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Vous avez sélectionné:
It's Getting Better All The Time
Partitions à imprimer
8 partitions trouvées
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1
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitare
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FACILE
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99 ≈
1.84€
It's Getting Better All the Time by Brooks & Dunn - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Brooks & Dunn
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It's Getting Better All the Ti
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Musicnotes
Performed by: Brooks & Dunn: It's Getting Better All the Time Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable...
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Performed by: Brooks & Dunn: It's Getting Better All the Time Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 5 pages -- Country~~Country-Pop~~Neo-Traditionalist Country
$5.50 ≈
5.08€
It's Getting Better All The Time
It's Getting Better All The Time
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Piano, Voix et Guitare
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Country
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Brooks & Dunn
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Dunn
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It's Getting Better All T
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Brooks & Dunn. For piano, voice, and guitar (chords only). Country; Pop. 5 pages. Published by Hal Leonard - Digital Sheet Music...
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By Brooks & Dunn. For piano, voice, and guitar (chords only). Country; Pop. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.61€
Ronnie Bowman: It's Getting Better All The Time for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Country
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Ronnie Bowman
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Virtualsheetmusic
Instantly printable sheet music by Brooks & Dunn for voice, piano or guitar of MEDIUM skill level. / country,pop
Instantly printable sheet music by Brooks & Dunn for voice, piano or guitar of MEDIUM skill level. / country,pop
$5.97 ≈
5.52€
Mandolin Chord Melody System
Mandolin Chord Melody System
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Mandoline
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INTERMÉDIAIRE
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Methodes
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Aaron Weinstein
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Mandolin Chord Melody System
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by Aaron Weinstein. Jazz, Improvising. Ebook. 53 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.30502EB). - Ebook - Jazz, Improvis...
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Composed by Aaron Weinstein. Jazz, Improvising. Ebook. 53 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.30502EB). - Ebook - Jazz, Improvising - Mel Bay Publications - Digital Sheet Music
ISBN 9781619115453. 8.75 x 11.75 inches. If you've heard jazz guitarists like Joe Pass play chord melody, you may think that the style requires an encyclopedic knowledge of music theory, musical super-powers, or making a deal with the devil. But fear not! This book will show you how to create your own satisfying chord melody arrangements on the mandolin...and will do so in a practical, applicable, non stroke-inducing way. "Aaron Weinstein has many musical accomplishments. I am very proud to have played a small part with some of them. When he was only 12 he made his first recordings and asked me to play mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling and Joe Venuti style jazz. Not long after that Aaron became interested in the mandolin and chords and he came by every so often to play and discuss voicings, improvisation and the like. I showed him some of the Jethro Burns chord melody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself! Fast forward a few more years and Aaron has a Berklee degree, traveled the world playing hot violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah, one other thing: he took the art of chord-melody mandolin style to an entirely new level! The rich harmonies of the standard jazz and show tune repertoire, the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style, thanks to his great ear, open mind and gift at locating things on the fretboard. And now Aaron has documented, explained and shared his discoveries and approach with all of us in this book. Thank you Aaron! This is truly a step-by-step method that you will enjoy. You'll find yourself saying 'oh, of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and connected on the fretboard. This part is laid out in a very logical manner with clear explanations and fun activities. After working through these etudes you will know the fretboard better and be a better mandolin playing musician regardless of what style of music is your favorite. As I looked this part over I recalled the parable about 'give someone a fish and he will have a meal. Teach him to fish and he'll eat the rest of his life..' The second part puts your new-found chops to work playing some great solo chord melody tunes Weinstein style. Again the author walks us gently into the material by providing two versions of each piece, the basic structure followed by a more developed version. In the history of mandolin playing there have been many examples of techniques, arrangements and music that might be thought of as 'chord-melody' style. Consider works by Raffaele Calace, or 'Duo' style from the early twentieth century American stylists and then again as modernized by Evan Marshall in the current era. Bach on the mandolin, as played by virtuosi such as Caterina Lichtenberg, Mike Marshall, Carlo Aonzo, Chris Thile and others also illustrates harmony and melody simultaneously. And of course Jethro Burns did so much in the way of bringing jazz and standards to life with chord-melody mandolin that it is often referred to as 'Jethro Style'. The book you have in your hand presents a unique and accessible route to these types of techniques and sounds. Bravo, Aaron! And thank you, my friend." Don Stiernberg.
