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It Leads You To Another
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Vous avez sélectionné:
It Leads You To Another
Partitions à imprimer
17 partitions trouvées
<
1
It Leads You To Another
It Leads You To Another
#
Ensemble Jazz
#
INTERMÉDIAIRE
#
Peggy Duquesnel
#
It Leads You To Another
#
Duquesnel Music Publishing
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.774149 Composed by Peggy Duquesnel. Jazz,Latin. Score and parts. 3 pages. Duquesnel Music Publishing #20...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.774149 Composed by Peggy Duquesnel. Jazz,Latin. Score and parts. 3 pages. Duquesnel Music Publishing #20235. Published by Duquesnel Music Publishing (A0.774149). It Leads You To Another is from the Album Old Friends, which is an exquisite and unique collection of original jazz compositions by pianist/composer Peggy Duquesnel performed by a stellar jazz quartet featuring John Patitucci/Bass, Bob Harsen/Drums and Albert Wing/Sax. This song works well with Solo Piano, Piano Duo, Piano Trio, and Jazz Ensembles. https://itunes.apple.com/us/album/old-friends/id4259103 http://joyspringmusic.com/old-friends/.
$3.99 ≈
3.67€
O’Carolan’s Ramble To Cashel - Flute and Cello Arrangement
O’Carolan’s Ramble To Cashel - Flute and Cello Arrangement
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Flûte, Violoncelle
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FACILE
#
Turlough O'carolan
#
Arezzo Music
#
O’Carolan’s Ramble
#
Arezzo Music
#
SheetMusicPlus
Cello,Flute,Instrumental Duet - Level 2 - SKU: A0.1198005 By Turlough O'carolan. By Turlough O'carolan. Arranged by Arezzo Music. Baroque,Celtic,Chamber...
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Cello,Flute,Instrumental Duet - Level 2 - SKU: A0.1198005 By Turlough O'carolan. By Turlough O'carolan. Arranged by Arezzo Music. Baroque,Celtic,Chamber,Folk,Irish,Traditional. 3 pages. Arezzo Music #797186. Published by Arezzo Music (A0.1198005). In this Sheet Music we have a cello and flute sheet music for a arrangement of O’Carolan’s Ramble To Cashel. O'Carolan was an Irish composer and harpist who lived in the 17th and 18th centuries, and his music has become an important part of traditional Irish music. Ramble to Cashel is one of his most well-known pieces, and it has been adapted for various instruments over the years. you can purchase this sheets here: This performance features the flute and cello, with each instrument complementing the other to create a rich and emotive sound. The flute leads with its lilting melody, while the cello provides a deep, resonant harmony that grounds the piece, transporting the listeners to the rolling hills and green fields of Ireland. Whether you're a fan of traditional Irish music or just appreciate beautiful music, this performance of O'Carolan's Ramble to Cashel is sure to delight. So sit back, relax, and let the music transport you to another place and time.
$3.99 ≈
3.67€
Brighten The Corner Where You Are
Brighten The Corner Where You Are
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Ina D
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Dana F
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Brighten The Corner Where You
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David E. Smith - Digital Sheet Music
#
SheetMusicPlus
Brass Quintet - Grade 3 - SKU: DX.145533 Composed by Ina D. Ogden. Arranged by Dana F. Everson. Traditional. Key of Eb, Ab. Sacred Instrumental Music. S...
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Brass Quintet - Grade 3 - SKU: DX.145533 Composed by Ina D. Ogden. Arranged by Dana F. Everson. Traditional. Key of Eb, Ab. Sacred Instrumental Music. Score and Parts. 12 pages. David E. Smith - Digital Sheet Music #145533. Published by David E. Smith - Digital Sheet Music (DX.145533). A standard brass quintet with optional trumpet for horn. As one might expect the piece is cheerful from beginning to end. After a bright intro, the trumpet carry the tune until handed over to the middle voices with flourishes in the trumpets. After a transition that leads upward to an exciting climax. The piece abruptly shits to a quiet and expressive section lead by the trombone on the theme where it all builds to another zenith and once again abruptly goes quiet. A modulation and meter shift and the piece becomes countrapuntally gentle.. A meter shift back to the beginning and an exuberant building to a joyous conclusion.
