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Vous avez sélectionné:
Justify
Partitions à imprimer
20 partitions trouvées
<
1
To Justify Despair
To Justify Despair
#
Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Blake Buehler
#
To Justify Despair
#
Blake Buehler
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1206352 Composed by Blake Buehler. Classical,Contemporary. Score. 12 pages. Blake Buehler #804548. Published by Bl...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1206352 Composed by Blake Buehler. Classical,Contemporary. Score. 12 pages. Blake Buehler #804548. Published by Blake Buehler (A0.1206352). For soprano & piano, 4 movements, performance duration 8'30. Setting of 4 texts by Emily Dickenson. Vocal Range C4-F5.
$14.99 ≈
13.82€
On That Cross (Piano part ONLY)
On That Cross (Piano part ONLY)
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Musique Sacrée
#
Stuart Richard Brown
#
Stuart Richard Brown
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On That Cross
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Stuart Brown Music
#
SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99 ≈
1.83€
On That Cross
On That Cross
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Chorale SSATTB
#
FACILE
#
Musique Sacrée
#
Stuart Richard Brown
#
Stuart Richard Brown
#
On That Cross
#
Stuart Brown Music
#
SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$3.00 ≈
2.77€
On That Cross (choir pack + piano part + licence)
On That Cross (choir pack + piano part + licence)
#
Musique Sacrée
#
Stuart Richard Brown
#
Stuart Richard Brown
#
On That Cross
#
Stuart Brown Music
#
SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
(+)
Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00 ≈
14.75€
Justify My Love by Madonna - Piano/Vocal/Guitar
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Piano, Voix et Guitare
#
Madonna
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Justify My Love
#
Musicnotes
Performed by: Madonna: Justify My Love Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this ...
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Performed by: Madonna: Justify My Love Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Piano;Guitar;Voice; 5 pages -- Pop~~Dance
$5.50 ≈
5.07€
Tyrant
Tyrant
#
Jason V
#
Tyrant
#
Barabba Music
#
SheetMusicPlus
Baritone Horn TC,Cello,Piccolo,Soprano voice,Viola,Violin - Level 5 - SKU: A0.1404089 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Conte...
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Baritone Horn TC,Cello,Piccolo,Soprano voice,Viola,Violin - Level 5 - SKU: A0.1404089 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Opera. 49 pages. Barabba Music #987269. Published by Barabba Music (A0.1404089). A Micro-opera by Jason V. BarabbaLibretto by Jason V. Barabba and Annie Jankowski after The Wolf and the Lamb by Aesop for Soprano, Baritone, Flute, Violin, Viola and CelloIt feels like our national political and social discourse has plummeted to new depths of dysfunction. No matter what your opinions are, you cannot fail to notice that we’ve lost something in our nation when our leaders cannot find a way to disagree with one another with civility. It is hard to feel optimistic, or even know what to do in the face of such petty ugliness that passes for political thought in this nation.For Tyrant I turned to the basic lessons found in Aesop’s fables, which are at heart lessons on being a good member of civil society…lessons that unfortunately I believe our nation needs to re-learn. Soon. The Wolf and the Lamb focuses on someone who consciously makes up lies to justify what he wants to do and feels alarmingly relevant today. Only lightly edited to turn the story into a dramatic scene, it is a very old story intended for the people of 2017.
$96.30 ≈
88.77€
Poker Face
Poker Face
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Piano, Voix
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INTERMÉDIAIRE
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Pop musique
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Lady Gaga
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A-Kian Sam
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Poker Face
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A-Kian Sam
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1011896 By Lady Gaga. By RedOne and Stefani Germanotta. Arranged by A-Kian Sam. Pop. Score. 15 pages. A-Kian Sam #...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1011896 By Lady Gaga. By RedOne and Stefani Germanotta. Arranged by A-Kian Sam. Pop. Score. 15 pages. A-Kian Sam #3510425. Published by A-Kian Sam (A0.1011896). Score: Piano and voice (piano reduction with backup vocals)Upon my wish to bring to life a true transcription of the score able to be performed only with piano and voice this arrangement serves the purpose of arranging the whole instrumental for Poker Face and fit it into the pianoforte, as well as arranging the vocals and backup vocals into one staff for voice. Students looking for a mid-level challenge, fans wishing for an arrangement to reflect the original intention from the artist, artists looking for a backbone to rely their own performance can enjoy this arrangement as I do very little to change barely anything of the actual performance, just enough to fit the song into just accompaniment and voice.You can perform as you wish, that's what each artist calling actually is, but you need a solid foundation to justify your performance and this is it.Main vocals are not doubled by the piano. Piano performance is intended to play the instrumental parts of every synth. Back up vocals included for completeness sake.No chords as chords are actually implied by harmonies and bass throughout the song.Left hand can be simplified by suppressing unison octaves and keeping just the higher voice of the hand.Vocal range of main singer voice: F♯3 - B4Pianistic challenges: Non legato octaves.PARENTAL ADVISORY. Explicit content: Uncensored lyrics reflect the actual pronounciation of the hook.
