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Vous avez sélectionné:
It's What We Do Score Only
Partitions à imprimer
41 partitions trouvées
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It's What We Do - Score Only
It's What We Do - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Pink Floyd
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David Gilmour, Richard Wright
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Popnroll 1976
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It's What We Do - Score Only
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Popnroll 1976
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1295946 By Pink Floyd. By David Gilmour and Richard Wright. Arranged by Popnroll 1976. 21st Century,Rock. 10 pages. Pop...
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Concert Band - Level 4 - SKU: A0.1295946 By Pink Floyd. By David Gilmour and Richard Wright. Arranged by Popnroll 1976. 21st Century,Rock. 10 pages. Popnroll 1976 #886210. Published by Popnroll 1976 (A0.1295946). It's What We Do - Pink Floyd (Score & Parts for Band/Guitar/Bass/Drums/without Keyboards)Complete guitar, bass, and drums score for band of the second song It's What We Do (Mission) from the album The Endless River (Eternity/TOWA), which is said to be the last fully released album by the British progressive rock band Pink Floyd in 2014 (with score and parts) for band.Composed by David Gilmour, Richard Wright Performed by Pink FloydFour parts: flugelhorn, lead guitar, bass, and drums.No keyboards score.The keyboard part is currently under construction, but we have chorded it so that it can be used to a certain extent.PDF format, 10 pages total Contents: Score (4 pages), Parts for flugelhorn (1 page in Bb notation), Parts for lead guitar and bass (3 pages), Parts for drums (2 pages).
$39.99 ≈
$53.97
Paisley's Sonata
Paisley's Sonata
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Michael C
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Paisley's Sonata
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Michael C. Brown
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by...
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Piano Solo - Level 4 - SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by Michael C. Brown (A0.1030831). This piece celebrates the life and mourns the loss of my granddaughter, Paisley Gladys Hogan, who was but 2 months old when she was called to Heaven. These are the words I wrote just before her funeral.... I. The Presence - She was here. I held her the day she was born. I held her and watched her smile at me less than 24 hours before she departed. She only knew love. No one around her ever showed her anything else that humanity had to offer; like hatred, heartache, pain, control, or anger. II. The Shock - She feels a Hand beckon her to leave her mortal coil, and she enters into a world we cannot yet reach.. With no one home, her former body ceases to wake. The unimaginable has happened and we struggle to reverse it. Finally, it becomes clear that we cannot. She sees us cry and she wonders what is happening. Having never known sorrow, she only sees that love didn't cause this response. She wants to comfort us with the love she knows, but we do not yet sense it. III. The Questions - One word has confounded mankind from its creation; Why? We have never found an acceptable answer. We ask, Why did this happen? and What did I do? and What didn't we do right? and Why couldn't it have been me? among others. We only know that her absence has carved holes in our hearts shaped like her. She tries to tell us, You can still love me. I just cannot be seen by you now. It does not mean your love cannot make me happy. I still want it. I still feel it. Please feel my love for you. IV. Letting Go - The day comes to bid farewell to the vehicle by which she came to us. We struggle to cope that we will see her face no more except in pictures. Because of the brevity of her life, memories are few to relive, but to do so is to recall happiness. In sorrow, we return her to the earth. All that is left is to return to recall, to talk to her, to bring flowers and other gifts, and to await the day we follow her. V. Remembering - The days and years follow. Normalcy slowly sets back into our lives. The holes in our hearts will never fully heal. But the salve of her love and her memory help to soothe the ache. We still return to where we placed her mortal home, where we laugh and cry in tandem, where our hearts ache to fill the void left by her departure. It will never really get better, but it will become easier for her love to dull the sting of her absence. VI. The Reunion - One by one, we will feel the same Hand bid us to come. The same events will befall those left behind each time. One by one, she will greet us as we reunite with her. We marvel at how she has stayed with us as we stay to comfort those we had just bidden farewell. The rest cannot be imagined by we that remain..........
$4.99 ≈
$6.73
Do You Want To Build A Snowman?
Do You Want To Build A Snowman?
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Kristen Bell
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Lisa Ochoco
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Do You Want To Build A Snowman
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1173842 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lopez. Arranged by...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1173842 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Lisa Ochoco. Broadway,Film/TV,Musical/Show. 30 pages. Lisa L Ochoco #773993. Published by Lisa L Ochoco (A0.1173842). Disney's movie, Frozen is so popular, and the songs are, as usual, very popular too. This song is my favorite, even it's the most heart-breaking. It shows the lives of Elsa and Anna beginning as happy children, who enjoy each other's company. Elsa finds out that her ice powers are potentially harmful to her younger sister and is forced to isolate herself in her bedroom. Anna tries, unsuccessfully, to coax her sister out to play for many years. Then, they receive news that their parents have died at sea in a storm. Lonely and desperately unhappy, Anna knocks on her sister's bedroom door...        Elsa?      Please, I know you're in there      People are asking where you've been      They say, Have courage, and I'm trying to      I'm right out here for you, just let me in      We only have each other      It's just you and me      What are we gonna do?      Do you wanna build a snowman?   Scored for low flute choir - 4 altos, 2 basses and contrabass. There is an optional double bass part that doubles contrabass to help fortify it if needed. This arrangement is simple enough for musicians with intermediate playing skills, but it does require good breath support for the many long tones, and it also has a bit of syncopated rhythms. Duration: 4 minutes.
