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Jump Start: Tuba
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Vous avez sélectionné:
Jump Start: Tuba
Partitions à imprimer
15 partitions trouvées
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1
Jump Start: Tuba
Jump Start: Tuba
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Tuba (partie séparée)
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Methodes
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Steve Hodges
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Jump Start: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Steve Hodges. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music ...
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By Steve Hodges. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music
$3.00 ≈
2.77€
Unaccompanied Tuba Suite #1 in B-flat Major
Unaccompanied Tuba Suite #1 in B-flat Major
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Tuba
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INTERMÉDIAIRE
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Jason Allie
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Unaccompanied Tuba Suite #1 in
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Joaba LLC
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Publis...
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Tuba Solo - Level 3 - SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Published by Joaba LLC (A0.991803). DescriptionA delightful, intermediate level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This lively work engages the audience with a breadth of moods from enlightening to reflective to celebratory. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com.Total Duration: ~8 minutesPerformance Notes Prelude The real art of performing this piece is to master its dynamics. With the long pianissimo to forte crescendo at the introduction, the contrasting forte/mezzo piano sections and brisk, shorter crescendos for the cadences, the tubist must be aware of dynamics at all time and use them wisely.The second aspect to performing this piece is to contrast the 2 eighth note plus quarter note slurs motif against the arpeggiations. The introduction starts with the slurs and evolves into the arpeggiations by the first forte and the remaining piece explores the contrast between the two. Performers should feel free to try different dynamics, try different tempos (like zipping through the arpeggiations and slowing for the motif), etc. The goal is to bring the listener through the pleasantries of introductions to feel fresh and eager for further discourse ahead. March The rewarding challenge in this piece is to bring out the difference between cheery and con brio. The former being achieved by emphasizing the swaggering, strutting feel of the one-measure-per-beat feel and the latter by emphasizing the intervallic bounciness with the one-two march feel.Note that the motif (with the quarter note morphing into an eighth note) along with simpler arpeggiations are brought to play in a new manner reinforcing the positive mood from the prelude.The goal is to befriend the listener with an engaging, buoyant time. Air The tubist will exercise great breath control and phrasing to achieve a sublime solemnness counterbalancing the prior two movements.The motif now takes center stage headlining the main melodic phrases; however, here it is disjointed and conveys the sighing for the solemnness.After the pleasantness of the march, affableness having garnered friendship, we now open ourselves to share some somber matters and offer consolation. The intended goal here is to add depth to the relationship by addressing darker aspects in the discourse. Slip-jig Rondo Harking back to the compound meter of the prelude, this dance adventurously wakens the listener from the solemnness of the air asserting a new grandness and gladness. This is a slip-jig put into the rondo form so celebrate the main dance theme when it comes around and put fire and character into the transitions to make it worthwhile.The motif now jumps into the compound meter’s beat and morphs into three slurred, conjoint eighth notes. Now this motif enables several affects: exciting dance steps, transitions/modulations and concluding the phrases and the piece itself.The performer should aim to lead and amaze the listener with the waltz-like slip-jig rhythm and astound with the virtuosic transitions as a final send-off.
$9.99 ≈
9.22€
Fat Bottomed Girls
Fat Bottomed Girls
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Queen
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Aaron Hettinga
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Fat Bottomed Girls
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Aaron Hettinga
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.781973 By Queen. By Brian May. Arranged by Aaron Hettinga. Contemporary,Film/TV,Pop,Rock. ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.781973 By Queen. By Brian May. Arranged by Aaron Hettinga. Contemporary,Film/TV,Pop,Rock. Score and parts. 12 pages. Aaron Hettinga #6016763. Published by Aaron Hettinga (A0.781973). This fun classic rock anthem from Queen is presented here for Brass Quintet. The form of the original recording is closely followed but does not include the extended guitar solo playout, skipping ahead to the last three punctuated ending hits. This arrangement is one whole step lower than the record.Flexibility: This arrangement includes an optional (but encouraged) drum kit part. While the chart is constructed that it will work just fine without it, having a drummer on board will kick this one up a notch.Performance options: As noted, the form of the original is mostly followed with a few 2nd time only cues for variety, this can also be streamlined if so desired. The repeated first/second verse section near the start could jump ahead to the second ending to save time. Also, rather than following the transition back to the D.S., a group alternatively could jump straight to the coda having already covered the bulk of the song.
