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Vous avez sélectionné:
Irae Dei
Partitions à imprimer
20 partitions trouvées
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1
DIES IRAE from REQUIEM by W. A. Mozart
DIES IRAE from REQUIEM by W. A. Mozart
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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Alessandro Macrì
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DIES IRAE from REQUIEM by W. A
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931247 Composed by Wolfgang Amadeus Mozart. Arranged by Alessandro Macrì. Classical,Con...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931247 Composed by Wolfgang Amadeus Mozart. Arranged by Alessandro Macrì. Classical,Concert,Film/TV,Sacred. Score and parts. 13 pages. Music Macri Editions #5769131. Published by Music Macri Editions (A0.931247). La Messa di Requiem in Re minore K 626 è l'ultima struggente composizione di Mozart. Rimasta incompiuta per la morte dell'autore, avvenuta il 5 dicembre 1791, fu completata successivamente da Franz Xaver Sussmayr.L'opera è legata alla controversa vicenda della sua morte avvenuta il giorno successivo al completamento delle parti vocali del Lacrimosa. Stendhal parla di un anonimo committente che incaricò Mozart, malato e caduto in miseria, di comporre in quattro settimane una messa da requiem, dietro compenso di cinquanta ducati. Completato quasi certamente entro la quaresima del 1792, il Requiem venne ritenuto per un certo periodo opera del solo Mozart anche per il fatto che la calligrafia di Süssmayr risulta essere molto simile a quella di Mozart: fino agli inizi degli anni novanta del XX secolo si riteneva infatti che l'indicazione, posta in testa alla prima pagina, recitante di me W.A Mozart mppa. 1792 fosse stata apposta da Mozart stesso.Fu probabilmente solo con l'edizione a stampa di Andrè del 1827 che parte dei dubbi vennero fugati: forse per la prima volta nella storia della musica, una partitura venne pubblicata con un commento critico nel quale si tentava di stabilire con certezza ciò che è certamente di Mozart e ciò che è di pugno d'altri; l'edizione Breitkopf indicò poi con una M il materiale sicuramente mozartiano e con una S quello attribuito a Süssmayr.Leggendo il testo si può capire quanta intensità e potenza è racchiusa in questa composizione:Dies irae, dies illa, Solvet saeclum in favilla, Teste David cum Sibylla. Quantus tremor est futurus, Quando Judex est venturus, Cuncta stricte discussurus!Giorno d'ira, quel giorno distruggerà il mondo in faville, com'è attestato da Davide e dalla Sibilla. Quanto grande sarà il terrore quando verrà il giudice a valutare ogni cosa severamente.
$7.00 ≈
6.35€
Deis Irae from Verdi's Requiem
Deis Irae from Verdi's Requiem
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Ensemble de cuivres
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Contemporain
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Giuseppe Verdi
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Phil Lawrence
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Deis Irae from Verdi's Requiem
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Phillip Lawrence
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SheetMusicPlus
Brass Ensemble - SKU: A0.883785 Composed by Giuseppe Verdi. Arranged by Phil Lawrence. 20th Century. Score and parts. 69 pages. Phillip Lawrence #479030...
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Brass Ensemble - SKU: A0.883785 Composed by Giuseppe Verdi. Arranged by Phil Lawrence. 20th Century. Score and parts. 69 pages. Phillip Lawrence #4790303. Published by Phillip Lawrence (A0.883785). Much used and abused in the world of film and TV demonic hype, now arranged for brass band and this may still be performed with a chorus if in concert with a choir. The Dies Irae really does not have an end as such so I have manufactured a solution to work as a concert item, and if with choir this is also easy to work out the scenario.
$36.00 ≈
32.68€
Irae Dei (String Orchestra, 3 Violins, Harpsichord)
Irae Dei (String Orchestra, 3 Violins, Harpsichord)
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Orchestre à Cordes
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Rebecca Drimmel
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Irae Dei
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Rebecca Drimmel
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SheetMusicPlus
String Orchestra - SKU: A0.925873 Composed by Rebecca Drimmel. Classical,Contemporary,Standards. Score and parts. 19 pages. Rebecca Drimmel #6860381. Pu...
