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It Takes Two: Viola
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Vous avez sélectionné:
It Takes Two: Viola
Partitions à imprimer
53 partitions trouvées
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51
It Takes Two: Viola
It Takes Two: Viola
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Orchestre à Cordes
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Methodes
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Chris M
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It Takes Two: Viola
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0016889_VA1 Viola. Composed by Chris M. Bernotas. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Mus...
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String Orchestra - SKU: AX.00-PC-0016889_VA1 Viola. Composed by Chris M. Bernotas. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016889_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016889_VA1). UPC: 038081496610.This appealing tango is full of drama and passion, with an aggressive, dark theme and strong rhythm. Each member of the ensemble gets a moment in the spotlight and will surely enjoy achieving the challenges of their part. The melody, countermelody, and tango rhythm will have them dancing! (2:00)Concert/Contest.
$5.99 ≈
5.42€
Sonata in a Simple Scale for Viola and Piano
Sonata in a Simple Scale for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Daniell Mattern
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Sonata in a Simple Scale for V
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Daniell Mattern
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Dani...
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Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00 ≈
7.24€
Jacques Leguerney: String Quartet in D for two violins, viola and cello
Jacques Leguerney: String Quartet in D for two violins, viola and cello
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Jacques Leguerney
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II. Intermezzo
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Jacques Leguerney: String Quar
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.
$38.95 ≈
35.25€
Coventry Carol (with “What Child is This”) (Viola Duet)
Coventry Carol (with “What Child is This”) (Viola Duet)
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2 Altos (duo)
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INTERMÉDIAIRE
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Noël
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Coventry Carol
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Cathy Stamegna
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Coventry Carol
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Cathy Stamegna
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SheetMusicPlus
Viola Duet Viola - Level 3 - SKU: A0.1139969 Composed by Coventry Carol (English Melody) and GREENSLEEVES (Traditional English Melody). Arranged by Cath...
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Viola Duet Viola - Level 3 - SKU: A0.1139969 Composed by Coventry Carol (English Melody) and GREENSLEEVES (Traditional English Melody). Arranged by Cathy Stamegna. Christian,Christmas,Holiday,Praise & Worship,Traditional. Score. 12 pages. Cathy Stamegna #740231. Published by Cathy Stamegna (A0.1139969). Two contemplative Christmas hymns come together in an unaccompanied instrumental duet. “The Coventry Carol†is stated by the second instrument with harmonic support from the first. Part 1 then takes up the melody while the second gently weaves phrases of “What Child is This†under it. After a transition and key change up a Perfect Fourth, “What Child is This†becomes the dominant melody. “The Coventry Carol†returns for the ending. Appropriate for any Christmas prelude, worship, concert, recital, or holiday setting. Score and Set of Parts included. Performance Time: 3:19.
$4.99 ≈
4.52€
o'carolan bridget cruise easy Viola and cello sheet music
o'carolan bridget cruise easy Viola and cello sheet music
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Alto, Violoncelle (duo)
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FACILE
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Turlough O'carolan
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Arezzo Music
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o'carolan bridget cruise easy
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Arezzo Music
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SheetMusicPlus
Cello,Instrumental Duet,Viola - Level 2 - SKU: A0.1382188 By Turlough O'carolan. By Turlough O'carolan. Arranged by Arezzo Music. Baroque,Celtic,Chamber...
