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If I Could Turn Back Time: Score
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Vous avez sélectionné:
If I Could Turn Back Time: Score
Partitions à imprimer
20 partitions trouvées
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1
If I Could Turn Back Time: Score
If I Could Turn Back Time: Score
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If I Could Turn Back Time: Sco
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Choir - SKU: AX.00-PR-0006683 Instructional. Score. 20 pages. Alfred Music - Digital Sheet Music #00-PR-0006683. Published by Alfred Music - Digital She...
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Choir - SKU: AX.00-PR-0006683 Instructional. Score. 20 pages. Alfred Music - Digital Sheet Music #00-PR-0006683. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0006683). UPC: 038081553269.
$8.00 ≈
7.21€
If I Could Turn Back Time
If I Could Turn Back Time
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Chorale TTBB
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INTERMÉDIAIRE
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Pop musique
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Cher
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David Maddux
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If I Could Turn Back Time
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David Maddux
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1370448 By Cher. By Diane Warren. Arranged by David Maddux. Pop. 14 pages. David Maddux #954826. Publishe...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1370448 By Cher. By Diane Warren. Arranged by David Maddux. Pop. 14 pages. David Maddux #954826. Published by David Maddux (A0.1370448). From the full-concert revue After All: Sixty Years of Cher, one of the timeless icon’s most popular hits, arranged for men's chorus.Note: THIS DOWNLOAD CONTAINS THE PIANO-VOCAL SCORE ONLY. Conductor's score and instrumental parts sold separately.
$4.99 ≈
4.49€
If I Could Turn Back Time
If I Could Turn Back Time
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Pop musique
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Cher
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David Maddux
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If I Could Turn Back Time
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David Maddux
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SheetMusicPlus
Drum Set,Electric Bass Guitar,Electric Guitar,Piano,Synthesizer - Level 3 - SKU: A0.1370451 By Cher. By Diane Warren. Arranged by David Maddux. Pop. 57 ...
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Drum Set,Electric Bass Guitar,Electric Guitar,Piano,Synthesizer - Level 3 - SKU: A0.1370451 By Cher. By Diane Warren. Arranged by David Maddux. Pop. 57 pages. David Maddux #954829. Published by David Maddux (A0.1370451). From the full-concert revue After All: Sixty Years of Cher, one of the timeless icon’s most popular hits, arranged for men's chorus.Note: THIS DOWNLOAD CONTAINS THE CONDUCTOR'S SCORE AND INSTRUMENTAL PARTS ONLY. Piano-vocal score sold separately.
$50.00 ≈
45.03€
If I Could Turn Back Time
If I Could Turn Back Time
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Cher
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Sean Mallow
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If I Could Turn Back Time
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Sean Mallow
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1393229 By Cher. By Diane Warren. Arranged by Sean Mallow. Rock. 117 pages. Sean Mallow #976710. Published by Sean Ma...
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Full Orchestra - Level 4 - SKU: A0.1393229 By Cher. By Diane Warren. Arranged by Sean Mallow. Rock. 117 pages. Sean Mallow #976710. Published by Sean Mallow (A0.1393229). Arrange for Rock OrchestraInstruments in score: Piccolo Flute Oboe Oboe d'Amore English Horn Clarinet in Bb Bass Clarinet in Bb Tenor Saxophone Bassoon Horn in F Trumpet in Bb Trombone Tuba Drum Set Tambourine Vibraphone Harp Bass Guitar Lead Vox Back Vox Piano Violin 1 Violin 2 Viola Violoncello Contrabass
$49.99 ≈
45.02€
If I Could Turn Back The Hands Of Time
If I Could Turn Back The Hands Of Time
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Piano seul
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Pop musique
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Soul/R&B
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R
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If I Could Turn Back The Hands
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Hal Leonard Europe
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SheetMusicPlus
Piano - SKU: HX.349836 By R. Kelly. This edition: scorch. Pop,R & B. Score (Chords/Lyrics). 2 pages. Hal Leonard Europe #25802. Published by Hal Leonard...