$19.99 ≈
18.45€
Jump Start: (wp) E-flat Tuba B.C.
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Tuba (partie séparée)
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Methodes
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Steve Hodges
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Jump Start:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Steve Hodges. For Concert Band. Instructional. World Part. Published by Alfred Music - Digital Sheet Music ...
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By Steve Hodges. For Concert Band. Instructional. World Part. Published by Alfred Music - Digital Sheet Music
$3.00 ≈
2.77€
Jump Start: (wp) B-flat Tuba B.C.
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Tuba (partie séparée)
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Methodes
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Steve Hodges
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Jump Start:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Steve Hodges. For Concert Band. Instructional. World Part. Published by Alfred Music - Digital Sheet Music ...
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By Steve Hodges. For Concert Band. Instructional. World Part. Published by Alfred Music - Digital Sheet Music
$3.00 ≈
2.77€
Resurrection Dance - Brass and Keyboard Score and Parts
Resurrection Dance - Brass and Keyboard Score and Parts
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Sondra K
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Resurrection Dance - Brass and
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Keyboard, Brass Quintet - Level 4 - SKU: LX.30-3321L Arranged by Sondra K. Tucker. Easter. Handbell Score. 83 pages. Lorenz Publishing - Digital Sheet M...
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Keyboard, Brass Quintet - Level 4 - SKU: LX.30-3321L Arranged by Sondra K. Tucker. Easter. Handbell Score. 83 pages. Lorenz Publishing - Digital Sheet Music #e30/3321L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3321L). This spirited arrangement, including parts for keyboard and brass quintet, will provide an exuberant jump-start to your Easter worship services. Featuring both meditative and joyous rhythms, this piece offers wonderful opportunities to teach changing meters. The instrumental ensemble includes a score and parts for 2 Trumpets, Horn, Trombone, Tuba, and Keyboard.
$34.95 ≈
32.26€
Up On The Housetop
Up On The Housetop
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin R
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F
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Up On The Housetop
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Sweetwater Brass Press
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SheetMusicPlus
Composed by Benjamin R. Hanby. Arranged by F. Leslie Smith. Christmas, Children's Music. Score, Set of Parts. 15 pages. Published by Sweetwater Brass Press (S0....
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Composed by Benjamin R. Hanby. Arranged by F. Leslie Smith. Christmas, Children's Music. Score, Set of Parts. 15 pages. Published by Sweetwater Brass Press (S0.89639). - Score,Set of Parts - Christmas,Children's Music - Sweetwater Brass Press
If you can afford only one ?Up On The Housetop? for your brass quintet, this is the one to get. It is a hoot! It starts with an introduction that is definitely in a hurry; Santa?s sleigh may even have a klaxon on board to blast loitering birds out of the way! The arrangement moves on at the same fast clip, having fun with the melody and never letting up. As it reaches the halfway point, the tempo seems to slow down, but this is just an illusion; tuba and horn keep it moving. Racing toward the end, the conclusion recalls the introduction and finishes with a great, upbeat wind-up. Click on the ?Listen? button, and get set for an exciting Christmas ride with Santa.Tempo is halfnote = 138 throughout. There are some high notes and jumps. Trumpet 1?s highest note is B-flat5 (high C); Trumpet 2, A-flat5 (B-flat above the staff); Horn, F5 (high C). Trombone?s highest jump is from B-flat2 to E-sharp4. Horn has several 6-note jumps. This arrangement was completed in 2012, and performance time runs about 1 minute, 41 seconds. The arranger, Les Smith, can be reached at lessmith@ufl.edu. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$4.00 ≈
3.69€
American Vignettes
American Vignettes
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Contemporain
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Sy Brandon
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American Vignettes
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Sy Brandon
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SheetMusicPlus
Composed by Sy Brandon. 21st Century, 20th Century, Contemporary Classical, Folk, Recital. Score, Set of Parts. 88 pages. Published by Sy Brandon (S0.188057). -...