$14.00 ≈
$18.89
Oh It's A Lovely War - Concert Band Score and Parts PDF
Oh It's A Lovely War - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Patriotique
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J
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Brendan Elliget MAGA 537
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Duration = 3:08 mins.
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Oh It's A Lovely War - Concert
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750891 Composed by J. P. Long and Maurice Scott in 1917. Arranged by Brendan Elliget MAGA 537. Patriotic. Score and par...
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Concert Band - Level 3 - SKU: A0.750891 Composed by J. P. Long and Maurice Scott in 1917. Arranged by Brendan Elliget MAGA 537. Patriotic. Score and parts. 43 pages. BJE Music #4366396. Published by BJE Music (A0.750891). The song Oh! It's a Lovely War was written by J. P. Long and Maurice Scott in 1917.The lyrics of the first verse and the chorus are as follows:Up to your waist in water,Up to your eyes in slush -Using the kind of language,That makes the sergeant blush;Who wouldn't join the army?That's what we all inquire,Don't we pity the poor civilians sitting beside the fire.ChorusOh! Oh! Oh! it's a lovely war,Who wouldn't be a soldier eh?Oh! It's a shame to take the pay.As soon as reveille is goneWe feel just as heavy as lead,But we never get up till the sergeant bringsOur breakfast up to bedOh! Oh! Oh! it's a lovely war,What do we want with eggs and hamWhen we've got plum and apple jam?Form fours! Right turn!How shall we spend the money we earn?Oh! Oh! Oh! it's a lovely war.This is an arrangement for full Concert Band that could be used to accompany a sing-a-long of this World War 1 song's 3 verses and chorus. The MP3 plays only 2 verses with Chorus plus repeats. There are Horns in F and Eb, Basses in C, Eb and Bb as well as an optional Piano part (Not on the score).Grade = 3 Duration = 3:08 mins.
$25.00 ≈
$33.74
On That Cross - Piano part only
On That Cross - Piano part only
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Piano (partie séparée)
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INTERMÉDIAIRE
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Stuart Brown
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On That Cross - Piano part onl
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Stuart Brown Music
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.835423 Composed by Stuart Brown. Christian,Contemporary,Sacred. Score and parts. 1 pages. Stuart Brown Music #9851. P...
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Small Ensemble - Level 3 - SKU: A0.835423 Composed by Stuart Brown. Christian,Contemporary,Sacred. Score and parts. 1 pages. Stuart Brown Music #9851. Published by Stuart Brown Music (A0.835423). Possibly unique: an Easter (or more properly Good Friday) hymn for six-part choir, in which the choir is actually the accompaniment for a piano solo of almost hyponotic dissonance in comparison. The result of superimposing these elements is strangely beautiful. The composer offers the following commentary: I guess most people seeing a piece with a choir and a piano would think of it – not unreasonably – as a choir accompanied by a piano. This piece is subtly different: the way in which I can best explain what was in my mind when I composed it would be to describe it as a piano solo accompanied by choir. While the choir sings music that feels like a slow pavane the pianist plays a series of arpeggios and cluster chords around another relatively simple but unlinked melody. The combined effect is almost hypnotic and if the singers think of the pianist as their accompanist they will almost certainly lose the plot of what they are singing! On first hearing it may appear that the piano and the choir have little in common but the concept is simple enough. Both choir and pianist are meditating on the same theme, but coming at it from totally different directions. There is no formula to the way in which we approach the cross of Christ. We come as we are, seeking forgiveness and reconciliation, meeting at the foot of the cross. The juxtaposition of choir and piano represents that meeting and the cluster chords that the pianist plays reinforce a sense of brokenness that is essential to a proper understanding of the music. I have dedicated this to Canon Andrew White and the Christians of Iraq, knowing that their situation seems impossible in the face of the evil that walks that land, but trusting in the God and Father of the Lord Jesus Christ to do right even if from our earthly perspective we are unable to discern what right is.
$1.99 ≈
$2.69
What Shall We Do With The Drunken Sailor? arr. for brass quintet
What Shall We Do With The Drunken Sailor? arr. for brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Folklorique/Traditionel
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Traditional
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Jerry Lanning
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What Shall We Do With The Drun
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Jerry Lanning
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.767723 Composed by Traditional. Arranged by Jerry Lanning. Folk. Score and parts. 28 pages. Jerry Lanning #3047875. P...
