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Jazz Exercise 4 Clarinet
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Quatuor de Clarinettes: 4 clarinettes
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Vous avez sélectionné:
Jazz Exercise 4 Clarinet
Partitions à imprimer
19 partitions trouvées
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1
Jazz Exercise 4 Clarinet
Jazz Exercise 4 Clarinet
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Clarinette
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INTERMÉDIAIRE
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Martin Stolz
#
Jazz Exercise 4 Clarinet
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Martin Stolz
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SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.805998 Composed by Martin Stolz. Instructional,Jazz. Individual part. 1 pages. Martin Stolz #3418205. Published by Mar...
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Clarinet Solo - Level 3 - SKU: A0.805998 Composed by Martin Stolz. Instructional,Jazz. Individual part. 1 pages. Martin Stolz #3418205. Published by Martin Stolz (A0.805998). Jazz Exercise 4 with listening sample.This Jazz Exercise is part of my instruction book Jazz Studies - Your Way into Jazz available as eBook at:https://martinstolz1.selz.com/deThere as well is more material for clarinet!
$1.99 ≈
1.84€
From Major to Minor · Clarinet and Band
From Major to Minor · Clarinet and Band
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Ensemble Jazz
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FACILE
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Jazz
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Martin Stolz
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From Major to Minor · C
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Martin Stolz
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.806085 Composed by Martin Stolz. Jazz. Score and parts. 8 pages. Martin Stolz #4317613. Published by Mar...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.806085 Composed by Martin Stolz. Jazz. Score and parts. 8 pages. Martin Stolz #4317613. Published by Martin Stolz (A0.806085). From Major to Minor(Jazz Exercise 4 · Jazz Studies Series for clarinet) arranged for clarinet and band including listening sample for clarinet.Jazz exercise in concert Bb · Grade 2-3.https://martinstolz1.selz.com/de/item/major-to-minor-clarinet-band
$4.99 ≈
4.61€
Old Rugged Cross - Clarinet Quartet/Choir with Jazz-inspired Harmony
Old Rugged Cross - Clarinet Quartet/Choir with Jazz-inspired Harmony
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Jazz
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George Bernard
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Aaron Hettinga
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Old Rugged Cross - Clarinet Qu
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Aaron Hettinga
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SheetMusicPlus
Clarinet Quartet/Choir - Intermediate - Digital Download Composed by George Bernard. Arranged by Aaron Hettinga. Christian, Sacred, General Worship, ...
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Clarinet Quartet/Choir - Intermediate - Digital Download Composed by George Bernard. Arranged by Aaron Hettinga. Christian, Sacred, General Worship, Jazz, Easter. Score, Set of Parts. 8 pages. Published by Aaron Hettinga
This setting of George Bernard's Classic Hymn, "Old Rugged Cross," for Clarinet quartet/choir takes a completely new approach harmonically in this arrangement. While the famous melody in the 1st clarinet has a few added embellishments, the rest of the ensemble joins with tighter jazz-influenced harmony.
A reflective approach to this piece of music would be extremely rewarding in a worship setting when used either as an offertory or as a lead-in to a music set. While none of the individual parts are particularly challenging, it will still be an exercise in balanced small ensemble playing.
$14.99 ≈
13.85€
Jazz Studies Clarinet PDF-Edition
Jazz Studies Clarinet PDF-Edition
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Clarinette
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DÉBUTANT
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Martin Stolz
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Jazz Studies Clarinet PDF-Edit
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Martin Stolz
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SheetMusicPlus
Clarinet Solo - Level 1 - SKU: A0.806024 Composed by Martin Stolz. Instructional,Jazz. Individual part. 51 pages. Martin Stolz #3419147. Published by Ma...