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Piano - SKU: HX.349836 By R. Kelly. This edition: scorch. Pop,R & B. Score (Chords/Lyrics). 2 pages. Hal Leonard Europe #25802. Published by Hal Leonard Europe (HX.349836).
$1.99 ≈
1.79€
Diane Warren: If I Could Turn Back Time - choir (full score)
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Chorale
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INTERMÉDIAIRE
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Rock
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Diane Warren
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Virtualsheetmusic
Instantly printable sheet music by Diane Warren for choir (full score) of MEDIUM skill level. / pop,rock,contemporary,instructional,choral
Instantly printable sheet music by Diane Warren for choir (full score) of MEDIUM skill level. / pop,rock,contemporary,instructional,choral
$7.99 ≈
7.20€
Diane Warren: If I Could Turn Back Time - piano, voice or other instruments
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Piano, Voix
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INTERMÉDIAIRE
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Rock
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Diane Warren
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Virtualsheetmusic
Instantly printable sheet music by Diane Warren for piano, voice or other instruments of EASY/MEDIUM skill level. / pop,rock
Instantly printable sheet music by Diane Warren for piano, voice or other instruments of EASY/MEDIUM skill level. / pop,rock
$6.97 ≈
6.28€
Diane Warren: If I Could Turn Back Time - piano, voice or other instruments
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Piano, Voix
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INTERMÉDIAIRE
#
Rock
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Diane Warren
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Virtualsheetmusic
Instantly printable sheet music by Diane Warren for piano, voice or other instruments of EASY/MEDIUM skill level. / contemporary,pop,rock
Instantly printable sheet music by Diane Warren for piano, voice or other instruments of EASY/MEDIUM skill level. / contemporary,pop,rock
$7.97 ≈
7.18€
These Are The Best Of Times
These Are The Best Of Times
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Piano, Voix et Guitare
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FACILE
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Michael Drake
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Michael Drake
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These Are The Best Of Times
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Michael Gene Drake
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1350134 By Michael Drake. By Michael Drake. Arranged by Michael Drake. Broadway,Celtic,Film/TV,Irish,Musica...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1350134 By Michael Drake. By Michael Drake. Arranged by Michael Drake. Broadway,Celtic,Film/TV,Irish,Musical/Show,Singer/Songwriter. Score. 48 pages. Michael Gene Drake #934912. Published by Michael Gene Drake (A0.1350134). These Are The Best Of Timesâ€Here is the sheet music and all the parts from my song “These Are The Best Of Timesâ€INTROThese are the Best of Times we have and these are the Best of Times you know. These are the Best of Times we have These are the Best of Times, These are the Best of Times.Verse 1Love to live my life with you and have fun the whole day thru, ski-ppin'stones in the summer time on the  lake be-side our home.  Love to live my life with you ha-vin' fun the evenin' too we wouldCuddle by the f-ire and dream the night a-way!ChorusThese could be the best of times ours could be the grandest life,If we just decide to make it happen. Against the odds we'll make it thru I tell you darlin' I love you,Our lives will never be the same again,Our lives will never be the same again,Our lives will never  be the same again, Verse 2You need to know from me the things I love a-bout you, Well that’sEasy to say it's everything you are.And now that we've found our-selves there is no turning back though it's difficult at times we are in each other’s blood. ChorusThese are now the best of times, ours are surely the gift we need, weFollowed our hearts and now we made it.Against the odds we made it thru I tell you darlin' I love you,Our lives will never be the same a-gain,Our lives will never be the same a-gain,Our lives will never be the same a-gain, Michaeldrakemusic@outook.com  www.drakemusic.com.
