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Vous avez sélectionné:
James Scott advanced
Partitions à imprimer
26 partitions trouvées
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26
James Scott : You Are The Reason (niveau difficile, sax alto)
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Saxophone Alto
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AVANCÉ
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Rock
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James Scott
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You Are The Reason
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Tomplay
Telechargez la partition Saxophone You Are The Reason (niveau difficile, sax alto) de Scott. Partition pour Saxophone avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Saxophone You Are The Reason (niveau difficile, sax alto) de Scott. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€
James Scott : You Are The Reason (niveau difficile, sax ténor)
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Saxophone Tenor
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AVANCÉ
#
Rock
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James Scott
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You Are The Reason
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Tomplay
Telechargez la partition Saxophone You Are The Reason (niveau difficile, sax tenor) de Scott. Partition pour Saxophone avec accomp. orchestre -- Pop/rock...
(+)
Telechargez la partition Saxophone You Are The Reason (niveau difficile, sax tenor) de Scott. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€
James Scott : You Are The Reason (niveau difficile)
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Flûte traversière
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AVANCÉ
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Rock
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James Scott
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You Are The Reason
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Tomplay
Telechargez la partition Flûte You Are The Reason (niveau difficile) de Scott. Partition pour Flûte avec accomp. orchestre -- Pop/rock...
(+)
Telechargez la partition Flûte You Are The Reason (niveau difficile) de Scott. Partition pour Flûte avec accomp. orchestre -- Pop/rock
5.99€
James Scott : You Are The Reason (niveau difficile, sax soprano)
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Saxophone Soprano
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AVANCÉ
#
Rock
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James Scott
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You Are The Reason
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Tomplay
Telechargez la partition Saxophone You Are The Reason (niveau difficile, sax soprano) de Scott. Partition pour Saxophone avec accomp. orchestre -- Pop/rock...
(+)
Telechargez la partition Saxophone You Are The Reason (niveau difficile, sax soprano) de Scott. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€
James Scott : You Are the Reason (niveau intermédiaire/difficile, avec Band)
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Rock
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James Scott
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You Are the Reason
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Tomplay
Telechargez les tablatures et la partition Guitare You Are the Reason (niveau intermediaire/difficile, avec Band) de Scott. Tablatures et partition pour Guitare...
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Telechargez les tablatures et la partition Guitare You Are the Reason (niveau intermediaire/difficile, avec Band) de Scott. Tablatures et partition pour Guitare melodique avec band/orchestre -- Pop/rock
5.99€
James Scott : You Are The Reason (niveau difficile)
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Trompette
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AVANCÉ
#
Rock
#
James Scott
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You Are The Reason
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Tomplay
Telechargez la partition Trompette You Are The Reason (niveau difficile) de Scott. Partition pour Trompette avec accomp. orchestre -- Pop/rock...
(+)
Telechargez la partition Trompette You Are The Reason (niveau difficile) de Scott. Partition pour Trompette avec accomp. orchestre -- Pop/rock
5.99€
James Scott : You Are the Reason (niveau intermédiaire/difficile, guitare seule)
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
#
Rock
#
James Scott
#
You Are the Reason
#
Tomplay
Telechargez les tablatures et la partition Guitare You Are the Reason (niveau intermediaire/difficile, guitare seule) de Scott. Tablatures et partition pour Gui...
(+)
Telechargez les tablatures et la partition Guitare You Are the Reason (niveau intermediaire/difficile, guitare seule) de Scott. Tablatures et partition pour Guitare seule -- Pop/rock
5.99€
James Scott : You Are The Reason (niveau difficile)
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Trombone
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AVANCÉ
#
Rock
#
James Scott
#
You Are The Reason
#
Tomplay
Telechargez la partition Trombone You Are The Reason (niveau difficile) de Scott. Partition pour Trombone avec accomp. orchestre -- Pop/rock...
(+)
Telechargez la partition Trombone You Are The Reason (niveau difficile) de Scott. Partition pour Trombone avec accomp. orchestre -- Pop/rock
5.99€
Brother James' Air for solo piano
Brother James' Air for solo piano
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Piano seul
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AVANCÉ
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Musique Sacrée
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Scottish Psalter 1650
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Judith L
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Brother James' Air for solo pi
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Maggs
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1093848 Composed by Scottish Psalter 1650. Arranged by Judith L. Maggs. Christian,Religious,Sacred,Traditional. Score. 5 ...