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Cello,Instrumental Duet,Viola - Level 2 - SKU: A0.1382188 By Turlough O'carolan. By Turlough O'carolan. Arranged by Arezzo Music. Baroque,Celtic,Chamber,Folk,Irish,Traditional. 3 pages. Arezzo Music #966717. Published by Arezzo Music (A0.1382188). O'carolan bridget cruise easy Viola and cello sheet musicO'Carolan's Bridget Cruise shines in this accessible Viola and cello duet arrangement, providing a charming exploration of Turlough O'Carolan's Celtic musical legacy. Crafted with simplicity and expressiveness in mind, this arrangement is tailored for violists and cellists at various skill levels, making it an excellent choice for both beginners and those seeking an enjoyable yet manageable duet. The piece captures the essence of O'Carolan's distinctive style, characterized by flowing melodies and evocative phrasing. The Viola takes the lead with a graceful and lyrical melody, while the cello provides a supportive foundation, creating a harmonious interplay between the two instruments. The overall character of the piece reflects the charm and elegance that define O'Carolan's compositions, making it a delightful addition to the repertoire of duets exploring traditional Irish music. Whether you're just starting your musical journey or are an intermediate player, this easy Viola and cello duet arrangement invites you to revel in the timeless beauty of O'Carolan's Bridget Cruise.o'carolan bridget cruise easy Viola and cello sheet music
$3.99 ≈
3.61€
o'carolan bridget cruise easy Viola and Bassoon sheet music
o'carolan bridget cruise easy Viola and Bassoon sheet music
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Alto et Basson
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FACILE
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Turlough O'carolan
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Arezzo Music
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o'carolan bridget cruise easy
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Arezzo Music
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SheetMusicPlus
Bassoon,Instrumental Duet,Viola - Level 2 - SKU: A0.1382209 By Turlough O'carolan. By Turlough O'carolan. Arranged by Arezzo Music. Baroque,Celtic,Chamb...
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Bassoon,Instrumental Duet,Viola - Level 2 - SKU: A0.1382209 By Turlough O'carolan. By Turlough O'carolan. Arranged by Arezzo Music. Baroque,Celtic,Chamber,Folk,Irish,Traditional. 3 pages. Arezzo Music #966739. Published by Arezzo Music (A0.1382209). O'carolan bridget cruise easy Viola and Bassoon sheet musicO'Carolan's Bridget Cruise is gracefully adapted for Viola and Bassoon in this accessible sheet music arrangement, offering a delightful exploration of Turlough O'Carolan's Celtic melodies. This rendition is thoughtfully crafted for musicians of varying skill levels, making it suitable for both novice and intermediate players. The Viola takes the lead with a charming and lyrical melody that captures the essence of O'Carolan's unique style. The Bassoon provides a supportive and harmonious foundation, creating a beautiful interplay between the two instruments. The piece maintains simplicity without compromising its expressive qualities, allowing players to enjoy the rich and evocative character of O'Carolan's composition. This easy Viola and Bassoon sheet music is an excellent choice for duet performances, providing an engaging musical experience that celebrates the timeless beauty of traditional Irish melodies. Whether you're exploring Celtic music for the first time or seeking a piece that combines elegance with accessibility, O'Carolan's Bridget Cruise for Viola and Bassoon invites you to immerse yourself in the enchanting world of O'Carolan's compositions.  o'carolan bridget cruise easy Viola and Bassoon sheet musicÂ
$3.99 ≈
3.61€
Mussorgsky: Pictures at an Exhibition for Viola & Piano
Mussorgsky: Pictures at an Exhibition for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.549930 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standard...
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Piano,Viola - Level 4 - SKU: A0.549930 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards. Score and part. 91 pages. Jmsgu3 #4303441. Published by jmsgu3 (A0.549930). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando  page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$32.95 ≈
29.82€
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Viola
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Viola
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Alto seul
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Viola Solo - Level 5 - SKU: A0.1018898 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6056129. Pub...
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Viola Solo - Level 5 - SKU: A0.1018898 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6056129. Published by Benjamin Sajo (A0.1018898). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.17€
Coventry Carol (with “What Child is This”) (Violin/Viola Duet)
Coventry Carol (with “What Child is This”) (Violin/Viola Duet)
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Violon, Alto (duo)
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Noël
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Coventry Carol
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Cathy Stamegna
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Coventry Carol
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Cathy Stamegna
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - SKU: A0.1139973 Composed by Coventry Carol (English Melody) and GREENSLEEVES (Traditional English Mel...
