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It Had to Be You: 2nd Trombone
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Vous avez sélectionné:
It Had to Be You: 2nd Trombone
Partitions à imprimer
12 partitions trouvées
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1
It Had to Be You: 2nd Trombone
It Had to Be You: 2nd Trombone
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Trombone (partie séparée)
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Methodes
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Isham Jones
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Mike Lewis
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It Had to Be You: 2nd Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Isham Jones. Arranged by Mike Lewis. For Jazz Ensemble. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music ...
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By Isham Jones. Arranged by Mike Lewis. For Jazz Ensemble. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music
$3.00 ≈
$4.05
It Had to Be You: 2nd B-flat Trumpet
It Had to Be You: 2nd B-flat Trumpet
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Trombone (partie séparée)
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Methodes
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Isham Jones
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Mike Lewis
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It Had to Be You: 2nd B-flat T
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Isham Jones. Arranged by Mike Lewis. For Jazz Ensemble. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music ...
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By Isham Jones. Arranged by Mike Lewis. For Jazz Ensemble. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music
$3.00 ≈
$4.05
It Had to Be You: 2nd Trombone
It Had to Be You: 2nd Trombone
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Trombone (partie séparée)
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Methodes
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Isham Jones
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Tom Davis
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It Had to Be You: 2nd Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Isham Jones. Arranged by Tom Davis. For Jazz Ensemble. Instructional. Part. 4 pages. Published by Alfred Music - Digital Sheet Music ...
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By Isham Jones. Arranged by Tom Davis. For Jazz Ensemble. Instructional. Part. 4 pages. Published by Alfred Music - Digital Sheet Music
$3.00 ≈
$4.05
It Had to Be You: 2nd B-flat Trumpet
It Had to Be You: 2nd B-flat Trumpet
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Trombone (partie séparée)
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Methodes
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Isham Jones
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Tom Davis
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It Had to Be You: 2nd B-flat T
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
By Isham Jones. Arranged by Tom Davis. For Jazz Ensemble. Instructional. Part. 4 pages. Published by Alfred Music - Digital Sheet Music ...
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By Isham Jones. Arranged by Tom Davis. For Jazz Ensemble. Instructional. Part. 4 pages. Published by Alfred Music - Digital Sheet Music
$3.00 ≈
$4.05
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00 ≈
$24.32
An Unending Legacy: (wp) 2nd B-flat Trombone T.C.
An Unending Legacy: (wp) 2nd B-flat Trombone T.C.
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Orchestre d'harmonie
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Methodes
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Barry Milner
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An Unending Legacy:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001443_WPTN2TC (wp) 2nd B-flat Trombone T.C.. Composed by Barry Milner. Instructional. World Part. 1 pages. Alfred ...
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Concert Band - SKU: AX.00-PC-0001443_WPTN2TC (wp) 2nd B-flat Trombone T.C.. Composed by Barry Milner. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001443_wpTN2TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001443_WPTN2TC). UPC: 038081319001.The legacy we leave will be as a result of what we taught; what is our legacy to our children, country and/or world? This beautiful melody will evoke a remembrance of someone who has had or is having a profound impact on your life; remember to thank them for it. (4:35)Concert/Contest.
$3.00 ≈
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An Unending Legacy: (wp) 2nd B-flat Trombone B.C.
An Unending Legacy: (wp) 2nd B-flat Trombone B.C.
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Orchestre d'harmonie
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Methodes
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Barry Milner
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An Unending Legacy:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001443_WPTN2BC (wp) 2nd B-flat Trombone B.C.. Composed by Barry Milner. Instructional. World Part. 1 pages. Alfred ...
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Concert Band - SKU: AX.00-PC-0001443_WPTN2BC (wp) 2nd B-flat Trombone B.C.. Composed by Barry Milner. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001443_wpTN2BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001443_WPTN2BC). UPC: 038081319001.The legacy we leave will be as a result of what we taught; what is our legacy to our children, country and/or world? This beautiful melody will evoke a remembrance of someone who has had or is having a profound impact on your life; remember to thank them for it. (4:35)Concert/Contest.