$12.00 ≈
11.05€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
12.85€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
(+)
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
12.85€
Please Don't Sing Another Fa La La
Please Don't Sing Another Fa La La
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Chorale 3 parties
#
Greg Gilpin
#
Please Don't Sing Another Fa L
#
Chorister's Guild - Digital
#
SheetMusicPlus
Three-part Mixed Chorus - SKU: C7.CGE34 Composed by Greg Gilpin. Holidays. Sing! Octavo. 16 pages. Chorister's Guild - Digital #CGE34. Published by Chor...
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Three-part Mixed Chorus - SKU: C7.CGE34 Composed by Greg Gilpin. Holidays. Sing! Octavo. 16 pages. Chorister's Guild - Digital #CGE34. Published by Chorister's Guild - Digital (C7.CGE34). UPC: 749193021200.You can sing of snow or Santa's Ho, ho, ho. But please don't sing another Fa la la! This clever novelty piece addresses the fact that so many holiday songs feature Fa la la choruses and pleads for the audience to sing about anything else but Fa la la by suggesting a multitude of other holiday themes and ideas. The hilarious text is set in a Broadway-esque musical style over a bright, rhythmically driving accompaniment suitable for the stage. There are opportunities for solo features and it's a breeze to learn and perform. Oh, and just wait for that surprise ending...
$2.10 ≈
1.93€
The Dove
The Dove
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Quatuor à cordes: 2 violons, alto, violoncelle
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Naji Hakim
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The Dove
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Schott Music - Digital
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SheetMusicPlus
Tenor and string quartet - SKU: S9.Q6385 Auf Texte aus der Bibel. Composed by Naji Hakim. This edition: score and parts. Downloadable, Score and ...
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Tenor and string quartet - SKU: S9.Q6385 Auf Texte aus der Bibel. Composed by Naji Hakim. This edition: score and parts. Downloadable, Score and parts. Duration 7 minutes. Schott Music - Digital #Q6385. Published by Schott Music - Digital (S9.Q6385). German • English.This piece shows my hope to have our churches not only in peace but also in full communion. Naji Hakim Die Taube (The Dove) was commissioned by â€Kirchenmusik bei St. Anna Augsburg†to celebrate the 450th anniversary of the Augsburger Religionsfrieden (Religious peace of Augsburg). It is based on three biblical verses related to peace : Gen. 8/11, Luk. 1/79, Joh. 14/27. The music is through composed and develops the character of the verses with contrasted string textures, putting in relief the expressive vocal line, declamation of light and happiness. The work exists in three versions : 1. for Tenor and string quartet, 2. for Tenor and string orchestra, 3. for Tenor and organ. First performance : by Robert Sellier, Tenor, Capella St. Anna Streichquartett, St. Anna Augsburg, Festkonzert zum Hohen Friedensfest, 8 August 2005. Gen.8/11 : â€And the dove came in to him in the evening; and, lo, in her mouth was an olive leaf pluckt off. †Luk. 1/79 : â€To give light to them that sit in darkness and in the shadow of death, to guide our feet into the way of peace. †Joh.14/27 : â€Peace I leave with you, my peace I give unto you. †...to guide our feet into the way of peace. (Luke 1,79) Words and music bind people together to form fellowships which guide us into the way of peace. Singing or playing together combine bodies and souls, so that our rhythm and breathing becomes one - a sense of belonging to one another is created which instils the very nature of peace. So it is that by becoming an integral part of the music, our feet are guided 'into the way of peace'. In Luke chapter 1, both Maria and Zechariah are carried away, body and soul, in hymns of thanksgiving. They let God´s melody resound in their bodies. Ignatius, one of the Early Fathers of the Church, might have drawn his inspiration from them when he wrote to the Christians of Ephesus around the year 100, Let God´s melody resound in you. The melody of our life is a single voice within God´s great melody; an everlasting celestial melody, in which we join together as integral parts - with time, we are gradually shown which chords we are given to touch and which chords to form with one another. God´s inextinguishable melody has an infinite galaxy of variations. As you would know, a variation is rooted but limitless. At our christening, God gives us a variation - an inextinguishable variation because of his promise, I am with you always, even to the end of the age. (Matthew 28, 20). Deeply rooted as we are, God leads us through. He calls us to Life out of His Eternity, He lets his melody reverberate in us and finally calls us back, when we die, to His everlasting future. Let God´s melody resound in you and guide your feet into the way of peace. Pastor Hanne Margrethe Tougaard.
$22.99 ≈
21.17€
Brass Band - March - O. H. B.
Brass Band - March - O. H. B.
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Contemporain
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Mike Lyons
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Brass Band - March - O. H. B.