$9.50 ≈
8.76€
John Milton's Prayer
John Milton's Prayer
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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John S
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religious services
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John Milton's Prayer
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John S Wilson
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.985181 Composed by John S. Wilson. 20th Century,Christian,Contemporary,Sacred. Octavo. 4 pages. John S Wilson #6...
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Choral Choir (SATB) - Level 4 - SKU: A0.985181 Composed by John S. Wilson. 20th Century,Christian,Contemporary,Sacred. Octavo. 4 pages. John S Wilson #6244435. Published by John S Wilson (A0.985181). Choral anthem suitable for religious services.Text: Holy Spirit of God who prefers before all temples the upright heart and pure, Instruct us in all truth. What is dark, illumine, what is low, raise.What is shallow, deepen.That every chapter in our lives may witness to your powerAnd justify the ways of God to men.In the name of Jesus, giver of all grace, Amen.
$4.99 ≈
4.60€
Tchaikovsky Piano Concerto no. 2 Second movement theme
Tchaikovsky Piano Concerto no. 2 Second movement theme
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Thomas Ling of Sibu
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Tchaikovsky Piano Concerto no.
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Thomas Swee Chin
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.818536 Composed by Peter Ilyich Tchaikovsky. Arranged by Thomas Ling of Sibu. Romantic Period,Standards. Score. 4 pages. ...
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Piano Solo - Level 4 - SKU: A0.818536 Composed by Peter Ilyich Tchaikovsky. Arranged by Thomas Ling of Sibu. Romantic Period,Standards. Score. 4 pages. Thomas Swee Chin #6708967. Published by Thomas Swee Chin (A0.818536). This hauntingly beautiful second movement deserves more attention. Any arrangement will not justify the beauty of the original where heart aching solo is given to the violin, cello and of course the piano. .
$6.99 ≈
6.44€
São João (St. John)
São João (St. John)
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Jazz combo
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INTERMÉDIAIRE
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Classique
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Mike Strand, ASCAP <
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Johann Sebastian Bach
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Mike Strand
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São João
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Michael M. Strand
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SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.970752 Composed by Johann Sebastian Bach. Arranged by Mike Strand. Concert,Easter,Jazz,Latin. Score and parts. 3 pages. M...
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Jazz Combo - Level 3 - SKU: A0.970752 Composed by Johann Sebastian Bach. Arranged by Mike Strand. Concert,Easter,Jazz,Latin. Score and parts. 3 pages. Michael M. Strand #5375603. Published by Michael M. Strand (A0.970752). By Mike Strand, ASCAP This is a lead sheet with chord symbols and guitar fret boards, for a Latin or jazz group, large or small. It serves as the foundation for a variety of arrangements, contra facts, and improvisations. To write this bossa nova, I adapted and arranged material from the opening chorus of J. S. Bach’s St. John Passion. São João means St. John in Portuguese, in recognition of the Brazilian roots of bossa nova. For me, Bach’s rich and appealing chord progressions and choral melodies, and the steady flow of the music in this chorus, as well as the popularity of Bach among jazz musicians, justify this adaptation. The audio sample is a jazz quartet: An iReal Pro jazz bossa nova accompaniment, combined with my tune from Finale PrintMusic.
$2.50 ≈
2.30€
The Man Who Hated Trees
The Man Who Hated Trees
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Contemporain
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Gary Friedman
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The Man Who Hated Trees
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Gary Friedman
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,English Horn,High Voice,Percussion - Level 4 - SKU: A0.889902 Composed by Gary Friedman. Contemporary. Score and parts. ...
