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King's Weather
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Vous avez sélectionné:
King's Weather
Partitions à imprimer
83 partitions trouvées
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Good King Wenceslas
Good King Wenceslas
#
Orchestre d'harmonie
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FACILE
#
John Mason Neale, Thomas Helmo
#
Lorenzo Bocci
#
Co the same year
#
Good King Wenceslas
#
Lorenzo Bocci
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1469467 Composed by John Mason Neale, Thomas Helmore. Arranged by Lorenzo Bocci. Christmas. 65 pages. Lorenzo Bocci #10...
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Concert Band - Level 2 - SKU: A0.1469467 Composed by John Mason Neale, Thomas Helmore. Arranged by Lorenzo Bocci. Christmas. 65 pages. Lorenzo Bocci #1047497. Published by Lorenzo Bocci (A0.1469467). GOOD KING WENCESLASfor Concert Band (with Fanfare Band parts) - Grade 2 - - More Christmas SongsComposed by John Mason Neale, Thomas Helmore. Arranged by Lorenzo Bocci. Christmas. Concert Band - Blasorchester - Harmonie. Score and parts. With Fanfare Band parts. Duration 2'10''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe 1, 2, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, Trombone 1, 2, 3, Euphonium, Bass, Double Bass, Mallet Percussion (Glockenspiel, Tubolar Bells), Timpani, Percussion 1 (Snare Drum), Percussion 2 (Triangle, Bass Drum, Cymbals).Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, Bb Trombone 1, 2, 3 T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.Good King Wenceslas is a Christmas carol that tells a story of a Bohemian king who goes on a journey, braving harsh winter weather, to give alms to a poor peasant on the Feast of Stephen (December 26, the Second Day of Christmas). During the journey, his page is about to give up the struggle against the cold weather, but is enabled to continue by following the king's footprints, step for step, through the deep snow. The legend is based on the life of the Saint Wenceslaus I, Duke of Bohemia (907–935), who was not a king in his lifetime but had that status conferred on him after his death. In 1853, English hymnwriter John Mason Neale wrote the lyrics in collaboration with his music editor Thomas Helmore to fit the melody of the 13th-century spring carol Tempus adest floridum, which they had found in the 1582 Finnish song collection Piae Cantiones. The carol first appeared in Carols for Christmas-Tide, published by Novello & Co the same year.Subscribe to my YouTube Channel to stay updated on new releases.
$69.00 ≈
63.81€
Storm at King's Pointe (for concert band)
Storm at King's Pointe (for concert band)
#
Orchestre d'harmonie
#
FACILE
#
Contemporain
#
Michael Compton
#
Storm at King's Pointe
#
Kreechur Kumfort Publishing
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.833833 Composed by Michael Compton. Contemporary. Score and parts. 63 pages. Kreechur Kumfort Publishing #4301907. Publ...
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Concert Band - Level 2 - SKU: A0.833833 Composed by Michael Compton. Contemporary. Score and parts. 63 pages. Kreechur Kumfort Publishing #4301907. Published by Kreechur Kumfort Publishing (A0.833833). Storm at King’s Pointe was composed for the Buena Vista Middle School Honor Band at Buena Vista University in Storm Lake, Iowa. Originally planned for February 2017, this event ironically was canceled two years in a row due to severe weather. Located on the eastern edge of Storm Lake is a water park-themed resort called King’s Pointe Resort. This composition depicts a summer storm as it moves over the Iowa hills and across the normally-placid lake. Distant thunder is first heard as dark clouds approach, covering blue Iowa sky. Soon, the drama of drenching rain, powerful wind, and flashes of lightening is represented in an aggressive minor melody. Changes in intensity common to a Midwest storm is reflected within the composition including a quiet respite in the middle and storm-like thunderous percussion breaks. Fully accessible by music ensembles from middle school on up, Storm at King’s Pointe is a nice addition to any concert band program, delighting both players as well as the audience.
