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Vous avez sélectionné:
J. L. Linde
Partitions à imprimer
12 partitions trouvées
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1
Sieben Abgesänge auf eine tote Linde
Sieben Abgesänge auf eine tote Linde
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Joerg Widmann
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Sieben Abgesänge auf eine
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Schott Music - Digital
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SheetMusicPlus
Soprano, clarinet (in A and B), violin and piano - SKU: S9.Q6718 On poems by Diana Kempff. Composed by Joerg Widmann. This edition: score and par...
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Soprano, clarinet (in A and B), violin and piano - SKU: S9.Q6718 On poems by Diana Kempff. Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and parts. Duration 18 minutes. Schott Music - Digital #Q6718. Published by Schott Music - Digital (S9.Q6718). German.Es war 1996, als mir Christoph Poppen, der damalige Leiter des Münchener Kammerorchesters, von einem kuriosen Konzert in Münsing (Ammerland) erzählte: während eines seiner Konzerte mit dem Orchester in der dortigen Kirche gab es, für alle hör- und sichtbar, eines der größten Unwetter, das die Region je gesehen hatte. Dabei schlug der Blitz ein in eine Art Wahrzeichen des Ortes, eine mehrere Jahrhunderte alte Linde. Unter den Zuhörern damals: die dort lebende Dichterin und Schriftstellerin Diana Kempff. Sie war unmittelbar erschüttert vom Tod der Linde und schrieb unter diesem Eindruck einige Gedichte. Christoph Poppen wiederum war – wie in vielen anderen Zusammenhängen auch – genialer Vermittler und stellte alsbald den Kontakt zu mir her. Die Idee: am Ort des Geschehens, in der Münsinger Kirche, solle ein Jahr später die Uraufführung einer Art Requiem für diesen Baum, der so vieles „gesehen“ hatte, erklingen. Im Rahmen der Holzhauser Musiktagen mit den Texten von Diana Kempff und meiner (noch zu schreibenden) Musik. Es gab bald eine wunderbare, sehr intensive Begegnung von Diana Kempff und mir, bei der sie etwas für Schriftsteller nicht gerade Typisches tat: sie stellte mir frei, aus den vorliegenden Gedichten nach Belieben lediglich Teile, sogar nur Zeilenfragmente zu verwenden und auch die Reihenfolge nach meinen Bedürfnissen anzuordnen und zu gestalten. Sie begriff sofort (und wünschte!), dass durch die Musik ohnehin etwas Drittes, etwas ganz Anderes entstehen würde. Die Tatsache, dass wir Monate später eine sichtlich bewegte Diana Kempff auf die Bühne holen durfte, freute uns alle besonders. Ihre Lyrik ist Ausdruck einer offenkundig zutiefst gequälten Seele und kommt uns oft wunderlich-versponnen entgegen. Einer zerbrechlichen Zartheit steht eine bisweilen fast brutale Härte unversöhnlich gegenüber. Das Schubert’sche „Fremd bin ich eingezogen“ gilt für sie in besonderer Weise und äußert sich in ihren Versen in einer Nähe zu allem Fremden (trotz des gleichzeitigen manischen Umkreisens des Eigenen und der eigenen Erinnerung), Abseitigen und auch (bei aller gleichzeitigen Skepsis) Übernatürlichen. Dieses geisterhaft-spukige Element versuchte ich durch meine Textauswahl und mit musikalischen Mitteln in diesen nun „Sieben Abgesängen“ zu verdeutlichen. Das erste Stück ist eine karge Studie über das Verrinnen der Zeit, das Nichts; das Zweite beschwört den Regen (den heilbringenden) herbei, der dann später – wenngleich mit entsetzlicher Wirkung – auch kommt. Den dritten Abgesang habe ich „Tanz der toten Seelen“ betitelt; es ist ein Zwiefacher, der jedoch durch seine düster-halbseidene „Wiener“ Chromatik alles Liebenswürdig-Oberbayerische längst verloren hat. Das klanglich vielleicht avancierteste und dichteste Stück ist der vierte Abgesang, der ganz aus der Perspektive der Linde selbst erzählt wird. Der fünfte Abgesang zu den Worten „Und wenn der Tod so kommen mag“ ist im Stile einer traurigen Volksweise bewusst schlicht gehalten. Während der sechste Satz in seinem expressionistischen Gestus nicht ungefährlich das Monodram streift, ist es schließlich die Seele (die ausgehauchte, die weiterexistierende?), die wörtlich den letzten Abgesang über die Bäume und die Seelen prägt. Diana Kempffs Gedichte, der Enthusiasmus Christoph Poppens, die phantastischen Uraufführungs-Interpreten, allen voran die Sängerin Juliane Banse, haben mich zur Komposition dieser „Sieben Abgesänge auf eine tote Linde“ angeregt. Die „Sieben Abgesänge“ sind nunmehr auch eine Erinnerung an die erst jüngst verstorbene Diana Kempff. Jörg Widmann, im Juni 2008.