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Small Ensemble Bassoon,Clarinet,English Horn,High Voice,Percussion - Level 4 - SKU: A0.889902 Composed by Gary Friedman. Contemporary. Score and parts. 26 pages. Gary Friedman #3097673. Published by Gary Friedman (A0.889902). A musical setting of the poem, The Man Who Hated Trees, by Naomi Shihab Nye. The music attempts to depict a not-very-nice barber, who not only spent years shaving the necks of cafeteria managers but found every excuse he could to justify cutting down trees. The mezzo-soprano is accompanied by English horn or clarinet in A, horn, bassoon, and percussion (wood files rubbed together to simulate neck shaving and tree sawing.) To aid in coordinating with the vocalist and each other, abundant cues are provided in staves parallel to the staves being played in the instrumental parts. The vocalist sings from the score. You may see and hear the performance in the audio clip by Mimi Braverman, mezzo-soprano, Gary Friedman, English horn, Frank Lahorgue, horn, Karen Wright, bassoon, and Ruth Friedman, percussion, on YouTube. The link is https://youtu.be/03xXoCZw8MY Duration: 6 minutes.
$15.00 ≈
13.83€
Los ñoquis del veintinueve
Los ñoquis del veintinueve
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Juan MarÃa Solare
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Los ñoquis del veintinu
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Juan Maria Solare
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SheetMusicPlus
Small Ensemble - Level 2 - SKU: A0.596601 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Instructional. Score and parts. 7 pages. Juan Mari...
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Small Ensemble - Level 2 - SKU: A0.596601 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Instructional. Score and parts. 7 pages. Juan Maria Solare #6057663. Published by Juan Maria Solare (A0.596601). Los ñoquis del veintinueve – The Gnocchi of the Twenty-Ninth – by Juan MarÃa Solare Audio: https://soundcloud.com/mihovilcevic/juan-maria-solare-los-noquis/s-bOICUjXTDyS Comments The order of these 29 numbers is rigorously random, as is the election of the six sizes of the fonts (12, 16, 20, 24, 28 and 32 picas). In order to determinate both dimensions I used the program I-Ching by Andrew Culver (assistant to John Cage in the '80 and '90), a program that is distributed as shareware in internet (thanks). The colour version follows the following criterion: - (a) prime numbers (see green) - (b) multiples of 3 (red) - (c) all other numbers (blue) ...if it ends up being good music then what matter the procedure involved? (David Cope, New Music Composition, p. 117) About the expression los ñoquis del 29: The Italian word gnocchi (gnocchi is plural of gnocco, which meaning is lump) is used in Spanish often as ñoqui or ñoquis. In the RÃo de la Plata (Argentina and Uruguay) are traditionally eaten on the 29th of each month, the day before payday, when people has less money. This tradition is called los ñoquis del 29 - the gnocchi of the twenty-ninth. There are naturally other versions. The most picturesque comes from a legend of the VIIIth century (or even IIIrd century). A young physician called Pantaleon (Panteleimon) lived in Nicosia (Cyprus), who after converting to Christianity, journeyed through the North of Italy. There he practiced miraculous healings due to which he was canonized. In a certain occasion, he asked some Venetian villagers for bread, and they invited him to share their poor table. Grateful, he announced them a year of excellent fishing and harvest. The prophecy was fulfilled. Saint Pantaleon was consecrated –along with Saint Mark– patron of Venice. That episode occurred on a 29th, for this reason that day is recalled with a simple food represented by gnocchi. The accompanying ritual of putting money below the dish represents the yearning of new gift. Outside the culinary realm, certain Argentine and Uruguayan functionaries are dismissively called ñoquis, because they only go to work at the end of the month, to justify their salary or simply to cash in for a not fulfilled work. This meaning was spread since the 1970's. Premiere: Luis Mihovilcevic, Saturday 25 October 2008, Centro Cultural Islas Malvinas, La Plata (Argentina). * JMS * DonSolare@gmail.com *https://soundcloud.com/mihovilcevic/juan-maria-solare-los-noquis/s-bOICUjXTDyS
$2.25 ≈
2.07€
WAKE-UP CALL for Tenor and Bass Trombone with Piano accompaniment
WAKE-UP CALL for Tenor and Bass Trombone with Piano accompaniment
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Accompagnement Piano
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AVANCÉ
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Contemporain
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John Frith
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WAKE-UP CALL for Tenor and Bas
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Gordon Cherry
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SheetMusicPlus
Instrumental Duet,Piano Bass Trombone,Instrumental Duet,Piano,Tenor Trombone - Level 5 - SKU: A0.1291408 Composed by John Frith. 21st Century. 28 pages....
