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In The Mood for Clarinet Quartet
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Vous avez sélectionné:
In The Mood for Clarinet Quartet
Partitions à imprimer
77 partitions trouvées
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In The Mood for Clarinet Quartet
In The Mood for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Comédie Musicale
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Joe Garland, Glenn Miller &a
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Diego Marani
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His Orchestra
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In The Mood for Clarinet Quart
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Diego Marani
#
SheetMusicPlus
Clarinet, Woodwind Quartet - Intermediate - Digital Download By Joe Garland, Glenn Miller & His Orchestra. Arranged by Diego Marani. Score, Set of ...
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Clarinet, Woodwind Quartet - Intermediate - Digital Download By Joe Garland, Glenn Miller & His Orchestra. Arranged by Diego Marani. Score, Set of Parts. 21 pages. Published by Diego Marani
"In the Mood" is a popular jazz-swing big band-era No. 1 hit recorded by American bandleader Glenn Miller. It topped the charts for 13 straight weeks in 1940 in the U.S.
This arrangement for clarinet quartet is based on the original version with also the famous sax and trumpet solos.
It contains the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet. It is suitable for repertoire, classroom and recital.
$19.99 ≈
¥144.04
In The Mood
In The Mood
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Jazz
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Ernie Field's Orchestra
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David McKeown
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In The Mood
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David McKeown
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.587997 By Ernie Field's Orchestra. By Joe Garland. Arranged by David McKeown. Jazz. 24 p...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.587997 By Ernie Field's Orchestra. By Joe Garland. Arranged by David McKeown. Jazz. 24 pages. David McKeown #5210859. Published by David McKeown (A0.587997). In the Mood was a huge hit for the Glenn Miller Orchestra in 1940, but the melody for In the Mood had been around in different versions with different bands for at least a decade before. But it was the Glenn Miller version that grabbed the public’s attention, becoming almost the soundtrack to the Second World War. In the Mood has never lost its appeal and has been recognised as culturally significant by the Library of Congress. In 1951 In the Mood became the first piece of music to be played by a computer.This arrangement of In the Mood is written with accessibility in mind. It is arranged for Clarinet Quartet or Choir; that is for three Bb Clarinets, plus Bass Clarinet. There is also an alternative part 3 for Alto Clarinet in Eb. This arrangement aims to deliver the big band sound with a smaller group. The solos from the original Glenn Miller recording are transcribed and notated in full, though players may prefer their own improvisations. This arrangement is ideal for smaller groups and combos looking to add this perennial favourite to their repertoire.The single pdf file you download contains both the full score and the individual parts. Performance time is around four minutes.The key, structure and overall feel is faithful to the original by the Glenn Miller Orchestra.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$12.99 ≈
¥93.60
Divertimento for Woodwind Quartet
Divertimento for Woodwind Quartet
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Flûte, Hautbois, Clarinette, Basson
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AVANCÉ
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Contemporain
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Sy Brandon
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Divertimento for Woodwind Quar
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Sy Brandon
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.755218 Composed by Sy Brandon. 20th Century,Contemporary. 93 pages. S...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.755218 Composed by Sy Brandon. 20th Century,Contemporary. 93 pages. Sy Brandon #3418979. Published by Sy Brandon (A0.755218). Divertimento is in three movements. The first movement Frolic has three main thematic ideas. The first contains dotted rhythms, staccato articulation, and meter change. The second thematic idea is related to the first in that it also uses dotted rhythms and meter change, but is more legato and begins with more sustained notes. The third thematic section is thinner in texture, more playful, and has a legato theme over a staccato background. The motivic material in each of these sections has similarities. Contrast is primarily obtained through change of style and mood. These thematic ideas develop throughout the movement by varying key, instrumentation, and melodic material. There are several sections of imitation that are very energetic. The second movement Ballad is lyrical at an Andante tempo. The form of the movement is through-composed as the motives develop into new variations instead of having clearly distinguished themes. There is however a recapitulation that brings the listen back to the opening material. The main motives that develop are a sixteenth note pattern that is arpeggiated and also stepwise, a dotted quarter and eighth note idea that is often on weak beats as well as appearing on strong beats, and scalewise eighth note lines. All of these interweave among the parts with frequent counterpoint and some imitation. The harmony is lush with seventh chords used frequently. The last movement Tarantella is in a lively tempo. The form of this movement is a large ABA(Scherzo, Trio, Scherzo). The A sections are in triple meter while the B section is in duple. The A section is in three parts, forming an ABA within the large A. The material for the first part is motivically derived. The first motive is a dotted eighth, sixteenth, eighth note followed by even eighth notes. The second motive is four chromatic sixteenth notes followed by an eighth note. This motive appears both ascending and descending. The B section within this large A consists of a slurred melodic line that has both stepwise motion and leaps. It is accompanied by staccato chromatic eighth notes. The large B section is folksong-like and is in a recognizable binary form that repeats in a new key. The large A serves as a recapitulation of the opening section and it ends lightly and playfully in keeping with the Divertimento title that means to divert or amuse.