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Instrumental Duet Instrumental Duet,Viola,Violin - SKU: A0.1139973 Composed by Coventry Carol (English Melody) and GREENSLEEVES (Traditional English Melody). Arranged by Cathy Stamegna. Christian,Christmas,Holiday,Praise & Worship,Traditional. Score and parts. 12 pages. Cathy Stamegna #740235. Published by Cathy Stamegna (A0.1139973). Two contemplative Christmas hymns come together in an unaccompanied instrumental duet. “The Coventry Carol†is stated by the second instrument with harmonic support from the first. Part 1 then takes up the melody while the second gently weaves phrases of “What Child is This†under it. After a transition and key change up a Perfect Fourth, “What Child is This†becomes the dominant melody. “The Coventry Carol†returns for the ending. Appropriate for any Christmas prelude, worship, concert, recital, or holiday setting. Score and Set of Parts included. Performance Time: 3:19.
$4.99 ≈
4.52€
Jacques Leguerney: Premier Quatuor à Cordes (First String Quartet) for two violins, viola and cella
Jacques Leguerney: Premier Quatuor à Cordes (First String Quartet) for two violins, viola and cella
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Jacques Leguerney
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Jacques Leguerney: Premier Qua
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534551 Composed by Jacques Leguerney. 20th Century. Score and parts. 83 pages. Musi...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534551 Composed by Jacques Leguerney. 20th Century. Score and parts. 83 pages. Musik Fabrik Music Publishing #3627075. Published by Musik Fabrik Music Publishing (A0.534551). French composer Jacques Leguerney (1906-1997) has been recognized for his outstanding oeuvre of songs for voice and piano, mostly composed upon poems of the French poets of the Pleiade. After his death, the Leguerney Estate decided to allow the publication of his instrumental chamber music. These works, many of which were written in his early years, are valuable contributions to the French chamber music repertoire, representing the 20 century from its early yearsthrough World War II. This sonata was composed during October and November of 1925. This edition is based upon one autograph manuscript of the full score, as well as a manuscript copy of the revised first movement which contains nuances marked probably by Leguerney. There is no indication that it was premiered, although the ms copy of the first movement would seem to indicate that that movement at the least received a reading. We have added rehearsal numbers, and corrected a few notational mistakes in the manuscript.
$25.95 ≈
23.48€
Les Indes Galantes - Les Sauvages
Les Indes Galantes - Les Sauvages
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Jean Phillipe Rameau
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Les Indes Galantes - Les Sauva
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Arte Nova Music Lab
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SheetMusicPlus
Violin, Viola, Cello, Double Bass - Advanced Intermediate - Composed by Jean Phillipe Rameau. Baroque Period, Repertoire, European, Easter, Recital. Score...
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Violin, Viola, Cello, Double Bass - Advanced Intermediate - Composed by Jean Phillipe Rameau. Baroque Period, Repertoire, European, Easter, Recital. Score, Set of Parts. 9 pages. Published by Arte Nova Music Lab
Les Indes Galantes (French: "The Amorous Indies") is an opera by Jean-Philippe Rameau with a libretto by Louis Fuzelier. It takes the form of an opra-ballet with a prologue and (in its final form) four entres (acts). Following an allegorical prologue, the four entres have distinct and separate plots, but are unified by the theme of love in exotic places (The Ottoman Empire, Peru, Persia, and North America). The most famous pieces from the work, Danse des Sauvages and the final Chaconne, come from the final entre (Les sauvages).
The premiere, including only the prologue and the first two of its four entres (acts), was staged by the Acadmie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opra, Marie Antier, Marie Plissier, Mlle Errmans, Mlle Petitpas, Denis-Franois Tribou, Pierre Jlyotte, and Claude-Louis-Dominique Chass de Chinais, and the dancers Marie Sall and Louis Dupr. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette.
