Tout le site ▾
Tout le site ▾
Partitions GRATUITES
Partitions LIVRES
Partitions NUMÉRIQUES
MATERIEL de Musique
Mon compte
(connectez-vous)
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites ▾
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
|
Compositeurs membres
Compositeurs historiques
Tous les compositeurs
INSTRUMENTATIONS
|
SOLO
DUO
TRIO
QUATUOR
QUINTET
ENSEMBLE
TOUS
R. AVANCÉES
|
Partitions Numériques
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale ▾
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
SECTIONS
|
ARTISTES
EDITEURS
FORMATION MUSICALE
IDEES CADEAUX
LIVRES SUR LA MUSIQUE
PLAY-ALONG
R. AVANCÉE
Matériel de Musique ▾
STUDIO
|
SONO
|
ACCESSOIRES
|
ACCESSOIRES
|
CABLE
|
EFFET
|
FLIGHT
|
LOGICIEL
|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
|
PERCUSSION
|
VENT
|
NOËL
|
CORDES/TRAD.
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumental trio no.54
Non classifié
2
Piano & claviers
Guitares
Voix
Vents
3 Flûtes à bec (trio)
1
Cuivres
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
4
Percussions & orchestre
Orchestre
8
Orchestre d'harmonie
1
Autres
Imprimer aprés achat
Accueil
Meilleures Ventes
Nouveautés
Vendeurs
Vendeurs
Européens
Chez Tomplay
Chez Quickpartitions
Chez Noviscore
Chez Profs-edition
Chez Note4piano
Américains
Chez Musicnotes
Chez Sheetmusicplus
Chez Virtualsheetmusic
Artistes Internationaux
Artistes Francophones
Top artistes
Top artistes
POP
Adele
Billie Eilish
Ed Sheeran
BTS
Coldplay
Pharrel Williams
Daft Punk
Avicii
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Beatles
NEW AGE / CONTEMPORAINS :
Ludovico Einaudi
Yiruma
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
FILMS
Lin-Manuel Miranda
Joe Hisaishi
Ennio Morricone
Yann Tiersen
John Williams
Howard Shore
Hans Zimmer
FRANÇAIS :
Slimane
Calogero
Clara Luciani
Vianney
Kendji Girac
Stromae
William Sheller
Georges Brassens
Claude Nougaro
Serge Gainsbourg
Jean Jacques Goldman
Artistes :
• Trio Los Panchos
• John Butler Trio [The]
PARTITIONS GRATUITES
187 000+ partitions
BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison
PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer
MATERIEL DE MUSIQUE
Accessoires & Instruments
Partitions Numériques, Accès après l'Achat
Expédition postale
Téléchargement
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Meilleures ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Instrumental trio no.54
Partitions à imprimer
16 partitions trouvées
<
1
Haydn - Symphony No.54 in G major, Hob.I:54
Haydn - Symphony No.54 in G major, Hob.I:54
#
Orchestre
#
Classique
#
Franz Joseph Haydn
#
J
#
Haydn - Symphony No.54 in G ma
#
J.G. Cuco Barber
#
SheetMusicPlus
Full Orchestra - SKU: A0.819648 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 128 pages. J.G. Cuco Barber...
(+)
Full Orchestra - SKU: A0.819648 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 128 pages. J.G. Cuco Barber #5988375. Published by J.G. Cuco Barber (A0.819648). Composer Haydn, JosephOpus/Catalogue Number Hob.I:54Key G majorMovements/Sections 4 movementsAdagio maestoso – Presto (G major, 232 bars)Adagio assai (C major, 137 bars)Minuet. Allegretto – Trio (G major, 70 bars)Finale. Presto (G major, 155 bars)Year/Date of Composition 1774First Publication 1778 ca.?Average Duration 30 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: OrchestraFlute 1Flute 2Oboe 1Oboe 2Bassoon 1Bassoon 2Horn in G/C basso 1 original & F transposedHorn in G/C basso 2 original & F transposedTrumpet in C 1 original & Bb transposedTrumpet in C 2 original & Bb transposedTimpaniViolin IViolin IIViolaVioloncelloContrabass
$28.00 ≈
25.25€
Instrumental trio no.54 (no title) (arrangement for 3 recorders)
Instrumental trio no.54 (no title) (arrangement for 3 recorders)
#
3 Flûtes à bec (trio)
#
Renaissance
#
Heinrich Isaac
#
Gil Garty
#
Instrumental trio no.54
#
Gil Garty
#
SheetMusicPlus
Composed by Heinrich Isaac (1450-1517). Arranged by Gil Garty. Renaissance. Score, Set of Parts. 10 pages. Published by Gil Garty (S0.72989). - Score,Set of Par...
