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Just A Minor Theme
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Vous avez sélectionné:
Just A Minor Theme
Partitions à imprimer
134 partitions trouvées
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Just A Minor Theme (with Variations)
Just A Minor Theme (with Variations)
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Piano seul
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DÉBUTANT
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Timothy Sullivan
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Just A Minor Theme
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SullivanWorks
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.486229 By Timothy Sullivan. By Timothy Sullivan. Baroque,Children,Classical,Folk,Instructional. Score. 3 pages. SullivanW...
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Piano Solo - Level 1 - SKU: A0.486229 By Timothy Sullivan. By Timothy Sullivan. Baroque,Children,Classical,Folk,Instructional. Score. 3 pages. SullivanWorks #104634. Published by SullivanWorks (A0.486229). A simple but catchy Theme with easy variations, for beginning pianists.
$4.00 ≈
£3.04
Fantasy on a Mozart Theme
Fantasy on a Mozart Theme
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Guitare
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INTERMÉDIAIRE
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Classique
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Rod Whittle
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for solo classical guitar
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Fantasy on a Mozart Theme
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899126 Composed by Rod Whittle. Classical. Individual part. 4 pages. Maggie Creek Music #37277. Published by Maggie Cree...
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Solo Guitar - Level 3 - SKU: A0.899126 Composed by Rod Whittle. Classical. Individual part. 4 pages. Maggie Creek Music #37277. Published by Maggie Creek Music (A0.899126). 4 pages; for solo classical guitar; based on a theme from the Mass in C Minor; published by Maggie Creek MusicWolfgang Amadeus Mozart 1756 -1791 Mozart, whom his sister recounted as picking out thirds on the family clavier at the age of three for the pleasure of it, has been described as achieving miracles of sound across every emotion. Indeed one runs out of superlatives trying to do justice to the quality and originality of his compositions and the abundance of output. Anyone learning about his relatively short life must also pay tribute to his resolve and courage. I've noticed during my time in bands that the music I like sparks creativity, and the lovely theme from the Kyrie of the Mass in C minor spawned a lot of ideas once I'd decided to write something for guitar using it. Mozart's harmonies seem both exclusive and perfect, and I can't imagine my musical life without them. I got to know the Mass when I looked after Nigel's place while he was away, as it was in his record collection. My good friend died (of bone cancer) not long after that, and the Fantasy is a homage to him.
$5.00 ≈
£3.80
Piano Sonata in F Minor - I. Allegro
Piano Sonata in F Minor - I. Allegro
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Lagos
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Piano Sonata in F Minor - I. A
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Lagos Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1243451 By Gabriel Lagos. By Gabriel Lagos. 19th Century,Classical,Romantic Period. Score. 5 pages. Lagos Music #838413. ...
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Piano Solo - Level 4 - SKU: A0.1243451 By Gabriel Lagos. By Gabriel Lagos. 19th Century,Classical,Romantic Period. Score. 5 pages. Lagos Music #838413. Published by Lagos Music (A0.1243451). This is my first full attempt at writing sonata-allegro form. Currently I have no title for it. I wrote Minor Celebration in my sheet music, since it has an upbeat tempo and is in a minor key, and I have a reason to celebrate: two years without a single drop of alcohol! I think my influences come through a lot in my composing. In this piece in particular, the ones that are most apparent to me are: Mozart, Beethoven, Inti-Illimani (group), and Koji Kondo. Especially my opening theme, which is based on Beethoven's F Minor Sonata opening, just in reverse (it also hints at Mozart's D Minor Concerto). It took me about a week to compose this movement from start to finish. I will upload movements 2, 3, and 4 when they are finished. The plan is for: II. Andante (Minuet and Trio), III. Adagio (Funeral March), and IV. Allegro (Rondo), but I have not started writing these yet. I hope you like it :) Thank you, Gabe.
$4.99 ≈
£3.79
Rachmaninov - Level D - Prelude in C# Minor Arr. - (Key Map Tablature)
Rachmaninov - Level D - Prelude in C# Minor Arr. - (Key Map Tablature)
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Piano seul
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AVANCÉ
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Serge Rachmaninov
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John M
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Rachmaninov - Level D - Prelud
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Music Innovators Workshop
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.984770 Composed by Serge Rachmaninov. Arranged by John M. Honeycutt. 20th Century,Concert. Score. 10 pages. Music Innovat...
