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In High Places
Non classifié
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Vous avez sélectionné:
In High Places
Partitions à imprimer
152 partitions trouvées
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In High Places
In High Places
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Guitare notes et tablatures
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AVANCÉ
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Mike Oldfield
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Felix Eschenbach
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In High Places
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Felix Eschenbach
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1369421 By Mike Oldfield. By Jon Anderson and Michael Gordon Oldfield. Arranged by Felix Eschenbach. 20th Century,Pop,Ro...
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Solo Guitar - Level 5 - SKU: A0.1369421 By Mike Oldfield. By Jon Anderson and Michael Gordon Oldfield. Arranged by Felix Eschenbach. 20th Century,Pop,Rock. Individual part. 10 pages. Felix Eschenbach #953779. Published by Felix Eschenbach (A0.1369421). In High Places for solo guitar, as performed by Boris Tesic (Notes and Tabulature).Boris performs the entire song in a way that is as accurate and close to the original as youcan possibly play on a single guitar.
$8.99 ≈
8.11€
In High Places
In High Places
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Guitare
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AVANCÉ
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Mike Oldfield
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Felix Eschenbach
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In High Places
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Felix Eschenbach
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1369428 By Mike Oldfield. By Jon Anderson and Michael Gordon Oldfield. Arranged by Felix Eschenbach. 20th Century,Pop,Ro...
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Solo Guitar - Level 5 - SKU: A0.1369428 By Mike Oldfield. By Jon Anderson and Michael Gordon Oldfield. Arranged by Felix Eschenbach. 20th Century,Pop,Rock. Individual part. 5 pages. Felix Eschenbach #953787. Published by Felix Eschenbach (A0.1369428). In High Places for solo guitar, as performed by Boris Tesic (Notes only).Boris performs the entire song in a way that is as accurate and close to theoriginal as you can possibly play on a single guitar.
$4.99 ≈
4.50€
In High Places
In High Places
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Guitare
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AVANCÉ
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Mike Oldfield
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Felix Eschenbach
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In High Places
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Felix Eschenbach
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1369422 By Mike Oldfield. By Jon Anderson and Michael Gordon Oldfield. Arranged by Felix Eschenbach. 20th Century,Pop,Ro...
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Solo Guitar - Level 5 - SKU: A0.1369422 By Mike Oldfield. By Jon Anderson and Michael Gordon Oldfield. Arranged by Felix Eschenbach. 20th Century,Pop,Rock. Individual part. 5 pages. Felix Eschenbach #953781. Published by Felix Eschenbach (A0.1369422). In High Places for solo guitar, as performed by Boris Tesic (Tab only).Boris performs the entire song in a way that is as accurate and closeto the original as you can possibly play on a single guitar.
$4.99 ≈
4.50€
Friends In Low Places
Friends In Low Places
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Batterie
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FACILE
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Garth Brooks
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Stanley White
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Friends In Low Places
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Stanley White
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SheetMusicPlus
Drum Set,Drums - Level 2 - SKU: A0.1317948 By Garth Brooks. By Dewayne Blackwell and Earl Bud Lee. Arranged by Stanley White. Country,Pop. Score. 4 page...
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Drum Set,Drums - Level 2 - SKU: A0.1317948 By Garth Brooks. By Dewayne Blackwell and Earl Bud Lee. Arranged by Stanley White. Country,Pop. Score. 4 pages. Stanley White #906641. Published by Stanley White (A0.1317948). Can be used to play along perfectly with original recording of Friends in Low Places by Garth BrooksNote for note transcription of what is played on the original record by drummer Milton Sledge. Use the provided mp3 to practice along and confirm that what you're reading, hearing, and playing all align. Transcribed to be played on a five piece drum set (Hi-hat, Crash and Ride Cymbal, Snare, High Tom, Medium Tom, Floor Tom, and Bass Drum).