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Composed by Sy Brandon. 21st Century, 20th Century, Contemporary Classical, Folk, Recital. Score, Set of Parts. 88 pages. Published by Sy Brandon (S0.188057). - Score,Set of Parts - 21st Century,20th Century,Contemporary Classical,Folk,Recital - Sy Brandon
American Vignettes was composed during 2011 for the Lyric Brass of Pacific Lutheran University. They were looking for a composition to include on a CD of American music and one that would feature each of the musicians. The first movement, ?Barn Dance?, features the first trumpet and after a syncopated, fanfare-style introduction, the movement uses fragments and elaborations of "Old Chisholm Trail" and "Short?nin Bread". For the second movement, I wanted to write a blues and feature the other trumpet player on Flugelhorn. As I was working on the movement, the blues seem very mysterious and lonely, so I titled the movement 4 A.M. Blues. It reflects someone who can?t sleep and is contemplating the deep mysteries of life and feels very alone in the world. Movement 3 is the tuba feature and is called "Spirituals". I use three different spirituals in this movement, "Nobody Knows the Trouble I?ve Seen". "Cotton Needs Picking" and "Every Time I Feel the Spirit." Movement 4 ?Fiesta? is a trombone feature and represents the Southwest. The Southwestern flavor is accomplished through alternating 6/8 and 3/4 and the bright colors of the muted brass playing staccato eighth note rhythms and "ay" sounding motifs. The Horn is featured in the fifth movement ?From Sea to Shining Sea? that starts with a jazz harmony version of ?America the Beautiful? followed by a jazz waltz built from motifs of the song. The last movement is called ?Harlem Jump? and is an up-tempo jive with Be-bop type solos written for each of the musicians. ?
$14.99 ≈
13.83€
Come, Josephine in My Flying Machine
Come, Josephine in My Flying Machine
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Ensemble de cuivres
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INTERMÉDIAIRE
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Fred Fisher
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F
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Come, Josephine in My Flying M
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts...
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Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts. 40 pages. Sweetwater Brass Press #6215233. Published by Sweetwater Brass Press (A0.808706).     Orville and Wilbur Wright made their famous flight in late 1903; this song was published seven years later: Fred Fisher’s music with Alfred Bryan’s lyrics. The words form a narrative of a young man attempting to get his girlfriend to go up with him in his flying machine. And, that would take much more daring on her part than one might realize today. The year 1910 was still early days for aviation; most airplanes were still made of wood, wire and fabric and looked liked giant gliders. Supposedly, the Josephine of the song was Josephine Sarah Magner, reputed to be America’s first female parachutist. Magner married Leslie Burt Haddock, whose aviation career started in balloons, and made her first jump in 1905. During the next dozen years, she made more than 500 jumps. Pretty daring!    This arrangement is quirky and an absolute delight to play (and to listen to)! The first half is set in the song’s native ¾ time. The takeoff is the introduction, followed by the chorus, then the verse and again the chorus as the melody loops, rolls and spins through the five instruments. A middle section briefly quotes two other aerialist tunes-He flies through the air with the greatest of ease and Up in the air Junior Birdmen-and serves as a transition to cut time. A swing version of the chorus brings us in for a landing and final fade.    The arrangement begins in the key of C major and changes to G major during the transitional section. Suggested tempo is 76 bpm throughout. The arrangement comprises 202 measures: Horn in F plays the most notes, followed by Trombone and Tuba, while Trumpets get off relatively lightly. All notes are well within the normal playing range of the instruments; Trumpet 1 does, however, play A above its staff several times.    Completed in 2021, performance time for Come, Josephine in My Flying Machine runs about 3 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99 ≈
6.45€
El Choclo (“Kiss of Fire”)
El Choclo (“Kiss of Fire”)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Folklorique/Traditionel
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F
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El Choclo
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet - Intermediate - Arranged by F. Leslie Smith. Score, Set of Parts. 28 pages. Published by Sweetwater Brass Press...