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Piano Solo - Level 5 - SKU: A0.984770 Composed by Serge Rachmaninov. Arranged by John M. Honeycutt. 20th Century,Concert. Score. 10 pages. Music Innovators Workshop #4627769. Published by Music Innovators Workshop (A0.984770). Earlier, I hesitated to publish this version that I arranged several years ago. This piece is so very well known and loved that I was concerned that a simpler version would not be well received. I recently changed my mind after playing through this version. This arrangement opens up playing this piece to many pianists who may find the original too daunting a challenge. Players and listeners will find that the arrangement sounds very much like the original. Some listeners may find it a little less full sounding - most won't be able to tell the difference.Here are the differences. (Of course its written on tablature, but that's a different issue.) First, the simpler version is not simple. It is very difficult. It just is not as difficult as the original. Second, it sounds very much like the original. It is a very full arrangement. The whole piece is there. It has not been shortened.The simplification consists mainly of removing some, but not all, of the doubling and tripling of notes. This lightens the feel of the piece just a bit. The recap of the theme at the end is simplified by changing the 4 note chords to 3 note chords, Where the right hand leaves the chords and moves very quickly down to double two bass notes and immediately back up to find the chords again, and again, the arrangement omits these few notes to leave the right hand where it is to play the chords.
$2.00 ≈
£1.52
Grieg (Edvard) - First Movement of Grieg's Piano Concerto in A minor (a selection of themes) - Lead
Grieg (Edvard) - First Movement of Grieg's Piano Concerto in A minor (a selection of themes) - Lead
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Violon et Piano
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FACILE
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Classique
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Edvard Grieg
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Andrei-Lucian Dragoi
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Grieg
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Andrei-Lucian Dragoi
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SheetMusicPlus
Clarinet,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Violin - Level 2 - SKU: A0.913130 Composed by Edvard Grieg. Arranged by Andrei-Lucian Dragoi. 20th Ce...
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Clarinet,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Violin - Level 2 - SKU: A0.913130 Composed by Edvard Grieg. Arranged by Andrei-Lucian Dragoi. 20th Century,Standards. 1 pages. Andrei-Lucian Dragoi #6618827. Published by Andrei-Lucian Dragoi (A0.913130). Music (1868): Edvard Hagerup Grieg (1843-1907) Lead sheet (A6) for G-clef piano/harp (GCP/GCH) (13.11.2021): dr. Andrei-Lucian Drăgoi (DRAGOII.com), (GCP.dragoii.com, MS.dragoii.com, SMP.dragoii.com) Just put it on your phone and play along!Wikipedia reference URLs: https://en.wikipedia.org/wiki/Edvard_Grieg https://en.wikipedia.org/wiki/Piano_Concerto_(Grieg)
$1.99 ≈
£1.51
Mia & Sebastian's Theme
Mia & Sebastian's Theme
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Piano seul
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INTERMÉDIAIRE
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Film/TV
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Justin Hurwitz
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M
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Mia & Sebastian's Theme
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Magdalena Galka
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1192677 Composed by Justin Hurwitz. Arranged by M. Galka. Film/TV. Score. 3 pages. Magdalena Galka #792123. Published by ...
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Piano Solo - Level 3 - SKU: A0.1192677 Composed by Justin Hurwitz. Arranged by M. Galka. Film/TV. Score. 3 pages. Magdalena Galka #792123. Published by Magdalena Galka (A0.1192677). Mia & Sebastian's Theme by Justin Hurwitz | from La La Land | Piano Sheet Music in a minor, arranged for Piano Solo, 3 pages (without the virtuoso part)Check out my social media for more!♬ YouTube♬ Spotify ♬ Apple Music♬ Amazon Music♬ Instagram ♬ TikTok
$4.99 ≈
£3.79
Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - brass quintet
Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Requiem in D minor K62
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RayThompsonMusic
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1111962 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Christian,Classical,Religious,Sacr...
