Tout le site ▾
Tout le site ▾
Partitions GRATUITES
Partitions LIVRES
Partitions NUMÉRIQUES
MATERIEL de Musique
Mon compte
(connectez-vous)
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites ▾
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
|
Compositeurs membres
Compositeurs historiques
Tous les compositeurs
INSTRUMENTATIONS
|
SOLO
DUO
TRIO
QUATUOR
QUINTET
ENSEMBLE
TOUS
R. AVANCÉES
|
Partitions Numériques
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale ▾
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
SECTIONS
|
ARTISTES
EDITEURS
FORMATION MUSICALE
IDEES CADEAUX
LIVRES SUR LA MUSIQUE
PLAY-ALONG
R. AVANCÉE
Matériel de Musique ▾
STUDIO
|
SONO
|
ACCESSOIRES
|
ACCESSOIRES
|
CABLE
|
EFFET
|
FLIGHT
|
LOGICIEL
|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
|
PERCUSSION
|
VENT
|
NOËL
|
CORDES/TRAD.
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Konzert Etüden
Non classifié
1
Piano & claviers
Guitares
Guitare notes et tablatures
2
Voix
Chorale SATB
1
Vents
Clarinette et Piano
2
Flûte traversière et Piano
2
Flûte à bec Alto
1
Flûte traversière
1
Cuivres
Cordes
Violon et Piano
6
Violoncelle, Piano
2
Violon, Basse continue
1
Violon
1
Percussions & orchestre
Piano et Orchestre
1
Autres
Imprimer aprés achat
Accueil
Meilleures Ventes
Nouveautés
Vendeurs
Vendeurs
Européens
Chez Tomplay
Chez Quickpartitions
Chez Noviscore
Chez Profs-edition
Chez Note4piano
Américains
Chez Musicnotes
Chez Sheetmusicplus
Chez Virtualsheetmusic
Artistes Internationaux
Artistes Francophones
Top artistes
Top artistes
POP
Adele
Billie Eilish
Ed Sheeran
BTS
Coldplay
Pharrel Williams
Daft Punk
Avicii
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Beatles
NEW AGE / CONTEMPORAINS :
Ludovico Einaudi
Yiruma
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
FILMS
Lin-Manuel Miranda
Joe Hisaishi
Ennio Morricone
Yann Tiersen
John Williams
Howard Shore
Hans Zimmer
FRANÇAIS :
Slimane
Calogero
Clara Luciani
Vianney
Kendji Girac
Stromae
William Sheller
Georges Brassens
Claude Nougaro
Serge Gainsbourg
Jean Jacques Goldman
PARTITIONS GRATUITES
185 000+ partitions
BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison
PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer
MATERIEL DE MUSIQUE
Accessoires & Instruments
Partitions Numériques, Accès après l'Achat
Expédition postale
Téléchargement
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Meilleures ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Konzert Etüden
Partitions à imprimer
21 partitions trouvées
<
1
Gavotte
Gavotte
#
Violoncelle, Piano
#
INTERMÉDIAIRE
#
Sebastian Lee
#
Gavotte
#
Schott Music - Digital
#
SheetMusicPlus
Cello and piano - intermediate - SKU: S9.Q47123 Composed by Sebastian Lee. This edition: Sheet music. Schott Student Edition - Repertoire. Downloadable....