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Clarinet Solo - Level 1 - SKU: A0.806024 Composed by Martin Stolz. Instructional,Jazz. Individual part. 51 pages. Martin Stolz #3419147. Published by Martin Stolz (A0.806024). Jazz-Studies opens the gate to the world of Jazz for the student. General tips · technical exercises · explanation of style features that make Jazz become Jazz · Jazz 10 Jazz Exercises · 4 Jazz tunes · and more...This book gives the student an understanding of the basics of improvisation, phrasing, rhythm and eartraining through special exercises, explanations and samples. Through practising check lists, which can be printed out, the student has the possibility of developing his technical skills systematically.10 Jazz exercises train the different phrasing-techniques and rhythmic features of Jazz. From easy to complex... At each exercise tips, hints or explanations or advices for practising are provided for the student so he can master the exercise in a better way. 4 Jazz tunes give the student the possibility of using the skills he got from the exercises at a Jazz piece. These tunes are based on common song forms of Jazz (Blues, Rhythm Changes, Misty ect. ) . Compositional elements and also basics of harmonics are made accessible to the student. He is encouraged to improvise in various ways over the song forms, to vary melodies or to compose.The listening samples and play-alongs are separately available here (click on the link): https://martinstolz1.selz.com/de/item/jazz-studies-alto-saxophone-samples-and-play-alongsmore information here: https://martinstolz1.selz.com/de/categories/alto-saxophone-material
$4.99 ≈
4.61€
Fugue in Blue for Clarinet Quartet
Fugue in Blue for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
#
Hugh Levey
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Hugh Levey
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Fugue in Blue for Clarinet Qua
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woodwindly.com
#
SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble - Level 3 - SKU: A0.1386176 By Hugh Levey. By Hugh Levey. Arranged by Hugh Levey. Blues,Chamber,Classical,Contemporar...
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Clarinet Quartet,Woodwind Ensemble - Level 3 - SKU: A0.1386176 By Hugh Levey. By Hugh Levey. Arranged by Hugh Levey. Blues,Chamber,Classical,Contemporary,Jazz. 15 pages. Woodwindly.com #970126. Published by woodwindly.com (A0.1386176). 4 Bb Clarinets or 3 Bb Clarinet and Bass ClarinetFugue in Blue started out as a Clarinet Trio called Jazz Fughetta, indicating that it was a simple fugue in a jazz style, but without the formality of a fully worked out fugue. In this rewritten Clarinet Quartet version, the first three voices enter fugally with the second beginning on the dominant and the third back in the tonic. After a contrapuntal interlude based on the opening rhythms, the fourth voice enters on the sub-dominant.The original work was a student composition exercise, combining a conventional classical form (fugue) with a syncopated jazz style. Many years later it has been reworked in swing style with a more laid back feel and some more inventive harmony and jazz articulation. Of course, it has also had a fourth part added to create the clarinet quartet that is published here.The work is well suited to recital programmes, as a light-hearted opener or relaxed interlude in a more serious concert. It is also suited to younger players who wish to combine the discipline of ‘classical’ chamber music while learning about jazz articulation, such as falls and short notes at the ends of phrases.
$12.50 ≈
11.55€
Jazz Studies Alto Saxophone PDF-Edition
Jazz Studies Alto Saxophone PDF-Edition
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Saxophone Alto
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DÉBUTANT
#
Martin Stolz
#
Jazz Studies Alto Saxophone PD
#
Martin Stolz
#
SheetMusicPlus
Alto Saxophone Solo - Level 1 - SKU: A0.806029 Composed by Martin Stolz. Instructional,Jazz. Individual part. 51 pages. Martin Stolz #3420003. Published...
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Alto Saxophone Solo - Level 1 - SKU: A0.806029 Composed by Martin Stolz. Instructional,Jazz. Individual part. 51 pages. Martin Stolz #3420003. Published by Martin Stolz (A0.806029). Jazz-Studies opens the gate to the world of Jazz for the student. General tips · technical exercises · explanation of style features that make Jazz become Jazz · Jazz 10 Jazz Exercises · 4 Jazz tunes · and more...This book gives the student an understanding of the basics of improvisation, phrasing, rhythm and eartraining through special exercises, explanations and samples. Through practising check lists, which can be printed out, the student has the possibility of developing his technical skills systematically.10 Jazz exercises train the different phrasing-techniques and rhythmic features of Jazz. From easy to complex... At each exercise tips, hints or explanations or advices for practising are provided for the student so he can master the exercise in a better way. 4 Jazz tunes give the student the possibility of using the skills he got from the exercises at a Jazz piece. These tunes are based on common song forms of Jazz (Blues, Rhythm Changes, Misty ect. ) . Compositional elements and also basics of harmonics are made accessible to the student. He is encouraged to improvise in various ways over the song forms, to vary melodies or to compose.The listening samples and play-alongs are separately available here (click on the link): https://martinstolz1.selz.com/de/item/jazz-studies-clarinet-samples-and-play-alongsmore information here: https://martinstolz1.selz.com/de/categories/clarinet-material
$4.99 ≈
4.61€
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Bass Clarinet Solo - Level 3 - SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Sli...