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Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1111962 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Christian,Classical,Religious,Sacred. 10 pages. RayThompsonMusic #714140. Published by RayThompsonMusic (A0.1111962). Arranged standard brass quintet Mozart's textual inspiration is apparent in the Tuba mirum (Hark, the trumpet) movement, which is introduced with a sequence of three notes in arpeggio, played in B♠major by a solo tenor trombone, unaccompanied, in accordance with the usual German translation of the Latin tuba, Posaune (trombone). Two measures later, the bass soloist enters, imitating the same theme. At m. 7, there is a fermata, the only point in all the work at which a solo cadence occurs. The final quarter notes of the bass soloist herald the arrival of the tenor, followed by the alto and soprano in dramatic fashion. On the text Cum vix justus sit securus (When only barely may the just one be secure), there is a switch to a homophonic segment sung by the quartet at the same time, articulating, without accompaniment, the cum and vix on the strong (1st and 3rd), then on the weak (2nd and 4th) beats, with the violins and continuo responding each time; this interruption (which one may interpret as the interruption preceding the Last Judgment) is heard sotto voce, forte and then piano to bring the movement finally into a crescendo into a perfect cadence. My arrangement gives the trombone part to the horn, and the vocal entries are given to the trombone, horn and two trumpets. . Section III of the requiem is titled “Sequenz†(sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa. I have also arranged Mozarts Motet “Ave Verum Corpus†K618.
$4.95 ≈
£3.76
Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - symphonic wind
Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - symphonic wind
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Requiem in D minor K62
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.1111159 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religi...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.1111159 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 16 pages. RayThompsonMusic #713434. Published by RayThompsonMusic (A0.1111159). Arranged standard wind decet/dectet/bass Mozart's textual inspiration is apparent in the Tuba mirum (Hark, the trumpet) movement, which is introduced with a sequence of three notes in arpeggio, played in B♠major by a solo tenor trombone, unaccompanied, in accordance with the usual German translation of the Latin tuba, Posaune (trombone). Two measures later, the bass soloist enters, imitating the same theme. At m. 7, there is a fermata, the only point in all the work at which a solo cadence occurs. The final quarter notes of the bass soloist herald the arrival of the tenor, followed by the alto and soprano in dramatic fashion. On the text Cum vix justus sit securus (When only barely may the just one be secure), there is a switch to a homophonic segment sung by the quartet at the same time, articulating, without accompaniment, the cum and vix on the strong (1st and 3rd), then on the weak (2nd and 4th) beats, with the violins and continuo responding each time; this interruption (which one may interpret as the interruption preceding the Last Judgment) is heard sotto voce, forte and then piano to bring the movement finally into a crescendo into a perfect cadence. My arrangement gives the trombone part to the first horn, and the vocal entries are given to the 4 wind instruments (All Player 1) I have added some additional sustaining notes on the horns, under the syncorpated section. Section III of the requiem is titled “Sequenz†(sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa I have also arranged Mozarts Motet “Ave Verum Corpus†K618.
$9.95 ≈
£7.55
Piano Trio in C minor, Op. 143
Piano Trio in C minor, Op. 143
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Ferdinand Ries
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Dianne James
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Piano Trio in C minor, Op. 143
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Artaria Editions
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00 ≈
£28.09
Where Eagles Dare (Theme) - Score Only
Where Eagles Dare (Theme) - Score Only
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Orchestre
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INTERMÉDIAIRE
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Film/TV
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Ron Goodwin
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Chris Siddall
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Where Eagles Dare
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569...
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Full Orchestra - Level 3 - SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99 ≈
£11.38
Succession Theme
Succession Theme
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Film/TV
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Nicholas Britell
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Derek Hasted
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Succession Theme
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble - Level 3 - SKU: A0.1490151 Composed by Nicholas Britell. Arranged by Derek Hasted. Film/TV. Score and Parts. 16 pages. Derek Hasted #10...
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Guitar Ensemble - Level 3 - SKU: A0.1490151 Composed by Nicholas Britell. Arranged by Derek Hasted. Film/TV. Score and Parts. 16 pages. Derek Hasted #1067003. Published by Derek Hasted (A0.1490151). SUCCESSION TV THEME - for 4 GUITARS/Large EnsembleDerek Hasted writes Originally set in the key C minor, this quirky, short, TV theme tends to prove something of an ear worm with those who hear it. Perfect to close the first half of a concert, then!I've moved the piece into the key of E minor, partly to make best use of the guitar neck, and partly to allow open string harmonics to recreate effortlessly the octave jumps in the original piano chords.I’ve added fingering where I hope it will help. The main theme moves from player to player, so that no single player has extended runs at speed and the audience will enjoy an amazing stereo effect too. The dynamics show where the tune needs to be brought out.The original is very fast, and you may find, as I do, that it breathes better on guitar if taken 10% slower, with the bonus of making the piece just that little bit longer too.I have also arranged this for guitar duet, in an arrangement that is slightly more demanding - find it from my website below.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99 ≈
£3.79
Succession Theme
Succession Theme
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2 Guitares (duo)
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INTERMÉDIAIRE
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Film/TV
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Nicholas Britell
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Derek Hasted
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Succession Theme
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Derek Hasted
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SheetMusicPlus
Guitar,Instrumental Duet - Level 3 - SKU: A0.1486484 Composed by Nicholas Britell. Arranged by Derek Hasted. Film/TV. 10 pages. Derek Hasted #1063547. P...