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String Orchestra - SKU: A0.925873 Composed by Rebecca Drimmel. Classical,Contemporary,Standards. Score and parts. 19 pages. Rebecca Drimmel #6860381. Published by Rebecca Drimmel (A0.925873). This Score is for 3 violins, Harpsichord, and string orchestra. This piece is powerful and would be great for an orchestra concert.
$11.99 ≈
10.88€
Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99 ≈
79.87€
Missa Solemnis, op. 27 - Score Only
Missa Solemnis, op. 27 - Score Only
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00 ≈
90.78€
Missa pro defunctis a 4 (Belli)
Missa pro defunctis a 4 (Belli)
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Chorale SATB
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INTERMÉDIAIRE
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Guilio Belli
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Aristotle A
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Missa pro defunctis a 4
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CantemusDomino.Net
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1003349 Composed by Guilio Belli. Arranged by Aristotle A. Esguerra. Christian,Contemporary,Renaissance,Sacred,W...
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Choral Choir (SATB) - Level 3 - SKU: A0.1003349 Composed by Guilio Belli. Arranged by Aristotle A. Esguerra. Christian,Contemporary,Renaissance,Sacred,World. Octavo. 16 pages. CantemusDomino.Net #3535133. Published by CantemusDomino.Net (A0.1003349). A polyphonic requiem mass for SATB choir by Giulio Belli (c.1560–1621?) consisting of the following movements:1. Introit Requiem aeternam with verse Te decet hymnus (~2:15);2. Kyrie (~1:30);3. Sequence Dies irae, odd verses (~4:30 plus length of even chant verses [not included]);4. Offertory Domine Iesu Christe (~2:45 plus length of chant verse Hostias et preces and response Quam olim [not included]);5. Sanctus (~1:30);6. Benedictus (~0:30);7. Agnus Dei* (~1:15);8. Communion Lux aeterna with verse Requiem aeternam (~1:45).*Text underlay for the Ordinary (Novus Ordo) Form of the Roman Rite also supplied.Total length: ~16:00 plus length of chanted Gradual, Tract/Alleluia, Sequence (odd verses), and Offertory verse with response [not included].Range requirements (middle C = C4):· Cantus: B3–D5· Altus: F3–G4· Tenor: C3–F4· Bassus: F2–Bâ™3Pages: 16 8.5x11 sheetsSystems per page: 4 (3 for Agnus Dei; 2 for Sequence)Accompaniment: none
$4.50 ≈
4.08€
Veni Creator Spiritus (Downloadable)
Veni Creator Spiritus (Downloadable)
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Chorale SSAATTBB
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Robert Kyr
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Veni Creator Spiritus
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SSAATTBB choir (choir divisi) unaccompanied - Moderately Difficult - SKU: MQ.8748-E Composed by Robert Kyr. 32 pages. Duration 5 minutes, 40 seconds. E....
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SSAATTBB choir (choir divisi) unaccompanied - Moderately Difficult - SKU: MQ.8748-E Composed by Robert Kyr. 32 pages. Duration 5 minutes, 40 seconds. E. C. Schirmer Music Company - Digital #8748-E. Published by E. C. Schirmer Music Company - Digital (MQ.8748-E). Latin.A setting of a composite text by the composer which combines passages from a variety of sources: the Requiem service (Dies irae, Libera me), the Mass (Agnus Dei qui tollis, Agnus Dei dona nobis pacem), and from a hymn attributed to the Benedictine theologian Maurus (776-856) Veni Creator Spiritus. The images of destruction that begin the work are gradually transformed through an invocation of the energies of creation, as the music of the first half (in minor mode) dissolves into the bright music of the conclusion (in major mode). Duration 5:40.
$3.35 ≈
3.04€
Officium [Missa] pro defunctis a 3 (Biondi da Cesena)
Officium [Missa] pro defunctis a 3 (Biondi da Cesena)
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Chorale 3 parties
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INTERMÉDIAIRE
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Giovanni Battista Biondi da Ce
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Aristotle A
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Officium [Missa] pro defunctis
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CantemusDomino.Net
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SheetMusicPlus
Choral Choir (3-Part) - Level 3 - SKU: A0.1003339 Composed by Giovanni Battista Biondi da Cesena. Arranged by Aristotle A. Esguerra. Christian,Contempor...