$4.99 ≈
4.50€
Bifocal Rag for high flute quartet (1 piccolo, 2 flutes, 1 alto flute)
Bifocal Rag for high flute quartet (1 piccolo, 2 flutes, 1 alto flute)
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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David Warin Solomons
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Bifocal Rag for high flute qua
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.578918 Composed by David Warin Solomons. 20th Century,Contemporary,Ragtime. 7 pages. David ...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.578918 Composed by David Warin Solomons. 20th Century,Contemporary,Ragtime. 7 pages. David Warin Solomons #1999305. Published by David Warin Solomons (A0.578918). A quirky ragtime originally written for guitar duo (also available on this site), now arranged for various instrumental quartets. It is called bifocal because of the brief bitonal effect in various places. The rhythm switches gently from 4/4 to 3 3 2 /8 from time to time (when it does I have grouped the notes in 3s and 2s to make it clear - make sure they are not misinterpreted as triplets!).
$7.00 ≈
6.32€
Fabulous Places
Fabulous Places
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Leslie Bricusse
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Jeffrey Bowen
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Fabulous Places
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Music Arrangement Services Inc.
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SheetMusicPlus
Choral Choir (SSA) - Level 4 - SKU: A0.1208177 Composed by Leslie Bricusse. Arranged by Jeffrey Bowen. Contest,Festival,Film/TV,Pop. Octavo. 10 pages. M...
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Choral Choir (SSA) - Level 4 - SKU: A0.1208177 Composed by Leslie Bricusse. Arranged by Jeffrey Bowen. Contest,Festival,Film/TV,Pop. Octavo. 10 pages. Music Arrangement Services Inc. #806295. Published by Music Arrangement Services Inc. (A0.1208177). Performed by Bobby Darin, also featured in the film “Beyond The Seaâ€.  This song is about fabulous places all over the world.  The song refers to faraway places, Mexico, Sweden, Hawaii, Japan, Capri, mountains, jungles, deserts, Rome, Spain, Tahiti, Rio, Bangkok, Hong Kong, Paris, Venice, Tokyo, Cairo, Lisbon, London, the Caribbean.  This arrangement is designed for high school or college show choir, concert choir or community choir.  Concert Band Score accompaniment will be available soon.  Performance time is approximately 2:30.
$3.99 ≈
3.60€
Angels Medley (Hark! The Herald Angels Sing & Angels We Have Heard on High)
Angels Medley (Hark! The Herald Angels Sing & Angels We Have Heard on High)
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Piano seul
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FACILE
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Classique
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Felix Bartholdy Mendelssohn an
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Anne Britt
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Angels Medley
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Anne Britt
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1373669 Composed by Felix Bartholdy Mendelssohn and French carol. Arranged by Anne Britt. Christian,Christmas,Holiday,Sac...
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Piano Solo - Level 2 - SKU: A0.1373669 Composed by Felix Bartholdy Mendelssohn and French carol. Arranged by Anne Britt. Christian,Christmas,Holiday,Sacred. Score. 5 pages. Anne Britt #958058. Published by Anne Britt (A0.1373669). This arrangement is actually more of a mash-up than a medley, where songs are connected together in a linear fashion. Here you'll notice right away how it alternates between phrases of Hark! The Herald Angels Sing and Angels We Have Heard on High. See if you can identify all the places where it changes from one song to the other. Early intermediate level. 5 pages. Performance time: approximately 4:20.Included in the Christmas Lites songbook.Visit the publisher's website for contact info and some free sheet music downloads: https://annebrittmusic.com/.
$3.99 ≈
3.60€
Nutcracker March of Toys with Parade Effects, High Scale, Violin-Cello
Nutcracker March of Toys with Parade Effects, High Scale, Violin-Cello
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Violon, Violoncelle (duo)
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AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Robert Shuler
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Nutcracker March of Toys with
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Robert Shuler
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 5 - SKU: A0.917658 Composed by Peter Ilyich Tchaikovsky. Arranged by Robert Shuler. Christmas,R...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 5 - SKU: A0.917658 Composed by Peter Ilyich Tchaikovsky. Arranged by Robert Shuler. Christmas,Romantic Period. Score and parts. 3 pages. Robert Shuler #6630975. Published by Robert Shuler (A0.917658). This version of March of the Toys contains parade effects as if a band were marching by, starting up, then receding, all with only one violin and one cello! The flourishes are the same as the end flourish and do not add difficulty. The fast break is included. Stylistic variations are included (which you can ignore if you prefer). A special version of the fast-high scale is also included, reduced to triples in places so that only two instruments can play it (Tchaikovsky used 7 orchestra sections playing 4 notes each). So, yeah, a little tricky, but YOU CAN do it. And . . . wow. Your listeners will remember it forever. Good luck!