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Brass Ensemble - Level 4 - SKU: A0.767723 Composed by Traditional. Arranged by Jerry Lanning. Folk. Score and parts. 28 pages. Jerry Lanning #3047875. Published by Jerry Lanning (A0.767723). The first trumpet in my brass quintet asked for a short feature, and this is it. It’s one of the most difficult tunes to arrange because it’s traditionally harmonised by only two chords (the tonic and the major triad on the flattened leading note). Somehow if you start to reharmonise it, it loses its essential character. So I’ve constructed a largely unrelated intro and coda and an episode in the middle to give variety. The first trumpet part is showy but not too difficult for a competent player, although a big breath is needed at the end. Horn in Eb, Trombone in Bb, Bass in Eb and Bass in Bb parts are provided as alternatives for brass band players.
$9.95 ≈
$13.43
The Heart's Deep Appetites NAS. 11 for the left hand
The Heart's Deep Appetites NAS. 11 for the left hand
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Adam Walter Carlsen
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The Heart's Deep Appetites NAS
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Adam Walter Carlsen
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1246984 By Adam Walter Carlsen. By Adam Walter Carlsen. Classical,Contemporary. Score. 7 pages. Adam Walter Carlsen #8416...
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Piano Solo - Level 3 - SKU: A0.1246984 By Adam Walter Carlsen. By Adam Walter Carlsen. Classical,Contemporary. Score. 7 pages. Adam Walter Carlsen #841611. Published by Adam Walter Carlsen (A0.1246984). I wrote this left hand piano piece based on a short narrative I made that has a question/observation followed by the answer.The Heart's Deep AppetitesWe Hunger for more than food. There is also hunger for love and self-worth. We need food to sustain us, and love and self-worth to carry us. Therefore, wouldn't it be wise to do what it takes to satisfy our hunger?Hunger also exists for that which gives us only temporal pleasure. One cannot exist focusing on satisfying this hunger. Our potential should only be used to fulfill our purpose of showing love and self-worth, and sharing it with others. The support of loved ones will see you through adversity and failure, allowing you to chase your dream and achieve your potential. However, one must be careful not to pursue an identity that is cunsuming, as it may overshadow your dream. Facebook: https://www.facebook.com/adam.carlsen.35Twitter: https://twitter.com/AdamCarlsen2Website: AdamCarlsenMusic.com.
$1.99 ≈
$2.69
Suite No.1 "Castrense" (MILITARY) For Symphonic Band - Score Only
Suite No.1 "Castrense" (MILITARY) For Symphonic Band - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Martin Hernandez
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Martin Hernandez
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Suite No.1 "Castrense&quo
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Martín Hernández S.
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1486054 By Martin Hernandez. By Martin Hernandez. Arranged by Martin Hernandez. Classical,Historic,March,Multicultural,...
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Concert Band - Level 4 - SKU: A0.1486054 By Martin Hernandez. By Martin Hernandez. Arranged by Martin Hernandez. Classical,Historic,March,Multicultural,Patriotic,World. 67 pages. Martín Hernández S. #1063110. Published by Martín Hernández S. (A0.1486054). Institutional ValuesMEXICAN DEPARTMENT OF THE NAVY.Honor. - Institutional Definition: [As a Personal principle]: It is the moral quality that leads the person to strict compliance with the commitments established with their Nation, the Institution, their fellow citizens and with themselves, conducting themselves with dignity, integrity and a spirit of justice in at all times on and off duty.It is understood as the naval virtue that motivates us to serve the noblest causes, with meritorious and even heroic actions aimed at the common good, being faithful to our own word and conscience, respecting the rights of others; It implies the voluntary act to know and do what is right for the Institution, with respect to our neighbors and ourselves, since our reputation depends on our actions in the service. Duty. - Institutional Definition: [As a Professional principle]: It is the vocation that naval personnel show to fully comply with the obligations that society and the service demand.Duty is the virtue that drives us to proceed with rectitude according to the principles of morality and legality, accepting the commitment to act with discipline to execute with courage, selflessness and selflessness; the responsibilities imposed on us by the hierarchy, position or commission.Loyalty. - Institutional Definition: [As an Institutional principle]: It is the conviction of fidelity towards the Nation, the Institution, superiority and subordinates.This conviction makes us commit to carrying out our obligations even in adverse circumstances, putting national interests and the well-being of society first, even sacrificing our personal benefit; quality that makes us trustworthy before our superiors, subordinates, colleagues and fellow citizens that strengthens esprit de corps and teamwork, essential capabilities for the cohesion and proper functioning of our Armed Forces.Patriotism. - Institutional Definition: [As a Constitutional principle]: It is the love, devotion and commitment that one has for Mexico and its symbols, always putting it before any personal and group interest.It translates into acts of dedication and sacrifice, which requires us to fulfill our obligation as citizens, sailors and soldiers, fighting to preserve our Nation and defend it until we achieve victory or lose our lives. Patriotism is the supreme value that makes all other fundamental values linked to service to Mexico.