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Piano Solo - Level 5 - SKU: A0.1093848 Composed by Scottish Psalter 1650. Arranged by Judith L. Maggs. Christian,Religious,Sacred,Traditional. Score. 5 pages. Maggs #697938. Published by Maggs (A0.1093848). Brother James' Air is a much loved setting of a poem based on the 23rd Psalm. This arrangement is a gently modernized harmonization of the traditional tune. It incorporates all 5 verses, beginning in Bb major and modulating to C major. (The 3rd verse is partially set in Bb minor.) Although arranged for advanced piano, it is not overly difficult. It would make a lovely prelude or special music for any church service. Note: This arrangement is included in my collection, “In Loving Memory,†also available on this site.
$2.99 ≈
2.68€
DADGAD Ragtime and Early Jazz
DADGAD Ragtime and Early Jazz
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Fingerstyle/Fingerpicking
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Rob Mackillop
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DADGAD Ragtime and Early Jazz
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (fingerpicking) - Intermediate-Advanced - Composed by Rob Mackillop. Solos. DADGAD. Style. E-book and online audio. 56 pages. Mel Bay Publica...
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Guitar (fingerpicking) - Intermediate-Advanced - Composed by Rob Mackillop. Solos. DADGAD. Style. E-book and online audio. 56 pages. Mel Bay Publications - Digital Sheet Music #30568MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117297.
Ragtime music and DADGAD tuning seem to be made for each other, or so you will believe after playing these wonderful arrangements by Rob MacKillop. With performance levels running from intermediate to advanced, there is plenty here to challenge and delight the player and audience too. With titles by Scott Joplin (The Entertainer, Weeping Willow, etc.), James Scott (Grace and Beauty), Charles L. Johnson (Dill Pickles Rag), Fred Van Eps (Rag Pickings), to popular jazzier pieces by A. J. Weidt and the rag-influenced Piedmont blues of Blind Boy Fuller, there is quite a variety of styles to explore. Additionally, recordings by Rob MacKillop will guide and entertain you in the art of DADGAD ragtime guitar! Access to online audio is included. Written in tablature and standard notation.
$14.99 ≈
13.43€
At Last - for pedal harp
At Last - for pedal harp
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Etta James
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Lauren Scott
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At Last - for pedal harp
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Astute Music
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SheetMusicPlus
Harp - Advanced Intermediate - By Etta James. Arranged by Lauren Scott. 2 pages. Published by Astute Music...
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Harp - Advanced Intermediate - By Etta James. Arranged by Lauren Scott. 2 pages. Published by Astute Music
Arranged for pedal harp.
For Intermediate to Advanced standard harpists, complete with pedalling.
This version has been expertly arranged for pedal harp by harpist Lauren Scott, and is a useful addition to the harp repertoire for playing at private events, weddings, parties and also as extra repertoire for teaching.
$4.99 ≈
4.47€
Romanza and Scherzo for solo Bass Trombone and Piano
Romanza and Scherzo for solo Bass Trombone and Piano
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Trombone basse et Piano
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AVANCÉ
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Contemporain
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Pierce, Alan
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Romanza and Scherzo for solo B
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Cherry Classics Music
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SheetMusicPlus
Piano Accompaniment, Bass Trombone and Piano - Advanced - Composed by Pierce, Alan. 21st Century, Romantic Period, Contemporary Classical, Post-Roma...
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Piano Accompaniment, Bass Trombone and Piano - Advanced - Composed by Pierce, Alan. 21st Century, Romantic Period, Contemporary Classical, Post-Romantic. Solo Part. 31 pages. Published by Cherry Classics Music
My first season with the Oregon Symphony was 1962-1963. I was so excited when I was told that I was accepted into the Portland Symphony (now Oregon Symphony), I danced and jumped up and down. I can still see myself. Its was like winning the Powerball. I was only 17 years old. What is equally amazing is that 45 years later I retired from a career that very few people can ever experience. I was bass trombonist my first year in the Oregon Symphony and was principal trombonist my third year. I also traveled with the New York Metropolitan Opera National company for 84 weeks as principal trombonist and was bass trombonist of the Portland Opera for 18 years. I played in the Peter Britt Orchestra for two seasons and also in the Anchorage, AK. music festival. I was a scholarship winner to Tanglewood in Lenox, Mass. and the National Music Camp in Interlochen, Michigan. I was privileged to perform with Leopold Stowkowski and Erik Leinsdorf. None of this would have been possible without my early training with the Portland, Youth Philharmonic under the leadership of maestro Jacob Avshalomov.