(+)
Composed by Heinrich Isaac (1450-1517). Arranged by Gil Garty. Renaissance. Score, Set of Parts. 10 pages. Published by Gil Garty (S0.72989). - Score,Set of Parts - Renaissance - Gil Garty
$5.00 ≈
4.51€
Haydn - String Quartet in E major, Hob.III:59 ; Op.54 No.3"Tost I, Quartet No.3"
Haydn - String Quartet in E major, Hob.III:59 ; Op.54 No.3"Tost I, Quartet No.3"
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Classique
#
Franz Joseph Haydn
#
J
#
Tost I, Quartet No
#
Haydn - String Quartet in E ma
#
J.G. Cuco Barber
#
SheetMusicPlus
String Quartet String Quartet - SKU: A0.1093694 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 48 pages. J...
(+)
String Quartet String Quartet - SKU: A0.1093694 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 48 pages. J.G. Cuco Barber #697771. Published by J.G. Cuco Barber (A0.1093694). Work Title String Quartet in E major Alternative Title String Quartet No.59 ; Tost I, Quartet No.3 Composer Haydn, Joseph Opus/Catalogue Number Hob.III:59 ; Op.54 No.3 Key E major Movements/Sections 4 movements 1. Allegro (E major) 2. Largo cantabile (A major) 3. Minuet - Trio (E major) 4. Finale. Presto (E major) Year/Date of Composition 1788 First Publication 1788 in String Quartets, Op.54 (No.3) Composer Time Period Classical Piece Style Classical Instrumentation 2 violins, viola, cello.
$23.00 ≈
20.75€
Haydn - String Quartet in C major, Hob.III:57 ; Op.54 No.2"Tost I, Quartet No.2"
Haydn - String Quartet in C major, Hob.III:57 ; Op.54 No.2"Tost I, Quartet No.2"
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Classique
#
Franz Joseph Haydn
#
J
#
Tost I, Quartet No
#
Haydn - String Quartet in C ma
#
J.G. Cuco Barber
#
SheetMusicPlus
String Quartet String Quartet - SKU: A0.1093106 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 42 pages. J...
(+)
String Quartet String Quartet - SKU: A0.1093106 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 42 pages. J.G. Cuco Barber #697203. Published by J.G. Cuco Barber (A0.1093106). Work Title String Quartet in C major Alternative Title String Quartet No.57 ; Tost I, Quartet No.2 Composer Haydn, Joseph Opus/Catalogue Number Hob.III:57 ; Op.54 No.2 Key C major Movements/Sections 4 movements 1. Vivace (C major) 2. Adagio (C minor) 3. Minuet (C major) - Trio (C minor) 4. Finale. Adagio - Presto - Adagio (C major) Year/Date of Composition 1788 First Publication 1788 in String Quartets, Op.54 (No.1) Dedication Johann Tost Composer Time Period Classical Piece Style Classical Instrumentation 2 violins, viola, cello.
$23.00 ≈
20.75€
Haydn - String Quartet in G major, Hob.III:58 ; Op.54 No.1"Tost I, Quartet No.1"
Haydn - String Quartet in G major, Hob.III:58 ; Op.54 No.1"Tost I, Quartet No.1"
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Classique
#
Franz Joseph Haydn
#
J
#
Tost I, Quartet No
#
Haydn - String Quartet in G ma
#
J.G. Cuco Barber
#
SheetMusicPlus
String Quartet String Quartet - SKU: A0.1093362 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 44 pages. J...
(+)
String Quartet String Quartet - SKU: A0.1093362 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 44 pages. J.G. Cuco Barber #697438. Published by J.G. Cuco Barber (A0.1093362). Work Title String Quartet in G major Alternative Title String Quartet No.58 ; Tost I, Quartet No.1 Composer Haydn, Joseph Opus/Catalogue Number Hob.III:58 ; Op.54 No.1 Key G major Movements/Sections 4 movements 1. Allegro con brio (G major) 2. Allegretto (C major) 3. Minuet - Trio (G major) 4. Finale. Presto (G major) Year/Date of Composition 1788 First Publication 1788 in String Quartets, Op.54 (No.2) Dedication Johann Tost Composer Time Period Classical Piece Style Classical Instrumentation 2 violins, viola, cello.