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Choral Choir (3-Part) - Level 3 - SKU: A0.1003339 Composed by Giovanni Battista Biondi da Cesena. Arranged by Aristotle A. Esguerra. Christian,Contemporary,Renaissance,Sacred,World. Octavo. 10 pages. CantemusDomino.Net #3533867. Published by CantemusDomino.Net (A0.1003339). A compact Requiem Mass for TTB choir by Giovanni Battista Biondi da Cesena (fl. 1598–1609) consisting of the following movements:1. Introit Requiem aeternam with verse Te decet hymnus (~2:00);2. Kyrie (~1:30);3. Sequence Dies irae, even verses (~3:20 plus length of odd chant verses [not included]);4. Offertory Domine Iesu Christe with verse Hostias et preces (~3:45);5. Sanctus (~0:45);6. Benedictus (~0:20);7. Agnus Dei* (~1:10);8. Communion Lux aeterna with verse Requiem aeternam (~1:10).*Text underlay for the Ordinary (Novus Ordo) Form of the Roman Rite also supplied.A transposed edition for SSA choir is available.Total length: ~14:00 plus length of chanted Gradual, Tract/Alleluia, and Sequence (even verses) [not included].Range requirements (middle C = C4):· Tenor I: D3–E4· Tenor II: C3–D4· Bass: F2–Bâ™3
$4.50 ≈
4.08€
Missa Pro Defunctis (2018) piano-vocal score
Missa Pro Defunctis (2018) piano-vocal score
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Missa Pro Defunctis
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Thomas Oboe Lee
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.869579 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Octavo. 1 pages...
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Choral Choir (SATB) - Level 4 - SKU: A0.869579 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Octavo. 1 pages. Thomas Oboe Lee #3582755. Published by Thomas Oboe Lee (A0.869579). The inspiration for my Missa Pro Defunctis (2018) was Fauré's Requiem in which he ignored the fire and brimstone text of the Dies irae and Tuba mirum in the Sequence of the Requiem Mass. And consequently he created a work that is peaceful, tranquil and uplifting. I'd like to think of death in that way.So, I proceeded by taking the exact text that Fauré used in his work, and instead of a large chorus and full orchestra I decided to do a chamber version. It is scored for SATB (single voices), flute, clarinet, string quartet, double bass and harp.The movements, as in the Fauré, are:1. Introit and Requiem2. Offertory3. Santus 4. Pie Jesu5. Agnus Dei6. Libera me7. In paradisumThe entire work has a duration of ca. 29 minutes.Missa Pro Defunctis (2018) is dedicated to the residents in the Protestant Cemetery in Rome.
$1.99 ≈
1.81€
Missa Pro Defunctis (2018) for SATB (single voices) and chamber ensemble.
Missa Pro Defunctis (2018) for SATB (single voices) and chamber ensemble.
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Missa Pro Defunctis
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Thomas Oboe Lee
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.869578 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Octavo. 145 pag...
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Choral Choir (SATB) - Level 4 - SKU: A0.869578 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Octavo. 145 pages. Thomas Oboe Lee #3581845. Published by Thomas Oboe Lee (A0.869578). The inspiration for my Missa Pro Defunctis (2018) was Fauré's Requiem in which he ignored the fire and brimstone text of the Dies irae and Tuba mirum in the Sequence of the Requiem Mass. And consequently he created a work that is peaceful, tranquil and uplifting. I'd like to think of death in that way.So, I proceeded by taking the exact text that Fauré used in his work, and instead of a large chorus and full orchestra I decided to do a chamber version. It is scored for SATB (single voices), flute, clarinet, string quartet, double bass and harp.The movements, as in the Fauré, are:1. Introit and Requiem2. Offertory3. Santus 4. Pie Jesu5. Agnus Dei6. Libera me7. In paradisumThe entire work has a duration of ca. 29 minutes.Missa Pro Defunctis (2018) is dedicated to the residents in the Protestant Cemetery in Rome.Audio link: https://thomasoboelee.bandcamp.com/album/missa-pro-defunctis-2018YouTube link: https://youtu.be/E5b3Ud2tV_4
$9.99 ≈
9.07€
Missa defunctorum tribus vocibus (Asola)
Missa defunctorum tribus vocibus (Asola)
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Chorale 3 parties
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INTERMÉDIAIRE
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Giovanni Matteo Asola
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Aristotle A
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Missa defunctorum tribus vocib
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CantemusDomino.Net
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.1003384 Composed by Giovanni Matteo Asola. Arranged by Aristotle A. Esguerra. Christian,Contemporary,Renaissance,...
