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Vous avez sélectionné:
Irish Black Bottom
Partitions à imprimer
4 partitions trouvées
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1
Irish Black Bottom (arr. Robert Rawlins)
Irish Black Bottom (arr. Robert Rawlins)
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Ligne De Mélodie, (Paroles) et Accords
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Jazz
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Louis Armstrong
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Robert Rawlins
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Irish Black Bottom
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Hal Leonard - Digital
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SheetMusicPlus
C Instrument,Voice - SKU: HX.1040964 By Louis Armstrong. Arranged by Robert Rawlins. This edition: scorch. Jazz. Real Book - Melody/Chords/Lyrics. 2 pag...
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C Instrument,Voice - SKU: HX.1040964 By Louis Armstrong. Arranged by Robert Rawlins. This edition: scorch. Jazz. Real Book - Melody/Chords/Lyrics. 2 pages. Hal Leonard - Digital #991811. Published by Hal Leonard - Digital (HX.1040964).
$1.99 ≈
1.84€
Braveheart - Main Title
Braveheart - Main Title
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Piano seul
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INTERMÉDIAIRE
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Film/TV
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James Horner
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Elizabeth Shier & Dana Thynes
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Gb), but otherwise identical
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Braveheart - Main Title
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Dana Thynes
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1294153 Composed by James Horner. Arranged by Elizabeth Shier & Dana Thynes. 20th Century,Celtic,Film/TV,Irish. Score. 5 ...
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Piano Solo - Level 3 - SKU: A0.1294153 Composed by James Horner. Arranged by Elizabeth Shier & Dana Thynes. 20th Century,Celtic,Film/TV,Irish. Score. 5 pages. Dana Thynes #884577. Published by Dana Thynes (A0.1294153). BRAVEHEART THEME for piano, in the key of GbThe main theme of Braveheart begins with soft flute-like melody notes against a quiet background. A fragment of the Scottish tune Black is the Color of My True Love's Hair weaves its way into the bottom of page one, and then deep chords at the top of page two give a low and ominous premonition of battle. Slowly it builds with bigger chords. Dissonances compete in the melody and harmony, always building. Big octave-plus-fifth left hand chords give a medieval sound.The flavor of Braveheart, the movie, is captured in this arrangement. Not too difficult, but with a few challenges, this is a satisfying piece to play over and over again, emotions soaring and always feeling like you are there with William Wallace in the fight for FREEDOM.Two versions in different keys (F & Gb), but otherwise identical. The arrangement in F is much easier, of course, and easier to read. Though most of the music remains in the primary key (either F or Gb) Braveheart travels rapidly through several key transitions on pages 2-3 in the key of F, and pages 2-4 in the key of Gb.Though the key of F is easier, the key of Gb seems to have a special magic, as piano pieces utilizing the black keys frequently do! The piano recording heard in the video is performed in the key of Gb.
$5.99 ≈
5.54€
Braveheart - Main Title
Braveheart - Main Title
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Piano seul
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INTERMÉDIAIRE
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Film/TV
#
James Horner
#
Elizabeth Shier & Dana Thynes
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Gb), but otherwise identical
#
Braveheart - Main Title
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Dana Thynes
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1294155 Composed by James Horner. Arranged by Elizabeth Shier & Dana Thynes. 20th Century,Celtic,Film/TV,Irish. Score. 5 ...
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Piano Solo - Level 3 - SKU: A0.1294155 Composed by James Horner. Arranged by Elizabeth Shier & Dana Thynes. 20th Century,Celtic,Film/TV,Irish. Score. 5 pages. Dana Thynes #884580. Published by Dana Thynes (A0.1294155). BRAVEHEART THEME for piano, in the key of FThe main theme of Braveheart begins with soft flute-like melody notes against a quiet background.  A fragment of the Scottish tune Black is the Color of My True Love's Hair weaves its way into the bottom of page one, and then deep chords at the top of page two give a low and ominous premonition of battle. Slowly it builds with bigger chords.  Dissonances compete in the melody and harmony, always building.  Big octave-plus-fifth left hand chords give a medieval sound.The flavor of Braveheart, the movie, is captured in this arrangement.  Not too difficult, but with a few challenges, this is a satisfying piece to play over and over again, emotions soaring and always feeling like you are there with William Wallace in the fight for FREEDOM.Two versions in different keys (F & Gb), but otherwise identical.  The arrangement in F is much easier, of course, and easier to read.  Though most of the music remains in the primary key (either F or Gb) Braveheart travels rapidly through several key transitions on pages 2-3 in the key of F, and pages 2-4 in the key of Gb.Though the key of F is easier, the key of Gb seems to have a special magic, as piano pieces utilizing the black keys frequently do!  The piano recording heard in the video is performed in the key of Gb.
$5.99 ≈
5.54€
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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A
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Stephen Davies
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"Clarinet Concert Concert
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Stephen Davies
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen...
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Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99 ≈
46.21€
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Irish Black Bottom