$23.00 ≈
20.75€
Sonata For Violin And Piano No. 1
Sonata For Violin And Piano No. 1
#
Classique
#
Alan Beggerow
#
Sonata For Violin And Piano No
#
Alan Beggerow
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.985772 Composed by Alan Beggerow. Romantic Period. Score and parts. 54 pages. Alan ...
(+)
Instrumental Duet Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.985772 Composed by Alan Beggerow. Romantic Period. Score and parts. 54 pages. Alan Beggerow #2963951. Published by Alan Beggerow (A0.985772). Score and solo violin part included.1st movement is in sonata form and begins in E minor.2nd movement is a scherzo with a German Landler trio.3rd movement first section is like a Jewish folk song4th movement has soloist and piano chasing each other as in a 2-part invention.
$14.95 ≈
13.48€
Beethoven - String Quartet No.6 in B flat major, Op.18 No.6
Beethoven - String Quartet No.6 in B flat major, Op.18 No.6
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Classique
#
Ludwig van Beethoven
#
J
#
Beethoven - String Quartet No.
#
J.G. Cuco Barber
#
SheetMusicPlus
String Quartet String Quartet - SKU: A0.1113601 Composed by Ludwig van Beethoven. Arranged by J.G. Cucó Barber. Chamber,Classical. 54 pages. J.G. Cuc...
(+)
String Quartet String Quartet - SKU: A0.1113601 Composed by Ludwig van Beethoven. Arranged by J.G. Cucó Barber. Chamber,Classical. 54 pages. J.G. Cuco Barber #715504. Published by J.G. Cuco Barber (A0.1113601). Work Title String Quartet No.6 in B-flat major Composer Beethoven, Ludwig van Opus/Catalogue Number Op.18 No.6 Key B-flat major Movements/Sections 5 movements: 1. Allegro con brio (B♠major) 2. Adagio, ma non troppo (E♠major) 3. Scherzo. Allegro — Trio (B♠major) 4. La Malinconia. Adagio (B♠major) 5. Allegretto quasi Allegro (B♠major) Year/Date of Composition 1800 First Publication 1801 - Vienna: Mollo Dedication Franz Joseph Maximilian Fürst von Lobkowitz (1772-1816) Composer Time Period Classical Piece Style Classical Instrumentation 2 violins, viola, cello.
$23.00 ≈
20.75€
Sonata in C Major, Op. 1, No. 7, arranged for instruments in four parts
Sonata in C Major, Op. 1, No. 7, - instruments in four parts
#
Classique
#
Arcangelo Corelli
#
Paul Burnell
#
Sonata in C Major, Op. 1, No.
#
Paul Burnell
#
SheetMusicPlus
Small Ensemble,Strings - Level 3 - SKU: A0.835910 Composed by Arcangelo Corelli. Arranged by Paul Burnell. Baroque. Score and parts. 54 pages. Paul Burn...
(+)
Small Ensemble,Strings - Level 3 - SKU: A0.835910 Composed by Arcangelo Corelli. Arranged by Paul Burnell. Baroque. Score and parts. 54 pages. Paul Burnell #6857749. Published by Paul Burnell (A0.835910). Sonata in C Major, Op. 1, No. 7 by Arcangelo Corelli, arranged by Paul Burnell for instruments in four partsDownload comprises both score and partsDuration 4:20Score in CThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello)Part 4 may be played or doubled an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.Play cue-sized notes in brackets where main notes are out of range or inconvenient.Programme note:The 12 'Sonate da Chiesa' by Italian violinist and composer Arcangelo Corelli were published in Rome in 1681. These 'Church Sonatas' were originally intended for performance in church by two violins with the organ as 'basso continuo' reinforced by the bass viol. These types of work are sometimes known as 'Trio Sonatas' but, because there normally are two people playing the continuo part, there are usually four players in all.The seventh sonata has three movements, with the tempo markings Allegro, Grave, and Allegro.
$3.99 ≈
3.60€
Symphony No. 3 in A minor, op. 17 (parts)
Symphony No. 3 in A minor, op. 17 (parts)
#
Orchestre
#
AVANCÉ
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op.
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by ...
(+)
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00 ≈
189.41€
Symphony No. 3 in A minor, op. 17
Symphony No. 3 in A minor, op. 17
#
Orchestre
#
AVANCÉ
#
Contemporain
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op.
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by ...