The Sauvages: The stage shows a grove in a forest in America, on the borders of the French and Spanish colonies, where the ceremony of the Peace Pipe is about to be celebrated
Adario, a Native American, is in love with Zima, daughter of a native chief, but he fears the rivalry of the Spaniard Don Alvar and the Frenchman Damon (Air: Rivaux des mes exploits, rivaux des mes amours). The Europeans plead with Zima for her love, but she says Damon is too fickle and Alvar is too jealous; she prefers the natural love shown by Adario (Air: Sur nos bords l'amour vole) and the couple vow to marry (Duet: Hymen, viens nous unir d'une chane ternelle). The act ends with the Europeans joining the natives in the ceremony of peace (Chorus: Forts paisibles).
Taken fromhttps://en.wikipedia.org/wiki/Les_Indes_galantes
$25.00 ≈
22.62€
Almost May Score and Parts
Almost May Score and Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99 ≈
22.62€
Four Forces (First movement) I. Strong Forces
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00 ≈
271.49€
Four Forces (Second movement) II. Weak Forces
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00 ≈
135.75€
Gymnopedie No. 1
Gymnopedie No. 1
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Alto, Piano
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FACILE
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Classique
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Contemporain
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Erik Satie
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Samuel Sequeira
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Gymnopedie No. 1
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Samuel Sequeira
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1245354 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 pages. Samuel Seq...
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Piano,Viola - Level 2 - SKU: A0.1245354 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 pages. Samuel Sequeira #840232. Published by Samuel Sequeira (A0.1245354). Gymnopedie No. 1 - Erik Satie - Viola/PianoPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.I present to you a captivating arrangement for Viola and piano of Gymnopédie No. 1 by Erik Satie, with a Youtube PlayAlong VideoIn this arrangement, the viola takes on the haunting melodies of Satie's iconic composition, while the piano provides a delicate and supportive accompaniment. The combination of these two instruments creates a unique and enchanting musical experience.The arrangement begins with the gentle and sparse opening chords on the piano, creating a serene atmosphere. As the viola enters, it carries the iconic melody, infusing it with its warm and expressive tones. The viola's rich and velvety qualities add an extra layer of depth and emotion to the music, enhancing its introspective and contemplative nature.Throughout the arrangement, the viola and piano engage in a musical dialogue, blending their sounds in perfect harmony. The piano provides a nuanced and sensitive backdrop, supporting the viola's melodic lines and adding depth to the arrangement. The viola, in turn, soars above the piano, capturing the listener's imagination and conveying the emotional depth of Satie's composition.The arrangement maintains the simplicity and elegance of Satie's original work while allowing for subtle interpretations and expressive phrasing from both the viola and piano. Together, they create a captivating rendition that invites the listener on a reflective and introspective journey.Gymnopédie No. 1 is a timeless piece that has touched the hearts of many. This arrangement for viola and piano allows the beauty of Satie's music to shine through in a new and captivating way, showcasing the expressive capabilities of both instruments.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$5.99 ≈
5.42€
Choral from the Cantata BWV 77 (for String Quartet)
Choral from the Cantata BWV 77 (for String Quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Musique Sacrée
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Johann Sebastian Bach
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Rodrigo Faleiros
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Choral from the Cantata BWV 77
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Rodrigo Faleiros
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1470449 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Ch...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1470449 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship,Religious. 5 pages. Rodrigo Faleiros #1048162. Published by Rodrigo Faleiros (A0.1470449). ---'---'---'---'---'---'---'---'---'---'---'---'---'This arrangement of Bach's Choral from Cantata BWV 77 for string quartet preserves the integrity and beauty of the original harmonization while adapting it for a different ensemble. Each of the four string instruments — two violins, viola, and cello — takes on one of the vocal lines, allowing the rich textures and intricate voice leading to shine through in a new timbral context. The arrangement maintains the Choral's straightforward structure, making it accessible yet deeply expressive, and highlights the individual voices while creating a cohesive, resonant sound that captures the essence of Bach's masterful composition.Key Features:- For String Quartet - two violins, viola and cello➡️ Check out my other arrangements clicking here! ⬅️'---'---'---'---'---'---'---'---'---'---'---'---'---'.
