White Rock). This song was written by David Owen, a harpist who died about 1720 at the tender age of 29. Tradition says that Owen was lying on his deathbed, and called for his harp. Too weak to hold the harp, he was helped by his wife, who held the harp upright while he played this haunting tune. Rhyfelgyrch Gwyr Harlech (Men of Harlech) describes the seven-year siege of Harlech Castle between 1461 and 1468. Commanded by Constable Dafydd ap Ieuan, the Welsh garrison withstood the longest known siege in the history of the British Isles I hope you enjoy playing this as much as I enjoyed writing it. If you enjoy this, you are welcome to try some of my other arrangements. You can see them at http://www.sheetmusicplus.com/publishers/yoel-epstein-sheet-music/3001988?ac=1. I have also arranged three songs from the Holocaust, which I arranged and distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me at yoelepst@gmail.com, and I will try to accommodate.
$34.99 ≈
32.29€
Concerto for Orchestra, opus 111 (2005, rev. 2010)
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...
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Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99 ≈
9.22€
What A Wonderful World
What A Wonderful World
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Guitare
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INTERMÉDIAIRE
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Louis Armstrong
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Richard Hirsch
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and 3&
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What A Wonderful World
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural...
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Solo Guitar - Level 3 - SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural,Pop,Standards,World. Individual part. 8 pages. Richard Hirsch #755336. Published by Richard Hirsch (A0.1155054). Taking inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement in polyrhythmic 4/4 time of What a Wonderful World for solo acoustic guitar. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The tune is really happy and up-lifting. If there are any little folks (kids two to four years old) around listening, they will have a hard time sitting still. My grandson (two and a half) really got going when I played it for him. I can hardly resist the urge to dance to the tune while playing myself! The arrangement is in the spirit of the Canarios by Gaspar Sanz for classical guitar and is meant to have the nature of a dance. The repetitive alternating thumb and index and middle finger cycle going through the broken chords with the melody woven in works to give the arrangement an almost hypnotic character. The fingering for the right hand is given in first section and is basically the same throughout the piece. The fingering for the left hand can, I believe, be easily figured out from the tablature. The arrangement is within the reach of intermediate students of the acoustic guitar; anyone who has mastered the basics of fingerstyle fingerpicking guitar, and can be played on both nylon and steel string acoustic guitars. The short and long glissandos and the arpeggios of natural harmonics resembling the kalimba (thumb harp) together with the drone effects of the enharmonic tones in the chords give an added dash of African spice to the piece.
$4.99 ≈
4.61€
Merry Xmas Everybody
Merry Xmas Everybody
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Slade
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HELEN MARPLE-HORVAT
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Merry Xmas Everybody
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.749235 By Slade. By James Lea, Jim Lea, and Neville Holder. Arranged by HELEN MARPLE-HORVAT. Contempor...
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String Quartet String Quartet - Level 4 - SKU: A0.749235 By Slade. By James Lea, Jim Lea, and Neville Holder. Arranged by HELEN MARPLE-HORVAT. Contemporary. Score and parts. 15 pages. Helen Marple-Horvat #6134105. Published by Helen Marple-Horvat (A0.749235). youtube.com/watch?v=b74tCHtcmFM‘Merry Christmas Everybody' is a major hit in the UK, and the familiar song heralds the festive season with all the ‘feel good’ emotions that come with it. We hear it in shops, supermarkets, and radio stations all over the country for the weeks in the run up to the celebrations, as it is part of a popular compilation of hits. It was a Christmas number one in 1973 and stayed there for nine weeks. Although it was recorded in New York it is not so well known in the USA which is a surprise to me. I have always loved it because of the unusual chord progressions at the end of the Chorus, and because Noddy Holder is from the West Midlands where I was born and bred. We don’t have too many famous people from around there!It is important to keep a steady tempo but it doesn’t need to be as fast as the original (120 bpm) However It *is* in the same key as the original and follows the structure exactly, so it may be possible to play along with it before coming to rehearsal, which is always helpful. It is useful to feel the syncopation that way. We planned to record this last March but that was before Lockdown!The tune is shared between first violin, viola and cello. The second violinist needs to keep a rock steady pulse. Although it is suitable for a professional quartet to play, and the first violinist often plays the tune up an octave, I feel that it is easy enough for a quartet of Grade 5 ABRSM to play with a few modifications such as playing open strings. The cellist will need to be able to play in fourth position and to stretch for the F sharps on the C string, but feel free to change the octaves or use pizzicato in the bass part if it makes things easier.The bowing is a guide only, based on the rehearsal with Capriccio Quartet, so all players should take as many bows as they need in order to feel comfortable. Enjoy playing the piece and send me any recordings on Facebook. I love to hear from people who have played my arrangements.You can hear Capriccio Quartet play my other arrangements at the Youtube Channel, Helen Marple-Horvat Songwriter, Arranger, Composer, Capriccio Quartet. All but two are available from Sheet Music Plus.
