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In His Hands Suite: 1. He
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Vous avez sélectionné:
In His Hands Suite: 1. He
Partitions à imprimer
10 partitions trouvées
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1
Jazz Suite
Jazz Suite
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1 Piano, 4 mains
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AVANCÉ
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Alexander Tsfasman
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Giuseppe Di Bianco
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Jazz Suite
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Giuseppe Di Bianco
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 5 - SKU: A0.1271168 Composed by Alexander Tsfasman. Arranged by Giuseppe Di Bianco. 20th Century,21st Century,Contemp...
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1 Piano,4 Hands,Piano Duet - Level 5 - SKU: A0.1271168 Composed by Alexander Tsfasman. Arranged by Giuseppe Di Bianco. 20th Century,21st Century,Contemporary,Jazz,Ragtime. Score. 50 pages. Giuseppe Di Bianco #863561. Published by Giuseppe Di Bianco (A0.1271168). Alexander Tfsasman (1906 - 1971) was a Soviet jazz pianist, composer, conductor, publisher, and activist. He was one of the greatest pioneers of jazz in the young Soviet Union, from the period of the mid-1920s until the late 1960s, when he raised to exceptional fame. He was the incarnation of a sort of Russian Gershwin, a wonderful improviser on themes by others, an exceptional piano virtuoso, successful, at least until the end of the Great Patriotic War, when jazz became taboo again in Russia. A wonderful example of Tsfasman's melodious and virtuosic composition is the Jazz Suite (ca. 1945) for piano and orchestra, transcribed for 4-hands piano by Giuseppe Di Bianco.The seductive Lyric waltz must surely have influenced Shostakovich when he wrote his Jazz Suites, while the scintillating opening (Snowflakes) and the madcap virtuosity of the Fast movement (with his cheeky hat-tip to Chopin's octaves Etude) are definitely precursors of Kapustin's style.
$34.00 ≈
30.83€
Delius: La Calinda (Dance from The Opera Koanga) for Piano Duet (4 hands)
Delius: La Calinda (Dance from The Opera Koanga) for Piano Duet (4 hands)
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1 Piano, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Frederick Delius
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Giulio Castronovo
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Delius: La Calinda
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Giulio Castronovo
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.945799 Composed by Frederick Delius. Arranged by Giulio Castronovo. 20th Century. Score an...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.945799 Composed by Frederick Delius. Arranged by Giulio Castronovo. 20th Century. Score and parts. 11 pages. Giulio Castronovo #6104141. Published by Giulio Castronovo (A0.945799). Delius first wrote this dance for his symphonic suite Florida (1888) and he subsequently incorporated it into the second act of his opera Koanga (1896-1897), where it is used as a Creole wedding dance with soli and chorus. The instrumental version would later become famous as a stand-alone piece for the concert hall and it is, in fact, the only part of the opera which entered the repertoire.This is the first arrangement ever for piano duet of Delius's beloved orchestral work. Perfect for enjoying it at home, for study/analysis purposes, for conducting classes.
$4.99 ≈
4.52€
In His Hands Suite: 1. He's Got the Tiny Little Baby in His Hands by Joel Raney - Instrumental Duet
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Orgue, Piano (duo)
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in His Hands
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In His Hands Suite: 1. He's Go
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Musicnotes
Performed by: Joel Raney: In His Hands Suite: 1. He's Got the Tiny Little Baby in His Hands - from Seven Variations on "He's Got the Whole World ...
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Performed by: Joel Raney: In His Hands Suite: 1. He's Got the Tiny Little Baby in His Hands - from Seven Variations on "He's Got the Whole World in His Hands" Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Duet, instruments: Piano;Organ; 3 pages -- Christian~~Spiritual~~Church
$5.25 ≈
4.76€
He's Got the Whole World In His Hands for 13-note Bells and Boomwhackers® (Black and White Notes)
He's Got the Whole World In His Hands for 13-note Bells and Boomwhackers® (Black and White Notes)
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Sharon Wilson
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Sharon Wilson
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He's Got the Whole World In Hi
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Sharon Wilson
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SheetMusicPlus
Small Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Orff Instrument,Recorder,Ukulele,Voice,Xylophone - Level 1 - SKU: A0.5652...
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Small Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Orff Instrument,Recorder,Ukulele,Voice,Xylophone - Level 1 - SKU: A0.565236 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Instructional,Sacred,Traditional. Score and parts. 11 pages. Sharon Wilson #3626193. Published by Sharon Wilson (A0.565236). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided.This arrangement includes two verses. The first verse is easy with just the melody played by the bells. The second verse is intermediate and expands the melody by adding more notes. Though this sheet music is notated for Handbells and Boomwhackers®, this song is playable by any 13-note, C to C chromatic scale (one octave) instrument such as a xylophone or glockenspiel. The melody could also be played by a recorder.This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Instrument assignment suggestions are provided.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministriesThis song is one of the 20 arrangements in the collection Folk Songs for 13-note Bells and Boomwhackers® (with Black and White Notes), VOL. 1. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99 ≈
5.43€
Excerpt from the Lyric Suite
Excerpt from the Lyric Suite
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00 ≈
4.53€
Excerpt from Lulu Suite
Excerpt from Lulu Suite
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Guitare
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Contemporain
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Alban Berg
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Rod Whittle
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Excerpt from Lulu Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Publi...
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Solo Guitar - SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00 ≈
4.53€
Folk Songs for 13-note Bells and Boomwhackers® (with Black and White Notes), VOL. 1
Folk Songs for 13-note Bells and Boomwhackers® (with Black and White Notes), VOL. 1
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Sharon Wilson
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Sharon Wilson
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Folk Songs for 13-note Bells a
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Handbell,Handchime,Voice,Xylophone - Level 1 - SKU: A0.565251 By Sharon Wilson. By Various. Arranged by Sharon Wilson....