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Brass Quintet - Intermediate - Arranged by F. Leslie Smith. Score, Set of Parts. 28 pages. Published by Sweetwater Brass Press
That most sensual of ballroom dances, the tango, originated during the 1880s along the Ro de la Plata, the confluence of the Uruguay and Paran rivers. It got started among the enslaved peoples and the lower classes, became popular and eventually spread to other countries.
The tango is closely identified with Argentina, and Argentine musician .G. Villoldo was instrumental in developing the music of the dance. He supposedly wrote this particular tango to celebrate the proprietor of a nightclub, a gentleman whose nickname was ?El Choclo? (in English: ?The Corn Cob?!).
?El Choclo? premiered in Buenos Aires in 1903 and became one of Argentina?s most popular tangos. Dance orchestras recorded instrumental versions of "El Choclo." It achieved widespread popularity in the United States in 1952 when Lester Allen and Robert Hill provided it with English-language lyrics and a new name: ?Kiss of Fire.? A number of singers made recordings of ?Kiss of Fire? that year, the most popular of which was that of Georgia Gibbs; her ?Kiss of Fire? disc reached the top spot on the Billboard chart.
The melody for ?El Choclo? is exciting, stirring, stimulating, electrifying; in other words, perfect for a brass group. In this arrangement Horn in F has the melody throughout much of the piece, but Trumpets, Trombone and Tuba also take turns with the lead. The piece opens in the key of D minor, switches to D major (for the part of the melody that was not in the Georgia Gibbs version) and finally goes back to D minor for the recap of the main melody and a dramatic conclusion. The suggested tempo is 120 but may certainly be played faster. All notes are within the normal playing range of the five instruments. However the Tango rhythm lies mostly in the bass line, so Tuba and sometimes Trombone have frequent octave and octave-plus jumps.
Completed in 2020, performance time for ?El Choclo? runs about 2 minutes, 50 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$14.95 ≈
13.80€
Quasi-tonal Fanfare for Brass and Percussion
Quasi-tonal Fanfare for Brass and Percussion
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Drew Morris
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Quasi-tonal Fanfare for Brass
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Yellow Envelope Publications
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SheetMusicPlus
Brass Band Baritone Horn TC,Euphonium,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1272834 Composed by Drew Morris. 21st Century,Chamber,Classical,Contempo...
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Brass Band Baritone Horn TC,Euphonium,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1272834 Composed by Drew Morris. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. Score and Parts. 45 pages. Yellow Envelope Publications #865032. Published by Yellow Envelope Publications (A0.1272834). Quasi-tonal Fanfare for Brass and Percussion starts with a flurry of double tonguing in the trumpets, then rips into a whole series of sections that jump around tonality at random, sometimes following harmonic structures, sometimes not.The percussion is used not simply as support for the brass, but as an equally important voice, weaving in and out of the texture, supplying important direction and momentum to the piece.Instrumentation4 Trumpet, 4 Horn, 3 Trombone, Euphonium, Tuba6 Percussionists - Timpani, Snare Drum, Bass Drum, Concert Toms (4), Temple Blocks, Whip/Slapstick
$45.00 ≈
41.53€
Jump Start: (wp) E-flat Tuba T.C.
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Orchestre d'harmonie
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Methodes
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Steve Hodges
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Jump Start:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Steve Hodges. For Concert Band. Instructional. World Part. Published by Alfred Music - Digital Sheet Music ...
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By Steve Hodges. For Concert Band. Instructional. World Part. Published by Alfred Music - Digital Sheet Music
$3.00 ≈
2.77€
Jump Start: (wp) B-flat Tuba T.C.
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Orchestre d'harmonie
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Methodes
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Steve Hodges
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Jump Start:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Steve Hodges. For Concert Band. Instructional. World Part. Published by Alfred Music - Digital Sheet Music ...