$35.00 ≈
32.37€
Good King Wenceslas, Harp Duet
Good King Wenceslas, Harp Duet
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2 Harpes (duo)
#
INTERMÉDIAIRE
#
Noël
#
Traditional Christmas Carol
#
Serena O’Meara
#
Good King Wenceslas, Harp Duet
#
O'Meara Music
#
SheetMusicPlus
Instrumental Duet,Lever Harp - Level 3 - SKU: A0.808024 Composed by Traditional Christmas Carol. Arranged by Serena O’Meara. Christmas,Holiday,Mu...
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Instrumental Duet,Lever Harp - Level 3 - SKU: A0.808024 Composed by Traditional Christmas Carol. Arranged by Serena O’Meara. Christmas,Holiday,Multicultural,Standards,Traditional,World. 20 pages. O'Meara Music #5026257. Published by O'Meara Music (A0.808024). This sweet, well known Christmas melody was originally a Finnish springtime song, dating to the 13th Century. It was published in 1582 in a book of seventy-four songs. After receiving a copy of that book as a gift, John Mason Neale set his lyrics celebrating the famous Bohemian (907-935) to this melody. In 1854, the book Carols for Easter-tide was published, including Good King Wenceslas as a Springtime song. This arrangement has 5 verses in the key of G. It represents Good King Wenceslas and his Page trudging through (eighth notes) the harsh winter weather on December 26 as they leave their warm castle to help the poor. Occasionally there is a pause as they catch their breath or look through the swirling snow at how far they have traveled. The fourth verse represents the Page walking in King Wenceslas’s footsteps. The melody is divided evenly between parts. Dynamics are clearly marked. You will receive the Score, Harp I, and Harp II.
$12.00 ≈
11.10€
Good King Wenceslas, Harp I
Good King Wenceslas, Harp I
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2 Harpes (duo)
#
INTERMÉDIAIRE
#
Noël
#
Traditional Christmas Carol
#
Serena O’Meara
#
Good King Wenceslas, Harp I
#
O'Meara Music
#
SheetMusicPlus
Instrumental Duet,Lever Harp - Level 3 - SKU: A0.803852 Composed by Traditional Christmas Carol. Arranged by Serena O’Meara. Christmas,Holiday,Mu...
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Instrumental Duet,Lever Harp - Level 3 - SKU: A0.803852 Composed by Traditional Christmas Carol. Arranged by Serena O’Meara. Christmas,Holiday,Multicultural,Standards,Traditional,World. 6 pages. O'Meara Music #5026271. Published by O'Meara Music (A0.803852). This sweet, well known Christmas melody was originally a Finnish springtime song, dating to the 13th Century. It was published in 1582 in a book of seventy-four songs. After receiving a copy of that book as a gift, John Mason Neale set his lyrics celebrating the famous Bohemian (907-935) to this melody. In 1854, the book Carols for Easter-tide was published, including Good King Wenceslas as a Springtime song. This arrangement has 5 verses in the key of G. It represents Good King Wenceslas and his Page trudging through (eighth notes) the harsh winter weather on December 26 as they leave their warm castle to help the poor. Occasionally there is a pause as they catch their breath or look through the swirling snow at how far they have traveled. The fourth verse represents the Page walking in King Wenceslas’s footsteps. The melody is divided evenly between parts. Dynamics are clearly marked.Â
$5.00 ≈
4.62€
Good King Wenceslas, Harp II
Good King Wenceslas, Harp II
#
2 Harpes (duo)
#
INTERMÉDIAIRE
#
Noël
#
Traditional Christmas Carol
#
Serena O’Meara
#
Good King Wenceslas, Harp II
#
O'Meara Music
#
SheetMusicPlus
Instrumental Duet,Lever Harp - Level 3 - SKU: A0.803853 Composed by Traditional Christmas Carol. Arranged by Serena O’Meara. Christmas,Holiday,Mu...