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Choral Choir (SSA) - Level 3 - SKU: A0.1003384 Composed by Giovanni Matteo Asola. Arranged by Aristotle A. Esguerra. Christian,Contemporary,Renaissance,Sacred,World. Octavo. 15 pages. CantemusDomino.Net #3537457. Published by CantemusDomino.Net (A0.1003384). A complete Requiem Mass for TTB/ATB or SSA choir by Giovanni Matteo Asola (c.1532–1609) consisting of the following movements:1. Introit Requiem aeternam with verse Te decet hymnus (~3:30);2. Kyrie (~1:40);3. Gradual Requiem aeternam (~1:05);4. Tract Absolve Domine (1:30);5. Sequence Dies irae, odd verses (~5:00 plus length of even chant verses [not included]);6. Offertory Domine Iesu Christe with verse Hostias et preces (~3:45);7. Sanctus (~1:10);8. Benedictus (~0:40);9. Agnus Dei* (~1:30);10. Communion Lux aeterna with verse Requiem aeternam (~1:20).*Text underlay for the Ordinary (Novus Ordo) Form of the Roman Rite also supplied.Total length: ~21:10 plus length of chanted Sequence (odd verses) [not included].Range requirements (middle C = C4):· Cantus [Tenor I/Alto or Soprano I]: G3–G4 or G4–G5· Tenor [Tenor II or Soprano II]: C3–E4 or C4–E5· Bassus [Bass or Alto]: G2–C4 or G3–C5
$4.50 ≈
4.08€
Officium [Missa] pro defunctis a 3 (Biondi da Cesena) - SSA
Officium [Missa] pro defunctis a 3 (Biondi da Cesena) - SSA
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Chorale 3 parties
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INTERMÉDIAIRE
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Giovanni Battista Biondi da Ce
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Aristotle A
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Officium [Missa] pro defunctis
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CantemusDomino.Net
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.1003382 Composed by Giovanni Battista Biondi da Cesena. Arranged by Aristotle A. Esguerra. Christian,Contemporary...
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Choral Choir (SSA) - Level 3 - SKU: A0.1003382 Composed by Giovanni Battista Biondi da Cesena. Arranged by Aristotle A. Esguerra. Christian,Contemporary,Renaissance,Spiritual,World. Octavo. 12 pages. CantemusDomino.Net #3536731. Published by CantemusDomino.Net (A0.1003382). A compact Requiem Mass by Giovanni Battista Biondi da Cesena (fl. 1598–1609), transposed up a major ninth for SSA choir, consisting of the following movements:1. Introit Requiem aeternam with verse Te decet hymnus (~2:00);2. Kyrie (~1:30);3. Sequence Dies irae, even verses (~3:20 plus length of odd chant verses [not included]);4. Offertory Domine Iesu Christe with verse Hostias et preces (~3:45);5. Sanctus (~0:45);6. Benedictus (~0:20);7. Agnus Dei* (~1:10);8. Communion Lux aeterna with verse Requiem aeternam (~1:10).*Text underlay for the Ordinary (Novus Ordo) Form of the Roman Rite also supplied.An edition in the original notated key for TTB choir is available.Total length: ~14:00 plus length of chanted Gradual, Tract/Alleluia, and Sequence (even verses) [not included].Range requirements (middle C = C4):· Tenor I [Cantus I]: E4–F♯5· Tenor II [Cantus II]: D3–E4· Bass [Altus]: G3–C4
$4.50 ≈
4.08€
Missa Pro Defunctis (2018) double bass part
Missa Pro Defunctis (2018) double bass part
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Contre Basse
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Contemporain
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Thomas Oboe Lee
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Missa Pro Defunctis
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Thomas Oboe Lee
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SheetMusicPlus
Double Bass,String Bass Solo - SKU: A0.869582 Composed by Thomas Oboe Lee. Contemporary. Individual part. 15 pages. Thomas Oboe Lee #3583399. Published ...