$20.00 ≈
$26.99
Suite No.1 "Castrense" (MILITARY) For Symphonic Band (Second Version) - Score Only
Suite No.1 "Castrense" (MILITARY) For Symphonic Band (Second Version) - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Martin Hernandez
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Martin Hernandez
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Suite No.1 "Castrense&quo
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Martín Hernández S.
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1486069 By Martin Hernandez. By Martin Hernandez. Arranged by Martin Hernandez. Classical,Historic,March,Multicultural,...
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Concert Band - Level 4 - SKU: A0.1486069 By Martin Hernandez. By Martin Hernandez. Arranged by Martin Hernandez. Classical,Historic,March,Multicultural,Patriotic,World. 79 pages. Martín Hernández S. #1063127. Published by Martín Hernández S. (A0.1486069). Institutional ValuesMEXICAN DEPARTMENT OF THE NAVY.Honor. - Institutional Definition: [As a Personal principle]: It is the moral quality that leads the person to strict compliance with the commitments established with their Nation, the Institution, their fellow citizens and with themselves, conducting themselves with dignity, integrity and a spirit of justice in at all times on and off duty.It is understood as the naval virtue that motivates us to serve the noblest causes, with meritorious and even heroic actions aimed at the common good, being faithful to our own word and conscience, respecting the rights of others; It implies the voluntary act to know and do what is right for the Institution, with respect to our neighbors and ourselves, since our reputation depends on our actions in the service.Duty. - Institutional Definition: [As a Professional principle]: It is the vocation that naval personnel show to fully comply with the obligations that society and the service demand.Duty is the virtue that drives us to proceed with rectitude according to the principles of morality and legality, accepting the commitment to act with discipline to execute with courage, selflessness and selflessness; the responsibilities imposed on us by the hierarchy, position or commission.Loyalty. - Institutional Definition: [As an Institutional principle]: It is the conviction of fidelity towards the Nation, the Institution, superiority and subordinates.This conviction makes us commit to carrying out our obligations even in adverse circumstances, putting national interests and the well-being of society first, even sacrificing our personal benefit; quality that makes us trustworthy before our superiors, subordinates, colleagues and fellow citizens that strengthens esprit de corps and teamwork, essential capabilities for the cohesion and proper functioning of our Armed Forces.Patriotism. - Institutional Definition: [As a Constitutional principle]: It is the love, devotion and commitment that one has for Mexico and its symbols, always putting it before any personal and group interest.It translates into acts of dedication and sacrifice, which requires us to fulfill our obligation as citizens, sailors and soldiers, fighting to preserve our Nation and defend it until we achieve victory or lose our lives. Patriotism is the supreme value that makes all other fundamental values linked to service to Mexico.
$20.00 ≈
$26.99
SQ18 ... Hommage à Darius Milhaud (2023) - Score Only
SQ18 ... Hommage à Darius Milhaud (2023) - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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SQ18 ... Hommage à Dari
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1211524 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary,Romantic Period. 37 p...
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String Quartet String Quartet - Level 4 - SKU: A0.1211524 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary,Romantic Period. 37 pages. Thomas Oboe Lee #809135. Published by Thomas Oboe Lee (A0.1211524). In 2021 I dedicated SQ15 to Dmitri Shostakovich because ... he wrote fifteen string quartets.  Then I dedicated SQ17 to Heitor Villa-Lobos because he wrote seventeen.  What happened to SQ16?  We all know that Beethoven wrote sixteen string quartets.  But, I am not a fan of his work in general, and I did not find anything inspiring among his string quartets.  So, instead I dedicated SQ16 ... Música Callada (2022) to Federico Mompou.  His music I love!In my search for a string quartet inspiration I discovered that Darius Milhaud wrote eighteen string quartets.  I knew he spent a few years in Brazil as a diplomat, and I have always admired the Brazilian influences in his own music, like the twelve-movement work for solo piano, Saudades do Brasil.† So it became obvious that SQ18 is dedicated in memoriam to Darius Milhaud.SQ18 ... Hommage à Darius Milhaud (2023) is in six movements.I.  Très lent ... Vif, très rythmé  TRIOII.  LentIII.  Très animé  TRIOIV.  FunèbreV.  Très vifVI.  Très lent   TRIO.
$9.99 ≈
$13.48
Look What You Made Me Do
Look What You Made Me Do
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Piano seul
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AVANCÉ
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Taylor Swift
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Yo Matsumoto
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Look What You Made Me Do
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Yo Matsumoto
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1399413 By Taylor Swift. By Fred Fairbrass, Jack Antonoff, Richard Fairbrass, Rob Manzoli, and Taylor Swift. Arranged by ...
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Piano Solo - Level 5 - SKU: A0.1399413 By Taylor Swift. By Fred Fairbrass, Jack Antonoff, Richard Fairbrass, Rob Manzoli, and Taylor Swift. Arranged by Yo Matsumoto. Contest,Disco,Festival,New Age,Pop,Singer/Songwriter. Score. 2 pages. Yo Matsumoto #982697. Published by Yo Matsumoto (A0.1399413). It's a powerful song that is uncharacteristic of Taylor.The quality of your performance will largely depend on how effectively you can create the dynamics of the sub.*This song was created as a medley, so the reference video is also a medley. Due to copyright issues, we only sell sheet music one song at a time.