$57.99
Dawn on the Mountainside
Dawn on the Mountainside
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Classique
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J
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Dawn on the Mountainside
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J. L. Linde
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SheetMusicPlus
Orchestra Cello,Double Bass,Viola,Violin - Interactive Download SKU: A0.480831 Composed by J. L. Linde. This edition: Interactive Download. Classical. Sc...
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Orchestra Cello,Double Bass,Viola,Violin - Interactive Download SKU: A0.480831 Composed by J. L. Linde. This edition: Interactive Download. Classical. Score and parts. 10 pages. Duration 149. Published by J. L. Linde (A0.480831).
$5.00
The Unforgiven
The Unforgiven
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Piano seul
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Classique
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Jamie St
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The Unforgiven
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J. L. Linde
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SheetMusicPlus
Instrumental Solo,Piano and Keyboard - Interactive Download SKU: A0.480828 Composed by Jamie St. Clair-Linde. This edition: Interactive Download. Classic...
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Instrumental Solo,Piano and Keyboard - Interactive Download SKU: A0.480828 Composed by Jamie St. Clair-Linde. This edition: Interactive Download. Classical. Individual part. 3 pages. Duration 215. Published by J. L. Linde (A0.480828). Sad Piano Solo.
$5.00
Celtic Duet for Violin and Viola
Celtic Duet for Violin and Viola
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Violon, Alto (duo)
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Folklorique/Traditionel
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Jamie St
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Celtic Duet for Violin and Vio
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J. L. Linde
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Interactive Download SKU: A0.480829 Composed by Jamie St. Clair-Linde. This edition: Interactive Downl...
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Instrumental Duet Instrumental Duet,Viola,Violin - Interactive Download SKU: A0.480829 Composed by Jamie St. Clair-Linde. This edition: Interactive Download. Folk. Score and parts. 8 pages. Duration 167. Published by J. L. Linde (A0.480829). ~In order to fix a playback issue, I had to remove the Rit. in measures 38 and 39, as well as the no rit. 2nd time note. Sorry for any inconveniences!~.
$3.00
Speechless
Speechless
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Classique
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Jamie St
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Speechless
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J. L. Linde
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SheetMusicPlus
Orchestra Cello,Double Bass,Drum Set,Viola,Violin - Interactive Download SKU: A0.480832 Composed by Jamie St. Clair-Linde. This edition: Interactive Down...
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Orchestra Cello,Double Bass,Drum Set,Viola,Violin - Interactive Download SKU: A0.480832 Composed by Jamie St. Clair-Linde. This edition: Interactive Download. Classical. Score and parts. 24 pages. Duration 118. Published by J. L. Linde (A0.480832).
$5.00
From the Bottom of the Pit
From the Bottom of the Pit
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Classique
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Jamie St
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From the Bottom of the Pit
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J. L. Linde
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SheetMusicPlus
Orchestra Cello,Double Bass,Piano and Keyboard,Viola,Violin - Interactive Download SKU: A0.480835 Composed by Jamie St. Clair-Linde. This edition: Intera...
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Orchestra Cello,Double Bass,Piano and Keyboard,Viola,Violin - Interactive Download SKU: A0.480835 Composed by Jamie St. Clair-Linde. This edition: Interactive Download. Classical. Score and parts. 14 pages. Duration 284. Published by J. L. Linde (A0.480835).
$5.00
Celtic Orchestra
Celtic Orchestra
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Jamie St
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Celtic Orchestra
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J. L. Linde
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SheetMusicPlus
Orchestra Cello,Double Bass,Drum Set,Harp,Viola,Violin - Interactive Download SKU: A0.480836 Composed by Jamie St. Clair-Linde. This edition: Interactive...
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Orchestra Cello,Double Bass,Drum Set,Harp,Viola,Violin - Interactive Download SKU: A0.480836 Composed by Jamie St. Clair-Linde. This edition: Interactive Download. Classical,Folk. Score and parts. 27 pages. Duration 182. Published by J. L. Linde (A0.480836). *The key signature for this piece is A minor, not C major. For some reason, the link is saying C major.
$6.00
Haunted Carnival
Haunted Carnival
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Classique
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Jamie St
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Haunted Carnival
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J. L. Linde
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SheetMusicPlus
Orchestra Cello,Double Bass,Harp,Piano and Keyboard,Viola,Violin - Interactive Download SKU: A0.480834 Composed by Jamie St. Clair-Linde. This edition: I...
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Orchestra Cello,Double Bass,Harp,Piano and Keyboard,Viola,Violin - Interactive Download SKU: A0.480834 Composed by Jamie St. Clair-Linde. This edition: Interactive Download. Classical. Score and parts. 64 pages. Duration 317. Published by J. L. Linde (A0.480834).
$5.00
When All Lies Still
When All Lies Still
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Classique
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Jamie St
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When All Lies Still
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J. L. Linde
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SheetMusicPlus
Orchestra Cello,Double Bass,Harp,Piano and Keyboard,Viola,Violin - Interactive Download SKU: A0.480833 Composed by Jamie St. Clair-Linde. This edition: I...
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Orchestra Cello,Double Bass,Harp,Piano and Keyboard,Viola,Violin - Interactive Download SKU: A0.480833 Composed by Jamie St. Clair-Linde. This edition: Interactive Download. Classical. Score and parts. 27 pages. Duration 256. Published by J. L. Linde (A0.480833).