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Instrumental Duet,Lever Harp - Level 3 - SKU: A0.803853 Composed by Traditional Christmas Carol. Arranged by Serena O’Meara. Christmas,Holiday,Multicultural,Standards,Traditional,World. 7 pages. O'Meara Music #5026277. Published by O'Meara Music (A0.803853). This sweet, well known Christmas melody was originally a Finnish springtime song, dating to the 13th Century. It was published in 1582 in a book of seventy-four songs. After receiving a copy of that book as a gift, John Mason Neale set his lyrics celebrating the famous Bohemian (907-935) to this melody. In 1854, the book Carols for Easter-tide was published, including Good King Wenceslas as a Springtime song. This arrangement has 5 verses in the key of G. It represents Good King Wenceslas and his Page trudging through (eighth notes) the harsh winter weather on December 26 as they leave their warm castle to help the poor. Occasionally there is a pause as they catch their breath or look through the swirling snow at how far they have traveled. The fourth verse represents the Page walking in King Wenceslas’s footsteps. The melody is divided evenly between parts. Dynamics are clearly marked.Â
$5.00 ≈
4.62€
Stormy Weather (keeps Rainin' All The Time)
Stormy Weather (keeps Rainin' All The Time)
#
Piano, Voix
#
INTERMÉDIAIRE
#
Various Artists
#
Dave Gingras and John E
#
Stormy Weather
#
DAVID LEE GINGRAS
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1300821 By Various Artists. By Harold Arlen and Ted Koehler. Arranged by Dave Gingras and John E. Dosher. Broadway...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1300821 By Various Artists. By Harold Arlen and Ted Koehler. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #890519. Published by DAVID LEE GINGRAS (A0.1300821). Stormy Weather is a 1933 torch song written by Harold Arlen and Ted Koehler. Ethel Waters first sang it at The Cotton Club night club in Harlem in 1933 and recorded it that year, and in the same year it was sung in London by Elisabeth Welch and recorded by Frances Langford. Also in 1933, for the first time the entire floor revue from Harlem's Cotton Club went on tour, playing theatres in principal cities. The revue was originally called The Cotton Club Parade of 1933 but for the road tour it was changed to Stormy Weather Revue; it contained the song Stormy Weather, which was sung by Adelaide Hall. This version was developed from the original 1933 sheet music and features a root-based chord blocking that John and I have used in a number of our arrangements - we hope you like what we've done with this grand old tune!
$4.99 ≈
4.61€
Tempest's Approach
Tempest's Approach
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Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Contemporain
#
Sawyer Isherwood
#
Tempest's Approach
#
Sawyer Isherwood
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1248560 Composed by Sawyer Isherwood. Contemporary. Score and Parts. 123 pages. Sawyer Isherwood #843049. Published by ...
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Concert Band - Level 3 - SKU: A0.1248560 Composed by Sawyer Isherwood. Contemporary. Score and Parts. 123 pages. Sawyer Isherwood #843049. Published by Sawyer Isherwood (A0.1248560). Tempest's Approach is a captivating wind ensemble composition that takes listeners on a dramatic journey through the atmospheric turmoil of a storm. The piece masterfully captures the essence of a tempest, skillfully utilizing a range of instruments and musical techniques to create a vivid sonic portrayal.The composition begins with a slow and tranquil section, symbolizing the calm before the storm. A poignant French horn solo emerges, drawing the audience into a serene soundscape. Meanwhile, other instruments subtly mimic the gentle patter of raindrops and the haunting whispers of the wind, creating an immersive atmosphere.As the tension builds, a duet between the euphonium and tuba ensues, serving as a transitional bridge into the impending storm. Dissonant brass chords punctuate the composition, mirroring the initial signs of lightning piercing through the darkness. The baritone saxophone then takes center stage, its haunting solo representing the gradual approach of the storm, with each note evoking a sense of anticipation.In a climactic turn, the percussion section bursts forth, meticulously replicating the tumultuous sounds of a raging storm. Thunderous rolls, crashing cymbals, and cascading snare drum patterns immerse the listeners in the chaotic energy of the tempest. The woodwinds join in with swirling sixteenth notes and trills, amplifying the sense of swirling winds and torrential rain.A shift to cut time signals a momentary respite, symbolizing the storm's brief slowdown. However, the tranquility is short-lived, as the composition quickly accelerates, portraying the intensification of the tempest. The ensemble conjures a maelstrom of sound, mimicking the violent peak of the storm with powerful rhythms and dynamic swells.Finally, as the storm gradually subsides, an alto saxophone takes up the melody once delivered by the French horn. Its somber solo, reminiscent of the opening, serves as a reflective moment, encapsulating the aftermath of the tumultuous weather. The composition draws to a close with a sense of calm resolution, leaving the audience in awe of the storm's raw power and beauty.Tempest's Approach is a captivating and dynamic wind ensemble composition that skillfully combines melodic storytelling, atmospheric effects, and powerful instrumentation to create a sonic narrative that brings the audience into the heart of a storm.