$4.99 ≈
4.50€
Fanfare on "Low in the Grave He Lay" for Bb Trumpet (Low Range) and Organ - Full Score
Fanfare on "Low in the Grave He Lay" for Bb Trumpet (Low Range) and Organ - Full Score
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Orgue, Trompette (duo)
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INTERMÉDIAIRE
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William H
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James Siddons
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Fanfare on "Low in the Gr
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James Siddons Music and Writings
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Organ,Trumpet - Level 3 - SKU: A0.972675 Composed by William H. Doane. Arranged by James Siddons. Christian,Concert,...
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Instrumental Duet Instrumental Duet,Organ,Trumpet - Level 3 - SKU: A0.972675 Composed by William H. Doane. Arranged by James Siddons. Christian,Concert,Easter,Sacred. Score and parts. 3 pages. James Siddons Music and Writings #6869743. Published by James Siddons Music and Writings (A0.972675). This setting of Low in the Grave He Lay is ideal for Easter worship services. There are three versions of this arrangement. This version is in F Major and sets the trumpet part in the instrument's low range. There is also a version in C Major that places the trumpet part in the instrument's high range, and a version for two trumpets (trumpet duo and organ), also in C Major. For performance, trumpet part(s) as well as a full score for the organist are needed.
$8.99 ≈
8.11€
Laudate Dominum in sanctis eius (Canali)
Laudate Dominum in sanctis eius (Canali)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Floriano Canali
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Aristotle A
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Laudate Dominum in sanctis eiu
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CantemusDomino.Net
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1003353 Composed by Floriano Canali. Arranged by Aristotle A. Esguerra. Christian,Classical,Renaissance,Sacred,W...
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Choral Choir (SATB) - Level 4 - SKU: A0.1003353 Composed by Floriano Canali. Arranged by Aristotle A. Esguerra. Christian,Classical,Renaissance,Sacred,World. Octavo. 2 pages. CantemusDomino.Net #3535817. Published by CantemusDomino.Net (A0.1003353). A setting of Psalm 150 for SATB choir by Floriano Canali (c.1550–c.1630).Total length: ~2:45Key: F majorMode: Mode VIRange requirements (middle C = C4):· Cantus [Soprano]: D4–D5· Altus [Alto]: F3–A4· Tenor: D3–F4· Bassus [Bass]: F2–C4Pages: 2 8.5x11 sheetsSystems per page: 4Accompaniment: noneEnglish Translation (Douay-Rheims 1609):Praise ye the Lord in his holy places: praise ye him in the firmament of his power.Praise ye him for his mighty acts: praise ye him according to the multitude of his greatness.Praise him with sound of trumpet: praise him with psaltery and harp.Praise him with timbrel and choir: praise him with strings and organs.Praise him on high sounding cymbals: praise him on cymbals of joy: let every spirit praise the Lord.Possible uses: Liturgical prelude; postcommunion psalm of praise
$3.00 ≈
2.71€
Man In The Mirror
Man In The Mirror
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Pop musique
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Michael Jackson
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K Davies
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Man In The Mirror
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Bandmusic.co.uk
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SheetMusicPlus
Small Ensemble Drum Set,Vibraphone - Level 3 - SKU: A0.867479 By Michael Jackson. By Glen Ballard and Siedah Garrett. Arranged by K Davies. Pop. Score a...
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Small Ensemble Drum Set,Vibraphone - Level 3 - SKU: A0.867479 By Michael Jackson. By Glen Ballard and Siedah Garrett. Arranged by K Davies. Pop. Score and parts. 41 pages. Bandmusic.co.uk #3141211. Published by Bandmusic.co.uk (A0.867479). This is a fantastic arrangement for Brass Band of a Michael Jackson favourite with a really nice Vibraphone/Glockenspiel part. Although the Solo Cornet part is high in places these notes are covered by the Soprano Cornet. Why not take a minute to browse the score and listen to the mp3 Finale rendition?