(+)
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00 ≈
189.41€
Haydn - Symphony No.23 in G major, Hob.I:23
Haydn - Symphony No.23 in G major, Hob.I:23
#
Orchestre
#
Classique
#
Franz Joseph Haydn
#
J
#
Haydn - Symphony No.23 in G ma
#
J.G. Cuco Barber
#
SheetMusicPlus
Full Orchestra - SKU: A0.819615 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 54 pages. J.G. Cuco Barber ...
(+)
Full Orchestra - SKU: A0.819615 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 54 pages. J.G. Cuco Barber #5987161. Published by J.G. Cuco Barber (A0.819615). Composer Haydn, JosephOpus/Catalogue Number Hob.I:23IKey G majorMovements/Sections 4 movements:Allegro (G major, 127 bars)Andante (C major, 105 bars)Minuet (G major, 28 bars) - Trio (C major, 22 bars)Finale. Presto assai (G major, 96 bars)Year/Date of Composition 1764First Publication 1769 (ca.?)Average Duration 20 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: OrchestraOboe 1Oboe 2BassoonHorn in G 1 original & F transposedHorn in G 2 original & F transposedViolin IViolin IIViolaVioloncelloContrabass
$28.00 ≈
25.25€
Haydn - Symphony No.84 in E flat major, Hob.I:84
Haydn - Symphony No.84 in E flat major, Hob.I:84
#
Orchestre
#
Classique
#
Franz Joseph Haydn
#
J
#
Haydn - Symphony No.84 in E fl
#
J.G. Cuco Barber
#
SheetMusicPlus
Full Orchestra - SKU: A0.819678 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 121 pages. J.G. Cuco Barber...
(+)
Full Orchestra - SKU: A0.819678 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 121 pages. J.G. Cuco Barber #5988647. Published by J.G. Cuco Barber (A0.819678). Composer Haydn, JosephOpus/Catalogue Number Hob.I:84Key E-flat majorMovements/Sections 4 movements:Largo – Allegro (E♠major, 267 bars)Andante (B♠major, 82 bars)Minuet – Trio (E♠major, 54 bars)Finale. Vivace (E♠major, 292 bars)Year/Date of Composition 1786First Publication 1787 – Vienna: ArtariaAverage Duration 22 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: Orchestra:FluteOboe 1Oboe 2Bassoon 1Bassoon 2Horn in Eb/Bb 1 original & F transposedHorn in Eb/Bb 2 original & F transposedViolin IViolin IIViolaVioloncelloContrabass
$28.00 ≈
25.25€
Haydn - Symphony No.34 in D minor, Hob.I:34
Haydn - Symphony No.34 in D minor, Hob.I:34
#
Orchestre
#
Classique
#
Franz Joseph Haydn
#
J
#
Haydn - Symphony No.34 in D mi
#
J.G. Cuco Barber
#
SheetMusicPlus
Full Orchestra - SKU: A0.819627 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 54 pages. J.G. Cuco Barber ...
(+)
Full Orchestra - SKU: A0.819627 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 54 pages. J.G. Cuco Barber #5987329. Published by J.G. Cuco Barber (A0.819627). Composer Haydn, JosephOpus/Catalogue Number Hob.I:34Key D minorMovements/Sections 4 movements:Adagio (D minor, 98 bars)Allegro (D major, 94 bars)Minuet - Trio (D major, 52 bars)Presto assai (D major, 109 bars)Year/Date of Composition 1765Average Duration 24 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: OrchestraOboe 1Oboe 2BassoonHorn in D 1 original & F transposedHorn in D 2 original & F transposedViolin IViolin IIViolaVioloncelloContrabass
$28.00 ≈
25.25€
Haydn - Symphony No.7 in C major, "Le Midi" Hob.I:7
Haydn - Symphony No.7 in C major, "Le Midi" Hob.I:7
#
Orchestre
#
Classique
#
Franz Joseph Haydn
#
J
#
Haydn - Symphony No.7 in C maj
#
J.G. Cuco Barber
#
SheetMusicPlus
Full Orchestra - SKU: A0.819598 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 96 pages. J.G. Cuco Barber ...
(+)
Full Orchestra - SKU: A0.819598 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 96 pages. J.G. Cuco Barber #5800749. Published by J.G. Cuco Barber (A0.819598). Movements/Sections 5 movements:Adagio – Allegro (C major, 149 bars)Recitativo. Adagio – Allegro – Adagio (C minor, 29 bars)Adagio – Allegro – Adagio (G major, 53 bars)Minuet - Trio (C major, 54 bars)Finale. Allegro (C major, 131 bars)Year/Date of Composition 1761First Publication 1881Duration 26 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation Parts: Flute 1-2, Oboe 1-2, Bassoon, Horn 1-2 in C [original], Horn 1-2 in F [transposed], Solo Violin 1, Violin1, Solo Violin 2, Violin 2 Viola, Solo Violoncello, Violoncello, Contrabass.