$25.00 ≈
22.52€
Robert Kelly: If I Could Turn Back The Hands Of Time - piano solo (chords, lyrics, melody)
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Piano seul
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INTERMÉDIAIRE
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Pop musique
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Robert Kelly
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Virtualsheetmusic
Instantly printable sheet music by Robert Kelly for piano solo (chords, lyrics, melody) of MEDIUM skill level. / pop,r & b
Instantly printable sheet music by Robert Kelly for piano solo (chords, lyrics, melody) of MEDIUM skill level. / pop,r & b
$3.97 ≈
3.58€
Robert Kelly: If I Could Turn Back The Hands Of Time for piano solo
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Piano seul
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INTERMÉDIAIRE
#
Pop musique
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Robert Kelly
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Virtualsheetmusic
Instantly printable sheet music by Robert Kelly for piano solo (chords, lyrics, melody) of MEDIUM skill level. / pop,r & b
Instantly printable sheet music by Robert Kelly for piano solo (chords, lyrics, melody) of MEDIUM skill level. / pop,r & b
$3.97 ≈
3.58€
Robert Kelly: If I Could Turn Back The Hands Of Time for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Pop musique
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Robert Kelly
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Virtualsheetmusic
Instantly printable sheet music by Robert Kelly for voice, piano or guitar of MEDIUM skill level. / pop,r & b
Instantly printable sheet music by Robert Kelly for voice, piano or guitar of MEDIUM skill level. / pop,r & b
$6.97 ≈
6.28€
The Water is Wide for Viola & Piano
The Water is Wide for Viola & Piano
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Alto, Piano
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FACILE
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Contemporain
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Traditional Scottish
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James M
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The Water is Wide for Viola &
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jmsgu3
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SheetMusicPlus
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pag...
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)
Duration: 5:24
Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time
Solo part: 3 pg.
Piano part: 4 pg.
A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"
it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."
This is an original arrangement from the ground up.
Programming:
If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.
It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.
Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.
Keep in mind these performance ideas:
1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.
2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.
3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.
Synopsis of the arrangement:
verse 1: Simple quiet duet with the melody in the solo instrument.
verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.
verse 3: Melody in the piano in 4-part harmony.
verse 4: 3-part canon on the melody (with a free accompaniment voice).
verse 5: 2-part canon with a free accompaniment in the solo part
verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.
verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal
piano clusters over bass chords that suggest submerged church bells.
For better insight into the performance of this music: express the emotion indicated by the lyrics:
The Water Is Wide:
The water is wide, I cannot get over
Neither have I wings to fly
Give me a boat that can carry two
And both shall row, my love and I
A ship there is and she sails the sea
She's loaded deep as deep can be
But not so deep as the love I'm in
I know not if I sink or swim
I leaned my back against an oak
Thinking it was a trusty tree
But first it bent and then it broke
So did my love prove false to me
I reached my finger into some soft bush
Thinking the fairest flower to find
I pricked my finger to the bone
And left the fairest flower behind
Oh love be handsome and love be kind
Gay as a jewel when first it is new
But love grows old and waxes cold
And fades away like the morning dew
Must I go bound while you go free
Must I love a man who doesn't love me
Must I be born with so little art
As to love a man who'll break my heart
When cockle shells turn silver bells
Then will my love come back to me
When roses bloom in winter's gloom
Then will my love return to me
The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).
O Waly, waly (a lament ? "woe is me") up the bank,
And waly, waly doun the brae (hill),
And waly, waly, yon burn-side (riverside),
Where I and my love wont to gae.
I lean'd my back into an aik (oak),
I thocht it was a trusty tree;
But first it bow'd, and syne (soon) it brak (broke),
Sae my true love did lightly me.
O waly, waly, but love be bonnie (beautiful),
A little time while it is new,
But when 'tis auld (old), it waxeth cauld (cold),
And fades away like the morning dew.
O wherefore should I busk my heid (adorn my head)?
Or wherefore should I kame (comb) my hair?
For my true love has me forsook,
And says he'll never love me mair (more).
Now Arthur Seat shall be my bed,
The sheets shall ne'er be fyl'd by me,
Saint Anton's well shall be my drink,
Since my true love has forsaken me.
Martinmas wind, when wilt thou blaw (blow),
And shake the green leaves off the tree?
O gentle death, when wilt thou come?
For of my life I am weary.