$14.99 ≈
¥108.02
Peer Gynt Suite No. 1 for Clarinet Quartet or Choir
Peer Gynt Suite No. 1 for Clarinet Quartet or Choir
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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Steve Winstead
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Peer Gynt Suite No. 1 for Clar
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Sigma Squared Music
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SheetMusicPlus
Clarinet Quartet, Clarinet Choir - Advanced Intermediate - Composed by Edvard Grieg (1843-1907). Arranged by Steve Winstead. Romantic Period, Hallow...
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Clarinet Quartet, Clarinet Choir - Advanced Intermediate - Composed by Edvard Grieg (1843-1907). Arranged by Steve Winstead. Romantic Period, Halloween, Fairy Tales, Recital. Score, Set of Parts. 30 pages. Published by Sigma Squared Music
Containing two of Grieg's most famous melodies, the Peer Gynt Suite No. 1, Op. 46 is a work in four movements. The iconic Morning Mood sets a tone of awakening, which is followed by the slow and dark Aese's Death. The lilting Anitra's Dance provides a jovial aside before the suite finishes with the instantly-recognizable In the Hall of the Mountain King. The piece in its entirety will round out any type of recital or formal event, and the individual movements can be used to fill out themed activities.
$18.99 ≈
¥136.84
In The Mood - Clarinet Quartet
In The Mood - Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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Jazz
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Joe Garland
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Juan A
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In The Mood - Clarinet Quartet
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Juan A. Perez
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SheetMusicPlus
Clarinet Quartet - Intermediate - Digital Download By Joe Garland. Arranged by Juan A. Perez. Score, Set of Parts. 18 pages. Published by Juan A. Pe...
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Clarinet Quartet - Intermediate - Digital Download By Joe Garland. Arranged by Juan A. Perez. Score, Set of Parts. 18 pages. Published by Juan A. Perez
Arrangement of the great success for big band ?In The Mood?, composed by Joe Garland and recorded by Glenn Miller. It topped the charts for 13 straight weeks in 1940 in the U.S. and one year later was featured in the movie Sun Valley Serenade. ?In the Mood? is based on the composition ?Tar Paper Stomp? by Wingy Manone. The first recording under the name ?In the Mood? was released by Edgar Hayes & His Orchestra in 1938. In 1983, the Glenn Miller recording from 1939 was inducted into the Grammy Hall of Fame.
You can see the score in https://japerezcomposer.com/clarinet-quartet/jazz/in-the-mood/
For more sheet music https://japerezcomposer.com/
$16.00 ≈
¥115.29
I'm In The Mood For Love
I'm In The Mood For Love
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Dorothy Fields and Jimmy McHug
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Kenneth Abeling
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I'm In The Mood For Love
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble - Level 4 - SKU: A0.1358760 Composed by Dorothy Fields and Jimmy McHugh. Arranged by Kenneth Abeling. Film/TV,Pop. 14...
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Clarinet Quartet,Woodwind Ensemble - Level 4 - SKU: A0.1358760 Composed by Dorothy Fields and Jimmy McHugh. Arranged by Kenneth Abeling. Film/TV,Pop. 14 pages. LINCOLN MUSIC PUBLICATIONS #943220. Published by LINCOLN MUSIC PUBLICATIONS (A0.1358760). I’m in the Mood for Love, music by Jimmy McHugh and lyrics by Dorothy Fields arranged for Clarinet Quartet. This is an intermediate to advanced intermediate level arrangement of this cute little song first introduced in the movie Every Night at Eight. It has since been recorded both as a vocal and instrumental by dozens and dozens of artists. The playing time is approximately 3:10.