(+)
Cello and piano - intermediate - SKU: S9.Q47123 Composed by Sebastian Lee. This edition: Sheet music. Schott Student Edition - Repertoire. Downloadable. Op. 112. Schott Music - Digital #Q47123. Published by Schott Music - Digital (S9.Q47123). Key: B minor.Sebastian Lee (1805–1887) wirkte als erfolgreicher Cellist und Pädagoge u.a. in Paris und Hamburg. Seine Schulwerke, Etüden und Duette werden bis heute im Unterricht verwendet. Daneben stammen auch zahlreiche Konzertstücke für Violoncello und Klavier aus Lees Feder. Die Gavotte op. 112 ist ein effektvoll und facettenreich stilisierter Tanz, der fortgeschrittene Schüler vor anspruchsvolle Aufgaben stellt. Dabei sind die Herausforderungen am Instrument und seinen technischen Möglichkeiten orientiert: So liegen beispielsweise die schnellen Sechzehntelfigurationen gut „in der Hand“, erzeugen aber gleichzeitig eine virtuose Wirkung. Voraussetzung für die Erarbeitung der Komposition sind der versierte Umgang mit Tonhöhen bis zur sechsten Lage, Erfahrungen mit Daumenlage und Flageoletts, Fertigkeiten im Spiel von Doppelgriffen und Verzierungen sowie eine gute Geläufigkeit der linken Hand. Musikalisch bietet die Gavotte die Möglichkeit, unterschiedliche Charaktere darzustellen: Es gilt, leichte „luftige“ Motive, breite energiegeladene Akkorde, aber auch schnelle virtuose Passagen zu gestalten. Der Klavierpart ist schlicht gesetzt und beschränkt sich weitgehend auf eine unterstützende Begleitfunktion. Diese Ausgabe ist Teil der Unterrichtsreihe Schott Student Edition, die vielfältiges Repertoire für Unterricht, Konzert und Prüfung in verschiedenen Schwierigkeitsgraden (von leicht bis schwer) bietet. Hierfür werden u.a. beliebte Standardwerke der Musikgeschichte in modernem und übersichtlichem Druckbild herausgeben. Zu vielen Stücken ist die Klavierbegleitung zum Download verfügbar. About Schott Student EditionThe Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
$9.99 ≈
9.22€
Konzert-Etüden
Konzert-Etüden
#
Fritz Pilsl
#
Konzert-Etüden
#
Matthias Hohner Verlag GmbH - Digital
#
SheetMusicPlus
Chromatic harmonica and piano - SKU: S9.Q5042 Nach Paganini-Themen. Composed by Fritz Pilsl. This edition: Sheet music. Downloadable. Matthias Ho...
(+)
Chromatic harmonica and piano - SKU: S9.Q5042 Nach Paganini-Themen. Composed by Fritz Pilsl. This edition: Sheet music. Downloadable. Matthias Hohner Verlag GmbH - Digital #Q5042. Published by Matthias Hohner Verlag GmbH - Digital (S9.Q5042).
$6.99 ≈
6.45€
Fingerfood XXL Vol. 1
Fingerfood XXL Vol. 1
#
Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Methodes
#
Methodes Etudes
#
Thomas Fellow
#
Fingerfood XXL Vol. 1
#
Schott Music - Digital
#
SheetMusicPlus
18 Crossover Pieces For Advanced Players. Composed by Thomas Fellow. Fellow Guitar Music Collection. 18 opulente Happen fur Konzertgitarre und Steelst...
(+)
18 Crossover Pieces For Advanced Players. Composed by Thomas Fellow. Fellow Guitar Music Collection. 18 opulente Happen fur Konzertgitarre und Steelstrings: Vol. 1 von Fellows umfangreicher Sammlung bietet anspruchsvollen Gitarrist:innen kurzere Stucke (STARTER) zusammen mit einer ganzen Reihe von Balladen (SWEET) an. Inkl. TABs. Downloadable, Tune book. Op. 5. Schott Music - Digital #Q564325. Published by Schott Music - Digital
Item Number: S9.Q564325
Thomas Fellow, Autor des erfolgreichen Standardwerkes Fellow Guitar Book und weltweit konzertierender Gitarrist (European Guitar Quartet, Friend `n Fellow, Hands on Strings), erweitert seine Guitar Music Collection mit diesem und dem Folgeband um eine umfangreiche Menge Kompositionen in seiner ihm eigenen modernen, stilistisch offenen Klangsprache. Das vorliegende Heft mit 18 DELIGHTFUL CROSSOVER PIECES wendet sich an interessierte Studenten, konzertierende Gitarrist:innen ebenso wie an ambitionierte Laien. Die Stucke sind anspruchsvoll (Schwierigkeitsgrad 4 - schwer) und bilden durch die zusatzliche Notation in TABS auch fur nicht-notenkundige Spieler eine perfekte Erganzung fur ihr Repertoire an moderner Gitarrenliteratur. FINGERFOOD XXL Vol. 1 umfasst kurzere Kompositionen (STARTER) und eine ganze Reihe von Balladen (SWEET). Alle Stucke sind konzertant, aber jedes auf seine Weise. Und so lassen sich Fingerstyle-Einflusse ebenso erkennen wie brasilianische Klange, mal nahert sich Fellow dem Jazz, mal der Popmusik und vermittelt immer Spielfreude und Horgenuss.