'Tis not the frost, that freezes fell,
Nor blawing snaws (snow) inclemency,
'Tis not sic cauld (such cold) that makes me cry,
But my love's heart grown cauld to me.
When we cam in by Glasgow town,
We were a comely sight to see;
My love was clad in the black velvet,
And I my sell in cramasie (crimson).
But had I wist (known), before I kiss'd,
That love had been sae ill to win,
I'd lock my heart in a case of gold,
And pin'd it with a silver pin.
Oh, oh! if my young babe were born,
And set upon the nurse's knee,
And I my sell were dead and gane,
For a maid again I'll never be.[4]
(Lyrics courtesy of Wikipedia)
For more information, please feel free to contact me at: jmsgu3 "at" gmail.com
James M. Guthrie, ASCAP
jmsgu3 publications
$32.95 ≈
29.68€
Requiem
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
50.43€
In the Sweet By and By hymn for string trio
In the Sweet By and By hymn for string trio
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Trio à Cordes: violon, alto, violoncelle
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and By! Why would not that mak
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SMT Music
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In the Sweet By and By hymn fo
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SMT Music
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SheetMusicPlus
String Ensemble,String Trio - SKU: A0.749761 Arranged by SMT Music. Christian,Folk,Holiday,Patriotic,Sacred,Standards. Score and parts. 10 pages. SMT Mu...
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String Ensemble,String Trio - SKU: A0.749761 Arranged by SMT Music. Christian,Folk,Holiday,Patriotic,Sacred,Standards. Score and parts. 10 pages. SMT Music #6286217. Published by SMT Music (A0.749761). (published in 1868) Mr. Webster, like many musicians, was of an exceedingly nervous and sensitive nature, and subject to periods of depression, in which he looked upon the dark side of all things in life. I had learned his peculiarities so well that on meeting him I could tell at a glance if he was melancholy, and had found that I could rouse him up by giving him a new song to work on. He came into my place of business [in Elkhorn, Wisconsin], walked down to the stove, and turned his back on me without speaking. I was at my desk. Turning to him, I said, Webster, what is the matter now? It's no matter, he replied, it will be all right by and by. The idea of the hymn came me like a flash of sunlight, and I replied, The Sweet By and By! Why would not that make a good hymn? Maybe it would, he said indifferently. Turning to my desk I penned the words of the hymn as fast as I could write. I handed the words to Webster. As he read his eyes kindled, and stepping to the desk he began writing the notes. Taking his violin, he played the melody and then jotted down the notes of the chorus. It was not over thirty minutes from the time I took my pen to write the words before two friends with Webster and myself were singing the hymn.-Sanford Fillmore Bennett (1836-1898)[2].
$12.99 ≈
11.70€
Le streghe
Le streghe
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Piano seul
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Monica Bergo
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I find again  
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Le streghe
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Monica Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.976872 Composed by Monica Bergo. Children,Contemporary,Halloween. Score. 8 pages. Monica Bergo #3240587. Published by Monica Bergo ...
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Piano Solo - SKU: A0.976872 Composed by Monica Bergo. Children,Contemporary,Halloween. Score. 8 pages. Monica Bergo #3240587. Published by Monica Bergo (A0.976872). 2017 Holiday Contest Entry♫ *'¯` * • .¸¸. ♫ ♫ Witches *'¯` * • .¸¸. ♫ It seemed a day so, like many others, I wake up and commitments already there are pressing who asks, who call, they have all need leave me alone want my dream Today, I'm sorry, but is not the day from these chains I feel disconnected and run happy in the thick of the wood I reach my nest my hidden place I never afraid in the woods at night With they I find again the right atmosphere and there, around the fire there is my family the only, the true that resembles me the most And in my reflection are barefoot and shabby but just so , I feel myself and while we wait something to happen dolls in hand we look for a prey if in the Middle Ages they had burned us stronger and bad now we are back Between 1000 potions between powders and concoctions we here manufacture the strange mixtures And dance around the fire Of us, cares little to you we are ugly, we are ungainly we are dirty and unkempt and turned, turned around, there is a place in the world where it does not matter the look and appearance. And while we intone the chants to the moon a strange mantra to bring good luck I feel observed because there hidden he's , he followed me in the thick of wood I stop petrified and now I'm afraid because he knows nothing of my dark half and I see the contempt I can see it in his face and I have a heavy heart tears soaked-.... What I could say I would tell him do not go while time seems to stop a moment seems eternal.... But who cares half woman half witch If really you're interested maybe you love me the same.... and I look at you go away in my eyes nostalgy and a tear goes I think of what will not be strange actress consumed identity lost I try wherever my part always change my fate. And watch you disappear something inside me dies I would like an elixir of love it gives you back &n.