$45.00 ≈
40.61€
Key West Suite for Two Guitars. In three movements: 1. Seven-Mile Bridge, 2. Bolero del Atardecer,
Key West Suite for Two Guitars. In three movements: 1. Seven-Mile Bridge, 2. Bolero del Atardecer,
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Guitare
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AVANCÉ
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Jose Lezcano
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Best wishes, Jose
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Key West Suite for Two Guitars
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Jose Manuel Lezcano
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1009964 Composed by Jose Lezcano. Contemporary,Jazz,Latin. Individual part. 42 pages. Jose Manuel Lezcano #6087209. Publ...
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Solo Guitar - Level 5 - SKU: A0.1009964 Composed by Jose Lezcano. Contemporary,Jazz,Latin. Individual part. 42 pages. Jose Manuel Lezcano #6087209. Published by Jose Manuel Lezcano (A0.1009964). Key West Suite was composed in 2013 on commission from the Amaral Duo, Jorge Amaral and Mia Pomerantz. The three movements are inspired by various places in Key West, Florida, where I was serving as an Artist in Residence at the Studios of Key West in June 2013. I'm a Cuban-American born in Havana, and my influences include Cuban popular music (of course), Jazz, and the contrapuntal music of Bach and other Baroque composers. I think you can hear all of that in this piece. Jorge and MIa perform it beautifully on their CD, Key West, which I highly recommend. I'm a member of ASCAP and you can read more about my work and purchase other compositions at these sites. Best wishes, Jose.www.joselezcanocomposer.webs.com
$30.00 ≈
27.07€
In Communion We Sing
In Communion We Sing
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Chorale SATB
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Musique Sacrée
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John Purifoy
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In Communion We Sing
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
SATB choir, Piano (With Optional Accompaniment MP3) - SKU: LX.10-5721L Composed by John Purifoy. Sacred Anthem, Communion. Octavo. 8 pages. Lorenz Publi...
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SATB choir, Piano (With Optional Accompaniment MP3) - SKU: LX.10-5721L Composed by John Purifoy. Sacred Anthem, Communion. Octavo. 8 pages. Lorenz Publishing - Digital Sheet Music #e10/5721L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5721L). This lovely anthem from John Parker and John Purifoy is a beautiful invitation to the sacrament of Communion. Opening with a reverent Alleluia section, the opening verse places us in the Upper Room with the Savior, and the composer's use of unexpected harmonies perfectly highlights the mystery and wonder of the lyric. Your congregation will be moved to adoration every time this meaningful anthem is presented.
$2.40 ≈
2.17€
A Night In Tunisia
A Night In Tunisia
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Ensemble Jazz
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AVANCÉ
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Dizzy Gillespie
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Toshi Clinch
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A Night In Tunisia
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Toshi Clinch Productions
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1473489 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Toshi Clinch. Jazz,Latin...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1473489 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Toshi Clinch. Jazz,Latin. 90 pages. Toshi Clinch Productions #1051288. Published by Toshi Clinch Productions (A0.1473489). A new take on a classic Gillespie tune. This arrangement replaces the usual Latin section with a Rumba Columbia feel in 9/8 and instead of going to swing goes to a mixture of Rumba Guaguanco and Mambo. Quite a challenging piece with some high trumpet parts!
$75.00 ≈
67.68€
VAMPIRE'S DANCE
VAMPIRE'S DANCE
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Violon et Piano
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Contemporain
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Monica Bergo
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VAMPIRE'S DANCE
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Moni Bergo
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SheetMusicPlus
Small Ensemble Cello,Drums,Organ,Pan Pipe,Piano,Violin - SKU: A0.1012747 Composed by Monica Bergo. Contemporary. Score and parts. 40 pages. Moni Bergo #...