$28.00 ≈
25.25€
Haydn - Symphony No.11 in E flat major, Hob.I:11
Haydn - Symphony No.11 in E flat major, Hob.I:11
#
Orchestre
#
Classique
#
Franz Joseph Haydn
#
J
#
Haydn - Symphony No.11 in E fl
#
J.G. Cuco Barber
#
SheetMusicPlus
Full Orchestra - SKU: A0.819604 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 54 pages. J.G. Cuco Barber ...
(+)
Full Orchestra - SKU: A0.819604 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 54 pages. J.G. Cuco Barber #5987027. Published by J.G. Cuco Barber (A0.819604). Composer Haydn, JosephOpus/Catalogue Number Hob.I:11Key E-flat majorMovements/Sections 4 movements:Adagio cantabile (E♠major, 81 bars)Allegro (E♠major, 162 bars)Minuet (E♠major, 36 bars) - Trio (B♠major, 24 bars)Finale. Presto (E♠major, 119 bars)Year/Date of Composition 1761First Publication 1772Average Duration 22 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: OrchestraOboe 1Oboe 2BassoonHorn in Eb 1 original & F transposedHorn in Eb 2 original & F transposedViolin IViolin IIViolaVioloncello & Contrabass
$28.00 ≈
25.25€
Our Flirtations
Our Flirtations
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
John Philip Sousa
#
Wesley Besancon
#
Our Flirtations
#
Wesley Besancon
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts. 62 pages. Wesl...
(+)
Concert Band - Level 4 - SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts. 62 pages. Wesley Besancon #752386. Published by Wesley Besancon (A0.1152172). Throughout Sousa’s career as a conductor, he often altered the performance of his marches without marking or changing the printed music. These alterations were designed for concert performances and included varying dynamics and omitting certain instruments on repeated strains to expand the range of the musical textures, as well as adding unscripted percussion accents for dramatic emphasis at key points in the music. Although Sousa never documented his performance techniques himself, several players who worked extensively with Sousa provided directions for his frequently performed marches, most notably cornetist Frank Simon. Sousa continued to conduct many of his earlier marches later in his career with these unique alterations, but he rarely returned to several of the marches composed between 1873 and 1880. Although no written confirmation exists for how Sousa might have performed these earliest compositions, select elements of his typical performance practices can also be applied to these marches. “Our Flirtation†is the earliest march for which Simon documented Sousa’s common adjustments in performance. The Complete Marches of John Philip Sousa appears in chronological order and is based on some of the earliest known sources for each composition. These newly edited full scores correct many mistakes and inconsistencies found in the parts of early publications; however, all remaining markings and the original scoring are preserved. Additionally, the alterations traditionally employed by the United States Marine Band in performance are incorporated throughout; either those specifically documented by Sousa’s musicians or changes modeled on the customary practices of “The March King.†Performance practices that deviate from the original printed indications are described below and appear in [brackets] in the score. In many instances these indications appear side-by-side with the original markings. An open diamond marked with an accent in the cymbal part indicates that the cymbal player should let that accent ring for an additional beat before rejoining the bass drum part. Second strain (m. 21-38): The dynamic should drop to piano first time through with piccolo, E-flat clarinet, cornets/trumpets, and trombones tacet first time. Additionally, all clarinets should play down one octave as indicated by the cued notes. All instruments rejoin fortissimo and at the original octave in the first ending. A percussion accent may be added in m. 29 the second time. The printed percussion figure in the first ending continues the previous pattern, yet muddies the pick-ups to the second strain and may be omitted for just that one bar as indicated after the downbeat. Trio (m. 39-54): Piccolo and cornets/trumpets are tacet once more as well as cymbals, but trombones have an interesting part in the texture and may continue to play softly here. All instruments rejoin for the fortissimo pick up notes in m. 54. Interlude/Break-up strain (m. 55-70): A percussion accent may be added on beat two in m. 62 and 70, both times, to match the accented chords in the rest of the band. Final strain (m. 71-end): The first time through this strain is piano once more and piccolo, cornets/trumpets, trombones, and cymbals are tacet again. First and second B-flat clarinets should also play one octave lower as indicated by the cued notes. All instruments rejoin in the first ending for the repeat of the break-up strain and play fortissimo to the end.
$14.99 ≈
13.52€
<
1