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By Steve Hodges. For Concert Band. Instructional. World Part. Published by Alfred Music - Digital Sheet Music
$3.00 ≈
2.77€
Karrinyup Fanfare
Karrinyup Fanfare
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Ben Clapton
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Karrinyup Fanfare
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Ben Clapton
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1205401 Composed by Ben Clapton. Classical,Contemporary. Score and parts. 103 pages. Ben Clapton #803587. Published b...
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Full Orchestra - Level 4 - SKU: A0.1205401 Composed by Ben Clapton. Classical,Contemporary. Score and parts. 103 pages. Ben Clapton #803587. Published by Ben Clapton (A0.1205401). An Orchestral Fanfare, written for the Metropolitan Symphony Orchestra, Perth. 2 Flutes (2nd doubling Piccolo), 2 Oboes, 2 Bb Clarinet, 2 Bassoon, 4 French Horns, 2 Trumpets in Bb, 2 Trombones, 1 Tuba, 4 Percussion (Timpani, Bass Drum, Snare Drum, Cymbals), Harp, StringsComposer's notes:2022 was a year that sparked inspiration for me. I am not talking about just one spark either, but a series that beautifully led me to the creation of my piece. After seeing the 2022 MetSO program it was evident that it lightly using the Brass players, and I knew they were feeling a bit underutilised. Which sparked the first idea in my mind to write a piece that would take full advantage of their skills, and heavily use brass instruments. The program coincided with the 45th Anniversay of the Orchestra which started it life as the Karrinyup Symphony Orchestra. Rekindling the orchestra’s relationship with the City of Stirling and returning to the City of Stirling as a rehearsal venue in 2023, was another spark of inspiration which led me towards the piece’s naming… the ‘Karrinyup Fanfare’. The last spark of inspiration was a query inside my mind. The opening of the piece contrasts two somewhat conflicting meanings of the word Karrinyup. During an Aboriginal Studies unit, I discovered that Karrinyup is a Noongar word that translates to “the place where there are spidersâ€. However, this differs from the City of Stirling official meaning of the name Karrinyup on the website. It states the word means “the place where Kangaroos drinkâ€, possibly because it sounds much more pleasant and doesn’t inspire the fear that spiders often do. It was this contrary interpretation of the word ‘Karrinyup’ which provided the final spark of inspiration I needed for this composition. You see, when you listen to the opening, the theme jumps up and down through the horns, and represents the Kangaroo – Yongka. Whilst as the fanfare continues, you will notice the second theme – the crawling strings represent the spider – Kar. I hope you enjoy it as much as I did creating it. May it, and this new year, spark inspiration for you.
$75.00 ≈
69.22€
Cabin Fever
Cabin Fever
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Contemporain
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Hayden Woods
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Cabin Fever
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Hayden Lee Woods
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SheetMusicPlus
Brass Ensemble Trombone,Tuba - Level 4 - SKU: A0.1039200 Composed by Hayden Woods. Contemporary. Score and parts. 20 pages. Hayden Lee Woods #644151. Pu...
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Brass Ensemble Trombone,Tuba - Level 4 - SKU: A0.1039200 Composed by Hayden Woods. Contemporary. Score and parts. 20 pages. Hayden Lee Woods #644151. Published by Hayden Lee Woods (A0.1039200). This piece is the mindset of an individual who, after being sheltered amidst the justified fears of a global pandemic, begins to feel the effects of not being able to actively work or be around others. This causes the individual to hallucinate extremes of the new “normal†that comes after. The tempo of the piece is ranged because the most optimal effect is a bending of tempos (in an agreed upon setting of individual ensembles and their leaders), which also is reflected in dramatic trombone bends. The melody jumps in segments, with each part becoming one of the many voices haunting the crazed individual. The middle of this piece moves into D major, where the individual starts to make sense of the voices and begins escaping the reality they are in. Of course, euphoria comes in waves, so the individual is pulled back into their shelter and has to accept this reality yet another day. Rinse and repeat, rinse and repeat, rinse and repeat, rinse and repeat......
$14.99 ≈
13.83€
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Jump Start: Tuba