$14.99 ≈
¥108.02
Crossing Jordan: Three Spirituals for violin, piano and cello
Crossing Jordan: Three Spirituals for violin, piano and cello
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Piano Quatuor: piano, 2 violons, violoncelle
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AVANCÉ
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Musique Sacrée
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spiritu
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.1272508 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thomp...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.1272508 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 35 pages. Maria Thompson Corley #864733. Published by Maria Thompson Corley (A0.1272508). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. Please note that the YouTube version for clarinet is slightly different than the one with violin, to accommodate the differences in range.
$30.00 ≈
¥216.17
Rockestra Theme
Rockestra Theme
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Contemporain
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Paul McCartney
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Jeff Tincher
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Rockestra Theme
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.585442 Composed by Paul McCartney. Arranged by Jeff Tincher. Contempo...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.585442 Composed by Paul McCartney. Arranged by Jeff Tincher. Contemporary. 12 pages. Jeff Tincher #6267075. Published by Jeff Tincher (A0.585442). If you are in the mood for a rocker, this song is it. In the original key from Paul McCartney and Wings Back To The Egg LP.Duration = 2:45. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 ≈
¥93.60
In A Sentimental Mood
In A Sentimental Mood
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Duke Ellington
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Diego Marani
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In A Sentimental Mood
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.527498 By Duke Ellington. By Duke Ellington, Irving Mills, and Manny Kurtz. Arranged by ...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.527498 By Duke Ellington. By Duke Ellington, Irving Mills, and Manny Kurtz. Arranged by Diego Marani. 20th Century,Contemporary,Instructional,Jazz,Standards. 8 pages. Diego Marani #2550889. Published by Diego Marani (A0.527498). In a Sentimental Mood is a jazz composition by Duke Ellington which is also performed as a song. Ellington composed the piece in 1935 and recorded it with his orchestra the same year. Lyrics were later written for the tune by Manny Kurtz. In a Sentimental Mood makes use of a musical technique called contrapuntal or chromatic embellishment of static harmony. This is also sometimes referred to as a line cliché. Ellington recorded his best-known version together with John Coltrane, which is featured on Duke Ellington and John Coltrane andColtrane for Lovers. This arrengement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.
$14.90 ≈
¥107.37
In The Mood
In The Mood
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Matthew Newman Dunne
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Cheryl Bray Jackson
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In The Mood
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Cheryl Bray Jackson
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.971210 Composed by Matthew Newman Dunne. Arranged by Cheryl Bray Jackson. Contemporary. ...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.971210 Composed by Matthew Newman Dunne. Arranged by Cheryl Bray Jackson. Contemporary. 17 pages. Cheryl Bray Jackson #6712547. Published by Cheryl Bray Jackson (A0.971210). Glenn Miller made this song famous in the 1940's. It is considered by some as one of the most important American musical works of the twentieth century. This piece offers a lot to young performers including the study of American jazz, swing rhythm, and close harmonies to mention a few. Each performer has a chance to play the lead. Particular attention should be made to note lengths, articulations, and dynamics. This arrangement is well-suited to community and school ensembles.
$12.99 ≈
¥93.60
Impromptu Op. 90, No. 3 for Clarinet Quartet
Impromptu Op. 90, No. 3 for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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Diego Marani
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Impromptu Op. 90, No. 3 for Cl
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Diego Marani
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1449639 Composed by Franz Schubert. Arranged by Diego Marani. Class...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1449639 Composed by Franz Schubert. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Wedding. 25 pages. Diego Marani #1029396. Published by Diego Marani (A0.1449639). The Impromptus, Op. 90, D. 899, are a set of four impromptus for solo piano composed by Franz Schubert in 1827. They were written in the same year as the Impromptus, Op. 142, though only the first two pieces were published during Schubert's lifetime. Together with the latter set, they have become a cornerstone of the piano repertoire. The third Impromptu (Andante) is an wonderful epitome of slow-moving Schubert melody over a flowing arpeggiated accompaniment. This lyrical and meditative work remains unified in mood and texture throughout. The piece is a classic example of Schubert's penchant for long melodic lines.This arrangement for clarinet quartet (Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet) is suitable for classroom, repertoire, recital, wedding or for an emotional encore.
