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Vous avez sélectionné:
In Fate's Hands
Partitions à imprimer
10 partitions trouvées
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1
In Remembrance, September 11, 2001 for Tuba/Euphonium Quartet
In Remembrance, September 11, 2001 for Tuba/Euphonium Quartet
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2 Euphoniums et 2 Tubas
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INTERMÉDIAIRE/AVANCÉ
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Sy Brandon
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In Remembrance, September 11,
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Sy Brandon
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SheetMusicPlus
Brass Ensemble Euphonium,Tuba - Level 4 - SKU: A0.755012 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Patriotic. Score and parts. 52 pages....
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Brass Ensemble Euphonium,Tuba - Level 4 - SKU: A0.755012 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Patriotic. Score and parts. 52 pages. Sy Brandon #3240599. Published by Sy Brandon (A0.755012). This work was commissioned by the Euphouria Quartet. The composition reflects the composer's feelings about the tragic events of that fateful day. The first movement, Fanfares To Fallen Heroes, is a tribute to the brave firemen, policemen and rescue workers who tirelessly and fearlessly risked and sacrificed their lives in order to save the lives of others. The movement is permeated with fanfare motives that reflect both the bravery displayed and the danger that these people faced. The second movement, Elegy To The Innocent, is a tribute to all the innocent victims and their loved ones who have suffered at the hands of the terrorists. The outer sections have a dirge-like rhythm underpinning a sorrowful melody. The middle section contrasts the dirge by giving a sense of comfort to all that have suffered. The third movement, Justice, represents the struggle and resolve of the United States of America and its allies to eliminate terrorism. Battle motives alternate with a heroic theme throughout the movement. The last movement, Prayer For Peace, represents a hope that all the people of the world can achieve the tolerance and understanding we need to live in harmony and in a civilized manner. The chaconne form is used to represent the uniting of voices as the prayer grows in intensity from beginning to end. A recording by the Euphouria Quartet is available on an Emeritus Recordings CD entitled Echoes – Music for Tuba and Euphonium Ensembles by Sy Brandon and Mark Scott.
$7.99 ≈
7.24€
In Fate's Hands
In Fate's Hands
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Guitare notes et tablatures
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Rock
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The Red Jumpsuit Apparatus
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Rock
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In Fate's Hands
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By The Red Jumpsuit Apparatus. For guitar. Pop; Rock. Guitar TAB. 10 pages. Published by Hal Leonard - Digital Sheet Music...
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By The Red Jumpsuit Apparatus. For guitar. Pop; Rock. Guitar TAB. 10 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.52€
Ronnie Winter: In Fate's Hands for guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock
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Ronnie Winter
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Virtualsheetmusic
Instantly printable sheet music by The Red Jumpsuit Apparatus for guitar (tablature) of MEDIUM skill level. / pop,rock
Instantly printable sheet music by The Red Jumpsuit Apparatus for guitar (tablature) of MEDIUM skill level. / pop,rock
$8.97 ≈
8.13€
"La Fleur" from "Carmen", arr. for 2 pianos
"La Fleur" from "Carmen", arr. for 2 pianos
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2 Pianos, 4 mains
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AVANCÉ
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Opera
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Classique
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Georges Bizet
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Richard Simm
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"La Fleur" from &quo
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1170301 Composed by Georges Bizet. Arranged by Richard Simm. 19th Century,Classical,Opera,Romantic Perio...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1170301 Composed by Georges Bizet. Arranged by Richard Simm. 19th Century,Classical,Opera,Romantic Period. Score. 6 pages. Richard Simm #770661. Published by Richard Simm (A0.1170301). The brigadier, Don José, has fallen madly in love with Carmen, but she already has her eyes on another man, the bull-fighter, Escamillo. In this aria Don José declares his love for Carmen, but she belittles his passionate attempts to convince her of his feelings, saying that if he really loved her, he would take her away from her humble surroundings to a place where she could really be free.The arranger has added a short bridge passage between the opera's initial scenes of communal life centred around a cigarette factory and Don José's beautiful expression of his ill-fated love in Act II.
$7.95 ≈
7.20€
Requiem for the Pequod
Requiem for the Pequod
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jay Jordan
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Jay Jordan
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Requiem for the Pequod
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Pro Creations Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1303052 By Jay Jordan. By Jay Jordan. Arranged by Jay Jordan. Classical,Contemporary,Contest,Festival,Historic. Score a...