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Large Ensemble Bells,Boomwhackers,Handbell,Handchime,Voice,Xylophone - Level 1 - SKU: A0.565251 By Sharon Wilson. By Various. Arranged by Sharon Wilson. 20th Century,Children,Folk,Instructional,Traditional. Score and parts. 176 pages. Sharon Wilson #3626293. Published by Sharon Wilson (A0.565251). This sheet music collection of 20 folk songs is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. For each song, there is a combined score with both parts on a grand staff plus a separate 1-staff score for each individual part. A note and chord reference chart is also provided for each song.The songs in this digital book are ordered by difficulty with the easiest songs presented first. The songs progressively incorporate more challenging rhythms, some requiring rapid chord changes. Many of the songs include two verses. The first verse is “easy†with fewer notes. The second verse is “intermediate†and expands the melody by adding more notes (sometimes including harmony notes). If you want to learn (practice) only the “easy†verse, an optional ending is provided or it can be skipped to perform the two verses together. This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads. Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The number of ringers and whackers needed will vary depending on the skill level of the participants. Instrument assignment suggestions are provided for each song. Each of the 20 arrangements in this collection is also available separately with accompanying preview pages and audio samples. Titles included in this collection: Alphabet SongBe Kind to Your Loved OnesB-I-N-G-ODoo-dah-day! Good Morning, Merry SunshineHe’s Got the Whole World in His HandsHickory Dickory DockHokey PokeyHot Cross BunsI Love the MountainsItsy Bitsy SpiderLittle Robin Red-breastOld MacDonaldOn Top of Old SmokeyRain, Rain, Go AwayRow, Row, Row Your BoatSimple GiftsSkip to My LouTake Me Out to the Ball GameThe Water Is WideBoomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$25.00 ≈
22.67€
"July" (Serenade) in F major, from Das Jahr - Level 3 piano arrangement
"July" (Serenade) in F major, from Das Jahr - Level 3 piano arrangement
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Piano Facile
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FACILE
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Fanny Mendelssohn Hensel
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Cameron Smith
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"July"
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Cameron E Smith
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.902461 Composed by Fanny Mendelssohn Hensel (1805-1847). Arranged by Cameron Smith. Children,Instructional,Romantic Perio...
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Easy Piano - Level 2 - SKU: A0.902461 Composed by Fanny Mendelssohn Hensel (1805-1847). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards,World. Score. 1 pages. Cameron E Smith #5996643. Published by Cameron E Smith (A0.902461). Basic Info:Piano Solo Sheet music, digital downloadLevel: Level 3, Early IntermediateDetailed Description:One of 12 pieces in piano suite Das Jahr (The Year), F major, composed by Romantic composer Fanny Mendelssohn Hensel. H. 385. 19th century. German Romantic. Historic Women Composers. Classical Piano Repertoire for the intermediate beginner. Arranged by Cameron Smith.This is an early intermediate level arrangement in the key of C Major and serves as an introduction to historic women composers of the Romantic period. 4/4 time signature. 16 measures. Right-hand and left-hand use finger crossings and multiple positions. Flats and sharps are mixed. Quarter-notes, half-notes, dotted half-notes and whole notes.Technique:Finger crossings are introduced. Long tied notes. Flats and sharps. Hands are mostly independent.History:This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms and Tchaikovsky. Fanny Mendelssohn Hensel is the older sister of the well-known composer Felix Mendelssohn. Often attributed to be a greater pianist than he, Hensel wrote many works for the piano, as well as some chamber music, cantatas and oratorios. Due to the complications surrounding women composers at the time, much of her music was published under her brother's name.Looking for more easy piano versions of works by historical women composer? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.
$1.99 ≈
1.80€
'Change of scene' from Act III of Wozzeck
'Change of scene' from Act III of Wozzeck
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00 ≈
4.53€
Bizet: Jeux D'Enfants (Children's Games) I.March (Trompette et tambour) - symphonic wind
Bizet: Jeux D'Enfants (Children's Games) I.March (Trompette et tambour) - symphonic wind
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Classique
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Georges Bizet
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Ray Thompson
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Bizet: Jeux D'Enfants
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.553908 Composed by Georges Bizet. Arranged by Ray Thompson. 20th Century...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.553908 Composed by Georges Bizet. Arranged by Ray Thompson. 20th Century,Children,Christmas,Romantic Period. Score and parts. 19 pages. RayThompsonMusic #6083141. Published by RayThompsonMusic (A0.553908). Jeux d'enfants (Children's Games) Op. 22, is a suite of twelve miniatures composed by Georges Bizet for piano four hands in 1871.[ The entire piece has a duration of about 20 to 23 minutes. The movement titles are as follows:L'escarpolette – reverie (The swing)La toupie – impromptu (The spinning top)La poupée – berceuse (The doll)Les chevaux de bois – scherzo (Wooden horses)Le volant – fantasie (Battledore and shuttlecock)Trompette et tambour – marche (Trumpet and drum)Les bulles de savon – rondino (Soap bubbles)Les quatre coins – esquisse (Puss in the corner)Colin-maillard – nocturne (Blind man's buff)Saute-mouton – caprice (Leap-frog)Petit mari, petite femme – duo (Little husband, little wife)Le bal – galop (The ball)Bizet orchestrated five of these; Nos. 6, 3, 2, 11, 12 became his Petite Suite; it is probable he also orchestrated No. 4,This is my arrangement of no 6 (no 1 in the petite suite).It is arranged for double wind quintet and bass.
$14.95 ≈
13.56€
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In His Hands Suite: 1. He