$12.99 ≈
¥93.60
Impromptu Op. 90, No. 3 for Clarinet Quartet - Easy Version
Impromptu Op. 90, No. 3 for Clarinet Quartet - Easy Version
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Classique
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Franz Schubert
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Diego Marani
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Impromptu Op. 90, No. 3 for Cl
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Diego Marani
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1453420 Composed by Franz Schubert. Arranged by Diego Marani. Class...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1453420 Composed by Franz Schubert. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Wedding. 12 pages. Diego Marani #1032654. Published by Diego Marani (A0.1453420). The Impromptus, Op. 90, D. 899, are a set of four impromptus for solo piano composed by Franz Schubert in 1827. They were written in the same year as the Impromptus, Op. 142, though only the first two pieces were published during Schubert's lifetime. Together with the latter set, they have become a cornerstone of the piano repertoire. The third Impromptu (Andante) is an wonderful epitome of slow-moving Schubert melody over a flowing arpeggiated accompaniment. This lyrical and meditative work remains unified in mood and texture throughout. The piece is a classic example of Schubert's penchant for long melodic lines.This easy arrangement for clarinet quartet (Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet) is suitable for classroom, repertoire, recital, wedding or for an emotional encore.
$8.99 ≈
¥64.78
I'm In The Mood For Love
I'm In The Mood For Love
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE/AVANCÉ
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Dorothy Fields and Jimmy McHug
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Kenneth Abeling
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I'm In The Mood For Love
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1358764 Composed by Dorothy Fields and Jimmy McHugh. Arranged by Kenneth Abeling. Film/TV,Pop. 14...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.1358764 Composed by Dorothy Fields and Jimmy McHugh. Arranged by Kenneth Abeling. Film/TV,Pop. 14 pages. LINCOLN MUSIC PUBLICATIONS #943224. Published by LINCOLN MUSIC PUBLICATIONS (A0.1358764). I’m in the Mood for Love, music by Jimmy McHugh and lyrics by Dorothy Fields arranged for Woodwind Quartet. This is an intermediate to advanced intermediate level arrangement of this cute little song first introduced in the movie Every Night at Eight. It has since been recorded both as a vocal and instrumental by dozens and dozens of artists. The playing time is approximately 3:10.
$14.99 ≈
¥108.02
The White World Of Winter
The White World Of Winter
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Contemporain
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Hoagy Carmichael
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Jeff Tincher
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The White World Of Winter
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.583214 Composed by Hoagy Carmichael. Arranged by Jeff Tincher. Contem...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.583214 Composed by Hoagy Carmichael. Arranged by Jeff Tincher. Contemporary. 20 pages. Jeff Tincher #3603535. Published by Jeff Tincher (A0.583214). If you are in the mood for an old-fashioned Christmas, here is the song for you. This Woodwind Quartet (Flute, Oboe, Clarinet, Bassoon) arrangement is in the original key from the Bing Crosby recording. This is one that will liven any winter or Christmas party! Duration=2:12. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99 ≈
¥93.60
Morning Mood from "Peer Gynt" for Clarinet Quartet
Morning Mood from "Peer Gynt" for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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Diego Marani
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Morning Mood from "Peer G
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.527521 Composed by Edvard Grieg. Arranged by Diego Marani. Classical,Instructional,Opera...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.527521 Composed by Edvard Grieg. Arranged by Diego Marani. Classical,Instructional,Opera,Romantic Period,Standards. 15 pages. Diego Marani #2846017. Published by Diego Marani (A0.527521). Morning Mood, (Norwegian: Morgenstemning), more popularly known as just Morning, is a composition belonging to Edvard Grieg's Peer Gynt, Op. 23, written in 1875 as incidental music to Henrik Ibsen's play of the same name, and was also included as the first of four movements in Peer Gynt Suite No. 1, Op. 46. The piece depicts the rising of the sun during act 4, scene 4, of Ibsen's play, which finds the eponymous hero stranded in the Moroccan desert after his companions took his yacht and abandoned him there while he slept.This arrangement for Clarinet Quartet includes the following parts: 1st Bb Clarinet or Eb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet or Eb Alto Clarinet, Bb Bass Clarinet.