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Guitar,Instrumental Duet - Level 3 - SKU: A0.1486484 Composed by Nicholas Britell. Arranged by Derek Hasted. Film/TV. 10 pages. Derek Hasted #1063547. Published by Derek Hasted (A0.1486484). SUCCESSION TV THEME - for 2 GUITARSDerek Hasted writes Originally set in the key C minor, this quirky, short, TV theme tends to prove something of an ear worm with those who hear it. Perfect to close the first half of a concert, then!I've moved the piece into the key of E minor, partly to make best use of the guitar neck, and partly to allow open string harmonics to recreate effortlessly the octave jumps in the original piano chords.In my arrangement each player has that ear worm motif at some point, and it fits surprisingly well onto the guitar neck, despite its chromatic structure.The original is very fast, and you may find, as I do, that it breathes better on guitar if taken 10% slower, with the bonus of making the piece just that little bit longer too.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99 ≈
£3.79
Theme and Variations in F Minor
Theme and Variations in F Minor
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Trio à Cordes: violon, alto, violoncelle
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AVANCÉ
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Jordan C Warren
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Theme and Variations in F Mino
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Jordan Warren
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 5 - SKU: A0.1031793 Composed by Jordan C Warren. Instructional,Romantic Period,Standards. Score a...
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String Ensemble,String Trio Cello,Viola,Violin - Level 5 - SKU: A0.1031793 Composed by Jordan C Warren. Instructional,Romantic Period,Standards. Score and parts. 14 pages. Jordan Warren #3563613. Published by Jordan Warren (A0.1031793). I wrote this piece my senior year of high school for a music class. It was well received by my teachers and peers so I thought why not share it!The duration of this piece is about 4:30 minutes.The piece was written using certain methods of Brahms and the general Romantic period. There isn't really a certain place to play this other than just concert repertoire. Note: there isn't a second violin or bass part, I'd be up for writing them so just email me a request for them!!
$3.99 ≈
£3.03
Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O
Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O
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Orchestre à Cordes
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Classique
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Ludwig van Beethoven, Cees Nie
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Upstream Music
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Maestoso and Fugue in D minor
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Upstream Music
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SheetMusicPlus
String Orchestra - SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 18 pages...
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String Orchestra - SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 18 pages. Upstream Music #6353295. Published by Upstream Music (A0.933521). Both the Adagio molto (Hess 40) and the unfinished, originally intended Fugue date from November, 1817. It was the publisher Tobias Haslinger who requested a prelude and fugue for a publication in line with works published earlier. Beethoven completed the prelude but with the fugue he stopped after merely four bars of music. The short original fugue theme was later inserted into the second part (Molto vivace) of the Ninth Symphony (Opus 125).The prelude (Beethoven did not give any time indication) starts with 37 bars of solemn music followed by 12 bars Allegro. In terms of form, rhythm, and key, this material shows great similarity to the Molto vivace from Opus 125 referred to above. The present version has been arranged for a string orchestra instead of for a string quintet, thus being the first publication which enables it to be performed in its entirety. In order to balance the foundation, I opted for introducing a contrabass part, which largely follows the cello part composed by Beethoven. As regards the phrasing, dynamics, and rests as well as the time indication, this publication follows those in Willy Hess’ publication. So the prescribed time ‘Adagio molto’ is not that of Beethoven himself.The arguments to link the Maestoso to the Fugue in D major (Opus 137) published later are multiple. In the first place, the Fugue also dates from 1817. Secondly, the key is the same as is the number of instruments for a string quintet with two separate alto parts. Not only does the original fugue theme start at the tone a, but the timing too is the same, that is 3/8. So it seems reasonable to assume that Beethoven intended both works as a couple.The abnormal rhythmics of the bars 38 up to and including 49 is remarkable. I have preserved it because the part has been authentically composed by Beethoven, while it did not seem logical to me to have it immediately followed by the Fugue completed by myself. I have composed a number of bars of music based on the beginning of the prelude by way of a smooth transition.In the Fugue, I closely adhere to Beethoven, at the same time introducing a contrabass part here as well, so as to support the cello. At a number of places in the score, Beethoven recorded neither music nor rests. This refers to the bars 5 (second viola and cello), 11, 12, 25 and 26 (first and second violins), 39 to 41 (all parts), 43 and 44 (all parts except the first violin), 45 (first viola) and finally 45 and 46 (second violin). As in Willy Hess’ publication, I have just inserted rests here.