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Small Ensemble Cello,Drums,Organ,Pan Pipe,Piano,Violin - SKU: A0.1012747 Composed by Monica Bergo. Contemporary. Score and parts. 40 pages. Moni Bergo #5743663. Published by Moni Bergo (A0.1012747). Music and song composed by meVampire's dance I live between two worlds Between trash and slums This is a dream or reality ? The lie or the truth? While I wait for sunsets I look at the sun and horizons And breathe freedom and my immortality Desire for the infinite, Who has not ever tried ? That need to know that the stronger we are Invincible and powerful without the burden of age Over the centuries and the millennia Always gorgeous 20 years old And then dance To the rhythm of the Vampire Do you feel my breath Let us give this eternal night And then dance The senses amplified sharp teeth let's see who can stop us around the fire like wolves, red eyes, a bit 'fierce, we move in packs, invisible and fast , we are thieves thoughts ,so forgotten who you were or roots or ties ,no land limits And then dance To the rhythm of the Vampire Do you feel my breath Let us give this eternal night And then dance The senses amplified sharp teeth let's see who can stop us The mania destroys Hunger afflicts us But it will not be the food that will satisfy Torments and regrets, sad feelings, Nightime falling erase them We are shadows at night ,The heart that no beats We languid slaves the Voodoo rituals The pale faces, The ambiguous smiles Put the cross, you will not need Strange characters So wild and free ,But in this society ,Nothing scarier ago I donate my blood every day to The state or the government the Vampires are we ,There are monsters and vultures Those imprisoned vampires, In the faded pages Elegant, charming, So beautiful and in high places and in they I recognize that mania that is also mine My hunger to know ,With food can not be satisfied And then dance ,And crossing that border Now there is an end to what I can imagine And then dance, I sad renegade I lost soul, Who do not know who to give my heart And then dance ,If you are not anyone ,If you lost in the journey You can not find a post to be filled Look in the mirror You can see my reflection? This is a dream or reality? The lie or the truth? Monica Bergo
$5.00 ≈
4.51€
Leap & Rejoice! Celtic Flute Sextet
Leap & Rejoice! Celtic Flute Sextet
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Ferne Tudor Franz
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Leap & Rejoice! Celtic Flu
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Village Flutist
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.1032355 Composed by Ferne Tudor Franz. 20th Century,Celtic,Contemporary. Score and parts. 16 pages. Village Flutist #...
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Small Ensemble - Level 4 - SKU: A0.1032355 Composed by Ferne Tudor Franz. 20th Century,Celtic,Contemporary. Score and parts. 16 pages. Village Flutist #5033233. Published by Village Flutist (A0.1032355). Leap & Rejoice! is taken from a suite of incidental music I've worked on based on the allegory Hinds Feet in High Places. The story is of a disabled and deformed young woman who, accompanied by her employer, the Chief Shepherd, takes a long journey through perilous and challenging conditions, and finally endis up on mountain peaks, fully victorious over her trials, and healed of her infirmities. This work depicts her awaking up and finding great joy in the healing. I wrote this for six flutes, but it can be expanded for a full flute choir/orchestra, and accompanied by a bodhrun.
$10.99 ≈
9.92€
Classical Gas
Classical Gas
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Euphonium
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AVANCÉ
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Mason Williams
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Sarah Houle
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Classical Gas
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SARAH L HOULE
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SheetMusicPlus
Euphonium Solo - Level 5 - SKU: A0.1426054 Composed by Mason Williams. Arranged by Sarah Houle. Classical,Contest,Festival,Pop,Rock,Standards. Individua...
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Euphonium Solo - Level 5 - SKU: A0.1426054 Composed by Mason Williams. Arranged by Sarah Houle. Classical,Contest,Festival,Pop,Rock,Standards. Individual part. 6 pages. SARAH L HOULE #1006847. Published by SARAH L HOULE (A0.1426054). Classical Gas by Mason Williams, arranged for Solo Unaccompanied Euphonium by Sarah Houle, 2024.What a lovely (and fun!) piece this has been to arrange for solo euphonium! Originally for guitar, it was quite an interesting task figuring out how best to outline the chord structures for a monophonic brass instrument. The arrangement includes a slower, more simple introduction, development sections, chorus sections, and sort of an outtro. The piece is a lovely cross between expressive and technical classical feel and a dancing/driving popular music format complete with verses, choruses and bridges.Often, in the places where the original guitar plays two or more notes in chordal fashion, the euphonium will either play grace notes or an altered rhythm to accommodate the chord structure. The grace notes are always slurred, their length designated by the note values used. Many of the passages are fully articulated rather than slurred, so care will need to be taken to play in the correct style for the arrangement to be performed well. Technical passages, especially those with syncopation, must dance. It is highly recommended to listen to an original guitar recording to get this feel!Additionally, the euphonium will need to breathe, so there are also breathing 'suggestions' in the arrangement. The arrangement doesn't stretch into the lowest euphonium range, but it does hang out on multiple high C's and B's in every chorus, so there is a bit of difficulty there in retaining stability through those passages.Enjoy this arrangement of Classical Gas for Unaccompanied Solo Euphonium!