$5.00 ≈
$6.75
What Else Can I Do?
What Else Can I Do?
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Piano seul
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DÉBUTANT
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Contemporain
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Diane Guerrero & Stephanie Bea
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Joan Bujacich
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The
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What Else Can I Do?
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Joan Bujacich
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.893936 By Diane Guerrero & Stephanie Beatriz. By Lin-Manuel Miranda. Arranged by Joan Bujacich. Contemporary. Score. 6 pa...
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Easy Piano - Level 1 - SKU: A0.893936 By Diane Guerrero & Stephanie Beatriz. By Lin-Manuel Miranda. Arranged by Joan Bujacich. Contemporary. Score. 6 pages. Joan Bujacich #6880783. Published by Joan Bujacich (A0.893936). This is an Elementary level piano arrangement with Alpha Notes of the very popular song from Encato, What Else Can I Do? from a SMP top selling arranger, Joan Bujacich. The arrangement plays hands together on down beats in single notes. Ms. Bujacich simplified the rhythmic reading to eighth notes, keeping only a few select syncopated rhythms. The arrangement is notated using Alpha Notes. Lyrics are also noted. It has been tested out by pedagogue Joan Bujacich's Elementary students and it played well. Ms. Bujacich has also arranged this song for Junior Level and has numerous versions of We Don’t Talk About Bruno and Surface Pressure, also from Encanto, available from SMP. Joan Bujacich has been arranging songs for her students for decades. Her life-time experience as a performer and teacher result in musical arrangements that feel and sound good. The Synthesia tutorial is available on Youtube. Ms. Bujacich mixes the midi tracks in a recording program with care to bring the listener a better audio experience. Be sure to check out all of her great arrangements on SMP here: https://www.sheetmusicplus.com/publishers/joan-bujacich/18769
$4.99 ≈
$6.73
When I Look In The Mirror...
When I Look In The Mirror...
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Aaron Fonzi
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When I Look In The Mirror...
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.998358 Composed by Aaron Fonzi. Contemporary,Holiday,Standards. Score and parts. 67 pages. Aaron Fonzi #3884831. Publis...
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Concert Band - Level 4 - SKU: A0.998358 Composed by Aaron Fonzi. Contemporary,Holiday,Standards. Score and parts. 67 pages. Aaron Fonzi #3884831. Published by Aaron Fonzi (A0.998358). A breathtaking new addition to wind band literature, Aaron Fonzi has composed a piece that will take your audience on an incredible, emotional journey. Inspired by his grandmother, Jacquie, Mr. Fonzi recalls:I remember vividly the conversations I had with Grandma Jacquie as a boy. She had a kind, gentle way of showing her steadfast resilience and passion for that which is good and just in the world. She didn't think it good and just that I always felt the need to make myself my worst enemy. One day, she asked me who I see in the mirror. I told her I saw an ugly boy who couldn't do anything right; a loser and a failure. She told me that she saw a handsome young man who can do anything and become whatever he puts his mind to, and that everyday I ought to look in the mirror and find that person.It took me almost 20 years to fully understand what she meant. But it's true: we can only bring the light out of others once we've truly brought it out within ourselves. So, this is for all of us who look in the mirror and see a monster or a failure. You are not a failure and your are not a monster. Let this piece remind you that you can do anything you put your mind to if you put faith in the person looking back at you.Give your ensemble and your audience an experience they will remember with this powerful work, When I Look In The Mirror....
$30.00 ≈
$40.49
Irish National Anthem (Unofficial) for String Orchestra
Irish National Anthem (Unofficial) for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Patriotique
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Part...
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.
A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).
"Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant?s Causeway.
On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.
There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.
The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly?s intent.
Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can?t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".
Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.
In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board?s History of Derry.)
The linguistic outcome of all this today is that, if you think that King James?s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it?s confusing for kings to be going around changing the names of places all the time for no good reason.
You can find plenty of discussion about the political side of the question elsewhere, but here let?s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn?t have a title. What do we call it?
If you were a proper Victorian, there?s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill?s theory that Australia was inhabited by "convicts and Irishmen".)
My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:
Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP?s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger?s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there?s another variant on the name for it. It doesn?t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger?s original comments.
The references to Londonderry Air that I?ve seen don?t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby?s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn?t come into the war in 1940.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
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$8.99 ≈
$12.13
Solitude is Oneself [piano]
Solitude is Oneself [piano]
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Juan María Solare
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Solitude is Oneself [piano]
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Intermediate - Composed by Juan María Solare. Contemporary Classical, Post-Romantic, Neo-Classical, Repertoire, Funeral. Score. ...