$16.99 ≈
15.68€
16 Solo Pieces from the Baroque Era
16 Solo Pieces from the Baroque Era
#
Flûte traversière
#
INTERMÉDIAIRE
#
Classique
#
16 Solo Pieces from the Baroqu
#
Schott Music - Digital
#
SheetMusicPlus
Flute - intermediate - SKU: S9.Q4761 This edition: Sheet music. Il Flauto traverso. Downloadable. Schott Music - Digital #Q4761. Published by Schott Mus...
(+)
Flute - intermediate - SKU: S9.Q4761 This edition: Sheet music. Il Flauto traverso. Downloadable. Schott Music - Digital #Q4761. Published by Schott Music - Digital (S9.Q4761). Wer Flöte spielt, kennt viele Sonaten, Trios und Konzerte, die in den Jahrzehnten von 1700-1760 komponiert wurden. Die technischen Fähigkeiten für das Spiel dieser Musik werden aber vielfach an Etüden und Stücken eines anderen Stils erworben. In dieser Ausgabe wurden nun mittelschwere Originalkompositionen für die Flöte ohne Begleitung, die stilistisch und technisch auf die Musik jener Zeit vorbereiten, in grö�erer Zahl zusammengestellt. Diese Stücke stammen von französischen Komponisten, die Zeitgenossen von Couperin, Rameau, Vivaldi, Bach, Händel und Telemann gewesen waren. Es sind Vortragsstücke, zugleich aber auch Vorläufer der Etüde. Die Form des Rondeau und typische Tanzsätze der Zeit wurden bevorzugt.
$13.99 ≈
12.91€
Concerto C major
Concerto C major
#
Violon et Piano
#
AVANCÉ
#
Karl Ditters von Dittersdorf
#
Concerto C major
#
Schott Music - Digital
#
SheetMusicPlus
Violin and string orchestra - advanced - SKU: S9.Q5713 Composed by Karl Ditters von Dittersdorf. This edition: piano reduction with solo part. Violin Li...
(+)
Violin and string orchestra - advanced - SKU: S9.Q5713 Composed by Karl Ditters von Dittersdorf. This edition: piano reduction with solo part. Violin Library. Downloadable, Piano reduction with solo part. Op. Nr. 10. Schott Music - Digital #Q5713. Published by Schott Music - Digital (S9.Q5713). Carl Ditters von Dittersdorf (1739-1799) drew attention to himself even as a child due to his musical talent: At the age of seven he took violin lessons, only three years later he was hired as a violinist in Vienna and played little solos. His numerous compositions and particularly his 'singspiels' (song-plays) were very popular with the audience: Ditters von Dittersdorf's comedy 'Der Apotheker und der Doktor' even outdid Mozart's 'Le nozze di Figaro' in contemporary popularity in 1786. In 1766 Dittersdorf wrote the Violin Concerto in C major while being in service as leader of a music band in Großwardein, a post he had accepted in succession to Michael Haydn. The solo part was probably played by the composer himself at the first performance. The concerto is a work that is fun to play: A pleasant, particularly concertante Allegro moderato is followed by a playful cantabile Andante and a Presto as virtuoso finale.Das Violinkonzert C-Dur schrieb Dittersdorf im Jahre 1766 in seiner Zeit als Leiter der Musikkapelle in Großwardein, eine Stelle, die er in der Nachfolge von Michael Haydn angetreten hatte. Den Solopart dürfte der Komponist bei der Aufführung sicherlich selbst gespielt haben. Das Konzert ist ein spielfreudiges Werk: Einem gefälligen, betont-konzertanten Allegro moderato folgen ein kantabel und verspieltes Andante und ein Presto als virtuoser Kehraus.