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Concert Band - Level 4 - SKU: A0.1303052 By Jay Jordan. By Jay Jordan. Arranged by Jay Jordan. Classical,Contemporary,Contest,Festival,Historic. Score and Parts. 105 pages. Pro Creations Music #892637. Published by Pro Creations Music (A0.1303052). Requiem for the PequodCaptain Ahab’s story of obsession, and ultimate failure at the hands of Moby Dick is, of course, a well-worn cautionary tale. The tale of the Pequod, the ship that also met its demise as a result of Ahab’s actions is, in my eyes, worth examining. Requiem for the Pequod begins with Two Bells, tolled to mark the end of the day before Ahab and his crew set sail. The minor theme, played by a solo flute, sets the mood as restful, but somewhat ominous at the same time; treatments by the brass in chorale style and then the full ensemble follow. The next three sections beginning at letter A feature up-tempo variations on the main theme (Setting Sail) followed by a lively Sailor’s Shanty at letter D, both depicting carefree life at sea. A return to a melancholy minor theme at letter E portrays the tedium of Months at Sea as the Pequod and her crew travel toward their destination, unaware of the fate that awaits them. The penultimate section beginning at letter F (Fait Awaits) depicts the culminating battle, from the stirring of Moby Dick beneath the waves to the sinking of the Pequod and the death of Ahab and the crew, save Ishmael, who recounts the tragic tale in the final section Epilogue.ÂÂ
$50.00 ≈
45.29€
Lent and Easter Choral book 2 - with parts
Lent and Easter Choral book 2 - with parts
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Connie Boss
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cdboss @cvalley
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Lent and Easter Choral book 2
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Connie Boss
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SheetMusicPlus
Small Ensemble Cello,Flute,Guitar,Piano,Violin,Voice - Level 2 - SKU: A0.801606 Composed by Connie Boss. Easter,Sacred. Score and parts. 52 pages. Conni...
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Small Ensemble Cello,Flute,Guitar,Piano,Violin,Voice - Level 2 - SKU: A0.801606 Composed by Connie Boss. Easter,Sacred. Score and parts. 52 pages. Connie Boss #6255285. Published by Connie Boss (A0.801606). This book contains 4 original songs for Lent and Easter. Each song takes you one step closer to Easter. You will get a duet vocals with accent instruments (flute, violin or cello with parts included) and piano. These are all lovely with harmonies and moving parts. cdboss @cvalley.net. I also have these in strings and piano as well in book form as well as individual sales.Lyrics:The Journey (Lenten)Composed by Connie Boss Verse 1:As we start this Lenten journeyA time of fast and prayerWe reflect on your own journeyAnd it’s beyond compare Refrain: For you fasted in the desertFor forty daysAnd you battled with the devilIn every way Verse 2: Ash Wednesday starts our journeyWith a mark of sacrificeA cross of ashes on our foreheadsFor us you paid the price Refrain: For you fasted in the desertFor forty daysAnd you battled with the devilIn every way Verse 3: As our time ends for this journeyWe enter Holy WeekWe reach that fateful dayForgiveness now we seek Refrain: For you fasted in the desertFor forty daysAnd you battled with the devilIn every way Final Refrain: So through our Lenten journeyWe fast and prayAnd we battle with the devilIn every wayTowel and Basin(Holy Thursday)Composed by Connie Boss V1Before the feast of the Passover, JesusKnew His time had comeHe would leave this world to travel to HisFather’s Kingdom come Refrain: Father I’ll doWhat You want me to V2Jesus knew there was a traitoramong His treasured friendsand He gave him many chancesbut he betrayed Him in the end Refrain: the Devil inducedHis friend Judas V3 Simon Peter said to Jesus, youNeed not wash my feetJesus said unless I wash themYou’ll have no place with Me Refrain: Hear my commandThen You’ll understand V 4 Jesus used a towel and basinTo wash the disciples feetHe told each person when He finishedDo the same to those you meet Final Refrain: For you will be cleansedNow free from sinAll but one of youJesus used a towel and basinTo wash the disciples feet Crucified(song for Good Friday)Composed by Connie Boss Refrain:Crucified, Lord they crucified you.Crucified, Lord they crucified you. V1The people shout. Let’s crucify!He’s not our King. So, He must dieBut Pilate said. Is He the one?I see no crime. That He has done. Refrain:Crucified, Lord they crucified you.Crucified, Lord they crucified you. V2With piercing thorns. A crown of grief!Carried a cross. To CalvaryThey nail your hands. And then your feetUpon the cross. For all to see Refrain:Crucified, Lord they crucified you.Crucified, Lord they crucified you. V3Then you cried out. With your last breathForgive them God. Then came your deathThe sky grows dark. &nbs.