$29.00 ≈
£22.02
A Walk in Nature
A Walk in Nature
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Contemporain
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JJ Bartley
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A Walk in Nature
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JJ Bartley
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SheetMusicPlus
Brass Ensemble Horn - Level 4 - SKU: A0.612888 Composed by JJ Bartley. Contemporary. Score and parts. 18 pages. JJ Bartley #222086. Published by JJ Bart...
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Brass Ensemble Horn - Level 4 - SKU: A0.612888 Composed by JJ Bartley. Contemporary. Score and parts. 18 pages. JJ Bartley #222086. Published by JJ Bartley (A0.612888). A Walk in Nature is my first composition and follows the story of someone journeying through the woods. As the piece begins, the sun has just risen and awoken the life inside and surrounding the home. Each entrance represents the different lifeforms waking up on the beautiful day. Finally, the birds are chirping, the sky is filled with light, a breeze makes the woods feel alive, and the journey begins. As the “B†section begins the wanderer begins to look inward and think about themselves, life, and begins to feel nostalgic. This continues until suddenly, it begins to rain; and thus begins the C theme. This minor section represents the darkness the wanderer is feeling from their thoughts as well as the rain that has begun to soak their clothes. Finally, the clouds slowly begin to part and, just as the day started, the sun begins to bring light and warmth through the clouds. The journey is almost over, but not before the beauty of nature reveals itself one last time.
$2.00 ≈
£1.52
Super Mario Bros Theme
Super Mario Bros Theme
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Jeux Videos
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Koji Kondo
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John McAllister
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Super Mario Bros Theme
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John McAllister
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SheetMusicPlus
Horn,Trombone,Trumpet - Level 3 - SKU: A0.1153601 Composed by Koji Kondo. Arranged by John McAllister. Chamber,Contemporary,Pop,Standards,Video Game. 6 ...
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Horn,Trombone,Trumpet - Level 3 - SKU: A0.1153601 Composed by Koji Kondo. Arranged by John McAllister. Chamber,Contemporary,Pop,Standards,Video Game. 6 pages. John McAllister #753867. Published by John McAllister (A0.1153601). This is an arrangement of the famed Super Mario Bros Theme by Koji Kondo. This particular arrangement is made for brass trio - trumpet, horn, trombone (or baritone/euphonium). It follows the original tune exactly in form and harmony, with only minor adjustments made to make it work for the brass instruments. It is in Concert F major to make it a common and easy key for band instruments. This arrangement would be great for any musicians wanting to entertain in any setting, maybe a band concert, chamber music at various venues, busking on the streets, the possibilities are endless. This is a GREAT tune to have in the folder because it is one of of the most recognizable tunes in modern history, definitely the most iconic and recognizable video game music.
$12.99 ≈
£9.86
Super Mario Bros Theme
Super Mario Bros Theme
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Trio de Flûtes: 3 flûtes
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FACILE
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Jeux Videos
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Koji Kondo
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John McAllister
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Super Mario Bros Theme
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John McAllister
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Flute - Level 2 - SKU: A0.1178170 Composed by Koji Kondo. Arranged by John McAllister. Contemporary,Video Game. 6 pages....
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Woodwind Ensemble,Woodwind Trio Flute - Level 2 - SKU: A0.1178170 Composed by Koji Kondo. Arranged by John McAllister. Contemporary,Video Game. 6 pages. John McAllister #778104. Published by John McAllister (A0.1178170). This is an arrangement of the famed Super Mario Bros Theme by Koji Kondo. This particular arrangement is made for flute trio. It follows the original tune exactly in form and harmony, with only minor adjustments made. It is in Concert F major to make it a common and easy key for band instruments. This arrangement would be great for any musicians wanting to entertain in any setting, maybe a band concert, chamber music at various venues, busking on the streets, the possibilities are endless. This is a GREAT tune to have in the folder because it is one of of the most recognizable tunes in modern history, definitely the most iconic and recognizable video game music.