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Lyons Music Services
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.767284 Composed by Mike Lyons. Contemporary. Brass Band. 82 pages. Lyons Music Services #3227757. Published by Lyons Music Services (A0.767284). I wrote this march and dedicated it to my current band, Old Hall Brass, when I was first playing with them in 2003. Now that I'm back with them after a 9 year hiatus, I felt it only appropriate to publish it here.The opening 10 bars are a bit of a muck-around and are entirely optional. OHB's current conductor, John North, likes to entertain, so it's basically a tuning up section, like you would find in an orchestral concert but with some laughs thrown in!The march starts for real at the Segno. There's a fanfare-like opening which leads into the first main melody for the euphonium and solo horn. This is repeated with extra fanfare interjections from the trombones. The bass solo is a fairly traditional part of a march and this is no exception, except that it is not repeated. Another fanfare-like section leads into a reprise of the euphonium/horn melody with interjections from trombones and cornets. The final section is similar to the opening fanfare before the DS. Repeats should not be played on the DS.
$25.00 ≈
23.02€
Rosenkavalier Suite
Rosenkavalier Suite
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Orchestre d'harmonie
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AVANCÉ
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Richard Strauss
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Steven Nunes
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Rosenkavalier Suite
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Nagamon Publications
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1472273 Composed by Richard Strauss. Arranged by Steven Nunes. Opera,Romantic Period. 391 pages. Nagamon Publications #...
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Concert Band - Level 5 - SKU: A0.1472273 Composed by Richard Strauss. Arranged by Steven Nunes. Opera,Romantic Period. 391 pages. Nagamon Publications #1049975. Published by Nagamon Publications (A0.1472273). Richard Georg Strauss (11 June 1864 – 8 September 1949) was a German composer and conductor best known for his tone poems and operas. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style.Der Rosenkavalier (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from Louvet de Couvrai's novel Les amours du chevalier de Faublas and Molière's comedy Monsieur de Pourceaugnac.In 1945 Strauss allowed an orchestral Rosenkavalier Suite to be published, but apparently was not involved in creating it. It is likely that conductor Artur Rodziński arranged it, as he conducted the suite's first performance, in October 1944 by the New York Philharmonic.The suite begins with the opera's orchestral prelude, depicting the Marschallin's and Octavian's night of passion (vividly portrayed by whooping horns and saxophones). Next comes the appearance of Octavian as the Rosenkavalier, depicted in tender music; the sight of him looking so young makes the Marschallin realise that he will soon leave her for a younger woman. There follows the duet between Octavian and Sophie – in which their love for each other becomes ever more obvious, but this is abruptly interrupted by the discordant music associated with Ochs's clumsy arrival. Next the violins tentatively introduce the first waltz, followed by another given out by the solo violin, before the whole orchestra settles into waltz mode. A general pause and a violin solo leads into the nostalgic music where the Marschallin sadly realises she has lost Octavian. Then comes its ecstatic climax. The work closes with a singularly robust waltz, depicting Ochs at his most pompous, and a boisterous coda newly composed for the suite.The PDF contains the Full Score and a full set of parts.
$75.00 ≈
69.06€
I'll Walk Alone
I'll Walk Alone
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Dinah Shore
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F
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I'll Walk Alone
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Sweetwater Brass Press
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SheetMusicPlus
Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1351942 By Dinah Shore. By Jule Styne and Sammy Cahn. Arranged by F. Leslie Smith. 20th C...