$15.00 ≈
13.54€
Pictures at an Exhibition 8. Catacombs and Con Mortuis
Pictures at an Exhibition 8. Catacombs and Con Mortuis
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Classique
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Modest Petrovich Mussorgsky
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Erik Cole
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Pictures at an Exhibition 8. C
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Erik Cole
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.996129 Composed by Modest Petrovich Mussorgsky. Arranged by Erik Cole. Romantic Period. 16 pages. Erik Cole #47930...
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Woodwind Ensemble - Level 4 - SKU: A0.996129 Composed by Modest Petrovich Mussorgsky. Arranged by Erik Cole. Romantic Period. 16 pages. Erik Cole #4793083. Published by Erik Cole (A0.996129). This is a transcription of the complete Pictures at an Exhibition for double reed choir. It is all in the original keys and based on the well-known Ravel orchestration, which is quite difficult. As a result, this arrangement is even more challenging. It is designed with at least 2 players per part in mind, and all of the oboe and bassoon parts are divisi throughout. The attached MP3 recordings are multi-track recordings of me playing all the parts. This was, by far, the most daunting recording I have put together for any of my arrangements, and I apologize for any minor imperfections in timing or pitch. In many places, this really stretched the limits of what I am capable of on bassoon. Both of these movements are fairly short and unlikely to be performed unless the entire piece is being performed, so I bundled them together. Con Mortuis functions as the final Promenade for the whole piece, and features high tremolos and the harp, which made for some transcription challenges. The first oboe part is quite difficult, and the high octave can be omitted if necessary.
$7.50 ≈
6.77€
Sonata Hymnica No. 3
Sonata Hymnica No. 3
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 3
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual...
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Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual. Score. 12 pages. James Siddons Music and Writings #4350581. Published by James Siddons Music and Writings (A0.972647). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Sonata Hymnica No. 3 draws on two melodies from the African-American experience. One, Were You There (When They Crucified My Lord)? was first published in 1899 in W. E. Barton’s Old Plantation Hymns but existed earlier as a folk hymn. It became the first spiritual to be included in a major hymnal, The Hymnal 1940 of the Episcopal Church in the U.S.A. Sometimes I Feel Like a Motherless Child was sung by the Jubilee Singers of Fisk University from 1870 on, and was published in the Rev. Dr. Barton’s Old Plantation Hymns in 1899. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. Duration --- . Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50 ≈
8.57€
Sonata Hymnica No. 1
Sonata Hymnica No. 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 1
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Sc...
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Piano Solo - Level 4 - SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 19 pages. James Siddons Music and Writings #4350561. Published by James Siddons Music and Writings (A0.972645). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu.DurationsSonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50 ≈
8.57€
Sonata Hymnica No. 2
Sonata Hymnica No. 2
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 2
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Sc...
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Piano Solo - Level 4 - SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 17 pages. James Siddons Music and Writings #4350577. Published by James Siddons Music and Writings (A0.972646). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu. Durations Sonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50 ≈
8.57€
Here Before the Sunrise Blue
Here Before the Sunrise Blue
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Chorale SATB
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Contemporain
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Robbie LaBanca
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Here Before the Sunrise Blue
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R. LaBanca
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1007504 Composed by Robbie LaBanca. Contemporary. Octavo. 6 pages. R. LaBanca #3416017. Published by R. LaBanca (A0.100750...
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Choral Choir (SATB) - SKU: A0.1007504 Composed by Robbie LaBanca. Contemporary. Octavo. 6 pages. R. LaBanca #3416017. Published by R. LaBanca (A0.1007504). Here Before the Sunrise BlueHere before the sunrise blue & in the solitude To you: come home. The moon is full over morning buildings, The shade of solitude is upon my hand:Come home. In this empty loft of high windows the shades are lifting, and people are arrived;To you: in the early silence between us that IS, folded deep into night & and the black well of SourcesIn-here is gone forth to meet in-there & we ARE bound below a sound or gesture;Beneath distance, before time, at the foot of the silent forest, meet me here, I love you.A fire is crackling, I have risen early before the dawn - love and how long I have need of you all I feel;Don’t know where you are or what’s happening, yet surely the morning stars will shed their light in desolate places, and this just from me first thing in the morning, love. Janine Pommy-Vega
$3.99 ≈
3.60€
A Pizzicato Christmas Smash
A Pizzicato Christmas Smash
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Orchestre à Cordes
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INTERMÉDIAIRE
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Noël
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John Sarno
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jtsarno publishing
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God Rest Ye Merry, Gentlemen
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A Pizzicato Christmas Smash
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John T Sarno
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.904424 Composed by John Sarno. Arranged by jtsarno publishing. Christmas. Score and parts. 34 pages. John T Sarno #...