$58.00 ≈
53.63€
King's Weather
King's Weather
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Contemporain
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Drake Mabry
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King's Weather
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Drake Mabry
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SheetMusicPlus
Small Ensemble Bass Clarinet,Percussion,Piano - Level 3 - SKU: A0.799426 Composed by Drake Mabry. 20th Century,Contemporary. Score and parts. 18 pages. ...
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Small Ensemble Bass Clarinet,Percussion,Piano - Level 3 - SKU: A0.799426 Composed by Drake Mabry. 20th Century,Contemporary. Score and parts. 18 pages. Drake Mabry #516863. Published by Drake Mabry (A0.799426). An opening flourish sets up the entrance by the bass clarinet which continues with punctuations from the piano and percussion. There is interplay between all instruments as well as cadenzas each for the piano and bass clarinet. The work was written as my response to hearing a recording of Edith Piaf singing the Hymne d'Amour. Most of the score is spatially conceived with several sections notated. The duration is 7'30 minutes. Due to the somewhat difficult to read manuscript I have reduced the price.
$7.99 ≈
7.39€
Dance On Heavy Weather
Dance On Heavy Weather
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Basse electrique
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INTERMÉDIAIRE
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Level 42
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Dance On Heavy Weather
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Stuart Clayton/Bassline Publishing
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SheetMusicPlus
Bass Guitar - Level 3 - SKU: A0.1193822 By Level 42. By Bernard Taylor, Larry Dunn, Mark King, Michael David Lindup, Phil Gould, and Verdine White. Arra...
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Bass Guitar - Level 3 - SKU: A0.1193822 By Level 42. By Bernard Taylor, Larry Dunn, Mark King, Michael David Lindup, Phil Gould, and Verdine White. Arranged by Stuart Clayton/Bassline Publishing. Funk,Jazz,Pop. Score. 7 pages. Stuart Clayton/Bassline Publishing #793295. Published by Stuart Clayton/Bassline Publishing (A0.1193822). This great track is from Level 42's 1983 album Standing in the Light and was co-written with members of Earth Wind and Fire.
$4.99 ≈
4.61€
Professor M & M's Jive Detector (Bb leadsheet, with tenor sax & piano melody)
Professor M & M's Jive Detector (Bb leadsheet, with tenor sax & piano melody)
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Mark S
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Professor M & M's Jive Det
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Geofonica Artistworks
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SheetMusicPlus
Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.948696 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 ...
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Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.948696 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038041. Published by Geofonica Artistworks (A0.948696). Professor M & M's Jive Detector is a super cool, very bluesy instrumental jazz hit (in Bb lead-sheet format here, for tenor sax or other Bb instruments.) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and tenor sax interact, with sax and piano doubling the main melody (performed by guest saxophonist Plas Johnson--famed Wrecking Crew sax/woodwind player who was featured on The Pink Panther Theme), plus sax and piano in blues interplay and counterpoint. It's a great vehicle for musical interplay, blues/jazz improvisation, and laid-back bluesy rhythm section grooves. The API track featured Plas Johnson on sax backed by the Mark Massey trio, with Eric Stiller on acoustic bass and Aldo Bentivegna on drums.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Professor M&M's Jive Detector, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the.