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Piano Solo - Intermediate - Composed by Juan María Solare. Contemporary Classical, Post-Romantic, Neo-Classical, Repertoire, Funeral. Score. 8 pages. Published by Juan Maria Solare
Solitudeis Oneself: Three piano pieces:
1 NeverUnderestimate the Difficulties of Simple Things
2 Too MuchBut Still Not Enough
3 Waitingfor Perfection is Waiting Forever
Tranquil, relaxing, "chill",minimalist, expressive music for solo piano.
You can "use" this music formeditation, study, learning, sleeping, relax or praying.
The phrase wherethe title (Solitude is Oneself)comes from belongs to Javier Adriz (1948-2011), Argentine poet, one ofmy best teachers and friends (the original Spanish reads "La soledad es uno mismo").
Don'tsee any negative aspects in Solitude. In Spanish there is only one word forSolitude and Loneliness (namely "Soledad"). Loneliness is a state ofisolation, without dialog, feeling abandoned and without external points ofreference. But I conceive Solitude as a highely creative state, in which one isfaced to what one actually wants to achieve, with one's thoughts, with one'sself.
NeverUnderestimate the Difficulties of Simple Things. Lots of times I have seenthis in several persons - and in myself: when something is simple, easy anduncomplicated, we tend to underestimate it too much and its hidden difficultiesend up tackling us. We leave to the last moment a text that seems easy tolearn, and we do not assimilate it as we could. Or a chess game that is(really) won, but we feel over-confident, we play with superficiality, we makeslight mistakes one after the other and loose control of the situation.
Thistitle can be understood as self-referent: this particular piano piece seems tobe simple... until you try to perform it really well and record it.
About the ArtWork / Cover Art of Solitudeis Oneself:
It shows a human face (concretely the composer's)faced simmetrically to its silhouette, in black. This illustration alludes tothe title: Solitude is Oneself. Is oneself (the person) facing his ownsolitude, his internal misterious being. A real human facing his own shadow. Itis not a negative shadow: is the shadow of which Shamanism speaks, the ownshadow from where one draws strength.
The music is dedicated to Mr. Cadmiel Prez from Repblica Dominicana.
Solitude isOneself was recorded by the composer and released as single on Friday 17August 2018 on Spotify, Deezer, Apple Music, Qobuz, Tidal, Amazon mp3 and nearly all streaming platforms you canimagine.
In Spotify is here:
https://open.spotify.com/album/6KffxzDSVYJqZuNEK3Bj0h
In Bandcamp is here:
https://juanmariasolare.bandcamp.com/album/solitude-is-oneself
If you readSpanish you can find more about this music here:
https://es.quora.com/blog/musica-neoclasica/La-soledad-es-uno-mismo-m%C3%BAsica-para-piano
$3.00 ≈
$4.05
I Want A Hippopotamus For Christmas (hippo The Hero)
I Want A Hippopotamus For Christmas (hippo The Hero)
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Noël
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John Rox
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Raevynn Nicole Davis
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I Want A Hippopotamus For Chri
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Raevynn Nicole Davis
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SheetMusicPlus
Level 2 - SKU: A0.1309862 Composed by John Rox. Arranged by Raevynn Nicole Davis. Children,Christmas,Holiday. 58 pages. Raevynn Nicole Davis #899009. Pu...
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Level 2 - SKU: A0.1309862 Composed by John Rox. Arranged by Raevynn Nicole Davis. Children,Christmas,Holiday. 58 pages. Raevynn Nicole Davis #899009. Published by Raevynn Nicole Davis (A0.1309862). I Want a Hippopotamus for Christmas for 1 piano/4hands up to 6 pianos/24 hands!  This is a multi-level piano ensemble.  If you don’t have 12 pianists – not to worry! The secondo part for piano 6 is the most difficult part and can be used as an accompaniment part to whatever combination of pianists you do have. If you only have 2 pianists, you can use piano 6 as a duet. If the primo part for piano 6 is too difficult, you can use a primo part from another piano, but may need to switch octaves to make it all fit on one keyboard. Many of the parts have minimal hand movements and can be combined on different pianos, but you may need to switch octaves for one or both pianists to make everything fit.A word about percussion – My studio has a variety of classroom/percussion instruments that we make use of for ensembles. If you don’t have the exact same percussion instruments that I do, feel free to substitute whatever you do have for the rhythms. It is also possible to add clapping, snapping, or tapping on the piano/keyboard to add the percussion rhythms. For the boomwhackers, you can use any ‘C,’ ‘D,’ or ‘G’ you have and the octave caps make it even more fun! My students enjoyed using the extended bass range boomwhackers with the octave caps to make the pitches even lower and more hippo-like. ☺What's included?  A score with all 12 parts, 12 individual parts (2 pages per pianist) with standard notation and my suggested fingering, and 12 individual parts (2 pages per pianist) with alphanote notation and my suggested fingering.  Parts range from beginner to intermediate!  I hope your piano ensemble and/or group class enjoys this festive arrangement.  Merry Christmas!