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Double Bass,String Bass Solo - SKU: A0.869582 Composed by Thomas Oboe Lee. Contemporary. Individual part. 15 pages. Thomas Oboe Lee #3583399. Published by Thomas Oboe Lee (A0.869582). The inspiration for my Missa Pro Defunctis (2018) was Fauré's Requiem in which he ignored the fire and brimstone text of the Dies irae and Tuba mirum in the Sequence of the Requiem Mass. And consequently he created a work that is peaceful, tranquil and uplifting. I'd like to think of death in that way.So, I proceeded by taking the exact text that Fauré used in his work, and instead of a large chorus and full orchestra I decided to do a chamber version. It is scored for SATB (single voices), flute, clarinet, string quartet, double bass and harp.The movements, as in the Fauré, are:1. Introit and Requiem2. Offertory3. Santus 4. Pie Jesu5. Agnus Dei6. Libera me7. In paradisumThe entire work has a duration of ca. 27 minutes.Missa Pro Defunctis (2018) is dedicated to the residents in the Protestant Cemetery in Rome.
$1.99 ≈
1.81€
Missa Pro Defunctis (2018) harp part
Missa Pro Defunctis (2018) harp part
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Harpe
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Contemporain
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Thomas Oboe Lee
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Missa Pro Defunctis
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Thomas Oboe Lee
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SheetMusicPlus
Harp - SKU: A0.869584 Composed by Thomas Oboe Lee. Contemporary. Score. 23 pages. Thomas Oboe Lee #3583411. Published by Thomas Oboe Lee (A0.869584).
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Harp - SKU: A0.869584 Composed by Thomas Oboe Lee. Contemporary. Score. 23 pages. Thomas Oboe Lee #3583411. Published by Thomas Oboe Lee (A0.869584). The inspiration for my Missa Pro Defunctis (2018) was Fauré's Requiem in which he ignored the fire and brimstone text of the Dies irae and Tuba mirum in the Sequence of the Requiem Mass. And consequently he created a work that is peaceful, tranquil and uplifting. I'd like to think of death in that way.So, I proceeded by taking the exact text that Fauré used in his work, and instead of a large chorus and full orchestra I decided to do a chamber version. It is scored for SATB (single voices), flute, clarinet, string quartet, double bass and harp.The movements, as in the Fauré, are:1. Introit and Requiem2. Offertory3. Santus 4. Pie Jesu5. Agnus Dei6. Libera me7. In paradisumThe entire work has a duration of ca. 27 minutes.Missa Pro Defunctis (2018) is dedicated to the residents in the Protestant Cemetery in Rome.
$1.99 ≈
1.81€
Missa Pro Defunctis (2018) cello part
Missa Pro Defunctis (2018) cello part
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Violoncelle
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Contemporain
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Thomas Oboe Lee
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Missa Pro Defunctis
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Thomas Oboe Lee
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SheetMusicPlus
Cello Solo - SKU: A0.869580 Composed by Thomas Oboe Lee. Contemporary. Individual part. 15 pages. Thomas Oboe Lee #3583395. Published by Thomas Oboe Lee...
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Cello Solo - SKU: A0.869580 Composed by Thomas Oboe Lee. Contemporary. Individual part. 15 pages. Thomas Oboe Lee #3583395. Published by Thomas Oboe Lee (A0.869580). The inspiration for my Missa Pro Defunctis (2018) was Fauré's Requiem in which he ignored the fire and brimstone text of the Dies irae and Tuba mirum in the Sequence of the Requiem Mass. And consequently he created a work that is peaceful, tranquil and uplifting. I'd like to think of death in that way.So, I proceeded by taking the exact text that Fauré used in his work, and instead of a large chorus and full orchestra I decided to do a chamber version. It is scored for SATB (single voices), flute, clarinet, string quartet, double bass and harp.The movements, as in the Fauré, are:1. Introit and Requiem2. Offertory3. Santus 4. Pie Jesu5. Agnus Dei6. Libera me7. In paradisumThe entire work has a duration of ca. 27 minutes.Missa Pro Defunctis (2018) is dedicated to the residents in the Protestant Cemetery in Rome.