I have met many famous people and have played the world's greatest music. The Oregon Symphony music directors and conductors have been magnificent and have each brought many special talents to the orchestra. I remember special concerts featuring Jack Benny, Danny Kaye, Isaac Stern, Leonard Rose, and many others.
During my time in the Oregon Symphony I developed a hobby of making batons for some of the conductors who visited our orchestra. Most recently, I made batons for Itzhak Perlman, James DePreist, Carlos Kalmar, Riccardo Mutti, Murry Sidlin, Hannu Lintu, Karel Mark Chichon,
Andre Watts, and many others.
Since establishing the Alan Pierce Piano Service in 1976, I have tuned pianos for the Oregon Symphony, Andre Watts, Lawrence Leighton Smith, James DePreist, Murry Sidlin, Norman Leyden as well as for many churches, schools and prominent piano teachers. Most recently I tuned the piano in the home of world famous Janet Guggenheim. One of my most special memories was an all expense paid trip to Scottsdale, Arizona to tune the piano of a prominent surgeon. While in Arizona, I had the chance to spend time with the late James DePreist who had a home in the area. For two summers, I also served as piano technician for the Sunriver Music Festival I am currently the president of the Reno chapter of the Piano Technicians Guild.
Most recently I got to meet Geoge Curran, bass trombonist of the New York Philharmonic. My wife and I traveled two times to hear him perform my Romanza and Scherzo for bass trombone and piano. What a thrill to hear a world famous trombonist perform my music. I am very honored that George Curran recorded my music on his latest CD. (Vital Signs)
$22.50 ≈
20.16€
Darn That Dream
Darn That Dream
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Miles Davis
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Scott Kitzmiller
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Darn That Dream
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Scott W. Kitzmiller
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.880121 By Miles Davis. By James Van Heusen. Arranged by Scott Kitzmiller. A Cappella,Jazz,Standards. Octavo. 3 p...
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Choral Choir (SATB) - Level 4 - SKU: A0.880121 By Miles Davis. By James Van Heusen. Arranged by Scott Kitzmiller. A Cappella,Jazz,Standards. Octavo. 3 pages. Scott W. Kitzmiller #4803171. Published by Scott W. Kitzmiller (A0.880121). A cappella version of the jazz standard, SATB. Appropriate for medium to advanced quartets and choirs, High School, College, and adult. Intended to be sung ad lib, as a ballad. Recorded by Kohl Kitzmiller and Kim Newcomb on the CD Get Happy, released 2019 by Kohl Kitzmiller. Duration 3:30. Download learning tracks at https://kksounds.com/learning-track/darn-that-dream-kitzmiller/ My contact information is at https://scottkarrangements.com.
$4.50 ≈
4.03€
The Water is Wide for Viola & Piano
The Water is Wide for Viola & Piano
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Alto, Piano
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FACILE
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Contemporain
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Traditional Scottish
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James M
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The Water is Wide for Viola &
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jmsgu3
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SheetMusicPlus
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pag...
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)
Duration: 5:24
Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time
Solo part: 3 pg.
Piano part: 4 pg.
A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"
it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."
This is an original arrangement from the ground up.
Programming:
If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.
It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.
Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.
Keep in mind these performance ideas:
1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.
2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.
3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.
Synopsis of the arrangement:
verse 1: Simple quiet duet with the melody in the solo instrument.
verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.
verse 3: Melody in the piano in 4-part harmony.
verse 4: 3-part canon on the melody (with a free accompaniment voice).
verse 5: 2-part canon with a free accompaniment in the solo part
verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.
verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal
piano clusters over bass chords that suggest submerged church bells.
