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Vous avez sélectionné:
Judge Not, Forgive
Partitions à imprimer
5 partitions trouvées
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Judge Not, Forgive (medium high voice)
Judge Not, Forgive (medium high voice)
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Chorale SATB
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Musique Sacrée
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Robert Collister
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Judge Not, Forgive
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Robert Collister
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.827128 Composed by Robert Collister. Christian,Sacred. Octavo. 7 pages. Robert Collister #6534503. Published by Robert Col...
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Choral Choir (SATB) - SKU: A0.827128 Composed by Robert Collister. Christian,Sacred. Octavo. 7 pages. Robert Collister #6534503. Published by Robert Collister (A0.827128). The ability to forgive and not to judge, are two of the most important lessons taught and demonstrated by Christ Jesus. The music of this solo enhances His words and helps the listener understand their meaning. The words of this solo were all spoken by Christ Jesus as found in the KJV of the Bible.Key: G and AVocal range: D4-F#5.
$5.00
Judge Not, Forgive (medium voice)
Judge Not, Forgive (medium voice)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Robert Collister
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Judge Not, Forgive
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Robert Collister
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.827127 Composed by Robert Collister. Christian,Praise & Worship,Sacred. Octavo. 7 pages. Robert Collister #65344...
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Choral Choir (SATB) - Level 4 - SKU: A0.827127 Composed by Robert Collister. Christian,Praise & Worship,Sacred. Octavo. 7 pages. Robert Collister #6534489. Published by Robert Collister (A0.827127). The ability to forgive and not to judge, are two of the most important lessons taught and demonstrated by Christ Jesus. The music of this solo enhances His words and helps the listener understand their meaning. The words of this solo were all spoken by Christ Jesus as found in the KJV of the Bible.Key: F and GVocal range: C4-E5.
$5.00
Judge Not, Forgive (medium low voice)
Judge Not, Forgive (medium low voice)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Robert Collister
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Judge Not, Forgive
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Robert Collister
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.827126 Composed by Robert Collister. Christian,Praise & Worship,Sacred. Octavo. 7 pages. Robert Collister #65344...
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Choral Choir (SATB) - Level 4 - SKU: A0.827126 Composed by Robert Collister. Christian,Praise & Worship,Sacred. Octavo. 7 pages. Robert Collister #6534497. Published by Robert Collister (A0.827126). The ability to forgive and not to judge, are two of the most important lessons taught and demonstrated by Christ Jesus. The music of this solo enhances His words and helps the listener understand their meaning. The words of this solo were all spoken by Christ Jesus as found in the KJV of the Bible.Key: Eb and FVocal range: Bb3-D5.
$5.00
Christ Came With Love, a sacred hymn
Christ Came With Love, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Kevin G
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Christ Came With Love, a sacre
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1077320 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 2 pa...
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Choral Choir (SATB) - Level 4 - SKU: A0.1077320 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #681497. Published by Kevin G. Pace (A0.1077320). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Christ came to earth to show his Father’s ways, To teach the world to serve and to obey. He came to judge, to warn and to forgive each soul, So each named child could one day be made whole. Christ came with love, came down from up above, To give the world God’s never-ending love. Christ came to earth to show us why God weeps— To suff’ring ones for laws they did not keep. He came from heav’n to only do his Father’s will, To speak his words and ev’ry wish fulfill. Christ came with love, came down from up above, To give the world God’s never-ending love. Christ came to earth to show the world God’s love, Unending and eternal from above. He came with healing, granting peace to all who heed His holy ways and trust in ev’ry need. Christ came with love, came down from up above, To give the world God’s never-ending love.
$1.99
Pluck for guitar
Pluck for guitar
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Guitare
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AVANCÉ
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Contemporain
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Robert M
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Pluck for guitar
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Robert M. Greenberg
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published ...
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Solo Guitar - Level 5 - SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.
$16.00
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Judge Not, Forgive