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Instrumental Duet,Piano Bass Trombone,Instrumental Duet,Piano,Tenor Trombone - Level 5 - SKU: A0.1291408 Composed by John Frith. 21st Century. 28 pages. Gordon Cherry #882058. Published by Gordon Cherry (A0.1291408). WAKE-UP-CALL for Tenor Trombone, Bass Trombone and Piano by British composer John Frith throws down the gauntlet to challenge any brave performers who wish to attempt to conquer this exciting new work.Mr Frith describes the work as follows:WAKE-UP-CALL was composed to showcase the talents of three very capable musicians. It has many Jazz elements beginning with a 1920's - style 'flapper' introduction which reappears as a central section and, later, in the coda. A second theme provides a contrasting 'latin' come 'swing' element which is shared equally between the trombones. The piano part is integral to the music and of equal importance throughout. This lyrical second theme is developed using improvisatory techniques. Some of these 'Jazz licks' will challenge even experienced musicians and yet they are not beyond the technique of serious students of the trombone. The pianist will also have their work cut out to master this score but I'm confident that the end result will more than justify the means.This work is about 5-minutes in length and is appropriate for very advanced performers.Composer Frith dares pros and amateurs to perform this challenging work and send in their recording (live or otherwise). The first group to submit a good quality track will receive a generous gift from Cherry Classics Music.
$32.50 ≈
29.96€
Concerto Accademico
Concerto Accademico
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Orchestre à Cordes
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Sir Peter Maxwell Davies
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Concerto Accademico
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Schott Music - Digital
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SheetMusicPlus
String quartet and string orchestra - SKU: S9.Q19666 For string quartet and string orchestra. Composed by Sir Peter Maxwell Davies. This edition:...
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String quartet and string orchestra - SKU: S9.Q19666 For string quartet and string orchestra. Composed by Sir Peter Maxwell Davies. This edition: study score. Music Of Our Time. Downloadable, Study score. Op. 319. Duration 20 minutes. Schott Music - Digital #Q19666. Published by Schott Music - Digital (S9.Q19666). Having previously been granted the diploma of the Bologna Academy in December 2011, Maxwell Davies wrote his Concerto Accademico as both an expression of gratitude to the Regia Academia Filarmonico di Bologna and also in part “a presentation of academic qualification, to justify this singular honourâ€. The work is scored for string quartet and string orchestra and is based on a plainsong chant, heard at the outset, associated with the Holy Spirit descending upon the disciples at Pentecost, and their subsequent speaking in tongues.
$25.99 ≈
23.96€
The Capture of Kars - Turkish March
The Capture of Kars - Turkish March
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Orchestre
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AVANCÉ
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Trevor Denyer
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Trevor Denyer
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The Capture of Kars - Turkish
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Trevor Denyer
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1412481 By Trevor Denyer. By Modest Petrovich Mussorgsky. Arranged by Trevor Denyer. 19th Century,Romantic Period. 10...
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Full Orchestra - Level 5 - SKU: A0.1412481 By Trevor Denyer. By Modest Petrovich Mussorgsky. Arranged by Trevor Denyer. 19th Century,Romantic Period. 101 pages. Trevor Denyer #994569. Published by Trevor Denyer (A0.1412481). Mussorgsky's works are, unjustifyably, often overlooked in the planning of today's programmes. My editions aim to address this by offering bite-sized pieces that will fit comfortably amongst other, more popular, repertoire.Print the parts double-sided and the page turns will work.
$25.00 ≈
23.05€
Abraham’s Daughter: March from the Civil War
Abraham’s Daughter: March from the Civil War
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Stephen R Dalrymple
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but no daughters
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Abraham’s Daughter: Marc
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and...