$12.99 ≈
£9.86
Super Mario Bros Theme
Super Mario Bros Theme
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3 Clarinettes (trio)
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FACILE
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Jeux Videos
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Koji Kondo
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John McAllister
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Super Mario Bros Theme
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John McAllister
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.1223388 Composed by Koji Kondo. Arranged by John McAllister. Film/TV,Historic,Multicultural...
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Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.1223388 Composed by Koji Kondo. Arranged by John McAllister. Film/TV,Historic,Multicultural,Standards,Video Game,World. 9 pages. John McAllister #819574. Published by John McAllister (A0.1223388). This is an arrangement of the famed Super Mario Bros Theme by Koji Kondo. This particular arrangement is made for clarinet trio. It follows the original tune exactly in form and harmony, with only minor adjustments made. It is in Concert Bb major to make it a common and easy key for band instruments. This arrangement would be great for any musicians wanting to entertain in any setting, maybe a band concert, chamber music at various venues, busking on the streets, the possibilities are endless. This is a GREAT tune to have in the folder because it is one of of the most recognizable tunes in modern history, definitely the most iconic and recognizable video game music.
$12.99 ≈
£9.86
Super Mario Bros Theme
Super Mario Bros Theme
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Trio de Cuivres
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INTERMÉDIAIRE
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Jeux Videos
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Koji Kondo
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John McAllister
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Super Mario Bros Theme
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John McAllister
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SheetMusicPlus
Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1293804 Composed by Koji Kondo. Arranged by John McAllister. 21st Century,Standards,Video Game. 12 pages. John...
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Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1293804 Composed by Koji Kondo. Arranged by John McAllister. 21st Century,Standards,Video Game. 12 pages. John McAllister #884250. Published by John McAllister (A0.1293804). This is an arrangement of the famed Super Mario Bros Theme by Koji Kondo. This particular arrangement is made for clarinet trio. It follows the original tune exactly in form and harmony, with only minor adjustments made. It is in Concert Bb major to make it a common and easy key for band instruments. This arrangement would be great for any musicians wanting to entertain in any setting, maybe a band concert, chamber music at various venues, busking on the streets, the possibilities are endless. This is a GREAT tune to have in the folder because it is one of of the most recognizable tunes in modern history, definitely the most iconic and recognizable video game music.
$12.99 ≈
£9.86
Super Mario Bros Theme
Super Mario Bros Theme
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3 Saxophones (trio)
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INTERMÉDIAIRE
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Jeux Videos
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Koji Kondo
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John McAllister
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Super Mario Bros Theme
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John McAllister
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SheetMusicPlus
Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1157693 Composed by Koji Kondo. Arranged by John ...
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Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1157693 Composed by Koji Kondo. Arranged by John McAllister. Contemporary,Historic,Pop,Standards,Video Game. 7 pages. John McAllister #758041. Published by John McAllister (A0.1157693). This is an arrangement of the famed Super Mario Bros Theme by Koji Kondo. This particular arrangement is made for saxophone trio - alto saxophone, tenor sax, baritone Bari sax. It follows the original tune exactly in form and harmony, with only minor adjustments made to make it work for the brass instruments. It is in Concert F major to make it a common and easy key for band instruments. This arrangement would be great for any musicians wanting to entertain in any setting, maybe a band concert, chamber music at various venues, busking on the streets, the possibilities are endless. This is a GREAT tune to have in the folder because it is one of of the most recognizable tunes in modern history, definitely the most iconic and recognizable video game music.
$12.99 ≈
£9.86
Mozart Allegro G minor piano solo
Mozart Allegro G minor piano solo
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Piano seul
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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PianoSheetNow
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Mozart Allegro G minor piano s
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PianoSheetNow
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.556208 Composed by Wolfgang Amadeus Mozart. Arranged by PianoSheetNow. 20th Century,Classical,Contemporary,Romantic Perio...
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Piano Solo - Level 2 - SKU: A0.556208 Composed by Wolfgang Amadeus Mozart. Arranged by PianoSheetNow. 20th Century,Classical,Contemporary,Romantic Period,World. Score. 4 pages. PianoSheetNow #49207. Published by PianoSheetNow (A0.556208). Mozart Allegro G minor piano solo a well known theme, Allegro from Mozart's symphony in G minor.With finger-position suggestions, for piano solo early-intermediate, 3 pages, 2' min, with downloadable mp3 just for audio help.