$1.99 ≈
1.81€
Chamber Symphony No 2 in D minor (Requiem) MP3
Chamber Symphony No 2 in D minor (Requiem) MP3
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Jordan Grigg
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#
Chamber Symphony No 2 in D min
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Jordan Grigg
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SheetMusicPlus
Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Timpani,Trumpet,Viola,Violin - SKU: A0.1056814 Composed by Jordan Grigg. Contemporary,Romantic Period...
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Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Timpani,Trumpet,Viola,Violin - SKU: A0.1056814 Composed by Jordan Grigg. Contemporary,Romantic Period,Sacred,Standards. Full Performance. Duration 1136. Jordan Grigg #3113485. Published by Jordan Grigg (A0.1056814). INTROIT 0KYRIE 4:12DIES IRAE 6:33DOMINE JESU 8:00SANCTUS 10:25AGNUS DEI 12:53LUX AETERNA 14:56.
$5.99 ≈
5.44€
Missa Pro Defunctis (2018) viola part
Missa Pro Defunctis (2018) viola part
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Alto seul
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Contemporain
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Thomas Oboe Lee
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Missa Pro Defunctis
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Thomas Oboe Lee
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SheetMusicPlus
Viola Solo - SKU: A0.869586 Composed by Thomas Oboe Lee. Contemporary. Individual part. 14 pages. Thomas Oboe Lee #3583419. Published by Thomas Oboe Lee...
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Viola Solo - SKU: A0.869586 Composed by Thomas Oboe Lee. Contemporary. Individual part. 14 pages. Thomas Oboe Lee #3583419. Published by Thomas Oboe Lee (A0.869586). The inspiration for my Missa Pro Defunctis (2018) was Fauré's Requiem in which he ignored the fire and brimstone text of the Dies irae and Tuba mirum in the Sequence of the Requiem Mass. And consequently he created a work that is peaceful, tranquil and uplifting. I'd like to think of death in that way.So, I proceeded by taking the exact text that Fauré used in his work, and instead of a large chorus and full orchestra I decided to do a chamber version. It is scored for SATB (single voices), flute, clarinet, string quartet, double bass and harp.The movements, as in the Fauré, are:1. Introit and Requiem2. Offertory3. Santus 4. Pie Jesu5. Agnus Dei6. Libera me7. In paradisumThe entire work has a duration of ca. 27 minutes.Missa Pro Defunctis (2018) is dedicated to the residents in the Protestant Cemetery in Rome.
$1.99 ≈
1.81€
Missa Pro Defunctis (2018) violin 2 part
Missa Pro Defunctis (2018) violin 2 part
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Violon
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Contemporain
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Thomas Oboe Lee
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Missa Pro Defunctis
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Thomas Oboe Lee
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SheetMusicPlus
Violin Solo - SKU: A0.869587 Composed by Thomas Oboe Lee. Contemporary. 15 pages. Thomas Oboe Lee #3583415. Published by Thomas Oboe Lee (A0.869587).
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Violin Solo - SKU: A0.869587 Composed by Thomas Oboe Lee. Contemporary. 15 pages. Thomas Oboe Lee #3583415. Published by Thomas Oboe Lee (A0.869587). The inspiration for my Missa Pro Defunctis (2018) was Fauré's Requiem in which he ignored the fire and brimstone text of the Dies irae and Tuba mirum in the Sequence of the Requiem Mass. And consequently he created a work that is peaceful, tranquil and uplifting. I'd like to think of death in that way.So, I proceeded by taking the exact text that Fauré used in his work, and instead of a large chorus and full orchestra I decided to do a chamber version. It is scored for SATB (single voices), flute, clarinet, string quartet, double bass and harp.The movements, as in the Fauré, are:1. Introit and Requiem2. Offertory3. Santus 4. Pie Jesu5. Agnus Dei6. Libera me7. In paradisumThe entire work has a duration of ca. 27 minutes.Missa Pro Defunctis (2018) is dedicated to the residents in the Protestant Cemetery in Rome.