$3.99 ≈
3.59€
WITCHS
WITCHS
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Piano seul
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Contemporain
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Monica Bergo
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I find again  
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WITCHS
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012708 Composed by Monica Bergo. Contemporary. Score. 11 pages. Moni Bergo #5742971. Published by Moni Bergo (A0.1012708). ...
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Piano Solo - SKU: A0.1012708 Composed by Monica Bergo. Contemporary. Score. 11 pages. Moni Bergo #5742971. Published by Moni Bergo (A0.1012708). Music and song composed by me♫ *'¯` * • .¸¸. ♫ ♫ Witches *'¯` * • .¸¸. ♫ It seemed a day so, like many others, I wake up and commitments already there are pressing who asks, who call, they have all need leave me alone want my dream Today, I'm sorry, but is not the day from these chains I feel disconnected and run happy in the thick of the wood I reach my nest my hidden place I never afraid in the woods at night With they I find again the right atmosphere and there, around the fire there is my family the only, the true that resembles me the most And in my reflection are barefoot and shabby but just so , I feel myself and while we wait something to happen dolls in hand we look for a prey if in the Middle Ages they had burned us stronger and bad now we are back Between 1000 potions between powders and concoctions we here manufacture the strange mixtures And dance around the fire Of us, cares little to you we are ugly, we are ungainly we are dirty and unkempt and turned, turned around, there is a place in the world where it does not matter the look and appearance. And while we intone the chants to the moon a strange mantra to bring good luck I feel observed because there hidden he's , he followed me in the thick of wood I stop petrified and now I'm afraid because he knows nothing of my dark half and I see the contempt I can see it in his face and I have a heavy heart tears soaked-.... What I could say I would tell him do not go while time seems to stop a moment seems eternal.... But who cares half woman half witch If really you're interested maybe you love me the same.... and I look at you go away in my eyes nostalgy and a tear goes I think of what will not be strange actress consumed identity lost I try wherever my part always change my fate. And watch you disappear something inside me dies I would like an elixir of love it gives you back
$5.00 ≈
4.50€
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
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Contre Basse
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AVANCÉ
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Thomas Oboe Lee
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Toccata for Double Bass and Pi
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Thomas Oboe Lee
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Indivi...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 44 pages. Thomas Oboe Lee #31067. Published by Thomas Oboe Lee (A0.869156). I received an email from Joel Quarrington in 2011 with a request to buy a score and a set of parts to Hylidae … The Tree Frogs (1991) for violin, double bass and piano. He said he would like to perform the work at the next International Society of Bassists convention in Rochester, New York. I told him That is great. But it’s such an old work. Why don’t I write something new for you? He said, How much would a commission cost? I said, Let me write the piece first and if you like it, we can talk about a fee then. I began work on Toccata for Double Bass and Piano in late August and completed it on October 15. I sent Joel the music as a PDF and MIDI file via email. He wrote back, The piece looks really terrific and I have enjoyed listening to it as well, thanks for the midi file. I couldn’t be happier! Toccata is in three movements, fast-slow-fast, with internal ABA ternary forms in the first and last movements - also fast-slow-fast. Moderato … Trio … A tempo. Adagio. Allegro … Trio … Reprise! The first movement begins with a driving dotted-note motif in the double bass accompanied by an insistent sixteenth-note bass-line in the piano left hand and a soaring quarter-note melody in the piano right hand. A Trio follows which features a lyric melody in the double bass … molto cantabile! The double bass returns this time stealing the sixteenth-note bass-line motif from the piano left hand. The double bass pushes the music forward relentlessly and ferociously … holding no prisoners! To add counterpoint to this madness, the piano comes back with the quarter-note melody but in octaves this time. The left hand joins the melee occasionally to push the music forward until it reaches its climax at the conclusion. The second movement, Adagio, is a slow waltz. The mournful tune is delivered by the double bass at first, then it’s passed on to the piano, and it goes back and forth between the two. The third movement is a 6/8 romp, very syncopated and jazzy. The music goes back and forth between the double bass and piano, not unlike when the musicians in a jazz combo trade four’s among each other. An adagio Trio follows. The tune is in the double bass: long descending lines over a languid piano accompaniment. To complete the ABA format, the music from the beginning of this movement returns as a reprise. ENJOY!!! Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.