$3.99 ≈
£3.03
Sonata in F Minor - IV. Rondo
Sonata in F Minor - IV. Rondo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Lagos
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Gabriel Lagos
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Sonata in F Minor - IV. Rondo
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Lagos Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1256758 By Gabriel Lagos. By Gabriel Lagos. Arranged by Gabriel Lagos. 19th Century,21st Century,Classical,Romantic Perio...
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Piano Solo - Level 4 - SKU: A0.1256758 By Gabriel Lagos. By Gabriel Lagos. Arranged by Gabriel Lagos. 19th Century,21st Century,Classical,Romantic Period. Score. 12 pages. Lagos Music #850130. Published by Lagos Music (A0.1256758). It's kind of cool that I've finished an entire four-movement sonata! It's also kind of cool how people can watch my progress as I improve as a composer over time. I hope you enjoy this one. I think this is my best work so far, but I'm curious what others think! Inspiration for this piece came from the Rondo in Mozart's Concerto in E Flat for two pianos and his Finale in Symphony 40 (which I think is a Rondo as well), and all the Bach harpsichord concertos. Why is the cadenza in the style of a Bolero, I hear you ask? Well, it's hinting at a future work. With this Sonata, I set the intention of four movements: sonata-allegro, minuet/trio, funeral march, rondo. For the next work, the intention is a Latin Suite which will consist of a romance, tango, and milonga. That may change, but that's my idea so far and I didn't want to forget that theme...so I put it in the cadenza of this sonata! I will record a more live version of the full sonata on one of the University Of Victoria's Steinways soon. My dream is to write for orchestra, but for now I'll be using piano works as practice and maybe, just maybe, one day I'll find a way to compose for orchestra. I used to want to write for film but I'm now realizing I may want to write for the classical world, instead. This would be an absolute dream come true. Thank you, Gabe.
$4.99 ≈
£3.79
Mia & Sebastian's Theme
Mia & Sebastian's Theme
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Ost
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Kenneth Pasciak
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Mia & Sebastian's Theme
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Kenneth Pasciak
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1295565 By Ost (original Soundtrack). By Justin Hurwitz. Arranged by Kenneth Pasciak. Classical,Film/TV,Folk,Romantic Period....
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Guitar - Level 3 - SKU: A0.1295565 By Ost (original Soundtrack). By Justin Hurwitz. Arranged by Kenneth Pasciak. Classical,Film/TV,Folk,Romantic Period. Guitar Tab. 2 pages. Kenneth Pasciak #885861. Published by Kenneth Pasciak (A0.1295565). Mia & Sebastian's Theme from La La Land by Justin Hurwitz arranged for solo fingerstyle or classical guitar in C# minor. Includes 2-page score with tablature, some fingering suggestions and a brief cadenza.Kenneth Pasciak Music Publishing, ASCAPkenpasciak.comhttps://linktr.ee/kp_sheetmusic/
$4.99 ≈
£3.79
Oscillation
Oscillation
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Contemporain
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contrast, the string quartet h
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Jeremy Hart
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Oscillation
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Jeremy Graham Hart
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pa...
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Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pages. Jeremy Graham Hart #6590413. Published by Jeremy Graham Hart (A0.1028192). Oscillation began as an experiment in coordination of a melody and harmony which are based on different means of organization. To this end, the clarinet is treated separately from the string quartet. The clarinet melody is constructed by means of limited interval usage. In mm.1–3 it can be observed that the melodic intervals are strictly limited to the use of a major 2nd/minor 7th or a major 6th/minor 3rd. By contrast, the string quartet has no limitation on its intervallic usage but always strives towards triadic harmonies in its accompanimental capacity and tends to converge on harmonies diatonic to the key. In addition, despite the proliferation of non-chord tones and transitionary passages in the string quartets’ music, the stable harmonies are written to have fairly parsimonious motion between them (if one were to reduce out the NCTs etc.) The coordination of these two separate logics is done by the selection of anchor-pitches for the melodic phrases. For example, the melodic phrase in mm.4–7 oscillates around the pitch of G natural (transposed in the score), which it shares with the F major/minor 7th chord that is heard as the harmonic goal of the strings in m.7. The teleology of the work can largely be traced in its melodic construction. Its opening phrase of mm.1–3 is anchored on G natural and ends on a C sharp, a tritone above the anchor, to simulate a half-cadence effect. The second phrase of mm.4–7 is still written on G natural but it ends on G as well, forming the authentic