$1.99 ≈
1.81€
Missa Pro Defunctis (2018) violin 1 part
Missa Pro Defunctis (2018) violin 1 part
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Violon
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Contemporain
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Thomas Oboe Lee
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Missa Pro Defunctis
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Thomas Oboe Lee
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SheetMusicPlus
Violin Solo - SKU: A0.869585 Composed by Thomas Oboe Lee. Contemporary. 15 pages. Thomas Oboe Lee #3583413. Published by Thomas Oboe Lee (A0.869585).
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Violin Solo - SKU: A0.869585 Composed by Thomas Oboe Lee. Contemporary. 15 pages. Thomas Oboe Lee #3583413. Published by Thomas Oboe Lee (A0.869585). The inspiration for my Missa Pro Defunctis (2018) was Fauré's Requiem in which he ignored the fire and brimstone text of the Dies irae and Tuba mirum in the Sequence of the Requiem Mass. And consequently he created a work that is peaceful, tranquil and uplifting. I'd like to think of death in that way.So, I proceeded by taking the exact text that Fauré used in his work, and instead of a large chorus and full orchestra I decided to do a chamber version. It is scored for SATB (single voices), flute, clarinet, string quartet, double bass and harp.The movements, as in the Fauré, are:1. Introit and Requiem2. Offertory3. Santus 4. Pie Jesu5. Agnus Dei6. Libera me7. In paradisumThe entire work has a duration of ca. 27 minutes.Missa Pro Defunctis (2018) is dedicated to the residents in the Protestant Cemetery in Rome.
$1.99 ≈
1.81€
Prelúdio da Montanha Mágica / Prelude to The Magic Mountain
Prelúdio da Montanha Mágica / Prelude to The Magic Mountain
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Piano seul
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AVANCÉ
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Rudesindo Soutelo
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Prelúdio da Montanha M&
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1013230 Composed by Rudesindo Soutelo. 20th Century,Concert,Contemporary,Standards,World. Score. 10 pages. Publisher by R...
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Piano Solo - Level 5 - SKU: A0.1013230 Composed by Rudesindo Soutelo. 20th Century,Concert,Contemporary,Standards,World. Score. 10 pages. Publisher by Rudesindo Soutelo #6080217. Published by Publisher by Rudesindo Soutelo (A0.1013230). Rudesindo Soutelo:Prelúdio da Montanha Mágica / Prelude to The Magic Montain.Tribute to Thomas Mann. (1996) [6'40]ISWC: T-041.574.847-8ISMN: 979-0-9007529-5-6Première: 19-IX-2004. Museu de Belas Artes, Corunha(Galiza). Piano: Genaro Fernández.This work is a tribute to Thomas Mann, who published The Magic Mountain in 1924 and received the Nobel Prize for Literature in 1929.According to the author’s own words, the novel is a journey into decay which is lived in a mountain sanatorium dedicated to the cure of tuberculosis. But it is also the search for the idea of man, the concept of a future humanity through the prism of death.The uneven rhythmic pattern of the score (6+5+5/16 and 9+7/16) sifts the hope and generates restlessness. The generating complex {6,5,5,9,7} conforms the DNA of the whole work and is present in both formal structure and harmony or melody. The funerary sequence of the Gregorian, ‘Dies irae, dies illa’ (On the day of the wrath, that day), hangs throughout the piece until it becomes evident and dominates the spirit. The death precedes to a new life.---Esta obra é uma homenagem a Thomas Mann, quem publicou A Montanha Mágica em 1924 e recebeu o prémio Nobel de Literatura em 1929. Segundo as palavras do próprio autor, a novela é uma viagem à decadência que se vive num Sanatório de montanha dedicado a curar a tuberculose. Mas também é a busca da ideia do homem, o conceito de uma humanidade futura através do prisma da morte.O padrão rÃtmico desenquadrado da partitura (6+5+5/16 e 9+7/16) criva a esperança e gera inquietação. O complexo geratriz {6,5,5,9,7} conforma o ADN de toda a obra e está presente tanto na estrutura formal como na harmonia ou na melodia. A sequência fúnebre do gregoriano, ‘Dies irae dies illa’ (No dia do juÃzo final), paira ao longo da peça até se tornar evidente e dominar o espÃrito. A morte antecede a uma vida nova.
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