$4.99 ≈
4.52€
Choral from the Cantata BWV 77 (for String Quartet)
Choral from the Cantata BWV 77 (for String Quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Musique Sacrée
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Johann Sebastian Bach
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Rodrigo Faleiros
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Choral from the Cantata BWV 77
#
Rodrigo Faleiros
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1470441 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Ch...
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1470441 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship,Religious. 5 pages. Rodrigo Faleiros #1048153. Published by Rodrigo Faleiros (A0.1470441). '---'---'---'---'---'---'---'---'---'---'---'---'---'This arrangement of Bach's Choral from Cantata BWV 77 for string quartet preserves the integrity and beauty of the original harmonization while adapting it for a different ensemble. Each of the four string instruments — two violins, viola, and cello — takes on one of the vocal lines, allowing the rich textures and intricate voice leading to shine through in a new timbral context. The arrangement maintains the Choral's straightforward structure, making it accessible yet deeply expressive, and highlights the individual voices while creating a cohesive, resonant sound that captures the essence of Bach's masterful composition.Key Features:- For String Quartet - two violins, viola and cello- With Chord Symbols➡️ Check out my other arrangements clicking here! ⬅️'---'---'---'---'---'---'---'---'---'---'---'---'---'
$4.99 ≈
4.52€
Choral from the Cantata BWV 77 (for String Quartet with Piano accompaniment)
Choral from the Cantata BWV 77 (for String Quartet with Piano accompaniment)
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Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Johann Sebastian Bach
#
Rodrigo Faleiros
#
Choral from the Cantata BWV 77
#
Rodrigo Faleiros
#
SheetMusicPlus
String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1470450 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baro...
(+)
String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1470450 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship,Religious. 7 pages. Rodrigo Faleiros #1048163. Published by Rodrigo Faleiros (A0.1470450). ---'---'---'---'---'---'---'---'---'---'---'---'---'This arrangement of Bach's Choral from Cantata BWV 77 for string quartet preserves the integrity and beauty of the original harmonization while adapting it for a different ensemble. Each of the four string instruments — two violins, viola, and cello — takes on one of the vocal lines, allowing the rich textures and intricate voice leading to shine through in a new timbral context. The arrangement maintains the Choral's straightforward structure, making it accessible yet deeply expressive, and highlights the individual voices while creating a cohesive, resonant sound that captures the essence of Bach's masterful composition.Key Features:- For String Quartet - two violins, viola and cello- With Chord Symbols- With Piano Accompaniment➡️ Check out my other arrangements clicking here! ⬅️'---'---'---'---'---'---'---'---'---'---'---'---'---'.
$6.99 ≈
6.33€
Choral from the Cantata BWV 77 (for String Quintet with Piano accompaniment)
Choral from the Cantata BWV 77 (for String Quintet with Piano accompaniment)
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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INTERMÉDIAIRE
#
Musique Sacrée
#
Johann Sebastian Bach
#
Rodrigo Faleiros
#
Choral from the Cantata BWV 77
#
Rodrigo Faleiros
#
SheetMusicPlus
String Quintet Cello,Double Bass,Piano,Viola,Violin - Level 3 - SKU: A0.1470680 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque...
(+)
String Quintet Cello,Double Bass,Piano,Viola,Violin - Level 3 - SKU: A0.1470680 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship,Religious. 8 pages. Rodrigo Faleiros #1048171. Published by Rodrigo Faleiros (A0.1470680). ---'---'---'---'---'---'---'---'---'---'---'---'---'This arrangement of Bach's Choral from Cantata BWV 77 for string Quintet preserves the integrity and beauty of the original harmonization while adapting it for a different ensemble. Each of the five string instruments — two violins, viola, cello and double bass — takes on one of the vocal lines, allowing the rich textures and intricate voice leading to shine through in a new timbral context. The arrangement maintains the Choral's straightforward structure, making it accessible yet deeply expressive, and highlights the individual voices while creating a cohesive, resonant sound that captures the essence of Bach's masterful composition.Key Features:- For String Quintet - two violins, viola, cello and double bass- With Piano Accompaniment➡️ Check out my other arrangements clicking here! ⬅️'---'---'---'---'---'---'---'---'---'---'---'---'---'.