$3.99 ≈
3.69€
Professor M & M's Jive Detector (C lead sheet, with piano & tenor sax melody)
Professor M & M's Jive Detector (C lead sheet, with piano & tenor sax melody)
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Mark S
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Professor M & M's Jive Det
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Geofonica Artistworks
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.948697 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038029....
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.948697 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038029. Published by Geofonica Artistworks (A0.948697). Professor M & M's Jive Detector is a super cool, very bluesy instrumental jazz hit (in lead sheet format here) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. (NOTE: A Bb leadsheet is also available.) The piano and tenor sax interact, with sax and piano doubling the main melody (performed by guest saxophonist Plas Johnson--famed Wrecking Crew sax/woodwind player who was featured on The Pink Panther Theme), plus sax and piano in blues interplay and counterpoint. It's a great vehicle for musical interplay, blues/jazz improvisation, and laid-back bluesy rhythm section grooves. The API track features Plas Johnson on sax backed by the Mark Massey trio, with Eric Stiller on acoustic bass and Aldo Bentivegna on drums.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Professor M&M's Jive Detector, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been released. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, bop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the heated Limejuicer Blues, and .
$3.99 ≈
3.69€
Andy Fitzpatrick - You Knew What I Was Looking For Before I Did - Songbook
Andy Fitzpatrick - You Knew What I Was Looking For Before I Did - Songbook
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Piano, Voix et Guitare
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Andy Fitzpatrick
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Andy Fitzpatrick - You Knew Wh
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Aindriu Mac Giolla Padraig
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - SKU: A0.1022888 Composed by Andy Fitzpatrick. Contemporary,Country,Pop,Rock. Score. 29 pages. Aindriu Mac Giolla Padraig #657...
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Guitar,Piano,Vocal,Voice - SKU: A0.1022888 Composed by Andy Fitzpatrick. Contemporary,Country,Pop,Rock. Score. 29 pages. Aindriu Mac Giolla Padraig #6571961. Published by Aindriu Mac Giolla Padraig (A0.1022888). All 12 songs from Andy Fitzpatrick's album You Knew What I Was Looking For Before I Did transcribed for vocal/guitar and The West's Awake for solo piano.Titles I Don't Know Why I Get So Down • I’m No Stranger To Loneliness • You Got Nothing To Hide But The Devil Inside • When I Fell In Love With You • I Lost My Heart When I Met You • Tear Your Heart Out With A Song • What's Becoming of Me • Don't Let The Weather Get You Down • It’s New Day Again • You Knew What I Was Looking For Before I Did • You Gotta Believe • The West’s Awake
$9.99 ≈
9.24€
Beethoven's Sprung Sonata
Beethoven's Sprung Sonata
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Edward Holmes and Ludwig van B
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Beethoven's Sprung Sonata
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Edward Holmes
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1415973 Composed by Edward Holmes and Ludwig van Beethoven. 19th Century,Chamber,Classical,Holiday. 34 pages. Edward Ho...
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Piano,Violin - Level 4 - SKU: A0.1415973 Composed by Edward Holmes and Ludwig van Beethoven. 19th Century,Chamber,Classical,Holiday. 34 pages. Edward Holmes #997669. Published by Edward Holmes (A0.1415973). This is a funny parody of Beethoven's famous Spring Sonata (Violin sonata no.5) however based on the spring of 2024, rather than 1801...Taking the appauling weather and other worldly events into account, this wonderful bright melody has been transformed into something a little more miserable.Approx: 11 mins.
$9.99 ≈
9.24€
In Like A Lion: A Children's Song For March
In Like A Lion: A Children's Song For March
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Piano, Voix
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DÉBUTANT
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Enfant
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Darcy Hill
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In Like A Lion: A Children's S
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Darcy Hill
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.960859 Composed by Darcy Hill. Children. Score. 7 pages. Darcy Hill #1768583. Published by Darcy Hill (A0.960859)....