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Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1351942 By Dinah Shore. By Jule Styne and Sammy Cahn. Arranged by F. Leslie Smith. 20th Century,Jazz,Pop,Standards. 20 pages. Sweetwater Brass Press #936564. Published by Sweetwater Brass Press (A0.1351942). “I’ll Walk Alone†is a World War II era ballad whose poignant melody sounds as though it could have been written just yesterday.  First introduced in the 1944 movie Follow the Boys, it was hugely popular and has since been recorded by numerous artists.   Universal Pictures produced Follow the Boys in an effort to help boost morale for both overseas military and folks on the home front.  Despite being filled with stars and songs, critics tended to dismiss it as hokey and trite.  The exception was a scene in which Dinah Shore sang “I’ll Walk Alone.† Nominated for the Academy Award for Best Original Song, Ms. Shore’s follow-up Victor recording spent 20 weeks on the top ten Best Selling Records chart.  The song was used yet again in 1952 for another motion picture, With a Song in My Heart, the Jane Froman biographical film, and the melody eventually developed as a standard, particularly in the world of jazz.   Sammy Cahn’s lyrics for this song express the feelings and the promise of a woman who has been separated from her lover by the war.  She pledges that she will be true, that she will wait for him, and that “'till you're walking beside me, I'll walk alone.† Jule Styne’s melody is both plaintiff and simple. an eight-measure phrase, a repeat of the phrase, an eight-measure second phrase, then another repeat of the first phrase.   For this arrangement, the suggested tempo is a relatively slow, blues-like 72 bpm.  It features a tenor saxophone as lead and solo instrument accompanied by brass quintet.  A four-measure introduction opens the piece with Trumpet 1 playing melody and the other four brass providing background.  Following the intro, Tenor Sax plays its first three notes alone; the other instruments begin their accompaniment on measure 6.  Trumpet 1 is tacit during measures 6-11 but begins adding counterpoint in measure 12.     In performing this arrangement, brass instruments should ensure that, when the Sax plays, their volume as a group is under (i.e., softer than) the melody.  The exception begins at measure 36, when a crescendo leads to the quintet playing fortissimo.  During this section, the Tenor Sax plays a couple of responses.  At measures 43 a decrescendo lowers the brass volume back to its original soft accompaniment level.  The piece ends with brass recapping the introduction and Sax providing a final statement.   This piece, completed in 2023, consists of 57 measures, a little over three minutes in length.  Written in the key of G major, Tuba’s lowest note is a G below the staff.  Other than that, all notes are well within the normal playing range of each instrument.   The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99 ≈
11.96€
Love Story
Love Story
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Pop musique
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Taylor Swift
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Joseph Hasper
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Love Story
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Joseph Hasper
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.734863 By Taylor Swift. By...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.734863 By Taylor Swift. By Taylor Swift. Arranged by Joseph Hasper. Pop. Score and parts. 52 pages. Joseph Hasper #3691323. Published by Joseph Hasper (A0.734863). Another beautifully simple Taylor Swift song, arranged for jazz ensemble (5-4-4-4) with a tango beat suitable for ballroom dancing. Moderate ranges in the trumpets and trombones make this an easy chart to put together. Features written solo leads for trombone and trumpet. Includes a full score and complete set of parts. Duration: 3'30.https://youtu.be/PUCNsRjgsLkLove Story was written and performed by Taylor Swift. It was released in 2008 as the lead single from Swift's second album Fearless. The song was written about a love interest of Swift's who was not popular among Swift's family and friends. Because of the scenario, Swift related to the plot of William Shakespeare's Romeo and Juliet and used it as a source of inspiration to compose the song. However, she replaced Romeo and Juliet's original tragic conclusion with a happy ending. In the United States, the song peaked at number four on the Billboard Hot 100 and sold over 6 million paid digital downloads, becoming Swift's best-selling single to date. The song was included on all of Swift's headlining tours and has been covered by several artists, including Joe McElderry and Forever the Sickest Kids.
$39.00 ≈
35.91€
Take Five
Take Five
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Jazz
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Paul Desmond
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Doug Edwards
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Take Five
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Doug Edwards
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SheetMusicPlus
Orff instruments Orff instruments - Level 3 - SKU: A0.1276583 By Paul Desmond. By Paul Desmond. Arranged by Doug Edwards. Children,Jazz,Standards. 26 pa...
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Orff instruments Orff instruments - Level 3 - SKU: A0.1276583 By Paul Desmond. By Paul Desmond. Arranged by Doug Edwards. Children,Jazz,Standards. 26 pages. Doug Edwards #868285. Published by Doug Edwards (A0.1276583). Here is the iconic Dave Brubeck song Take Five arranged for Orff/marimba ensemble. This arrangement is intended for school Orff and marimba ensembles of all levels. It comes with score, student parts and lead sheets for transposing instruments. The Orff student parts are in alphanote format to help young musicians who may not have strong enough skills to read standard notation. Please note - the student parts do not match the score but rather only show the basic patterns to be played for the arrangement. Any variations should be taught via rote instruction from the score. Several options are provided for playing the melody. One way is to have the Orff instruments play it using the alternate melody. The alternate melody avoids the accidentals and chromaticism found in the original version. Another way is to have the melody played by a chromatic mallet instrument (if available) or wind or string instrument.  Here is where the transposed lead sheets are valuable. Also included is the transcribed Paul Desmond improv solo which can be inserted in the piece to expand the arrangement. The youtube video link below demonstrates this expanded version: Suggested grade level: 4 and up.Style: Jazz Duration: 3:55 minutes   Level: medium  Instrumentation: LeadSATBBDoug Edwards is a published arranger and composer with Heritage Music Press. He offers arrangements for various ensembles including Orff, marimba and saxophone ensembles.Audio recordings, teaching tips, performance suggestions and more available at www.marimbaguy.comVideos of many of these arrangements found at www.youtube.com/watch?v=iwd2M2s-NC4&list=PLAE195B9D4583BCA0C 2023 Doug Edwards Marimba Mojo Publications www.marimbaguy.com.
