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Vous avez sélectionné:
Kills You Slowly
Partitions à imprimer
12 partitions trouvées
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1
Kills You Slowly [late intermediate] by Jennifer Eklund - Piano Solo
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Piano seul
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Jennifer Eklund
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Kills You Slowly [late interme
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Musicnotes
Sheet Music for Kills You Slowly [late intermediate] by Jennifer Eklund arranged for Instrumental Solo in E Major. Digital sheet music from Musicnotes. ...
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Sheet Music for Kills You Slowly [late intermediate] by Jennifer Eklund arranged for Instrumental Solo in E Major. Digital sheet music from Musicnotes.
$5.79
Kills You Slowly [intermediate] by Jennifer Eklund - Piano Solo
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Piano seul
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INTERMÉDIAIRE
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Jennifer Eklund
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Kills You Slowly [intermediate
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Musicnotes
Sheet Music for Kills You Slowly [intermediate] by Jennifer Eklund arranged for Instrumental Solo in F Major. Digital sheet music from Musicnotes. ...
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Sheet Music for Kills You Slowly [intermediate] by Jennifer Eklund arranged for Instrumental Solo in F Major. Digital sheet music from Musicnotes.
$5.79
Kills You Slowly by LittleTranscriber - Piano Solo
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Piano seul
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LittleTranscriber
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Kills You Slowly
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Musicnotes
Performed by: LittleTranscriber: Kills You Slowly Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music ...
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Performed by: LittleTranscriber: Kills You Slowly Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Piano/Chords, instruments: Piano; 7 pages -- Solo Instrumental~~Alternative Pop/Rock~~Electronica
$9.99
Kills You Slowly by The Chainsmokers - Piano/Vocal/Chords, Singer Pro
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Piano, Voix
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The Chainsmokers
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Kills You Slowly
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Musicnotes
Performed by: The Chainsmokers: Kills You Slowly Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music f...
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Performed by: The Chainsmokers: Kills You Slowly Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano;Backup Vocals; 6 pages -- Alternative Pop/Rock~~Electronica
$5.50
The Be-Bop Range Book
The Be-Bop Range Book
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Trompette
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AVANCÉ
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Eric Bolvin
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Air
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The Be-Bop Range Book
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ERIC V BOLVIN
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERI...
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Trumpet Solo - Level 5 - SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERIC V BOLVIN (A0.829071). The Be-Bop Range Book is a creative approach to developing range, technique and improvisational be-bop skills for trumpet.IntroductionTrumpet range and developing it is one of the most common and controversial subjects among trumpet players, teachers and authors. Without delving too far into the physical and scientific aspects of trumpet playing, allow me to paraphrase the great Yogi Berra;The upper register of the trumpet is the same as the middle and lower registers, just different.All trumpet playing is a coordination or balance of three things: air, tongue level and embouchure. It is through sensible, intelligent and consistent practice that we develop the skills necessary to play throughout the entire range of our instrument.Purpose Of This BookAlthough hitting the high note may be the quest for many trumpet players, a more useful and musical goal is developing a large playable range. This means being able to articulate and play musically and dynamically throughout the entire range of the instrument. This is accomplished through the use of Range Arcs, which are musical phrases that cover a large range. In addition to building our playable range, we are working on technique and adding to our jazz vocabulary.I originally developed the concept of Range Arcs in The Modern Jazz Trumpet Method. Many players have commented on how useful these studies are, so I decided to expand on it here. For more rudimentary range, flexibility and endurance study, seeTongue Level & Air.The Approach NoteI have found that how we approach the highest note of a musical phrase is critical to range development. This aspect of range development is presented here in a progressive, creative format.Exercises 1-5 use