$15.99 ≈
14.76€
Recorder Virtuosos
Recorder Virtuosos
#
Flûte à bec Alto
#
AVANCÉ
#
Hans-Martin Linde
#
Recorder Virtuosos
#
Schott Music - Digital
#
SheetMusicPlus
Treble recorder - difficult - SKU: S9.Q5311 Solo Pieces. Composed by Hans-Martin Linde. This edition: Sheet music. Original Music for Recorder. D...
(+)
Treble recorder - difficult - SKU: S9.Q5311 Solo Pieces. Composed by Hans-Martin Linde. This edition: Sheet music. Original Music for Recorder. Downloadable. Schott Music - Digital #Q5311. Published by Schott Music - Digital (S9.Q5311). Diese Solostücke entstanden als Weiterführung der Neuzeitlichen Übungsstücke (ED 4797). Sie können also als Etüden dienen, wurden jedoch auch im Hinblick auf konzertmäßige Aufführungen geschrieben.
$13.99 ≈
12.91€
Concerto in C sharp minor
Concerto in C sharp minor
#
Violon et Piano
#
AVANCÉ
#
Franz Berwald
#
Henri Marteau
#
Concerto in C sharp minor
#
Musikverlag Zimmermann - Digital
#
SheetMusicPlus
Violin and orchestra - difficult - SKU: S9.Q47083 Composed by Franz Berwald. Arranged by Henri Marteau. This edition: piano reduction with solo part. Cl...
(+)
Violin and orchestra - difficult - SKU: S9.Q47083 Composed by Franz Berwald. Arranged by Henri Marteau. This edition: piano reduction with solo part. Classics Relaunched. Downloadable, Piano reduction with solo part. Op. 2. Duration 19' 30. Musikverlag Zimmermann - Digital #Q47083. Published by Musikverlag Zimmermann - Digital (S9.Q47083). Key: C sharp minor. German • English.Berwalds Violinkonzert in cis-Moll wurde bei seiner Uraufführung am 3. März 1821 von seinen Zeitgenossen nicht verstanden. Es verging beinahe ein ganzes Jahrhundert, bis die Musikwelt das geniale Konzert nachvollziehen konnte. Henri Marteau fand es, revidierte es und veröffentlichte es 1911 im Musikverlag Zimmermann. Orchestermaterial leihweise erhältlich.
$22.99 ≈
21.22€
Sonata
Sonata
#
Flûte traversière et Piano
#
AVANCÉ
#
Emile Naoumoff
#
Sonata
#
Musikverlag Zimmermann - Digital
#
SheetMusicPlus
Flute and piano - advanced - SKU: S9.Q585488 Composed by Emile Naoumoff. Die Sonate für Flöte und Klavier von Emile Naoumoff, Schüler von Nadia...
(+)
Flute and piano - advanced - SKU: S9.Q585488 Composed by Emile Naoumoff. Die Sonate für Flöte und Klavier von Emile Naoumoff, Schüler von Nadia Boulanger, besteht aus fünf Sätzen, in eine Toccata mündend. Die Komposition ist Pflichtstück beim Internationalen Flötenwettbewerb Ferdinand W. Neess 2024 in Wiesbaden. Downloadable, Score and part. Duration 10' 55. Musikverlag Zimmermann - Digital #Q585488. Published by Musikverlag Zimmermann - Digital (S9.Q585488). Die Sonate für Flöte und Klavier von Emile Naoumoff besteht aus fünf Sätzen, in eine Toccata mündend. Die Komposition ist Pflichtstück beim Internationalen Flötenwettbewerb Ferdinand W. Neess 2024 in Wiesbaden. Naoumoff wurde 1962 in Sofia geboren. Als Achtjähriger begann seine Karriere als Pianist und Komponist; zehn Jahre lang war er bis zu deren Tod Schüler von Nadia Boulanger. Mit zehn Jahren komponierte und spielte Naoumoff sein eigenes Klavierkonzert unter der Leitung von Yehudi Menuhin. Es folgten zahlreiche Preise, Ehrungen und Auftritte als gefeierter Pianist. Heute lebt und arbeitet Naoumoff als Associate Professor an der School of Music der Indiana University in Bloomington. Er gibt Meisterkurse in den USA, in Europa und Japan und leitet eine Musikakademie.