$8.90 ≈
¥64.13
Pictures of a Dream for Clarinet Quartet
Pictures of a Dream for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Hans Christian Lumbye
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John Gibson
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Pictures of a Dream for Clarin
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JB Linear
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.581933 Composed by Hans Christian Lumbye. Arranged by John Gibson. Concert,Romantic Peri...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.581933 Composed by Hans Christian Lumbye. Arranged by John Gibson. Concert,Romantic Period. 30 pages. JB Linear #3453189. Published by JB Linear (A0.581933). Hans Christian Lumbye - Pictures of a Dream (Drømmebilleder) set for clarinet quartet by John Gibson. This entertaining piece was written in 1846 by Lumbye who became known as the Strauss of the North as his music was similar to Johann Strauss's and popular at the time. This piece lasts about 5 1/2 minutes and has many tempo changes....the reason for an advanced level rating. In fact, it may be useful for your group to play it with a conductor! The music is really dream-like with its many changes of mood, much like how dreams often move from one scene to another without warning. It is set for 3 Bb clarinets and 1 bass clarinet.
$12.99 ≈
¥93.60
Monstrous Mango for Clarinet Quartet
Monstrous Mango for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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David McKeown
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David McKeown
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Monstrous Mango for Clarinet Q
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David McKeown
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet - Level 2 - SKU: A0.1046003 Composed by David McKeown. Arranged by David McKeown. 20th Century,Holiday,Latin,Multicultur...
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Woodwind Ensemble Bass Clarinet - Level 2 - SKU: A0.1046003 Composed by David McKeown. Arranged by David McKeown. 20th Century,Holiday,Latin,Multicultural,World. 12 pages. David McKeown #650552. Published by David McKeown (A0.1046003). Monstrous Mango is a fun, original composition in a calypso style by David McKeown and arranged for Clarinet Quartet. You will download the full score along with all the separate parts in one pdf file. All four parts are written for B flat Clarinet, with alternative parts 3&4 also included for Alto and Bass Clarinet. The arrangement lasts a little over two minutes. Monstrous Mango is ideal for players of an Early Intermediate standard. Part 1 is more difficult, part 3 is easier. The keys and range are as accessible as possible for your instrument. Click the link above to hear the arrangement on YouTube. Monstrous Mango is; perfect for concert performances large and small a spooky piece to get you and your audience in the mood for Halloween, but playable any time of year. fully articulated to help interpret each style. great for helping with simple rhythms and developing that internal pulse. road tested with scores of students and performed all over the world. fun to play.
$8.99 ≈
¥64.78
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
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Ensemble de Tubas
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INTERMÉDIAIRE
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Jazz
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Glenn Miller
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Keith Terrett
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Moonlight Serenade for Tuba Qu
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Music for all Occasions
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SheetMusicPlus
Tuba, Euphonium, Tuba Quintet - Intermediate - Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set ...
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Tuba, Euphonium, Tuba Quintet - Intermediate - Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller?s signature tune. In 1991, Miller?s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.
The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.
In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master?s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.
The recording was also issued as a V-Disc, No. 39A, in November 1943.
The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".
The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".
"Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.
A notable vocal version can be found on Frank Sinatra?s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.
"Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrs Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.
Jazz critic Gary Giddins wrote about the song?s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ?Moonlight Serenade? for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).
"Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.
Wartime release:
The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99 ≈
¥93.60
Clarinet Quintet, opus 155 (2013)
Clarinet Quintet, opus 155 (2013)
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Quintette de Clarinette: Clarinette, Quatuor à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Thomas Oboe Lee
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Clarinet Quintet, opus 155
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Thomas Oboe Lee
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SheetMusicPlus
Clarinet, String Quartet - Advanced Intermediate - Composed by Thomas Oboe Lee. 21st Century, 20th Century, Romantic Period, Classical Period, Baroq...
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Clarinet, String Quartet - Advanced Intermediate - Composed by Thomas Oboe Lee. 21st Century, 20th Century, Romantic Period, Classical Period, Baroque Period. Score. With Allegro III. 28 pages. Published by Thomas Oboe Lee
Program note.