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String Orchestra - Level 3 - SKU: A0.904424 Composed by John Sarno. Arranged by jtsarno publishing. Christmas. Score and parts. 34 pages. John T Sarno #6471851. Published by John T Sarno (A0.904424). This is a fun piece for an intermediate-level string orchestra. It is the third arrangement of mine that is a mash-up of traditional Christmas carols. This arrangement features religious Christmas carols. Included are: Angles We Have Heard on High; God Rest Ye Merry, Gentlemen; O Come, O Come, Emmanuel; Away in a Manger; Cradle Song (Away in a Manger); Joy to the World; In the Bleak Midwinter. In different places in the piece, different string sections play different melodies at the same time. There is a triangle part to be played as a fun part. There is a Flute solo, but it can be played on any C instrument. More instructions are given at the end of the score for how these parts should be played. While it is mostly a pizzicato piece there are some bowing sections. It also gives the player a challenge to play pizzicato while holding the bow in certain sections. This is a great piece for your Christmas/Winter Concert. Approximately 6:30 John Sarno
$19.99 ≈
18.04€
Pictures at an Exhibition 5. Ballet of the Unhatched Chicks
Pictures at an Exhibition 5. Ballet of the Unhatched Chicks
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Classique
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Modest Petrovich Mussorgsky
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Erik Cole
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Pictures at an Exhibition 5. B
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Erik Cole
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SheetMusicPlus
Woodwind Ensemble - Level 5 - SKU: A0.996126 Composed by Modest Petrovich Mussorgsky. Arranged by Erik Cole. Romantic Period. 13 pages. Erik Cole #47930...
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Woodwind Ensemble - Level 5 - SKU: A0.996126 Composed by Modest Petrovich Mussorgsky. Arranged by Erik Cole. Romantic Period. 13 pages. Erik Cole #4793073. Published by Erik Cole (A0.996126). This is a transcription of the complete Pictures at an Exhibition for double reed choir. It is all in the original keys and based on the well-known Ravel orchestration, which is quite difficult. As a result, this arrangement is even more challenging. It is designed with at least 2 players per part in mind, and all of the oboe and bassoon parts are divisi throughout. The attached MP3 recordings are multi-track recordings of me playing all the parts. This was, by far, the most daunting recording I have put together for any of my arrangements, and I apologize for any minor imperfections in timing or pitch. In many places, this really stretched the limits of what I am capable of on bassoon. This movement is quite fun, and works pretty well for the double reed choir, except for the trills. The high trills are all doable, but are definitely a big challenge.
$6.50 ≈
5.87€
Vocal Pastels - Instrumental
Vocal Pastels - Instrumental
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Contemporain
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Robert E
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Vocal Pastels - Instrumental
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R. E. Proctor
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Double Bass,Flute,Tenor Saxophone,Trombone,Trumpet - Level 2 - SKU: A0.809778 Composed...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Double Bass,Flute,Tenor Saxophone,Trombone,Trumpet - Level 2 - SKU: A0.809778 Composed by Robert E. Proctor. Contemporary. Score and parts. 33 pages. R. E. Proctor #2942565. Published by R. E. Proctor (A0.809778). Vocal Pastels is an instrumental interlude based on my setting of Psalm 146 (for vocal octet or chamber choir and double bass). Approximate length is 3 minutes and 3 seconds. The trombone part is written exclusively in tenor clef. The bass line (double bass, baritone sax, and bassoon) should be played at a constant, volume (mezzo forte), so that it weaves it's way through the music; predominate in some places, almost lost in others. Two players on each of the non-bass parts. Some of the high note may be challenging for some players and can be played an octave lower.
$9.95 ≈
8.98€
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