$15.99 ≈
14.76€
Christmas Music
Christmas Music
#
Violon et Piano
#
Noël
#
Christmas Music
#
Schott Music - Digital
#
SheetMusicPlus
Violin and piano - easy to intermediate - SKU: S9.Q46839 This edition: Sheet music. Downloadable. Schott Music - Digital #Q46839. Published by Schott Mu...
(+)
Violin and piano - easy to intermediate - SKU: S9.Q46839 This edition: Sheet music. Downloadable. Schott Music - Digital #Q46839. Published by Schott Music - Digital (S9.Q46839). In “Weihnachtliche Musik“ für Violine und Klavier finden sich Vortragsstücke zur Weihnachtszeit, die aus Auszügen bekannter Werke und Meister des Barock- und Romantikzeitalters bestehen. Darunter Sätze aus Violinsonaten (Corelli, dall'Abaco, Vivaldi) und Kammersonaten (Pepusch, Händel) sowie aus Konzerten (concerto grosso, Vivaldi) und Weihnachtskonzerten (Corelli, Manfredini). Dazu eine Sinfonie und Choräle aus einem Weihnachtsoratorium (Bach) und eine Hirtenmusik (Pifa) aus einem Oratorium (Der Messias, Händel), ebenso ein Wiegenlied aus einer Suite für Violine und Klavier (Reger) und ein Marsch aus einem Weihnachtsliederspiel (Christnacht, Haas).In diesem Heft finden sich Vortragsstücke zur Weihnachtszeit, die aus Auszügen bekannter Werke und Meister des Barock- und Romantikzeitalters bestehen - darunter Sonaten und Konzerte von Corelli und Vivaldi sowie Oratorien von Bach und Händel u. a. m.
$17.99 ≈
16.60€
4 Hommages
4 Hommages
#
Violon
#
AVANCÉ
#
Heinz Holliger
#
4 Hommages
#
Schott Music - Digital
#
SheetMusicPlus
Violin solo - difficult - SKU: S9.Q47446 For violin. Composed by Heinz Holliger. This edition: Sheet music. Etude - string instrument - violin - ...
(+)
Violin solo - difficult - SKU: S9.Q47446 For violin. Composed by Heinz Holliger. This edition: Sheet music. Etude - string instrument - violin - contemporary music. Downloadable. Schott Music - Digital #Q47446. Published by Schott Music - Digital (S9.Q47446). Geschrieben für Isabelle Faust, Patricia Kopatchinskaja, Hansheinz Schneeberger und Thomas Zehetmair sind die 4 Hommages teils vergnügliche Encores, teils ausgewachsene Konzertstücke und Etüden in avancierten zeitgenössischen Spieltechniken.
$22.99 ≈
21.22€
Three Pictures from Childhood
Three Pictures from Childhood
#
Flûte traversière et Piano
#
Contemporain
#
Emile Naoumoff
#
Three Pictures from Childhood
#
Schott Music - Digital
#
SheetMusicPlus
Flute and piano - easy to intermediate - SKU: S9.Q16224 Composed by Emile Naoumoff. This edition: Sheet music. Il Flauto traverso. Downloadable. Schott ...
(+)
Flute and piano - easy to intermediate - SKU: S9.Q16224 Composed by Emile Naoumoff. This edition: Sheet music. Il Flauto traverso. Downloadable. Schott Music - Digital #Q16224. Published by Schott Music - Digital (S9.Q16224). Eine Hommage auf Francis Poulenc. Der 1962 geborene Komponist bietet mit diesen drei Stücken schlichte, neutonale Studien, die sowohl für den Konzertvortrag als auch für Flötenschüler ansprechendes Material darstellen.
$16.99 ≈
15.68€
12 Sonatas
12 Sonatas
#
Violon, Basse continue
#
Francesco Geminiani
#
12 Sonatas
#
Schott Music - Digital
#
SheetMusicPlus
Violin and basso continuo (harpsichord, piano); cello ad libitum - intermediate to advanced - SKU: S9.Q2453 Nos. 1-3. Composed by Francesco Gemin...