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Bass Clarinet Solo - Level 3 - SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.62€
Donut Etudes vol. 3: Don’t Step in the Holes! – Clarinet Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
#
SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ri...
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Clarinet Solo - Level 3 - SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ride (A0.784327). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.62€
Jazz Chord Progression - Clarinet
Jazz Chord Progression - Clarinet
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Phil Rawle
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Jazz Chord Progression - Clari
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Phillip Rawle
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.824725 Composed by Phil Rawle. Concert,Instructional,Jazz. Individual part. 4 pages. Phillip Rawle #6424137. Published...
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Clarinet Solo - Level 4 - SKU: A0.824725 Composed by Phil Rawle. Concert,Instructional,Jazz. Individual part. 4 pages. Phillip Rawle #6424137. Published by Phillip Rawle (A0.824725). An interesting way to practice your improvisation. This exercise romps through all keys following a jazz-themed chord progression. With helpful piano accompaniment.
$3.00 ≈
2.77€
Exercises for Developing Jazz Improvisation Bb Version
Exercises for Developing Jazz Improvisation Bb Version
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Instruments en Sib
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INTERMÉDIAIRE
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Methodes
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Mat Sibley
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Exercises for Developing Jazz
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Mat Sibley
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SheetMusicPlus
Clarinet, Tenor Sax, Soprano Sax, Trumpet, All Bb Instruments - Intermediate - Composed by Mat Sibley. Jazz, Swing. 14 pages. Published by Mat Sible...
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Clarinet, Tenor Sax, Soprano Sax, Trumpet, All Bb Instruments - Intermediate - Composed by Mat Sibley. Jazz, Swing. 14 pages. Published by Mat Sibley
Exercises for Developing Jazz Improvisation
This method book covers some improvisation techniques to help the developing jazz player expand their jazz skills. It can be broken down into 3 sections:
Introducing Bebop Scales
This section introduces you to the 3 main bebop scales relating to major, minor and dominant 7th chords. It relates each scale to chord tones, moves melodic shapes through each scale type as well as giving you a few sample ?licks? to get started. There are also 2 written sample solos using these techniques with audio demonstration and backing tracks to accompany the practice exercises and sample solos.
Pentatonic Scales
This section explores 5 pentatonic scale types - major, b6, b3, minor and b4. There are 4 basic patterns which are then adapted for each scale type along with a list of suggested scale/chord applications. There are also 2 written sample solos using these techniques with audio demonstration and backing tracks to accompany the practice exercises and sample solos. .
Approach Notes and Enclosure
This section covers 2 note, 3 note and 4 note approach notes and enclosures. Each note grouping is written in all 12 keys ready to practice around the circle of 5ths. There are also 2 written sample solos using these techniques with audio demonstration and backing tracks to accompany the practice exercises and sample solos.
Although originally created for sax students, the book has now been adapted for all instruments and is available for C, Bb, Eb and Bass Clef instruments.
$14.99 ≈
13.85€
Alice In Wonderland from Walt Disney's ALICE IN WONDERLAND for Clarinet Quartet
Alice In Wonderland from Walt Disney's ALICE IN WONDERLAND for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Film Walt Disney
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Sammy Fain
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Oliver König
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Alice In Wonderland from Walt
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Oliver König
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SheetMusicPlus
By Sammy Fain. Arranged by Oliver König. Set of Parts. 16 pages. Published by Oliver König (H0.153985-10720). - Set of Parts - - Oliver König...
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By Sammy Fain. Arranged by Oliver König. Set of Parts. 16 pages. Published by Oliver König (H0.153985-10720). - Set of Parts - - Oliver König
Clarinet Quartet Arrangement of the Jazz Walz Classic from Sammy Fain. This is an ideal exercise piece for your students and brings a big recognition on every graduation-concert, school party or at any music event. We can deliver more parts or adapt the tune on your requirements. This tune is a "must have studied" for any music students, clarinet player, school ensembles, jazz ensembles. Parts of the arrangement: Clarinet 1 till 3, Bass Clarinet. Enjoy! please feel free and write us a feedback on baubox@gmx.net.