the Chromatic Approach. This means that the highest note of the arc is approached from a 1â„2 step below. The exercises continue, adding a 1â„2 step to the approach note every five exercises.Articulation & PhrasingAll exercises in this book are to be played in a swing style. However, if you are having trouble with an exercise, sometimes playing it straight may help. Jazz articulation should also be employed throughout. What does that mean exactly? Jazz trumpet articulation is as spontaneous and individual as an improvised solo. Honestly, if I have to think about it, I can’t do it. The best advice is to listen to the trumpet players quoted in this book and to as much jazz trumpet as you can. Transcribe and play solos while emulating their style and articulation.Immersing yourself in this will result in your own personal style of articulation. Jazz articulation on trumpet is also born out of necessity. Some slurs in a line may just not be possible so you must tongue. This will be revealed when you start some of the exercises that contain wider intervals.How To Use This BookEach exercise group consists of a Range Arc, Range Builder and Range Builder Extended. Each group should be practiced for at least one week before moving ahead to the next one.Range ArcsThe Range Arc is the original lick. Many of these have been borrowed from some of the great jazz trumpeters of all time; Freddie Hubbard, Clifford Brown, Lee Morgan, Chet Baker, Tom Harrell, Randy Brecker, Fats Navarro and Blue Mitchell.You should begin with the key that is marked with an asterisk * ; it is an easy key and range and will help you familiarize yourself with the lick. Practice slowly at first and then work for speed. Once you are familiar with the * lick, start at the beginning of the Range Arc. Work on each key until you get it smoothly. Repeat as needed and rest between each key. Take the D.C. and play 8va through the indicated key (see the box at the end of the Range Arc) that takes you to High C. Rest for 15 minutes.Range BuildersAfter resting, you are ready for the Range Builder. These are short.
$16.95
Étude No. 1 "La Danse en Fuite"
Étude No. 1 "La Danse en Fuite"
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Piano seul
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AVANCÉ
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Maxwell Olson
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Étude No. 1 "La Da
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Jake Madeira
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1028034 Composed by Maxwell Olson. Contemporary,Jazz,Latin,World. Score. 7 pages. Jake Madeira #3223163. Published by Jak...
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Piano Solo - Level 5 - SKU: A0.1028034 Composed by Maxwell Olson. Contemporary,Jazz,Latin,World. Score. 7 pages. Jake Madeira #3223163. Published by Jake Madeira (A0.1028034). This étude is one of energetic character with simple, yet powerful melodies and rhythms that create a sense of curiosity. I composed this piece in a simpler form when I was around 17, in my high school music theory class. All of the ideas were there, melody and structure, but what it lacked was experience. It felt flat. So, 5 years later, after I rediscovered the piece, I decided to put some time into adding flavor, excitement, and intrigue. In doing so, I hope that I've created not only a technical challenge that will strengthen your skills, but a fun piece of music that you'll love to play!Split into three parts in an ABA format, this piece features a main theme divided by a softer second theme, both of which provide technical challenges in their own rights. The first focus of this étude is to build stamina in maintaining rapid octave progressions in each hand. This is coupled with quick jumps in the right hand that require precise and deliberate movements to perfect. The second focus is to strengthen control over legato passages in rolling arpeggios, while maintaining a delicate touch for the melody, and exercising the dynamic range of the fingers.In practicing this piece, it is very important to start slowly and with definitive control in all sections! It cannot be stressed enough how much of an impact bad habits can make on the execution of this étude. If you work diligently on finger control and technique, it will stick with you in all of your future endeavors! Be warned though: this is a difficult piano solo. It will take time and effort to learn, however, those efforts will all pay off in the end. Don't let it discourage you. I wish you all luck in learning this étude, and if you have any questions at all, please feel free to email me at walkingreject@gmail.com.
$6.99
The Entertainer (Easy Piano)
The Entertainer (Easy Piano)
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Piano Facile
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FACILE
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Ragtime
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Scott Joplin
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Mr Mark's Music
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The Entertainer
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Mr Mark's Music
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.901915 Composed by Scott Joplin. Arranged by Mr Mark's Music. Instructional,Ragtime,Standards. Score. 2 pages. Mr Mark's ...