$6.99 ≈
6.33€
Lent and Easter Strings book 2 - Strings and Piano
Lent and Easter Strings book 2 - Strings and Piano
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Musique Sacrée
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Connie Boss
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Lent and Easter Strings book 2
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Connie Boss
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SheetMusicPlus
Small Ensemble,Strings Cello,Guitar,Piano,Viola,Violin - Level 2 - SKU: A0.801605 Composed by Connie Boss. Christian,Easter,Sacred. Score and parts. 23 ...
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Small Ensemble,Strings Cello,Guitar,Piano,Viola,Violin - Level 2 - SKU: A0.801605 Composed by Connie Boss. Christian,Easter,Sacred. Score and parts. 23 pages. Connie Boss #6254973. Published by Connie Boss (A0.801605). This book contains 4 original songs for Lent and Easter. Each song takes you one step closer to Easter. You will get a score of strings trio and piano, plus just the strings in 2 pages each so no page turning. These are all lovely with harmonies and moving parts. Strings trio is for violin, viola and cello. cdboss @cvalley.net. I also have these individually and with vocals as well.Lyrics:The Journey (Lenten) Composed by Connie Boss Verse 1: As we start this Lenten journey A time of fast and prayer We reflect on your own journey And it’s beyond compare Refrain: For you fasted in the desert For forty days And you battled with the devil In every way Verse 2: Ash Wednesday starts our journey With a mark of sacrifice A cross of ashes on our foreheads For us you paid the price Refrain: For you fasted in the desert For forty days And you battled with the devil In every way Verse 3: As our time ends for this journey We enter Holy Week We reach that fateful day Forgiveness now we seek Refrain: For you fasted in the desert For forty days And you battled with the devil In every way Final Refrain: So through our Lenten journey We fast and pray And we battle with the devil In every wayTowel and Basin(Holy Thursday)Composed by Connie Boss V1Before the feast of the Passover, JesusKnew His time had comeHe would leave this world to travel to HisFather’s Kingdom come Refrain: Father I’ll do What You want me to V2Jesus knew there was a traitor among His treasured friendsand He gave him many chancesbut he betrayed Him in the end Refrain: the Devil inducedHis friend Judas V3 Simon Peter said to Jesus, youNeed not wash my feetJesus said unless I wash themYou’ll have no place with Me Refrain: Hear my commandThen You’ll understand V 4 Jesus used a towel and basinTo wash the disciples feetHe told each person when He finishedDo the same to those you meet Final Refrain: For you will be cleansedNow free from sinAll but one of youJesus used a towel and basinTo wash the disciples feet Crucified (song for Good Friday) Composed by Connie Boss Refrain: Crucified, Lord they crucified you. Crucified, Lord they crucified you. V1 The people shout. Let’s crucify! He’s not our King. So, He must die But Pilate said. Is He the one? I see no crime. That He has done. Refrain: Crucified, Lord they crucified you. Crucified, Lord they crucified you. V2 With piercing thorns. A crown of grief! Carried a cross. To Calvary They nail your hands. And then your feet Upon the cross. For all t.
$6.99 ≈
6.33€
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledg
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Claude Debussy/Robert Orledge:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. ...
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.
Debussy?s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier?s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner?s Tristan und Isolde are that none of the action takes place in Cornwal and that ?Isolde of the white hands? is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.
The idea of a Tristan that restorced its ?legendary character? and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan?s death. Even if he thought that Mourey?s poetry was ?not very lyrical and many passages do not exactly ?invite? music?, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ?one of the 363 themes for the ?Roman de Tristan?? in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong ?Le Faucon?. After a short atmospheric introduction, Debussy?s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy?s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.
Unforunately, Mourey?s actual libretto has been lost and the project eventually foundered because Bédier?s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey?s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
$19.95 ≈
18.07€
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledg
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Claude Debussy: Prléude à L'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Reci...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)
Debussy?s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier?s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner?s Tristan und Isolde are that none of the action takes place in Cornwall and that ?Isolde of the White Hands? is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.
The idea of a Tristan that restored its ?legendary character? and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan?s death. Even if he thought that Mourey?s poetry was ?not very lyrical and many passages do not exactly ?invite? music?, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ?one of the 363 themes for the ?Roman de Tristan?? in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong ?Le Faucon?. After a short atmospheric introduction, Debussy?s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy?s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.
Unfortunately, Mourey?s actual libretto has been lost and the project eventually foundered because Bédier?s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey?s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
Robert Orledge
$10.35 ≈
9.38€
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In Fate's Hands