$44.99 ≈
$60.72
Cotton-Eyed Texas
Cotton-Eyed Texas
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Piano, Voix
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INTERMÉDIAIRE
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Cheryl Prazak
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Jon Burr
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Cotton-Eyed Texas
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Cheryl Prazak
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1309904 By Cheryl Prazak. By Lyrics: Cheryl Prazak and Music: Jon Burr. Arranged by Jon Burr. Country,Folk,Traditi...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1309904 By Cheryl Prazak. By Lyrics: Cheryl Prazak and Music: Jon Burr. Arranged by Jon Burr. Country,Folk,Traditional. Score. 17 pages. Cheryl Prazak #899036. Published by Cheryl Prazak (A0.1309904). Cotton-Eyed Texas is a celebration of all good things Texan.Lyrics by Cheryl Prazak, music by Jon Burr Arranging, production and video by Jon Burr (arrangerforhire.com)Lyric:Let me tell you ‘bout a place that’s stood the test of timeOnce it was a country, but now a State of MindTexas is the place I know, it’s special and it’s reallet me share some things it’s got you oughtta see and feelDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,We belt it out with Jennings, echo through the hills,rave with Buddy Holly, “ah-hah†with the great Bob Wills.We croon with Kenny Rogers, George Strait and young Clint Black.We dance the Texas two-step to Galveston and backDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Texas has its mountains and plains, valleys and bayous.We had cottonfields once where legendary pickers grew,Like Lightnin’ Hopkins, T-Bone, Blind Lemon, Stevie Ray played the bluesBuddy Holly, and Willie Nelson sang their stories tooDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Us Texans like to hunt and shoot, and what we shoot, we eat.When you smell the bar-b-cue, bring a dish ‘n grab a seat.Tex-Mex, tacos, fajitas, enchiladas and red wine!Avocado guacamole suits a Texan just fine!Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,We have fought to live our way, and we can fight again.When the need presents itself, we only fight to win.We have fought to live our way, we can live no other.If you feel like coming this way, don’t mess with Texas, brother!Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Texas has its music, Texas has its foodTexas has its history to put you in the moodThe very best way to visit is to travel far and wideone end to the other right through the countrysideDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe
$4.99 ≈
$6.73
Passacaglia for organ solo
Passacaglia for organ solo
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Passacaglia for organ solo
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - SKU: A0.575684 Composed by David Warin Solomons. Contemporary. Score. 4 pages. David Warin Solomons #44021. Published by David Warin S...
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Organ - Level 4 - SKU: A0.575684 Composed by David Warin Solomons. Contemporary. Score. 4 pages. David Warin Solomons #44021. Published by David Warin Solomons (A0.575684). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00 ≈
$17.54
Camden Town for organ solo
Camden Town for organ solo
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Camden Town for organ solo
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - SKU: A0.576014 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44017. Published by David Warin S...
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Organ - Level 4 - SKU: A0.576014 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44017. Published by David Warin Solomons (A0.576014). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00 ≈
$17.54
Playtime for organ
Playtime for organ
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Playtime for organ
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - SKU: A0.576013 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44019. Published by David Warin S...
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Organ - Level 4 - SKU: A0.576013 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44019. Published by David Warin Solomons (A0.576013). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00 ≈
$17.54
5 pieces for organ
5 pieces for organ
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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5 pieces for organ
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - SKU: A0.576016 Composed by David Warin Solomons. Contemporary. Score. 33 pages. David Warin Solomons #44013. Published by David Warin ...
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Organ - Level 4 - SKU: A0.576016 Composed by David Warin Solomons. Contemporary. Score. 33 pages. David Warin Solomons #44013. Published by David Warin Solomons (A0.576016). This is a suite of 5 organ pieces composed by David W Solomons originally performed by David Carlston Williams on 17 August 2014 on the organ of St Paul's Springfield Road, Sale (Cheshire, UK) Registrations are as suggested by the performer. (the sound sample is a recording of Passacaglia from the subsequent CD recording performed by David Carlston WIlliams in June 2015) The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The suite is also available as separate pieces (with performances by David Carlston Williams).
$31.00 ≈
$41.84
Dorina for organ
Dorina for organ
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Dorina for organ
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - SKU: A0.576012 Composed by David Warin Solomons. Contemporary. Score. 9 pages. David Warin Solomons #46379. Published by David Warin S...
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Organ - Level 4 - SKU: A0.576012 Composed by David Warin Solomons. Contemporary. Score. 9 pages. David Warin Solomons #46379. Published by David Warin Solomons (A0.576012). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams Registrations are as suggested by the performer. (the sound sample is from the CD, available from this site) The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set Video of Dorina:https://www.youtube.com/watch?v=tunykPeiU4M
$13.00 ≈
$17.54
Thank U, Next
Thank U, Next
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Piano, Voix
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FACILE
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Pop musique
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Ariana Grande
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Mario Stallbaumer
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Thank U, Next
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Mario Stallbaumer
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.510526 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor ...