cadence and establishing a basic period as well as the work’s first theme. This is followed by second period which represents a dominant relationship to the first. The phrase at mm.10–13.2 is a rather extended utterance in comparison to the first two and is anchored on D natural. This is followed by 4-stage call and response across the ensemble (excluding the second violin) that leads the first section to a close at m.16 on a C diminished triad. Melodically, the first section is characterised by its limited used of a major 2nd/minor 7th or a major 6th/minor 3rd interval. At m.17, the second section follows much the same process as the first, using anchor pitches as a means of coordination and formal definition, and alternating soloistic clarinet playing with activated harmonies in the strings. The primary difference is in the character of the second section’s theme with regards to its rhythmic profile as well as its intervallic content. Namely, these are limited to the use of a minor 3rd or minor 2nd and their inversions. The second section draws to a close at m.32, returning to the tonic harmony of the key. With the first and second sections complete, the work now proceeds into a developmental section. Mm.33–84 largely consists of development of the two themes by manipulation of intervallic content as well as adjusting the placement of the thematic material withing the accompanimental context. This does include juxtaposition of the two themes (though one typicall becomes integrated into to accompaniment) as can be seen between the violin and viola at m.39. Variety is heightened by the introduction of episodic material such as the secondary melody performed by the clarinet at mm.40–41. The Lento section starting at m.53 introduces further rhythmic and metric adjustment of the thematic content. A varied recapitulation occurs at mm.85–113 and is followed by a coda at mm.114–131.
$19.95 ≈
£15.15
SQ15 ... Hommage à DSCH (2021) for string quartet
SQ15 ... Hommage à DSCH (2021) for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Thomas Oboe Lee
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SQ15 ... Hommage à DSCH
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869862 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 35 pages. Thomas Oboe ...
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String Quartet String Quartet - Level 4 - SKU: A0.869862 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 35 pages. Thomas Oboe Lee #6448257. Published by Thomas Oboe Lee (A0.869862). Dmitri Shostakovich wrote 15 string quartets. As a tribute to him and his glorious music, my 15th string quartet is dedicated to his memory. The first movement takes on a theme that Dmitri Shostakovich has used many times in his music, especially in his String Quartet No. 8 - the DSCH theme. Bach actually came up with the idea. In his Art of the Fugue, the letters in his name Bach is translated to the musical notes: Bb, A, C and B-natural. Dmitri did the same, but in his case the notes are D, Eb, C and B. My first movement begins with the 2nd violin playing an inversion of the DSCH theme: Eb, D, B and C. Then the 1st violin enters with the original DSCH, which is eventually followed by the viola playing the same DSCH theme, but submerged in a fog of harmony. The cello plays a pedal D … for Dimitri. The idea for the second movement Serenade came from his SQ15, second movement, where the 2nd violin and the viola play a fortissimo quadruple stop pizzicati. I coopted his 8-note chord but used only 6 of them for the ostinato pattern in my movement. Incidentally, the publisher forgot to add an alto clef for the viola part … The third movement in the Nocturne is a Largo in 5/4 that features the cello and the 1st violin. It has nothing to do with DSCH’s music, except for the title. The fourth movement is Intermezzo. Both this title and the previous Nocturne are from his SQ15. But the motivic idea is actually something I stole from his SQ4, third movement. In his case it is a repeated C and G in the 2nd violin and viola in 4/4 meter. I kept the repeated G in the 2nd violin, but I altered the viola part and changed the meter to 3/4. It doesn’t sound like DSCH at all. The fifth movement theme is also an idea I grabbed from his SQ4, second movement: A dyad of F and Ab in 3/4, repeated, in an andante movement. I used the same dyad, F and Ab, but slowed it down to a 6/4 and titled it Trauer-Marsch as DSCH did for the fifth movement of his SQ15. The idea for my sixth movement is stolen from DSCH’s SQ2, third movement, which is titled Valse. The 2nd violin and viola play a persistent pah-pah of the usual Oom-pah-pah of a fast waltz. That is what I used (not an uncommon device in all waltzes), but I altered the top line to something more interesting that just repeating the same notes. His waltz begins in Eb minor, but mine is in the relative major of Gb. The last movement is the Epilogue, as it is in DSCH’s SQ15. The only thing I borrowed from his epilogue is the opening chord of an Eb minor triad. The music that follows has nothing to do with DSCH. Mine is a slow, evolving set of chord progressions that sounds like a dirge: gliding through the waters on a gondola in the canals of Venice on its way to Isola di San Michele.
$9.99 ≈
£7.58
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Just A Minor Theme