$12.99 ≈
12.00€
Tune That Thang. Bb clarinet/trumpet/or tenor saxophone.
Tune That Thang. Bb clarinet/trumpet/or tenor saxophone.
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George Arvola, Virginia Mathew
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Tune That Thang. Bb clarinet/t
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George Arvola and Virginia Mathews
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SheetMusicPlus
Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.947514 Composed by George Arvola, Virginia Mathews. Concert,Instructional,Jazz,Stand...
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Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.947514 Composed by George Arvola, Virginia Mathews. Concert,Instructional,Jazz,Standards,Wedding. Score and parts. 9 pages. George Arvola and Virginia Mathews #512567. Published by George Arvola and Virginia Mathews (A0.947514). New release,late 2015, this arpeggio study is 2:36 in length. Includes piano accompaniment and bass parts. arpeggioartistry.com hosts the full recordings and complete list of titles of INSPIRING arpeggio studies from our book, Delicious Licorice for multi-instruments. Tired of all of the standard latin favourites? Here is an arpeggio exercise which can be used as a fun substitute for some of the old tired melodies. This tune has a sophisticated chord progression and an off the beaten path melody to suit.
$5.99 ≈
5.53€
Take it All But the Lazy-boy, TV and the Remote, for Bb clarinet, trumpet, and/or tenor saxophone.
Take it All But the Lazy-boy, TV and the Remote, for Bb clarinet, trumpet, and/or tenor saxophone.
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George Arvola, Virginia Mathew
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Take it All But the Lazy-boy,
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George Arvola and Virginia Mathews
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SheetMusicPlus
Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.947509 Composed by George Arvola, Virginia Mathews. Holiday,Instructional,Jazz,Stand...
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Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.947509 Composed by George Arvola, Virginia Mathews. Holiday,Instructional,Jazz,Standards,Wedding. Score and parts. 9 pages. George Arvola and Virginia Mathews #511095. Published by George Arvola and Virginia Mathews (A0.947509). New release in 2015 meeting the demand for INSPIRING arpeggio studies. Includes piano accompaniment and bass parts. arpeggioartistry.com hosts the full recordings and complete list of fun arpeggio etudes from our book, Delicious Licorice. Arrangements for other instruments are also available. Dance bands could use this extended(3:10 in length), syncopated and twisted fun for all arpeggio exercise as an end of the night cuddle your dance partner closing tune. In that case, you may want to shorten the title to the first three words. Little will your audience realize that you are practising your arpeggio skills.
$5.99 ≈
5.53€
It Don't Mean A Thing (If It Ain't Got That Swing) for Clarinet Quartet
It Don't Mean A Thing (If It Ain't Got That Swing) for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Jazz
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Duke Ellington
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Oliver König
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It Don't Mean A Thing
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Oliver Koenig
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SheetMusicPlus
By Duke Ellington. Arranged by Oliver König. Score, Set of Parts. 24 pages. Published by Oliver Koenig (H0.135223-409150). - Score,Set of Parts - - Oliver Koe...
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By Duke Ellington. Arranged by Oliver König. Score, Set of Parts. 24 pages. Published by Oliver Koenig (H0.135223-409150). - Score,Set of Parts - - Oliver Koenig
Clarinet Quartet Arrangement of the Swing Classic from Duke Ellington. This is an ideal exercise piece for your students and brings a big recognition on every graduation-concert, school party or at any music event. We can deliver more parts or adapt the tune on your requirements. This tune is a "must have studied" for any music students, clarinet player, school ensembles, jazz ensembles. Parts of the arrangement: Clarinet 1 till 3, Bass Clarinet. Enjoy!
$12.99 ≈
12.00€
Fugue in Blue for Saxophone Quartet
Fugue in Blue for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Hugh Levey
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Hugh Levey
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Fugue in Blue for Saxophone Qu
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woodwindly.com
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 3 - SKU: A0.1386180 By Hugh Levey. By Hugh Levey. Arranged by Hugh Levey. Blues,Chamber,Classical,Contempora...