(+)
Violin and basso continuo (harpsichord, piano); cello ad libitum - intermediate to advanced - SKU: S9.Q2453 Nos. 1-3. Composed by Francesco Geminiani. This edition: Sheet music. Downloadable. Op. 1. Schott Music - Digital #Q2453. Published by Schott Music - Digital (S9.Q2453). Francesco Saverio Geminiani (geb. ca. 1680 in Lucca, gest. 1762 in Dublin), einer der größten Geiger seiner Zeit, war in Rom noch Schüler von Corelli und übersiedelte 1714 nac England, wo er als Solist, Konzertmeister, Pädagoge, Konzertunternehmer und - Gemäldehändler tätig war. Sein reiches Schaffen begann mit den Violinsonaten op. 1, die er 1705 in Bologna veröffentlichte. Elf Jahre später widmete er in London ein weiteres op. 1 dem aus dem Leben Händels bekannten Hofkämmerer Baron von Kielmannsegge, 12 Violinsonaten, die aber nicht mit dem Jugendwerk identisch sind. Der Titel dieses op. 1(a), das schon 1717 in Amsterdam nachgedruckt wurde, lautet: Sonate/ a Violino, Violone, e Cembalo/ dedicate/ All Illustrissimo et Excellentissimo Signore/ Il Sig': Barone di Kilmanns'egge./ Cavallerizzo Maggiore e Ciamberlano/ Di Sua Maestà Britanica/ e Elettore di Brunswick e Lunebourg/ da/ Francesco Geminiani/ Opera Prima... Geminani, dessen impulsive und insbesondere in dynamisch-agogischer Hinsicht fortschrittliche Spielart den Interpretationsstil seiner Zeitgenossen nachhaltig beeinflusst hat, war ständig bestrebt, seine älteren Werke dem sich rasch wandelnden Geschmack anzupassen. Sein op. 1(a) gab er 1739 in London in teilweiser Umarbeitung neu heraus (Nachdruck Paris ca. 1740) und kündigte auf dem Titel an Le Prime Sonate a Violino, e Basso di F. Geminiano nuovamente ristampato, e con diligenza dello mano. 1757 erschien in London eine weitere Ausgabe, diesmal in Einrichtung als Concerti grossi VI Sonatas for two violins & a violoncello or harpsichord with a ripieno bass to be used when the violins are doubled, from the VI first solo's of his Opa Ia with a few additional movements.
$21.99 ≈
20.30€
Classical Music for Children
Classical Music for Children
#
Violon et Piano
#
DÉBUTANT
#
Enfant
#
Classique
#
Classical Music for Children
#
Schott Music - Digital
#
SheetMusicPlus
25 Easy Pieces. Barock - Klassik - Romantik. Classical Music for Children. Von der Barockzeit über die Klassik bis zur Romantik. Neben Originalst...
(+)
25 Easy Pieces. Barock - Klassik - Romantik. Classical Music for Children. Von der Barockzeit über die Klassik bis zur Romantik. Neben Originalstücken wurden bewusst auch leichte Bearbeitungen bekannter Meisterwerke aufgenommen, um dem Zugang zur klassischen Konzertliteratur zu fördern. Downloadable. Schott Music - Digital #Q18879. Published by Schott Music - Digital
$13.99 ≈
12.91€
Classical Music for Children
Classical Music for Children
#
Clarinette et Piano
#
DÉBUTANT
#
Enfant
#
Classique
#
Classical Music for Children
#
Schott Music - Digital
#
SheetMusicPlus
25 Easy Pieces for Clarinet and Piano. This edition: score and part. Klassik - Renaissance - Barock - Romantik - Klarinette. Classical Music for Child...
(+)
25 Easy Pieces for Clarinet and Piano. This edition: score and part. Klassik - Renaissance - Barock - Romantik - Klarinette. Classical Music for Children. Von der Barockzeit uber die Klassik bis zur Romantik. Neben Originalstucken wurden bewusst auch leichte Bearbeitungen bekannter Meisterwerke aufgenommen, um dem Zugang zur klassischen Konzertliteratur zu fordern. Downloadable, score and part. Schott Music - Digital #Q25987. Published by Schott Music - Digital
$12.99 ≈
11.99€
Sonata A Major
Sonata A Major
#
Violoncelle, Piano
#
INTERMÉDIAIRE
#
Johann Christoph Friedrich Bac
#
Sonata A Major
#
Schott Music - Digital
#
SheetMusicPlus
Cello and piano - intermediate - SKU: S9.Q6322 Composed by Johann Christoph Friedrich Bach. This edition: Sheet music. Cello Library. Ein dankbares, nic...