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Piano,Vocal,Voice - Level 1 - SKU: A0.960859 Composed by Darcy Hill. Children. Score. 7 pages. Darcy Hill #1768583. Published by Darcy Hill (A0.960859). In like a lion, out like a lamb describes the wild changeable weather of March. This original little song has two different melodies, (the lion melody and the lamb melody), which can be sung together, point and counterpoint. The super simple repetitive accompaniment keeps all voices rhythmically together. This is a delightful challenge to learn and share. One Arts Infusion Collaborative seeks to create original music that supports and enhances curricular content, celebrates holidays, and stirs imaginative thinking.
$2.00 ≈
1.85€
It's Raining Men
It's Raining Men
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Orchestre d'harmonie
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FACILE
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The Weather Girls
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Joop Derks
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It's Raining Men
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Derksarrangementen
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1292268 By The Weather Girls. By Paul Jabara and Paul Shaffer. Arranged by Joop Derks. 20th Century,Disco,Pop,Rock. Sco...
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Concert Band - Level 2 - SKU: A0.1292268 By The Weather Girls. By Paul Jabara and Paul Shaffer. Arranged by Joop Derks. 20th Century,Disco,Pop,Rock. Score and Parts. 121 pages. Derksarrangementen #882884. Published by Derksarrangementen (A0.1292268). It's Raining Men for Concert Band - Harmonie with band and Vocals! Full Score, Flute (1,2), Oboe, Bassoon, Clarinet (Eb), Clarinet (Bb 1,2,3) Bass Clarinet, Alto sax (1,2), Tenor sax (1,2) , Baritone Sax, Horn (1,2) in F and Eb, Trumpet Bb (1,2,3), Trombone (1,2,3) In C, Bb TC and Bb BC, Bass Trombone,  Euphonium (1,2) in C, Bb BC and Bb TC, Bass Tuba in C and Bb BC, Bb TC, Eb BC and Eb TC, Drum set, Percussion, Piano, Electric Guitar, Bass Guitar, and Vocals.For more information please contact Derksarrangementen@home.nlAbout the arranger: Joop Derks is a musician, conductor and arranger from the Netherlands. He has been working for the Dutch Military Music for years and also conducts a number of civilian concert bands.
$85.00 ≈
78.60€
The Weather
The Weather
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Lawrence
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Joseph Knox
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The Weather
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Joseph Knox
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1326731 By Lawrence. By Clyde Larence, Gracie Lawrence, Jonathan David Bellion, Jonathan Koh, and ...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1326731 By Lawrence. By Clyde Larence, Gracie Lawrence, Jonathan David Bellion, Jonathan Koh, and Jordan Cohen. Arranged by Joseph Knox. A Cappella,Contemporary,Pop,Soul. 10 pages. Joseph Knox #914874. Published by Joseph Knox (A0.1326731). A gorgeous choral take on Lawrence's stunning piano ballad. Recommended for any choir or ensemble looking for a challenging contemporary song that will push your singers musically and artistically. Ensemble:- Soprano 1+2- Mezzo 1+2- Alto 1+2- Tenor 1+2- Baritone- Bass- Vocal Percussion.
$4.99 ≈
4.61€
It's Raining Men
It's Raining Men
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Chorale 3 parties
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FACILE
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The Weather Girls
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Jane Berry
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It's Raining Men
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Jane Berry
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SheetMusicPlus
Choral Choir (SSA) - Level 2 - SKU: A0.928299 By The Weather Girls. By Paul Jabara and Paul Shaffer. Arranged by Jane Berry. A Cappella,Oldies. Octavo. ...
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Choral Choir (SSA) - Level 2 - SKU: A0.928299 By The Weather Girls. By Paul Jabara and Paul Shaffer. Arranged by Jane Berry. A Cappella,Oldies. Octavo. 6 pages. Jane Berry #5337109. Published by Jane Berry (A0.928299). This is a great arrangement for any treble voice ensemble. It can be successfully done with a group of any size. An excellent choice for working on early stage part independence.