For better insight into the performance of this music: express the emotion indicated by the lyrics:
The Water Is Wide:
The water is wide, I cannot get over
Neither have I wings to fly
Give me a boat that can carry two
And both shall row, my love and I
A ship there is and she sails the sea
She's loaded deep as deep can be
But not so deep as the love I'm in
I know not if I sink or swim
I leaned my back against an oak
Thinking it was a trusty tree
But first it bent and then it broke
So did my love prove false to me
I reached my finger into some soft bush
Thinking the fairest flower to find
I pricked my finger to the bone
And left the fairest flower behind
Oh love be handsome and love be kind
Gay as a jewel when first it is new
But love grows old and waxes cold
And fades away like the morning dew
Must I go bound while you go free
Must I love a man who doesn't love me
Must I be born with so little art
As to love a man who'll break my heart
When cockle shells turn silver bells
Then will my love come back to me
When roses bloom in winter's gloom
Then will my love return to me
The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).
O Waly, waly (a lament ? "woe is me") up the bank,
And waly, waly doun the brae (hill),
And waly, waly, yon burn-side (riverside),
Where I and my love wont to gae.
I lean'd my back into an aik (oak),
I thocht it was a trusty tree;
But first it bow'd, and syne (soon) it brak (broke),
Sae my true love did lightly me.
O waly, waly, but love be bonnie (beautiful),
A little time while it is new,
But when 'tis auld (old), it waxeth cauld (cold),
And fades away like the morning dew.
O wherefore should I busk my heid (adorn my head)?
Or wherefore should I kame (comb) my hair?
For my true love has me forsook,
And says he'll never love me mair (more).
Now Arthur Seat shall be my bed,
The sheets shall ne'er be fyl'd by me,
Saint Anton's well shall be my drink,
Since my true love has forsaken me.
Martinmas wind, when wilt thou blaw (blow),
And shake the green leaves off the tree?
O gentle death, when wilt thou come?
For of my life I am weary.
'Tis not the frost, that freezes fell,
Nor blawing snaws (snow) inclemency,
'Tis not sic cauld (such cold) that makes me cry,
But my love's heart grown cauld to me.
When we cam in by Glasgow town,
We were a comely sight to see;
My love was clad in the black velvet,
And I my sell in cramasie (crimson).
But had I wist (known), before I kiss'd,
That love had been sae ill to win,
I'd lock my heart in a case of gold,
And pin'd it with a silver pin.
Oh, oh! if my young babe were born,
And set upon the nurse's knee,
And I my sell were dead and gane,
For a maid again I'll never be.[4]
(Lyrics courtesy of Wikipedia)
For more information, please feel free to contact me at: jmsgu3 "at" gmail.com
James M. Guthrie, ASCAP
jmsgu3 publications
$32.95 ≈
29.53€
Rather Be
Rather Be
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Clean Bandit Feat
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Lauren Scott
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Rather Be
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Lauren Scott
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SheetMusicPlus
Lever Harp - Level 4 - SKU: A0.1404140 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged b...
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Lever Harp - Level 4 - SKU: A0.1404140 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Lauren Scott. Pop. Score. 2 pages. Lauren Scott #987314. Published by Lauren Scott (A0.1404140). Arranged for lever harp. Also suitable for pedal harp.For Intermediate to Advanced standard harpists.This version has been expertly arranged for lever harp by harpist Lauren Scott, and is a useful addition to the harp repertoire for playing at private events, weddings, parties and also as extra repertoire for teaching.Sign up for new music notifications from Lauren Scott http://eepurl.com/dCTo1Pwww.lauren-scott-harp.co.uk.
$4.99 ≈
4.47€
National Anthem for String Orchestra (Bb)
National Anthem for String Orchestra (Bb)
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Orchestre à Cordes
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AVANCÉ
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Patriotique
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John Smith-music / Francis Sco
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James K
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National Anthem for String Orc
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James K. Taylor
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.872474 Composed by John Smith-music / Francis Scott Key-text. Arranged by James K. Taylor. Folk,Holiday,Instruction...
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String Orchestra - Level 5 - SKU: A0.872474 Composed by John Smith-music / Francis Scott Key-text. Arranged by James K. Taylor. Folk,Holiday,Instructional,Patriotic,Standards. Score and parts. 8 pages. James K. Taylor #2853471. Published by James K. Taylor (A0.872474). This arrangement my be performed with the string orchestra per score or in conjunction with my advanced band arrangement of the National Anthem in Bb. If performed with strings only, just start with the pickup to measure two since there is no drum roll. To hear what the strings combined with the band arrangement sound like, go to YOUTUBE.https://youtu.be/gCFWjPQ7SRoI deleted the bass clar, all the saxes and baritone from the band score, and then added the string parts which created the full orchestra replication. All that is missing is the timpani.Let me know if you need a timp part. mman@embarqmail.com
$20.00 ≈
17.92€
Jacobean Salute
Jacobean Salute
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Graham Waterhouse
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Jacobean Salute
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Musikverlag Robert Lienau - Digital
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SheetMusicPlus
Flute, oboe, clarinet, horn, bassoon, 2 violins, viola, cello and double bass - advanced - SKU: S9.Q52737 Composed by Graham Waterhouse. This edition: p...