Clarinet Quintet, opus 155 is the fourth work I have written for Nancy Braithwaite. The first one was written on the occasion of her sister?s wedding in Vermont. Nancy premiered the solo clarinet piece ?Trinca di Chro? during the wedding ceremony. The second work was ?Yo Picasso? (2007) for clarinet, viola, cello and piano. The work was tailor-made for the Arto Ensemble which consisted of two married couples: Oane (piano) and Nancy (clarinet), and Prunella (viola) and Guus (cello). The third work was ?Octet in D, opus 144? (2012) scored for clarinet, horn, bassoon, string quartet and double bass. Nancy and her Dutch colleagues premiered the work in a program with the Schubert Octet in Bunnik, a small village west of Utrecht in the Netherlands.Many great composers have tackled the clarinet quintet, most notable Mozart and Brahms.
My Quintet is somewhat different in that there are a lot of jazz elements and something new that I have not tackled before: polymeter.
Clarinet Quintet, opus 155 is in seven movements.
I. Largo
II. Allegro
III. Interlude 1 ? Presto
IV. Adagio
V. Reprise ? a bit faster than before!
VI. Interlude 2 ? Adagio
VII. Allegro con moto
The work begins with a clarinet meditation over pianissimo string chords. The music is very static ? not unlike the sacred music of Arvo Prt. This is followed by an allegro that is in 12/8 featuring a pizzicato jazzy bass figure played by the cello. The third movement is my experiment in polymeter. The ostinato pattern is grouped in a metrical scheme of 4, 3, 4 and 5; but the octave melody in the clarinet and first violin unfolds in standard duple meter of 4. The middle fourth movement is an adagio. This is an example of what I love about music, a soaring melody above slow haunting chords. A reprise of the jazzy Interlude 1 comes next, but in a slightly different guise with new elements, both melodically and harmonically.Interlude 2 is reminiscent of the meditative music of the first movement, but again it is quite different in mood and atmosphere.The finale is another experiment in polymeter. At first the metrical scheme is in a pattern of 4, 3, 4, 3, 2, 3 and 2. But eventually the meters get all scrambled up. Have fun trying to count. You?ll get lost! Above the ?oom-pah oom-pah? accompaniment, the clarinet soars like a flying bird ? diving, hovering, dipping and swooping!!!
ENJOY!!!
Audio link. Copy and paste the URL link into your browser.
https://thomasoboelee.bandcamp.com/album/clarinet-quintet-opus-155-2013
Video link: https://youtu.be/2fByM3tEAqc
$9.99 ≈
¥71.99
In The Mood
In The Mood
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Ernie Field's Orchestra
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Josef Štastný
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In The Mood
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Josef STASTNY
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.743480 By Ernie Field's Orchestra. By Joe Garland. Arranged by Josef Štastný. Jazz...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.743480 By Ernie Field's Orchestra. By Joe Garland. Arranged by Josef Štastný. Jazz. 13 pages. Josef STASTNY #3876033. Published by Josef STASTNY (A0.743480). This is one of the most recognizable and popular big band songs. Miller recorded it in 1939 and the song became wildly popular in early 1940, shortly before Billboard began publishing its Music Popularity Chart. This arrangement is for brass quartet to enjoy this music by no big band players too.
$13.99 ≈
¥100.81
Peer Gynt - Clarinet Quartet
Peer Gynt - Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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Juan A
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Peer Gynt - Clarinet Quartet
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Juan A. Perez
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SheetMusicPlus
Clarinet Quartet - Advanced Intermediate - Digital Download Composed by Edvard Grieg (1843-1907). Arranged by Juan A. Perez. Romantic Period. Score, ...
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Clarinet Quartet - Advanced Intermediate - Digital Download Composed by Edvard Grieg (1843-1907). Arranged by Juan A. Perez. Romantic Period. Score, Set of Parts. 47 pages. Published by Juan A. Perez
Arrangement for clarinet quartet of Suite No. 1, Op. 46, by Edvard Grieg. The suite begins with the ?Morning Mood? movement, evoking the dawn. It is followed by ?The Death Of Ase?, which describes Peer?s regret at the death of his mother. The third movement is ?Anitra?s Dance?, where Peer is taken as a prophet and the beautiful Anitra performs a dance to seduce him. The last movement ?In the Hall of the Mountain King?, which describes the descent of Peer to the mysterious grotto, wet and dark, where the king of the mountain is located.