$9.99 ≈
9.04€
Choral from the Cantata BWV 77 (for String Quintet with Piano accompaniment)
Choral from the Cantata BWV 77 (for String Quintet with Piano accompaniment)
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Quintette à cordes: 2 violons, alto, violoncelle, basse
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Johann Sebastian Bach
#
Rodrigo Faleiros
#
Choral from the Cantata BWV 77
#
Rodrigo Faleiros
#
SheetMusicPlus
String Quintet Cello,Double Bass,Piano,Viola,Violin - Level 3 - SKU: A0.1470679 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque...
(+)
String Quintet Cello,Double Bass,Piano,Viola,Violin - Level 3 - SKU: A0.1470679 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship,Religious. 8 pages. Rodrigo Faleiros #1048170. Published by Rodrigo Faleiros (A0.1470679). ---'---'---'---'---'---'---'---'---'---'---'---'---'This arrangement of Bach's Choral from Cantata BWV 77 for string Quintet preserves the integrity and beauty of the original harmonization while adapting it for a different ensemble. Each of the five string instruments — two violins, viola, cello and double bass — takes on one of the vocal lines, allowing the rich textures and intricate voice leading to shine through in a new timbral context. The arrangement maintains the Choral's straightforward structure, making it accessible yet deeply expressive, and highlights the individual voices while creating a cohesive, resonant sound that captures the essence of Bach's masterful composition.Key Features:- For String Quintet - two violins, viola, cello and double bass- With Chord Symbols- With Piano Accompaniment➡️ Check out my other arrangements clicking here! ⬅️'---'---'---'---'---'---'---'---'---'---'---'---'---'.
$9.99 ≈
9.04€
Choral from the Cantata BWV 77 (for String Quartet with Piano accompaniment)
Choral from the Cantata BWV 77 (for String Quartet with Piano accompaniment)
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Johann Sebastian Bach
#
Rodrigo Faleiros
#
Choral from the Cantata BWV 77
#
Rodrigo Faleiros
#
SheetMusicPlus
String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1470676 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baro...
(+)
String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1470676 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship,Religious. 7 pages. Rodrigo Faleiros #1048165. Published by Rodrigo Faleiros (A0.1470676). ---'---'---'---'---'---'---'---'---'---'---'---'---'This arrangement of Bach's Choral from Cantata BWV 77 for string quartet preserves the integrity and beauty of the original harmonization while adapting it for a different ensemble. Each of the four string instruments — two violins, viola, and cello — takes on one of the vocal lines, allowing the rich textures and intricate voice leading to shine through in a new timbral context. The arrangement maintains the Choral's straightforward structure, making it accessible yet deeply expressive, and highlights the individual voices while creating a cohesive, resonant sound that captures the essence of Bach's masterful composition.Key Features:- For String Quartet - two violins, viola and cello- With Piano Accompaniment➡️ Check out my other arrangements clicking here! ⬅️'---'---'---'---'---'---'---'---'---'---'---'---'---'.
$6.99 ≈
6.33€
Choral from the Cantata BWV 77 (for String Quintet)
Choral from the Cantata BWV 77 (for String Quintet)
#
Quintette à cordes: 2 violons, alto, violoncelle, basse
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Johann Sebastian Bach
#
Rodrigo Faleiros
#
Choral from the Cantata BWV 77
#
Rodrigo Faleiros
#
SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1470677 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamb...