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Flute, oboe, clarinet, horn, bassoon, 2 violins, viola, cello and double bass - advanced - SKU: S9.Q52737 Composed by Graham Waterhouse. This edition: performance score. Downloadable, Performance score. Op. 34. Duration 13 minutes. Musikverlag Robert Lienau - Digital #Q52737. Published by Musikverlag Robert Lienau - Digital (S9.Q52737). German • English • French.Jacobean Salute could be interpreted as a miniature symphony. Originally, a considerable part of the thematic material was intended for Scottish bagpipes which is why the B flat major bass pipes are still audible in certain parts. The glissandi of the strings, for instance, are meant to convey how the pipes are being blown through. The introductory motif is based on a lament from the 17th century. Lady Doyle’s Salute“ whose melancholic mood penetrates the complete piece dates from the reign of James VI, King of Scotland (who would later become James I of England). The Scottish aspect of the composition is further emphasized and intensified by passages which resemble a Jig and a Reel (old Scottish dances).
$13.99 ≈
12.54€
Drops Of Jupiter (tell Me)
Drops Of Jupiter (tell Me)
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Train
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K
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Drops Of Jupiter
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K. Speck
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1095367 By Train. By Charles Colin, James Stafford, Pat Monahan, Robert Hotchkiss, and Scott Underwoo...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1095367 By Train. By Charles Colin, James Stafford, Pat Monahan, Robert Hotchkiss, and Scott Underwood. Arranged by K. Speck. Classical,Pop,Rock,Singer/Songwriter. 7 pages. K. Speck #699385. Published by K. Speck (A0.1095367). Drops of Jupiter by Train. VIOLIN AND CELLO DUET. Arranged by K. Speck (@kspeckmusic). Key- F major, Score- 3 pages, Violin- 2 pages, Cello - 2 pages. Rhythmically, this arrangement is advanced!
$6.99 ≈
6.26€
Drops Of Jupiter (tell Me)
Drops Of Jupiter (tell Me)
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Violon, Alto (duo)
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INTERMÉDIAIRE/AVANCÉ
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Train
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K
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Drops Of Jupiter
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K. Speck
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SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 4 - SKU: A0.1095371 By Train. By Charles Colin, James Stafford, Pat Monahan, Robert Hotchkiss, and Scott Underwoo...
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Instrumental Duet,Viola,Violin - Level 4 - SKU: A0.1095371 By Train. By Charles Colin, James Stafford, Pat Monahan, Robert Hotchkiss, and Scott Underwood. Arranged by K. Speck. Classical,Pop,Rock,Singer/Songwriter. 7 pages. K. Speck #699389. Published by K. Speck (A0.1095371). Drops of Jupiter by Train. VIOLIN AND VIOLA DUET. Arranged by K. Speck (@kspeckmusic). Key- F major, Score- 3 pages, Violin- 2 pages, Viola - 2 pages. Rhythmically, this arrangement is advanced!
$6.99 ≈
6.26€
Drops Of Jupiter (tell Me)
Drops Of Jupiter (tell Me)
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2 Violoncelles (duo)
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INTERMÉDIAIRE/AVANCÉ
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Train
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K
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Drops Of Jupiter
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K. Speck
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SheetMusicPlus
Cello Duet Cello - Level 4 - SKU: A0.1095372 By Train. By Charles Colin, James Stafford, Pat Monahan, Robert Hotchkiss, and Scott Underwood. Arranged by...
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Cello Duet Cello - Level 4 - SKU: A0.1095372 By Train. By Charles Colin, James Stafford, Pat Monahan, Robert Hotchkiss, and Scott Underwood. Arranged by K. Speck. Classical,Pop,Rock,Singer/Songwriter. Score. 7 pages. K. Speck #699390. Published by K. Speck (A0.1095372). Drops of Jupiter by Train. CELLO DUET. Arranged by K. Speck (@kspeckmusic). Key- F major, Score- 3 pages, Cello 1- 2 pages, Cello 2 - 2 pages. Rhythmically, this arrangement is advanced!