$4.50 ≈
4.16€
The No Snow Blues Digital Backing Track/The Snowman Blues Digital Backing Track
The No Snow Blues Digital Backing Track/The Snowman Blues Digital Backing Track
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Teresa OConnell
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The No Snow Blues Digital Back
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Teresa O'Connell
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SheetMusicPlus
SKU: A0.1070754 Composed by Teresa OConnell (BMI). Children,Pop. Accompaniment. Duration 152. Teresa O'Connell (BMI) #6057141. Published by Teresa O'Con...
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SKU: A0.1070754 Composed by Teresa OConnell (BMI). Children,Pop. Accompaniment. Duration 152. Teresa O'Connell (BMI) #6057141. Published by Teresa O'Connell (BMI) (A0.1070754). This is the digital backing track for Teresa O'Connell's The No Snow Blues(sheetmusicplus.com item #769053). It also works for the cold weather version The Snowman Blues by Teresa OConnell (BMI). The No Snow Blues is sung by kids who live in a warm climate and are lamenting the permanent lack of snow. No snowmen, snowball fights, sledding, or snow forts. What's a kid to do? The No Snow Blues is a great way to teach Twelve Bar Blues, while allowing your students to channel their inner Elvis. Add simple, fun movement, maybe a soloist, and a few simple props or costume pieces and you have a crowd-pleasing hit. Guaranteed easy to learn and fun to sing! .
$20.00 ≈
18.49€
Nica's Dream
Nica's Dream
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Horace Silver
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Bryan Starkweather
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Nica's Dream
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Bryan Starkweather
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.914431 By Horace Silver. By Horace Silver. Arranged by Bryan Starkweather. Jazz. Score and parts. 47 pages. Bryan Starkwe...
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Jazz Combo - Level 4 - SKU: A0.914431 By Horace Silver. By Horace Silver. Arranged by Bryan Starkweather. Jazz. Score and parts. 47 pages. Bryan Starkweather #5033477. Published by Bryan Starkweather (A0.914431). Nica's Dream for little big band. Originally written as a vocal chart, this was premiered at Barbara B Mann performing arts hall in 2017 by the Florida Southwestern State College Jazz Combo. Written for Alto, Tenor, Bari, Trumpet, Trombone, and Rhythm Secion, the Alto takes over as the feature instrument here instead of the vocal. There are some tricky segues making this a perfect college or all state/all county piece. Chords are included on piano and bass part.For comments, questions, corrections, or special requests, please email me at bryan32483@gmail.com for any and all info, or visit https://www.facebook.com/Canvas-Music-Productions-134274459972325/ I love hearing from my customers! I'm always happy to help in any way I can, including modifying a piece to suit your needs.
$24.99 ≈
23.11€
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobsc
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149...
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Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99 ≈
9.24€
La Passeggiata, An Evening Stroll for Violin and Piano
La Passeggiata, An Evening Stroll for Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE
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Philip Clark
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La Passeggiata, An Evening Str
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Philip H Clark
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.933395 Composed by Philip Clark. Contemporary,Instructional,Standards. 7 pages. Philip H Clark #2031993. Published by P...
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Piano,Violin - Level 3 - SKU: A0.933395 Composed by Philip Clark. Contemporary,Instructional,Standards. 7 pages. Philip H Clark #2031993. Published by Philip H Clark (A0.933395). This piece was inspired by an actual 'passeggiata' in a small Tuscan town (Montespertoli) not far from Florence. There seemed to be no starting signal, yet suddenly the square was filled with people - excited children, teenagers in love for the first time, couples with strollers, serious adults discussing world affairs or the weather. They were walking slow, walking fast, talking slow, talking fast or not at all. And as I sat there drinking in this extraordinary spectacle, Sevcik's finger exercises were going round and round in my head. (3rd position plus harmonics).
$9.00 ≈
8.32€
Danny Boy
Danny Boy
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Chorale SATB
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Frederick Edward Weatherly and
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Danny Boy
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Hal Leonard - Digital
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SheetMusicPlus
(SATB) - SKU: HX.410451 By Frederick Edward Weatherly and The King's Singers. Concert,Folk,Irish. Choral. 7 pages. Published by Hal Leonard - Digital (H...