$14.99 ≈
13.86€
Katakataka
Katakataka
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Chorale SATB
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Contemporain
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Santiago Suarez
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Donald Dilley
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Katakataka
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Dilleyhouse Publishing
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1012990 Composed by Santiago Suarez. Arranged by Donald Dilley. Contemporary. Octavo. 8 pages. Dilleyhouse Publishing #665...
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Choral Choir (SATB) - SKU: A0.1012990 Composed by Santiago Suarez. Arranged by Donald Dilley. Contemporary. Octavo. 8 pages. Dilleyhouse Publishing #6659353. Published by Dilleyhouse Publishing (A0.1012990). As performed by Eva Eugenio. This arrangement of Katakataka grew out of a desire to introduce our classes to the culture and music of the Philippines. While we have several Filipino students in our choirs, we were surprised at how little the non-Filipino students knew of this wonderful and diverse group of islands. In the process of learning this piece, in addition to getting a small sample of the Tagalog language spoken in many parts of the Philippines, we took time to study its history and geography as well as the history and evolution of it’s music - from native instruments, to the Spanish influence and beyond. Additionally we spent time learning a fun Filipino dance called Tinikling and included that dance as part of our performance. Any combination of C instruments would work including violins, flutes, and Orff percussion just to name a few. A good guitar player could replace the piano part to make it more authentically Filipino. My Filipino students were a great help in learning the language and there are several resources available on YouTube and beyond that will aid in better understanding and performing this work.
$1.99 ≈
1.84€
Day By Day in Every Way
Day By Day in Every Way
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Contemporain
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Day in Every Way I'm Getting B
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Jean Schwartz, William Jerome
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Bill Wilson
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Day By Day in Every Way
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Alexander Wilson
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SheetMusicPlus
Brass Quintet - Level 2 - SKU: A0.775258 Composed by Jean Schwartz, William Jerome. Arranged by Bill Wilson. 20th Century. 16 pages. Alexander Wilson #4...
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Brass Quintet - Level 2 - SKU: A0.775258 Composed by Jean Schwartz, William Jerome. Arranged by Bill Wilson. 20th Century. 16 pages. Alexander Wilson #4604229. Published by Alexander Wilson (A0.775258). Day By Day in Every Way I'm Getting Better Day By Day, by lyricist William Jerome and master Tin Pan Alley composer Jean Schwartz, is a slightly wistful song. In fact it might be mistaken, by a listener only looking at the title and listening to the instrumental music, as a song about recovery from a failed romance. However, the song is not at all about romance - instead it is about a psychological technique for self-healing promoted by a French psychologist, Émile Coué, that gained popularity in the early 1900's. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 2:13. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00 ≈
3.70€
Eight Days A Week
Eight Days A Week
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Rock
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The Beatles
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Ray Thompson
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Eight Days A Week
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RayThompsonMusic
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.805368 By The Beatles. By Jo...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.805368 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. 7 pages. RayThompsonMusic #412405. Published by RayThompsonMusic (A0.805368). Arranged standard sax quartet SATB Eight Days a Week is a song by the English rock band the Beatles. It was written by Paul McCartney and John Lennon based on McCartney's original idea.[2] The song was released in the United Kingdom in December 1964 on the album Beatles for Sale. In the United States, it was first issued as a single in February 1965 before appearing on the North American release Beatles VI. The song was the band's seventh number 1 single on the Billboard Hot 100, a run of US chart success achieved in just over a year. The single was also number 1 in Canada, Belgium and the Netherlands. The Beatles recorded Eight Days a Week at EMI Studios in London in October 1964. The track opens with a fade-in, marking the first time that this technique had been used on a pop studio recording. The song was reissued worldwide in 2000 on the Beatles compilation album 1. It also provided the title for director Ron Howard's 2016 documentary film on the band's years as live performers, The Beatles: Eight Days a Week. Check out all my sax quartets: A Hard Day’s Night All you need is Live Day Tripper Eight Days a Week Getting Better Here Comes the Sun Hey Jude Lovely Rita Sgt. Pepper’s Lonely Hearts Club Band Yellow Submarine.
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It's Getting Better All The Time