$6.99 ≈
6.26€
The Hunt For Red October - Score
The Hunt For Red October - Score
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Film/TV
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Basil Poledouris
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Chris Gorman
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The Hunt For Red October - Sco
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Chris Gorman
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1112374 Composed by Basil Poledouris. Arranged by Chris Gorman. Film/TV. Brass Band. 64 pages. Chris Gorman #714436. Published by Chris Gorman (A0.1112374). The Hunt for Red October is a 1990 American submarine spy thriller film starring Sean Connery, Alec Baldwin, Scott Glenn, James Earl Jones, and Sam Neill. The film is an adaptation of Tom Clancy's 1984 bestselling novel of the same name. It is the first instalment of the film series with the protagonist Jack Ryan. The story is set during the late Cold War era and involves a rogue Soviet naval captain who wishes to defect to the United States with his officers and the Soviet Navy's newest and most advanced ballistic missile submarine, a fictional improvement on the Soviet Typhoon-class submarine. A CIA analyst correctly deduces his motive and must prove his theory to the U.S. Navy before a violent confrontation between the Soviet and the American Navy spirals out of control. This arrangement is a must for all Bands that want to add excitement to their programmes.
$35.00 ≈
31.37€
7 jigs
7 jigs
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James McDonald
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jigs, reels, hornpipes etc
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7 jigs
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James McDonald
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.885839 Composed by James McDonald. Folk,Holiday,Standards. Score. 10 pages. James McDonald #6116007. Published by James M...
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Piano Solo - Level 4 - SKU: A0.885839 Composed by James McDonald. Folk,Holiday,Standards. Score. 10 pages. James McDonald #6116007. Published by James McDonald (A0.885839). Since I have some Scottish DNA I always appreciated ( and played in a band) jigs, reels, hornpipes etc.. and all sorts of folklore styles. I also make some arrangements of old folklore songs from French Quebec. In general those piece which can be played during New Year time or in any recital are for intermediate advanced level students. In this publication you will find a set of lively and jolly jigs which I composed and which will be included in a soon coming Folklore album.. Have fun and enjoy!
$1.99 ≈
1.78€
The Entertainer
The Entertainer
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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James Gilbert
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The Entertainer
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James Gilbert Music
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SheetMusicPlus
Composed by Scott Joplin (1868-1917). Arranged by James Gilbert. For Piano,Piano Solo. 20th Century,Jazz,Ragtime,General Instructional,Pop. Advanced Intermediat...
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Composed by Scott Joplin (1868-1917). Arranged by James Gilbert. For Piano,Piano Solo. 20th Century,Jazz,Ragtime,General Instructional,Pop. Advanced Intermediate. Published by James Gilbert Music
$4.99 ≈
4.47€
Auld Lang Syne
Auld Lang Syne
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Claudio Rosati
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Auld Lang Syne
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Claudio Rosati
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.835344 Arranged by Claudio Rosati. Christmas,Folk,Holiday,Pop. Score. 7 pages. Claudio Rosati #6666169. Published by Clau...
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Piano Solo - Level 4 - SKU: A0.835344 Arranged by Claudio Rosati. Christmas,Folk,Holiday,Pop. Score. 7 pages. Claudio Rosati #6666169. Published by Claudio Rosati (A0.835344). From Wikipedia:Popular song, particularly in the English-speaking world.The text (not included in the score) is a Scots-language poem written by Robert Burns in 1788 but based on an older Scottish folk song. In 1799, it was set to a traditional tune, which has since become standard.Robert Burns sent a copy of the original song to the Scots Musical Museum in 1788 with the remark, The following song, an old song, of the olden times, and which has never been in print, nor even in manuscript until I took it down from an old man. Some of the lyrics were indeed collected rather than composed by the poet; the ballad Old Long Syne printed in 1711 by James Watson shows considerable similarity in the first verse and the chorus to Burns' later poem, and is almost certainly derived from the same old song.This piano solo arrangement is for an advanced intermediate player. Its was driven by a single note always repeated during the whole piece.Performing Rights Organisation: SIAE (Italy), IPI: 00459688194, CAE: I-002214414-3 Contact: claudio.rosati@mac.com
$7.00 ≈
6.27€
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James Scott advanced