$14.99 ≈
13.80€
Alice in Wonderland
Alice in Wonderland
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Keiron Anderson
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Alice in Wonderland
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Forton Music - Digital
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SheetMusicPlus
Wind Orch - Advanced - SKU: F2.FM640 Composed by Keiron Anderson. Full Wind Orchestra. Score and parts. 240 pages. Forton Music - Digital #FM640. Publis...
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Wind Orch - Advanced - SKU: F2.FM640 Composed by Keiron Anderson. Full Wind Orchestra. Score and parts. 240 pages. Forton Music - Digital #FM640. Published by Forton Music - Digital (F2.FM640). ISBN 9790570485390.This music begins with Alice and he sister relaxing in an English summer garden in the sunshine. As we hear Alice's theme a white rabbit appears and runs past in a hurry. The compound time chase sequence leads to a descending chromatic sequence which lands Alice in a pool of tears as her music adjusts to the strange environment. The Cheshire Cat and other creatures appear in her journey through Wonderland until she joins the Mad Hatter for tea. His slightly chromatic theme dodges from key to key until Alice encounters the military march of the Queen of Hearts and her army. There is a reflective theme as Alice's music tries to cheer up the sad Mock Turtle followed by a lively Lobster Quadrille The trial scene is a musical interaction between two themes often played across one another until a fanfare declares Off with her head! As Alice grows and rises to the garden her music takes her home safely. Was it a dream? Like Alice herself, this intricate work is curious, slightly mad, and will lead you on an exhilarating journey through wonderland. Its designed to be enjoyed by players and audience alike and is a sparkling addition to any programme. Approx. 11'30''.
$99.95 ≈
92.03€
Christmas Carols Mashup
Christmas Carols Mashup
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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HOVIG NASSANIAN
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HOVIG NASSANIAN
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Christmas Carols Mashup
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Hovig Nassanian
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SheetMusicPlus
Choral Choir,Choral (4-Part) - Level 3 - SKU: A0.1290039 Composed by HOVIG NASSANIAN. Arranged by HOVIG NASSANIAN. Advent,Christmas,Praise & Worship,Rel...
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Choral Choir,Choral (4-Part) - Level 3 - SKU: A0.1290039 Composed by HOVIG NASSANIAN. Arranged by HOVIG NASSANIAN. Advent,Christmas,Praise & Worship,Religious,Traditional. 23 pages. Hovig Nassanian #880742. Published by Hovig Nassanian (A0.1290039). Four famous and much-loved Carols - Hark The Herald, O Come All Ye Faithful, Joy To The World and Gloria - feature in this arrangement for 4 vocal parts (solo or group), an optional children's group and piano accompaniment score. One carol leads into another and gradually the arrangement builds up to 4 interwoven and overlayed layers and a big ending. It's a fun arrangement to perform by choirs or small ensembles, with the added bonus of involving the children as well. Something different and special for your Christmas program at church or special concerts.
$2.99 ≈
2.75€
A Hymn A Day Volume 4
A Hymn A Day Volume 4
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Harpe, Voix
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Hugh Callison
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A Hymn A Day Volume 4
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Afghan Press Music for the Harp
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SheetMusicPlus
Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship, Christmas, Thanksgiving. 121 pa...
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Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship, Christmas, Thanksgiving. 121 pages. Published by Afghan Press Music for the Harp
This valuable collection of hymns, 77 in all, is the fourth in a series of five! Volume four includes songs for Thanksgiving, Advent, Christmas, and Epiphany seasons as well as a few for the ordinary time between Epiphany and Lent. You will find many wonderful titles arranged for harp, from well-known favorites to songs that are lesser known yet equally important. These tunes have the added benefit of being arranged in keys that are accessible to most vocal ranges, which is especially helpful when playing along with congregational singing.