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Piano,Vocal,Voice - Level 2 - SKU: A0.510526 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor Parks, Tommy Brown, and Victoria McCants. Arranged by Mario Stallbaumer. Pop. Score. 5 pages. Mario Stallbaumer #4301505. Published by Mario Stallbaumer (A0.510526). Here’s how to play “thank u, next†by Ariana Grande on piano!With this piano sheet music, you can play “thank u, next†on piano - you can use it as an instrumental arrangement, but also accompany singers, or sing along yourself.This “thank u, next†piano version is transposed one half step from the original key of Bb minor to A minor, so it’s much easier to play. These piano sheets come with all parts of the song, full lyrics included. It’s not too hard to play and sounds fantastic!However, there’s a more challenging arrangement of the song in the original key available, you can get it here: https://www.sheetmusicplus.com/title/21155619Ariana Grande certainly knows what it's like if one's personal life is making headlines. In November 2018, she released thank u, next, a surprisingly positive song about her past relationships and breakups (including Mac Miller, Pete Davidson and Big Sean), in which she comes to the conclusion that she learned from all of them!“thank u, next†serves as the lead single from Ariana Grande’s fifth studio album. Here are the song’s full lyrics:“Thought I'd end up with SeanBut he wasn't a matchWrote some songs about RickyNow I listen and laughEven almost got marriedAnd for Pete, I'm so thankfulWish I could say, Thank you to Malcolm'Cause he was an angelOne taught me loveOne taught me patienceAnd one taught me painNow, I'm so amazingI've loved and I've lostBut that's not what I seeSo, look what I gotLook what you taught meAnd for that, I sayThank you, next (next)Thank you, next (next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (next)Thank you, next (next)Thank you, next (next)I'm so fuckin'Spend more time with my friendsI ain't worried 'bout nothin'Plus, I met someone elseWe havin' better discussionsI know they say I move on too fastBut this one gon' last'Cause her name is AriAnd I'm so good with that (so good with that)She taught me love (love)She taught me patience (patience)How she handles pain (pain)That shit's amazing (yeah, she's amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searching, and for that, I sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, next (thank you)I'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm so fuckin' grateful for my exThank you, nextThank you, nextThank you, nextI'm so fuckingOne day I'll walk down the aisleHolding hands with my mamaI'll be thanking my dad'Cause she grew from the dramaOnly wanna do it once, real badGon' make that shit lastGod forbid something happensLeast this song is a smash (song is a smash)I've got so much love (love)Got so much patience (patience)I've learned from the pain (pain)I turned out amazing (turned out amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searchingAnd for that, I'll sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm.
$4.99 ≈
$6.73
I've Gotta Get A Message To You
I've Gotta Get A Message To You
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Bee Gees
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Peet du Toit
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I've Gotta Get A Message To Yo
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit....
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
$17.00 ≈
$22.94
ADDICTION
ADDICTION
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Piano seul
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Contemporain
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Moni Bergo
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ADDICTION
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012700 Composed by Moni Bergo. Contemporary. Score. 8 pages. Moni Bergo #5742813. Published by Moni Bergo (A0.1012700). ...
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Piano Solo - SKU: A0.1012700 Composed by Moni Bergo. Contemporary. Score. 8 pages. Moni Bergo #5742813. Published by Moni Bergo (A0.1012700). Music and song composed by me♫ *'¨` * • .¸¸. ♫ ♫ * Addiction'¨` * • .¸¸. ♫ I seem you Free Instead I’m chained …. He approaches smiling I dislike him already there are few people on the subway but he sits right here. I ugly, a bit 'rickety conscious of my limitations I’m lost in the clouds and I do my own business He looks at me and is insistent but to me what he will wants? It 'a handsome man and elegant maybe he's short-sighted, who knows? From his piercing gaze I feel pierce and I'm already tired and in the face I want to shout Do you look like free but I’m in love Give me a piano, a guitar and I spend all day I become hysterical when they bring me on vacation because the seventh and turned just do not know do not chronically ill and I’m hopeless But I do not want drugs for this my addiction .. You should come and bursts into the veins with your chains hold me more I feel the boundless energy flows between the fingers and only you can and you ease my sorrows You are my mate in the darkest moments You will protect me by my excesses in this fake world spark you will be At the end decide his self and apostrophizes me so You're my new neighbor, my house is right there, and at evening you enchanted me and would listen to you for hours while you playing the piano with you I can fly and I know that maybe it's late But I would like to try I know that to children you give lesson and also I want to learn But that smart man! I like him already I tell him the story of the slap that he risked a little while ago He tells me he has a mate who loves him sweetly I'd take kicks diffident damn !! We free fly on our agreements in dissonance forgetting every problem, big trouble or task chronically ill of my own addiction which infects, spreads and enters into his life only souls and I bare his essence while listening him solmizate enters heaven in this room .. . Monica Bergo
$5.00 ≈
$6.75
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It's What We Do Score Only