$5.00
Piano Quartet No. 1
Piano Quartet No. 1
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Classique
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Jamie St
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Piano Quartet No. 1
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J. L. Linde
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SheetMusicPlus
Small Ensemble Cello,Piano and Keyboard,Viola,Violin - Interactive Download SKU: A0.480830 Composed by Jamie St. Clair-Linde. This edition: Interactive D...
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Small Ensemble Cello,Piano and Keyboard,Viola,Violin - Interactive Download SKU: A0.480830 Composed by Jamie St. Clair-Linde. This edition: Interactive Download. Classical. Score and parts. 21 pages. Duration 466. Published by J. L. Linde (A0.480830). The playback doesn't seem to do the d.s. al coda correctly, but it would work fine when playing it off the page.
$4.00
Romance Anonimo (tremolo) for Classical Guitar
Romance Anonimo (tremolo) for Classical Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Anon
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Keith Terrett
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Romance Anonimo
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural...
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Solo Guitar - Level 4 - SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 7 pages. Keith Terrett #1021937. Published by Keith Terrett (A0.1441944). Romance Anonimo for Guitar.This beautiful piece, known as Romance d'Amour, Anonymous Romance, Spanish Romance, Romance de Amor, Romanza among other names are a very well know piece. The composer is unknown.Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names. It is composed in the style of parlour music of the late 19th century in Spain or South America,History:The style of the piece is that of the parlour music of the late 19th century in Spain or South America. It has a closed three-part form, the first in the minor key and the second being in the major key, with the third part being a restatement of the first.The origins and authorship of the piece are unknown, hence 'anonimo'. It is thought to have been originally a solo instrumental guitar work from the 19th century, and has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Francisco Vicaria l Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. It has been suggested that doubts about its authorship may have been encouraged by a wish to avoid paying copyright fees and the desire of publishing companies to claim the lucrative copyright.Early recordings:The earliest recording of Romance is found on a cylinder from the Viuda de Aramburo label[3][4][5][6] featuring guitarists Luis and Simon RamÃrez, which was made in Madrid sometime between 1897 and 1901. The work is titled Sort-Estudio para Guitarra por S. Ramirez. The name Sort, as it occurs on the cylinder's title, probably refers to Fernando Sor, as his surname is sometimes spelled Sort or Sorts. The recording may be heard on the Doremi CD release Tarrega, His Disciples, and Their Students (DHR-7996) and online at the UCSB Cylinder Audio Archive.Possible origins:An early publication of the work, known as Estudio para Guitarra de Rovira and attributed to Spanish guitarist Antonio Rubira,[13] was published by J.A. Medina e Hijo in Argentina before 1925 (probably in 1913, when the publisher ceased activities).Guitarist and composer IsaÃas Sávio (Montevideo, 1900 — São Paulo, 1977) published the work in 1959 with the title Romance de Amor (Estudo em Mi) Música de Antonio Rovira (Segunda metade do século XIX) He published information which cited Antonio Rubira as the author. (See Violà o e Mestres Junio, 1966 / São Paulo, Brasil.Sávio gives information that Juan Pargas, who knew Rubira, gave the Estudio de Rovira to the guitarist Juan Valles in 1876 or 1878. Sávio mentions that the work became popular in Buenos Aires and began to be published by, among others, Spaniard Pedro Maza; and that the work appeared in the method of Pedro Mascaró y Reissig, published in Montevideo in 1919, with the title Conocido por Estudio de Rovira.Publishing company Ricordi of Argentina currently publishes the piece, and attributes authorship to Antonio Rubira.
$1.99
The Harpa Tunebook
The Harpa Tunebook
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Harpe
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Beth Kolle
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The Harpa Tunebook
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Afghan Press Music for the Harp
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SheetMusicPlus
Harp - Intermediate - Digital Download Arranged by Beth Kolle. Folk, European, Recital, Americana. 79 pages. Published by Afghan Press Music for the Ha...
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Harp - Intermediate - Digital Download Arranged by Beth Kolle. Folk, European, Recital, Americana. 79 pages. Published by Afghan Press Music for the Harp
21 arrangements from many lands. These have been groomed and expertly honed during many tours to Denmark led by Beth Kolle.
Song List: Emma's Waltz, Finland, Norra Råda, Sweden, Harpa Vals, B. Kollé, Polonaise, Sweden (duet), Gråtarevalsen, A. Lindel (Sweden), Who Can Say?, K. Holsinger, Crossing the Divide, C. Roe, Harpa Pols, B. Kollé, Oh Shenandoah, America, On the Way to Stavanger, F. Aalto (USA), The Rights of Man, Ireland, Fanny Po'er, O Carolan (Ireland), Amerikaturen, Norway, Blind-Olav Reinlendar, Norway, Walking Tune, Sweden, Schottis, Sweden, J'ai Passé, Cajun (USA), Cornish Dance, Cornwall (Great Britain), Waltz for Kuisma, L. Keskinen (Finland), Kari Trestakk, Norway, Nordsetervalsen, Norway
$23.00
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