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Easy Piano - Level 2 - SKU: A0.901915 Composed by Scott Joplin. Arranged by Mr Mark's Music. Instructional,Ragtime,Standards. Score. 2 pages. Mr Mark's Music #4792925. Published by Mr Mark's Music (A0.901915). This version of The Entertainer also known by many today as the Ice Cream Truck Song was written by Scott Joplin in 1902. It is of the style known as Ragtime which was prevalent in the late 1800s and early 1900s. This simplified version allows you to play the main melody without the complexity of chords and octaves in the right hand. The left hand uses a slowly moving bass line that outlines the harmonic movement heard in the original piece. This is a great way to enjoy playing this wonderful, happy, and famous tune without having the advanced piano skills required for the original arrangement. Both children and adults will enjoy this and impress others who will instantly recognize this tune. If you have any questions or want to get on my email list then please send a message to musicmrmarks@gmail.com.
$1.99
Chim Chim Cher-Ee
Chim Chim Cher-Ee
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1 Piano, 4 mains
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FACILE
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New Christy Minstrels
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Jen Smith Lanthier
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Chim Chim Cher-Ee
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Ocean Tails Music
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 2 - SKU: A0.1412253 By New Christy Minstrels. By Richard M. Sherman and Robert B. Sherman. Arranged by Jen Smith Lant...
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1 Piano,4 Hands,Piano Duet - Level 2 - SKU: A0.1412253 By New Christy Minstrels. By Richard M. Sherman and Robert B. Sherman. Arranged by Jen Smith Lanthier. 20th Century,Broadway,Children,Film/TV,Musical/Show,Singer/Songwriter. Score. 5 pages. Ocean Tails Music #994465. Published by Ocean Tails Music (A0.1412253). Chim Chim Cher-ee by Julie Andrews and Dick Van Dyke is from the 1964 Walt Disney musical film Mary Poppins. This arrangement of Robert B. Sherman and Richard M. Sherman’s beloved song is written for Late Elementary (Level 4) Piano Duet. Written in C Minor, this arrangement has a gentle, mysterious quality which will remind you of dusky evenings and magical chimneys. Each duet part has a turn playing the melody; the Secondo part features mostly broken and rolled chords, while the Primo part features broken chords and a slowly descending chromatic line. This duet is perfect for late elementary piano students working on ensemble skills who enjoy Mary Poppins, Disney, the Sherman Brothers’ music, and enchanting classic melodies.
$4.99
The Arban Manual (Pre 2013)
The Arban Manual (Pre 2013)
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Methodes
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Reper...
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.
Description
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
The Arban Manual - Hooten Edition
The Arban Manual - Hooten Edition
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Methodes
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Eric Bolvin
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The Arban Manual - Hooten Edit
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SheetMusicPlus
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire,...
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
Guitar Compendium
Guitar Compendium
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Guitare
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Methodes
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Guitar Compendium
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Advance Music
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SheetMusicPlus
Technique / improvisation / musicianship / theory. This edition: method. Instrumentalunterricht, Gitarre, Guitar. The Praxis System. Downloadable. Op....