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(SATB) - SKU: HX.410451 By Frederick Edward Weatherly and The King's Singers. Concert,Folk,Irish. Choral. 7 pages. Published by Hal Leonard - Digital (HX.410451).
$2.15 ≈
1.99€
The Edmund Fitzgerald - Concerto for Piano and Strings
The Edmund Fitzgerald - Concerto for Piano and Strings
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Orchestre à Cordes
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AVANCÉ
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Contemporain
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Geoffrey Peterson
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The Edmund Fitzgerald - Concer
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Geoffrey Peterson
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Publishe...
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String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99 ≈
9.24€
Wind Quintet - Summer in Bloom
Wind Quintet - Summer in Bloom
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Mike Lyons
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Wind Quintet - Summer in Bloom
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767557 Composed by Mike Lyons. Concert,Contemporary. 39 pages. Lyons Music Services #5968167. Pub...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767557 Composed by Mike Lyons. Concert,Contemporary. 39 pages. Lyons Music Services #5968167. Published by Lyons Music Services (A0.767557). This is a brand new, original piece for wind quintet.I decided that I wanted to create a musical description of summer under lockdown, spending time in the garden (although there are no bird sounds) in the NorthWest of England. The weather here is usually very changeable (it's why we talk about it so much) so, of course, I included a thunderstorm in the middle!The piece opens with a gentle walk in the garden, (bassoon) the beautiful flowers swaying in the slight breeze (clarinet and horn). The oboe melody that enters in bar two expresses my thoughts of delight at the beautiful scene. The melody is passed around the ensemble, there's a duet with the flute and then the bassoon takes charge, with the horn taking over the walking bassline.At letter C there's an abrupt change of scene as I notice the bees busily flitting from flower to flower, pollenating and collecting nectar. The instruments play flutter-tongue to imitate an annoyed buzz every now and again as bees from different hives chance upon the same flower, but all remains peacefully business-like.At Letter D, we have a slight slowing of tempo as some butterflies flit from place to place, aimlessly taking off and landing fluttering for a short while in the sunshine. This section is as carefree as possible and should just amble along. The tempo can be pulled about quite a bit.At Letter F, there's a huge, sudden thunderstorm, jagged lightning and rolling thunder as a downpour drenches the garden. Just as suddenly as it started, the storm ends and rain reduces to a thin drizzle. Out comes the sun and we continue through the garden into the distance.
$30.00 ≈
27.74€
Written in the Stars
Written in the Stars
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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Written in the Stars
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1157142 Composed by Sally Whitwell. Classical,Contemporary. Octavo. 15 pages. Sally Whitwell #757469. Published ...
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Choral Choir (SATB) - Level 4 - SKU: A0.1157142 Composed by Sally Whitwell. Classical,Contemporary. Octavo. 15 pages. Sally Whitwell #757469. Published by Sally Whitwell (A0.1157142). Written in the Stars -- text and music by Sally Whitwell Written in the Stars was originally conceived in the aftermath of the 2019-2020 bushfire season, the most destructive Australia has yet seen. At the time, we thought things couldn’t get worse, but then followed more extreme weather events, insect and rodent plagues, and a deadly pandemic that brought the world to its knees. All these things are connected, the result of humanity’s exploitative relationship with the planet and its other inhabitants. But we continue to deny the problems and to fail to act. As a species, in our more optimistic moments, we talk about having great opportunities to reinvent, that to live the status quo means that we will be faced with an untenable future. Talking about it is one thing but as far as I see it, we are not taking any opportunities to act. It is clear that we do not learn from our mistakes. As Spanish American writer George Santayana once said “Those who cannot remember the past are condemned to repeat it.†It is from this notion that this song was born. Written in the Stars is about society’s propensity to go through cycles of behaviour, never learning from the mistakes of the past. Written in the Stars was originally commissioned by Adelaide Chamber Singers, directed by Carl Crossin. Sally Whitwell January 2023.
$1.99 ≈
1.84€
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