$15.00 ≈
13.84€
En Face Du Miroir (Facing The Mirror)
En Face Du Miroir (Facing The Mirror)
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Piano seul
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AVANCÉ
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Jazz
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Ma...
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Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:
"En Face Du Miroir (Facing The Mirror)"
- taken from the Isadar solo piano complete collection, "Red" (also available on SMP)
Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Album & Songbook Review by: Kathy Parsons
Red is pianist/composer Isadar?s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar?s best piano pieces; O Christmas, Isadar?s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.
I have been reviewing and thoroughly enjoying Isadar?s releases since his second piano album, 1999?s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar?s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.
Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar?s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.
Red opens with ?Broken Valentine,? a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. ?The Man Who Broke My Heart? is energetic and in constant swirling motion - also very free and from deep within. ?The Stairwell? is darker and much more mysterious, overflowing with Isadar?s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute ?Letting Go,? a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! ?En Face Du Miroir (Facing the Mirror)? is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with ?Blood ... Thicker Than Water,? again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.
Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!
Isadar?s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar?s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.
Isadar is an amazing pianist with a style all his own, so this isn?t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.
Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9?x12? format with a stapled binding.
If you enjoy listening to Isadar?s music, I?m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!
The songs with their key signatures and the number of pages is listed below:
Broken Valentine - C minor (3 flats) - 4 pages
Red - A minor (0 sharps or flats) - 5 pages
The Man Who Broke My Heart - A minor - 6 pages
The Stairwell - F# minor (3 sharps) - 7 pages
Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages
En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages
Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages
Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...
Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.
For more information, visit his website at: http://www.isadar.com
$5.99 ≈
5.53€
Breton Regional Anthem for Brass Quintet
Breton Regional Anthem for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Patriotique
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James James
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Keith Terrett
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Breton Regional Anthem for Bra
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Music for all Occasions
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SheetMusicPlus
Composed by James James. Arranged by Keith Terrett. 20th Century, World, European, Patriotic. Score, Set of Parts. 9 pages. Published by Music for all...
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Composed by James James. Arranged by Keith Terrett. 20th Century, World, European, Patriotic. Score, Set of Parts. 9 pages. Published by Music for all Occasions
An arrangement of the regional anthem of Brittanny for Brass Quintet.
Bro Gozh ma Zado (Breton: Old Land of My Fathers) is the anthem of Brittany, sometimes presented as the "national anthem" although it has no official status. It is sung to the same tune as that of the national anthem of Wales, Hen Wlad Fy Nhadau, and has similar words. The Cornish anthem, Bro Goth Agan Tasow, is also sung to the same tune.
The Breton lyrics are the creation of Franois Jaffrennou in 1897, and the music was that composed by James James, of Pontypridd, Wales, for Hen Wlad Fy Nhadau. The new song was first published in 1898, and circulated as Henvelidigez ("Adaptation"). It was chosen as national anthem (and a song to celebrate friendship between the Welsh and Bretons) in 1903, at a Congress of the Union Rgionaliste Bretonne held in Lesneven. Maurice Duhamel adapted it for the piano, and it was first recorded by Path in 1910.