(+)
String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1470677 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship,Religious. 7 pages. Rodrigo Faleiros #1048166. Published by Rodrigo Faleiros (A0.1470677). ---'---'---'---'---'---'---'---'---'---'---'---'---'This arrangement of Bach's Choral from Cantata BWV 77 for string quintet preserves the integrity and beauty of the original harmonization while adapting it for a different ensemble. Each of the five string instruments — two violins, viola, cello and double bass — takes on one of the vocal lines, allowing the rich textures and intricate voice leading to shine through in a new timbral context. The arrangement maintains the Choral's straightforward structure, making it accessible yet deeply expressive, and highlights the individual voices while creating a cohesive, resonant sound that captures the essence of Bach's masterful composition.Key Features:- For String Quintet - two violins, viola, cello and double bass- With Chord Symbols➡️ Check out my other arrangements clicking here! ⬅️'---'---'---'---'---'---'---'---'---'---'---'---'---'.
$7.99 ≈
7.23€
Choral from the Cantata BWV 77 (for String Quintet)
Choral from the Cantata BWV 77 (for String Quintet)
#
Quintette à cordes: 2 violons, alto, violoncelle, basse
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Johann Sebastian Bach
#
Rodrigo Faleiros
#
Choral from the Cantata BWV 77
#
Rodrigo Faleiros
#
SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1470678 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamb...
(+)
String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1470678 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship,Religious. 7 pages. Rodrigo Faleiros #1048167. Published by Rodrigo Faleiros (A0.1470678). ---'---'---'---'---'---'---'---'---'---'---'---'---'This arrangement of Bach's Choral from Cantata BWV 77 for string Quintet preserves the integrity and beauty of the original harmonization while adapting it for a different ensemble. Each of the five string instruments — two violins, viola, cello and double bass — takes on one of the vocal lines, allowing the rich textures and intricate voice leading to shine through in a new timbral context. The arrangement maintains the Choral's straightforward structure, making it accessible yet deeply expressive, and highlights the individual voices while creating a cohesive, resonant sound that captures the essence of Bach's masterful composition.Key Features:- For String Quintet - two violins, viola, cello and double bass➡️ Check out my other arrangements clicking here! ⬅️'---'---'---'---'---'---'---'---'---'---'---'---'---'.
$7.99 ≈
7.23€
Part Of Your World (reprise)
Part Of Your World (reprise)
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Alto seul
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FACILE
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Alan Menken and Howard Ashman
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Samuel Sequeira
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Part Of Your World
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Samuel Sequeira
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SheetMusicPlus
Viola Solo - Level 2 - SKU: A0.1244000 Composed by Alan Menken and Howard Ashman. Arranged by Samuel Sequeira. Broadway,Children,Film/TV,Musical/Show,Po...
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Viola Solo - Level 2 - SKU: A0.1244000 Composed by Alan Menken and Howard Ashman. Arranged by Samuel Sequeira. Broadway,Children,Film/TV,Musical/Show,Pop,Singer/Songwriter. Individual part. 3 pages. Samuel Sequeira #838975. Published by Samuel Sequeira (A0.1244000). Part of your World - Howard Ashman & Alan Menken  - ViolaPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.I present to you the arrangement of Part of Your World from the movie The Little Mermaid released in 2023, specifically designed for Viola with Piano Playalong Youtube Video.In this arrangement, the piano and viola work together to create a beautiful and evocative performance. The piano provides the harmonic foundation with its rich chords and delicate melodies, while the viola adds a warm and expressive voice to the arrangement.The piano takes on the role of both the accompaniment and the main melody, faithfully capturing the essence of the original song. Its flowing arpeggios and gentle touch bring to life the enchanting underwater world portrayed in the movie.The viola, with its mellow and expressive tones, adds depth and emotion to the arrangement. It weaves in and out of the piano's lines, creating countermelodies and adding subtle nuances to enhance the overall musical experience.Together, the piano and viola create a captivating performance that reflects the wonder and longing found in The Little Mermaid story. The combination of these two instruments allows for a unique and enchanting interpretation of Part of Your World.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99 ≈
4.52€
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It Takes Two: Viola