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Saxophone Quartet,Woodwind Ensemble - Level 3 - SKU: A0.1386180 By Hugh Levey. By Hugh Levey. Arranged by Hugh Levey. Blues,Chamber,Classical,Contemporary,Jazz. 15 pages. Woodwindly.com #970131. Published by woodwindly.com (A0.1386180). Parts included for SATB or AATB SaxophonesFugue in Blue started out as a Clarinet Trio called Jazz Fughetta, indicating that it was a simple fugue in a jazz style, but without the formality of a fully worked out fugue. In this Saxophone Quartet version, the first three voices enter fugally with the second beginning on the dominant and the third back in the tonic. After a contrapuntal interlude based on the opening rhythms, the fourth voice enters on the sub-dominant.The original work was a student composition exercise, combining a conventional classical form (fugue) with a syncopated jazz style. Many years later it has been reworked in swing style with a more laid back feel and some more inventive harmony and jazz articulation, so ideally suited to sax quartet.The work is well suited to recital programmes, as a light-hearted opener or relaxed interlude in a more serious concert. It is also suited to younger players who wish to combine the discipline of ‘classical’ chamber music while learning about jazz articulation, such as falls and short notes at the ends of phrases.
$12.50 ≈
11.55€
Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide R...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide Ride #5288695. Published by Slide Ride (A0.784344). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$17.50 ≈
16.17€
Donut Etudes vol. 3: Don’t Step in the Holes! – Brass Quartet or Quintet
Donut Etudes vol. 3: Don’t Step in the Holes! – Brass Quartet or Quintet
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Sli...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288693. Published by Slide Ride (A0.784343). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$15.00 ≈
13.86€
Camel Rondo
Camel Rondo
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Timothy Ward
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Camel Rondo
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Timothy Ward
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bass Guitar,Clarinet,Drum Set,Piano Accompaniment,Trumpet,Violin - Level 3 - SKU: A0.1028357 Composed by Timothy Ward. Blu...
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Large Ensemble Alto Saxophone,Bass Guitar,Clarinet,Drum Set,Piano Accompaniment,Trumpet,Violin - Level 3 - SKU: A0.1028357 Composed by Timothy Ward. Blues,Instructional,Jazz,Standards. Score and parts. 27 pages. Timothy Ward #3484601. Published by Timothy Ward (A0.1028357). Duration: 4 minutesSkill level: IntermediateA work for jazz ensemble in rondo form which creates a 'bumpy' and whimsical feel due to swing and triplet rhythms and jazz harmonies, reminiscent of the music of George Gershwin and Charles Ives.. Suitable for high school and conservatory students and a fun, effective exercise in rhythm and ensemble communication.As the piece features several textural contrasts throughout - solo entries, counterpoint and dense tuttis - It is recommended that the conductor practice the work in sections, focusing on the intonation, timing and articulations of individual players before having the full ensemble play each section.
$10.00 ≈
9.24€
The Big Book of Pentatonics & Fourths
The Big Book of Pentatonics & Fourths
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Eric Bolvin
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The Big Book of Pentatonics &a
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ERIC V BOLVIN
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Guitar,Horn,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Violin - Level...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Guitar,Horn,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Violin - Level 4 - SKU: A0.829078 Composed by Eric Bolvin. Blues,Instructional,Jazz. Score and parts. 92 pages. ERIC V BOLVIN #3580507. Published by ERIC V BOLVIN (A0.829078). The Big Book of Pentatonics & Fourths is a series of four and six note groups that are developed into chromatic and diatonic lines. The concept of note groups was presented to me by the great pianist Hal Galper at the Jamey Aebersold clinic in 1980. I was young at the time but was hip to pentatonics so his ideas stayed with me and I’ve expanded on them in my own fashion.DescriptionA pentatonic scale is any group of five notes that cover the span of an octave. There are literally hundreds of pentatonic scales in Western music, and hundreds more that use alternate tunings.The Big Book of Pentatonics & Fourths will focus on the most common pentatonic scale, the major pentatonic and its relative minor. In the key of C the notes of the major pentatonic are: C D E G A. If you start on C and go up in perfect 5ths, you will get all the notes of the major pentatonic. The relative minor scale in A minor is A C D E G. If you start on E and go up in perfect 4ths, you will get the minor pentatonic in A.This book is a series of four and six note groups that are developed into chromatic and diatonic lines. The concept of note groups was presented to me by the great pianist Hal Galper at the Jamey Aebersold clinic in 1980. I was young at the time but was hip to pentatonics so his ideas stayed with me and I’ve expanded on them in my own fashion. You should watch the video that goes with this book for more detailed instruction on how to properly practice the exercises.
$19.95 ≈
18.43€
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