James James (also known by the bardic name Iago ap Ieuan) (1833?1902) was a harpist and musician from Pontypridd, Wales. He composed the tune of the Welsh national anthem Hen Wlad fy Nhadau (also known as Land of my Fathers).
He was born on 4 November 1832, at the ?Ancient Druid? inn, Hollybush, in the parish of Bedwellty, Monmouthshire. He was the son of Evan James (1809-1878) and Elizabeth Stradling of Caerphilly. His father, a Welsh versifier under the pen-name of leuan ab lago, moved with his family about 1844 to Pontypridd, where he carried on the business of weaver and wool merchant. His son James assisted him in the business.
James James composed the melody which was later known as Hen Wlad fy Nhadau in January 1856. At first it was known as Glan Rhondda (The banks of the Rhondda), and gave rise to the tradition that the tune had come to him as he walked on the bank of the River Rhondda. His father, Evan James, wrote the lyrics that eventually became the words of the Welsh national anthem.
A memorial to James James and his father, in the shape of two figures representing the muses of Poetry and Music, stands in Ynysangharad Park, Pontypridd. James James died in Aberdare in the Cynon Valley 11 January 1902,[3] he is buried in the local cemetery at Aberdare in the same grave as his wife Cecilia and daughter Louisa.
For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$8.99 ≈
8.30€
The Sussex Carol - easy piece for guitar trio
The Sussex Carol - easy piece for guitar trio
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3 Guitares (trio)
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FACILE
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Various
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Derek Hasted
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The Sussex Carol - easy piece
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Derek Hasted
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1281892 By Various. By Traditional English. Arranged by Derek Hasted. Christmas,Traditional. 12 pages. Derek Hasted #873244. ...
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Guitar - Level 2 - SKU: A0.1281892 By Various. By Traditional English. Arranged by Derek Hasted. Christmas,Traditional. 12 pages. Derek Hasted #873244. Published by Derek Hasted (A0.1281892). THE SUSSEX CAROL - Very playable arrangement for GUITAR TRIO or larger ensembleFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is perfect as an easy-to-play addition to any Christmas Concert.This charming English carol is arranged here for 3 early intermediate guitars (or a larger ensemble).This was captured and written down by Cecil Sharp, the Folk Song collector, and by Ralph Vaughan Williams who heard it in Horsham, in Sussex.My arrangement gives everyone a chance to play the tune, and each of the verses has a slightly different texture. There are also key changes so that each verse seems to move up a gear.It can be played entirely in the first and second position, or more experienced players may want to take the higher notes further up the neck. The tune is indicated by a change of volume, but please feel free to add other volume and/or tone changes to make the performance “yoursâ€.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$1.99 ≈
1.84€
Fifteen Safari Duets for Tubas
Fifteen Safari Duets for Tubas
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2 Tubas (duo)
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FACILE
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Jazz
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Gregory Fritze
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Fifteen Safari Duets for Tubas
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova US...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.
In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc ?Tuba Safari? (Troy 1173) on Albany Records.
1. Elephants at Stave
This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.
2. Gallop ? Thompson Gazelle at Amboseli
This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo ? a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya.
3. Rhinos at Nairobi Game Park
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.
4. Giraffes at Nairobi Twiga Park
This is in a ?rock? style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.
5. Warthogs at Ngulia
Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.
6. Baboons at Kiliguni
This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists? tables. They will work together where one causes a diversion while the others steal.
7. Pastoral ? Cape Buffalo at Samburu
The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.
8. Song - Hippos at Mzima Springs
This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.
9. Leopards at Kimana Lodge
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night.
10. Colobus Monkeys at the Ark
This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest.
11. Zebra Migration at Masai Mara
This duet is in a ?Medium Swing? jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.
12. Ostrich at Samburu
This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.
13. Cheetah at Voi
This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.
14. Gallop ? Gerenuk at Buffalo Springs
This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.
15. Lions at Mara Sopa
This duet is in the style of a fanfare. The lion is considered the king of the savanna.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
18.46€
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I Will Tune My Harp 