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Concert Band - Level 3 - SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and parts. 54 pages. Stephen R Dalrymple #3566019. Published by Stephen R Dalrymple (A0.818257). Abraham’s Daughter: March from the Civil War ♫ by Septimus Winter (1861) ♫ with When Johnny Comes Marching Home by Patrick Gilmore a.k.a. Louis Lambert (1863). ♫ arranged for concert band by Stephen R Dalrymple ♫ After a family trip to Gettysburg, Antietam, Harper’s Ferry, and Ford Theater, I created a concert band arrangement to solidify the trip in my mind using a popular Civil War song from the North, “Abraham’s Daughter,†and a song used by both North and South, “Johnny Comes Marching Home.†♫ Music was a means for soldiers to release the tensions of war. By December 1861 the Union army had 28,000 musicians in 618 bands, not counting soldiers who travelled with violins and other musical instruments. Soldiers often sang as they marched by day and at night in camp. Musical duels were not uncommon between Union and Confederate bands. This idea inspired the last section of the arranger where the 2 songs are played against each other. ♫ Septimus Winner wrote “Abraham’s Daughter†in 1861 for the Minstrel stage. “Abraham’s Daughter†pictures a fresh recruit that is on his way to Washington DC to be processed and trained for future battles. ♫ Given the unpublished verses we have, Abraham’s Daughter was undoubtedly sung and embellished by Union soldiers as they travelled from battlefield to battlefield. ♫ Winner is also known for writing “Ten Little Injuns†“Listen to the Mockingbird†and “Where, Oh Where Has My Little Dog Gone?†♫ Abraham Lincoln had 4 sons, Robert Todd, Edward Baker, William Wallace, and Thomas (Tad); but no daughters. So, who is Abraham’s daughter? ♫ Oh! Should you ask me who she am, Columbia is her name, sir; She is the child of Abraham, Or Uncle Sam, the same, sir. Now if I fight, why ain't I right? And don't you think I oughter. The volunteers are a-pouring in From every loyal quarter, And I'm goin' down to Washington To fight for Abraham's daughter. ♫ At the beginning of the war, the majority of soldiers, North and South, were fighting to uphold their view of government, each side justifying its position by quoting the Constitution. Southern States saw each State as a sovereign, independent nation. Abraham Lincoln insisted that the United States were one nation. For Abraham Lincoln, the purpose of the war was to preserve the Union. The undivided union was Lincoln’s daughter. ♫ arrangement © 2000, 2013 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Electric Bass, Snare and Bass Drums, Cymbals, and Bells. 3) Condensed Conductor’s Score in a smaller format for use in a 10 inch tablet 4) The same parts formatted for a 10 inch tablet. ♫ The YouTube video contains a full recording.
$19.00 ≈
17.51€
Justify My Love
Justify My Love
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Piano, Voix et Guitare
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Pop musique
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Madonna
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Justify My Love
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Madonna. By Lenny Kravitz. For piano, voice, and guitar (chords only). Pop. Piano/Vocal/Guitar. 6 pages. Published by Hal Leonard - Digital Sheet Music...
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By Madonna. By Lenny Kravitz. For piano, voice, and guitar (chords only). Pop. Piano/Vocal/Guitar. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.60€
Justify
Justify
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Guitare notes et tablatures
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Rock
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The Red Jumpsuit Apparatus
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Rock
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Justify
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By The Red Jumpsuit Apparatus. For guitar. Pop; Rock. Guitar TAB. 7 pages. Published by Hal Leonard - Digital Sheet Music...
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By The Red Jumpsuit Apparatus. For guitar. Pop; Rock. Guitar TAB. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.60€
Ronnie Winter: Justify for guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock
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Ronnie Winter
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Virtualsheetmusic
Instantly printable sheet music by The Red Jumpsuit Apparatus for guitar (tablature) of MEDIUM skill level. / pop,rock
Instantly printable sheet music by The Red Jumpsuit Apparatus for guitar (tablature) of MEDIUM skill level. / pop,rock
$8.97 ≈
8.27€
Lenny Kravitz: Justify My Love for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Pop musique
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Lenny Kravitz
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Virtualsheetmusic
Instantly printable sheet music by Madonna for voice, piano or guitar of MEDIUM skill level. / pop
Instantly printable sheet music by Madonna for voice, piano or guitar of MEDIUM skill level. / pop
$6.97 ≈
6.43€
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Justify