$28.99 ≈
¥208.90
THE HAPPY FARMER - CLARINET QUARTET
THE HAPPY FARMER - CLARINET QUARTET
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Robert Schumann
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BRIAN W
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THE HAPPY FARMER - CLARINET QU
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EMK Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.1118005 Composed by Robert Schumann (1810-1856). Arranged by BRIAN W. COPPING. Contest,F...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.1118005 Composed by Robert Schumann (1810-1856). Arranged by BRIAN W. COPPING. Contest,Festival,Romantic Period. 10 pages. EMK Music #719514. Published by EMK Music (A0.1118005). The Merry Peasant was written by Schumann in 1848 when it was included in the first part of his ‘Album for the Young’ which was written for his three daughters. These comparatively easy pieces were intended to be played by children or by beginners. It is often now given the more contemporary title of The Happy Farmer which is used for this publication. The style and the major key evoke a sense of a rural worker returning from the fields at the end of the day in a good mood. The melody inspired the song Red Wing (1907) and it was used in the underscore of the film, The Wizard of Oz.
$14.00 ≈
¥100.88
Tritsch-Tratsch Polka for Clarinet Quartet
Tritsch-Tratsch Polka for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Classique
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Johann Strauss Jr
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Diego Marani
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Tritsch-Tratsch Polka for Clar
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.527656 Composed by Johann Strauss Jr. Arranged by Diego Marani. Classical,Holiday,Instru...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.527656 Composed by Johann Strauss Jr. Arranged by Diego Marani. Classical,Holiday,Instructional,Romantic Period,Standards. 20 pages. Diego Marani #3066917. Published by Diego Marani (A0.527656). Tritsch-Tratsch-Polka, Op. 214, is a polka written by Johann Strauss II in 1858 after a successful tour of Russia where he performed in the summer concert season at Pavlovsk, Saint Petersburg. The title may be interpreted as Chit-chat and may refer to the Viennese passion for gossip. Strauss may also have been referencing the single act burlesque Der Tritsch-tratsch (with music by Adolf Müller, Sr.) by the famous Austrian dramatist and actor Johann Nestroy, which premiered in 1833 and was still in the stage repertoire when the polka was written. Many point out that the title may also have meant his first wife's (Henrietta Treffz) poodle, also named Tritsch-tratsch, but this etymology remains unsubstantiated as well. The mood of the piece is jaunty and high-spirited, as were many of Strauss' polkas.This arrangement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.
$14.90 ≈
¥107.37
In The Mood
In The Mood
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Ernie Field's Orchestra
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Kenneth Abeling
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In The Mood
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.1104569 By Ernie Field's Orchestra. By Joe Garland. Arranged by Kenne...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.1104569 By Ernie Field's Orchestra. By Joe Garland. Arranged by Kenneth Abeling. Jazz,Standards. 20 pages. LINCOLN MUSIC PUBLICATIONS #707791. Published by LINCOLN MUSIC PUBLICATIONS (A0.1104569). In the Mood, Music by Joe Garland arranged for Woodwind Quartet. This is an advanced intermediate to advanced arrangement of the most recognizable song performed by The Glenn Miller Orchestra! The playing time is approximately 3:35 To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
$14.99 ≈
¥108.02
Legacy for Clarinet, Violin, Cello, and Piano
Legacy for Clarinet, Violin, Cello, and Piano
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Contemporain
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Sy Brandon
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Legacy for Clarinet, Violin, C
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Sy Brandon
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Piano,Violin - Level 4 - SKU: A0.755023 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 94 pages. Sy B...
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Small Ensemble Cello,Clarinet,Piano,Violin - Level 4 - SKU: A0.755023 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 94 pages. Sy Brandon #3244205. Published by Sy Brandon (A0.755023). Legacy is a three movement composition that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor, and later transcribed by the composer for quartet for the chamber music group, enhaké. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming. The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the clarinet brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Legacy has been recorded by enhaké on the Emeritus Recordings CD Legacy.
$14.99 ≈
¥108.02
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