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Technique / improvisation / musicianship / theory. This edition: method. Instrumentalunterricht, Gitarre, Guitar. The Praxis System. Downloadable. Op. Vol. 3. Advance Music #Q54673. Published by Advance Music
The Guide To Twentieth-Century Guitar: Praxis is the first instructional book of its kind. It takes a strikingly new and refreshing approach to learning guitar, and it is carefully designed to guarantee efficient practice with rewarding results. Establish Your Own Musical Direction: Whether your playing falls under one of the more traditional conventional styles, or whether you're a composer and arranger or exploring new musical regions and establishing your own musical direction or personal fusion of musical ideas and influences, Praxis has what you need. Unlock The Musician Within: The name of the system (Praxis comes from the Greek word meaning practice and to do) accurately reflects its general orientation. Play it first, getting sound and satisfaction out of the guitar immediately, and musical understanding will naturally follow. Praxis lets you choose the precise subject you want and immediately provides relevant musical examples. And these examples are presented in such a way that the principle behind the example is always clear, thus allowing you to apply it directly to your music. One Step Beyond - Originators Vs. Imitators: Traditional guitar books try to teach you to play someone else's music. That approach tends to produce imitators rather than originators and real musicianship skills are picked up slowly and almost by accident. Praxis takes you directly to being able to play anything that you want ... someone else's music, your own music, and everything in between. Praxis takes you one step beyond. Efficient Learning: Guitar instruction books are traditionally written in a progressive fashion. Book 1 first, then Book 2, etc. However, the selection and sequencing of material is usually determined by the book rather than the reader, and the familiar result is that, while the book progresses, the student doesn't. Again, Praxis reverses this. You don't have to start with Book 1, there is no Book 1! You go where your interests lie. Just begin work on any one subject in any volume that attracts you. Integrated Study Programs - 239 Compact &. Powerful Units: Because Praxis is a modular system, it can be reassembled into many different combinations. These different combinations of units can answer both varying curricular needs as well as individual interests. Directly stated, there are countless guitar books housed within Praxis, either three, or ten, or ...
$23.99
Guitar Compendium
Guitar Compendium
#
Guitare
#
Methodes
#
Guitar Compendium
#
Advance Music
#
SheetMusicPlus
Technique / improvisation / musicianship / theory. This edition: method. Instrumentalunterricht, Gitarre, Theorie. The Praxis System. Downloadable. Op...
(+)
Technique / improvisation / musicianship / theory. This edition: method. Instrumentalunterricht, Gitarre, Theorie. The Praxis System. Downloadable. Op. Vol. 1. Advance Music #Q54672. Published by Advance Music
English.
Style &. Craft - Troubleshooting 1 - The Fingerboard Map: Chords. The Guide To Twentieth-Century Guitar: Praxis is the first instructional book of its kind. It takes a strikingly new and refreshing approach to learning guitar, and it is carefully designed to guarantee efficient practice with rewarding results. Establish Your Own Musical Direction: Whether your playing falls under one of the more traditional conventional styles, or whether you're a composer and arranger or exploring new musical regions and establishing your own musical direction or personal fusion of musical ideas and influences, Praxis has what you need. Unlock The Musician Within: The name of the system (Praxis comes from the Greek word meaning practice and to do) accurately reflects its general orientation. Play it first, getting sound and satisfaction out of the guitar immediately, and musical understanding will naturally follow. Praxis lets you choose the precise subject you want and immediately provides relevant musical examples. And these examples are presented in such a way that the principle behind the example is always clear, thus allowing you to apply it directly to your music. One Step Beyond - Originators Vs. Imitators: Traditional guitar books try to teach you to play someone else's music. That approach tends to produce imitators rather than originators and real musicianship skills are picked up slowly and almost by accident. Praxis takes you directly to being able to play anything that you want ... someone else's music, your own music, and everything in between. Praxis takes you one step beyond. Efficient Learning: Guitar instruction books are traditionally written in a progressive fashion. Book 1 first, then Book 2, etc. However, the selection and sequencing of material is usually determined by the book rather than the reader, and the familiar result is that, while the book progresses, the student doesn't. Again, Praxis reverses this. You don't have to start with Book 1, there is no Book 1! You go where your interests lie. Just begin work on any one subject in any volume that attracts you. Integrated Study Programs - 239 Compact &. Powerful Units: Because Praxis is a modular system, it can be reassembled into many different combinations. These different combinations of units can answer both varying curricular needs as well as individual interests. Directly stated, there are countless guitar books housed within Praxis, either three, or ten, or
$23.99
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1
Kills You Slowly