$3.00 ≈
$4.05
The Last Full Measure of Devotion for Concert Band
The Last Full Measure of Devotion for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Zack Richards
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The Last Full Measure of Devot
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Zack Richards
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.894398 Composed by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Score and parts. 66 pages. Zack Richards #531966...
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Concert Band - Level 4 - SKU: A0.894398 Composed by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Score and parts. 66 pages. Zack Richards #5319661. Published by Zack Richards (A0.894398). I originally wrote a Brass Band version of this work to be performed by the Freedom Brass Band of Northeast Ohio in the summer of 2011 knowing that I wanted it to be connected to a well-known patriotic text. It quickly became my most popular work and I decided to arrange it for Concert Band in 2018. Because it was adapted from a Brass Band setting, some of the instrument ranges are more advanced, but can still work for an advanced high school or college band.From a young age I found inspiration in Abraham Lincoln's Gettysburg Address. As a Boy Scout, I had read it at an annual service on Memorial Day. I had also studied it in school and even heard it spoken by a Lincoln impersonator. The words from this address speak to the ideals of human equality and freedom, and honor those who gave the ultimate sacrifice to protect those ideals. Lincoln refers to this sacrifice as the last full measure of devotion and it is to those men and women who so bravely sacrificed that I dedicate this work. The Score is formatted 11x17All parts are 8 1/2x11Instrumentation:PiccoloFlutes with divisiOboeBassoon1st, 2nd, and 3rd Bb Clarinets with divisiBass ClarinetAlto SaxophoneTenor SaxophoneBaritone Saxophone1st, 2nd, and 3rd Bb Trumpets with divisi4 French Horns in F2 TrombonesEuphonium (Treble and bass clef provided)TubaTimpani (4)Crash CymbalsSnare DrumBass DrumAdvanced IntermediateApprox. 7:00Visit zackrichards.com for more from this composer.
$49.99 ≈
$67.55
Wave
Wave
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Contemporain
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Antonio Carlos Jobim
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Phil Thrift
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Wave
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Phil Thrift
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.955727 Composed by Antonio Carlos Jobim. Arran...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.955727 Composed by Antonio Carlos Jobim. Arranged by Phil Thrift. Contemporary. 17 pages. Phil Thrift #5741027. Published by Phil Thrift (A0.955727). Wave is one of those marvelous Latin numbers for which Antonio Carlos Jobim is so famous. This is the saxophone edition of my arrangement for trombone quartet – different key and a few minor adaptations. Apart from the usual demands of quartet playing, the real challenge here is to keep the groove going in the accompaniment while the lead player pulls the melody around. And the lead changes across all four parts! Without a rhythm section doing it for you, you’ll have to immerse yourself in that Latin groove. You have to feel the pulse of those eighth notes of the underlying rhythm to achieve the tight playing necessary to make this piece sound really convincing. I hope saxophone players will have as much enjoyment with this piece as trombonists have had!Although written for A/T/T/B, an alternative 2nd Alto part is included so the piece can be played A/A/T/B.
$12.99 ≈
$17.55
Nativity - Huron Carol
Nativity - Huron Carol
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John van Gulik
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John van Gulik
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Nativity - Huron Carol
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John van Gulik
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1309001 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Christmas,Contest,Festival,Holiday,Religious. Brass Band. 30 pages. John van Gulik #898223. Published by John van Gulik (A0.1309001). This third movement of the Nativity Suite (III Nativity) uses the Huron Carol, written in 1642 by Jean de Brébeuf, a Jesuitmissionary among the Hurons in Canada. It was used to convey the gospel story in a way that would be understood by theindigenous population.'Twas in the moon of wintertimeWhen all the birds had fledThat mighty Gitchi ManitouSent angel choirs insteadBefore their light the stars grew dimAnd wandering hunters heard the hymnJesus your King is born, Jesus is bornIn excelsis gloriaStandard InstrumentationSoprano, 1st and 2nd CornetFlugel Horn1st and 2nd HornBaritone1st, 2nd, and Bass TromboneEuphoniumEb and Bb BassPercussionNote: additional parts are included for horns in F and baritones to tubas in bass clef concert pitchSee https://jvgmusiconline.com for additional parts and other scores for brass band and other ensembles.
$20.00 ≈
$27.03
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...
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Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99 ≈
$13.50
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