$9.99 ≈
9.00€
Chorale St. Antoni - Proto-Notation Beginner Arrangement w/ Teacher Duet (2P4H or 1P4H)
Chorale St. Antoni - Proto-Notation Beginner Arrangement w/ Teacher Duet (2P4H or 1P4H)
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Piano Facile
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DÉBUTANT
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Classique
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Franz Joseph Haydn
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Nicole Elyse DiPaolo
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Chorale St. Antoni - Proto-Not
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Nicole Elyse DiPaolo
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 1 - SKU: A0.799608 Composed by Franz Joseph Haydn. Arranged by Nicole Elyse DiPaolo. Classical,Romanti...
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Instrumental Duet Instrumental Duet,Piano - Level 1 - SKU: A0.799608 Composed by Franz Joseph Haydn. Arranged by Nicole Elyse DiPaolo. Classical,Romantic Period,Standards. Score and parts. 5 pages. Nicole Elyse DiPaolo #4611217. Published by Nicole Elyse DiPaolo (A0.799608). This theme is originally attributed to Franz Joseph Haydn, who included it as the slow movement of his Divertimento for Winds in Bb, Hob.II:46. However, it's uncertain whether he actually wrote the theme or took it from another source (like a hymn tune, which the St. Anthony name would suggest, or a folksong). Several decades later, Johannes Brahms ran across Haydn's Divertimento, liked the theme, and used it in his Variations on a Theme by Haydn, now the most famous setting of this theme. Carl Czerny also used it for a variation set. Specifically arranged for the early-stage piano student who is just beginning to play hands together, and for teachers who don't wish to prolong the hands alone stage, this unique adaptation keeps the hands in rhythmic unison and symmetrical contrary motion, optimizing ease of playing when first beginning to engage the both hands motor area of the brain. Throughout the piece, the student uses the same finger at the same time in both hands, and the fingers are matched to both-white or both-black keys, respectively. Strongly auditory and kinesthetic learners who don't require visual feedback may successfully learn this piece via rote instruction, too. This arrangement has also been designed so that it can work in both 2-piano 4-hands and 1-piano 4-hands settings.Additionally, the transposition to G-flat major (from B-flat) allows the student to take advantage of the black keys' inherent posture- and accuracy-enhancing qualities, which are vital in those early lessons when correct technique habits need to be installed. Finally, particularly for the adult student who's keen to dive into the classical repertoire: this is a genuine, well-known piece of music treated by multiple famous composers from the common practice era. Even finicky audience members will enjoy this piece, which will not sound like something a first-year piano student might play: some of the world's most elite orchestras have also recorded this work in Brahms's arrangement. Given that the tune is potentially a bit long for a beginner student, I've placed a double bar after m. 10, noting that if necessary, a student could excerpt mm. 1-10 and perform these without the middle section and return of A. I have not reproduced Haydn's original(?) repeats, but the student and teacher could add them if desired. The PDF, when purchased, will include both the student part (half of which is pictured) and a full score in standard notation for the teacher.
$3.99 ≈
3.59€
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