Table of Contents:
Thanks to God for My Redeemer, Now Thank We All Our God, Come, Ye Thankful People, Come, Sing to the Lord of Harvest, We Plow the Fields, Immanuel, to Thee We Sing, Hark! A Thrilling Voice Is Sounding, Away in a Manger, Comfort, Comfort Now My People, Lo! How a Rose E'er Blooming, The People That in Darkness Sat, Lift Up Your Heads, Ye Mighty Gates, Watchman, Tell Us of the Night, Hail to the Lord's Anointed, Come, Thou Long-Expected Jesus, O Come, O Come, Emmanuel, All Praise to Thee, Eternal Lord, Good Christian Men, Rejoice, From Heaven Above to Earth I Come, Thou Didst Leave Thy Throne, Let All Mortal Flesh Keep Silence, In the Bleak Midwinter, Earth Has Many a Noble City, God Rest Ye, Merry Gentlemen, Once In Royal David's City, The Friendly Beasts, The First Noel, It Came Upon a Midnight Clear, Angels, from the Realms of Glory, While Shepherds Watched Their Flocks, O Come, All Ye Faithful, Angels We Have Heard On High, O Little Town of Bethlehem, Hark! The Herald Angels Sing, What Child Is This?, Silent Night, Holy Night, Joy to the World!, Who Is He in Yonder Stall?, All Glory Be to God on High, Go Tell It on the Mountain, For All the Blessings of the Year, For Thy Mercy and Thy Grace, Another Year Is Dawning, May the Mind of Christ, My Savior, Great God, We Sing That Mighty Hand, Lead, Kindly Light, The Lord's My Shepherd, I'll Not Want, As With Gladness, Men of Old, We Three Kings of Orient Are, Like a River Glorious, Jesus, Lead Thou On, It Is Good to Sing Your Praises, Fear Not, O Little Flock, Guide Me, O Thou Great Jehovah, I Need Thee Every Hour, Lead On, O King Eternal, All the Way, My Savior Leads Me, Begin, My Tongue, Some Heavenly Theme, Lamp of Our Feet, Come, Sound His Praise Abroad, He Leadeth Me, In Heavenly Love Abiding, God Moves in a Mysterious Way, Great God of Wonders, Jesus, I Am Resting, Resting, O God of Bethel, Be Not Dismayed, Abide With Me, If Thou But Suffer God to Guide Thee, O God, Our Help in Ages Past, Leaning on the Everlasting Arms, Let Us, with a Gladsome Mind, Children of the Heavenly Father, The God of Abraham Praise, Take My Life and Let It Be, It Is Well with My Soul, At Even, Ere the Sun Was Set
$25.00 ≈
23.02€
Three French Noels
Three French Noels
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Chorale SATB
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FACILE
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Noël
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Ruth Elaine Schram
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Three French Noels
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Chorister's Guild - Digital
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SheetMusicPlus
SATB chorus - early intermediate - SKU: C7.CGE322 Composed by Ruth Elaine Schram. Christmas. Sing! Octavo. 8 pages. Chorister's Guild - Digital #CGE322....
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SATB chorus - early intermediate - SKU: C7.CGE322 Composed by Ruth Elaine Schram. Christmas. Sing! Octavo. 8 pages. Chorister's Guild - Digital #CGE322. Published by Chorister's Guild - Digital (C7.CGE322). You can sing of snow or Santa's Ho, ho, ho. But please don't sing another Fa la la! This clever novelty piece addresses the fact that so many holiday songs feature Fa la la choruses and pleads for the audience to sing about anything else but Fa la la by suggesting a multitude of other holiday themes and ideas. The hilarious text is set in a Broadway-esque musical style over a bright, rhythmically driving accompaniment suitable for the stage. There are opportunities for solo features and it's a breeze to learn and perform. Oh, and just wait for that surprise ending...
$2.25 ≈
2.07€
Nocturne for violin and orchestra
Nocturne for violin and orchestra
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Orchestre, Violon
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Classique
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Nocturne for violin and orches
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Schott Music - Digital
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SheetMusicPlus
Violin and orchestra - Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (18...
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Violin and orchestra - Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (1862-1918). Arranged by Robert Orledge. This edition: vocal/piano score. Violin Library. Downloadable. Duration 10 minutes. Schott Music - Digital #Q46518. Published by Schott Music - Digital
The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).
We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.
My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.
$19.99 ≈
18.41€
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It Leads You To Another