(+)
Cello and piano - intermediate - SKU: S9.Q6322 Composed by Johann Christoph Friedrich Bach. This edition: Sheet music. Cello Library. Ein dankbares, nicht allzu schweres Stück für Unterricht und Konzert, das als wichtiges Bindeglied zu den Beethoven-Sonaten zu sehen ist. Downloadable. Schott Music - Digital #Q6322. Published by Schott Music - Digital (S9.Q6322). Key: A major.The autograph of this sonata, composed in 1789, was initially extant in Bückeburg under the title of 'Sonata per il Cembalo o Piano-Forte et Violoncello obligato' but was lost in the Second World War. The version then published was merely a substantially revised version which had been transposed to D major. Our new edition reconstructs the work's original state (in A major), taking the common performance practice principles of articulation and dynamics into account. A rewarding, yet fairly easy piece suitable for lessons and concerts which can be regarded as an important link to Beethoven's sonatas.
$17.99 ≈
16.60€
Tristan und Isolde
Tristan und Isolde
#
Violon et Piano
#
AVANCÉ
#
Classique
#
Richard Wagner
#
Fazıl Say
#
Tristan und Isolde
#
Schott Music - Digital
#
SheetMusicPlus
Violin and piano - advanced - SKU: S9.Q564201 Prelude and Isoldens Liebestod. Composed by Richard Wagner. Arranged by Fazıl Say. Downloadable,...
(+)
Violin and piano - advanced - SKU: S9.Q564201 Prelude and Isoldens Liebestod. Composed by Richard Wagner. Arranged by Fazıl Say. Downloadable, Score and part. Duration 14'. Schott Music - Digital #Q564201. Published by Schott Music - Digital (S9.Q564201). Says kongeniale Bearbeitung von Vorspiel und Isoldens Liebestod aus Tristan und Isolde realisiert Wagners Klangrausch mit nur zwei Instrumenten. In Kombination beider Stücke oder einzeln aufgeführt, ist dieses Arrangement eine wirkungsvolle Erweiterung des Konzertrepertoires für Violine und Klavier.
$15.99 ≈
14.76€
Lorem Ipsum [mixed choir]
Lorem Ipsum [mixed choir]
#
Chorale SATB
#
INTERMÉDIAIRE
#
Juan MarÃa Solare
#
Lorem Ipsum [mixed choir]
#
Juan Maria Solare
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.596519 Composed by Juan MarÃa Solare. 20th Century,A Cappella,Contemporary,Latin,Multicultural,World. ...
(+)
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.596519 Composed by Juan MarÃa Solare. 20th Century,A Cappella,Contemporary,Latin,Multicultural,World. 14 pages. Juan Maria Solare #3485699. Published by Juan Maria Solare (A0.596519). Juan MarÃa Solare Lorem ipsum for choir a cappella SATB Audio: https://soundcloud.com/juan-maria-solare/lorem-ipsum-choir-northern-spirit-solare Video: https://www.youtube.com/watch?v=4uyp8F6qTqw Lorem ipsum dolor sit amet, consectetur adipiscing elit, incididunt ut labore et dolore magna umbra. Nulla sed leo. Nullam sed purus. Nulla vitae diam sapien. Nulla gravida pretium magna. Tellus, ventus et ignis. Verbum sapientes defendit.   The Lorem ipsum is a text in pseudo-Latin, loosely inspired in a writing of Cicero[1] and that since the XVI century is used in publishing as filler text. Today it is used with a similar function, in electronic documents or web design. There are several versions of this text (of variable length), all them used to begin in the same way (Lorem ipsum … elit) but goon in different fashions. Therefore, I also invented part of the text, taking care of the metric, structural parallelisms and some hidden allusion to popular music (Tellus, ventus et ignis is Earth, Wind and Fire). The last sentence has even some sense: Verbum sapientes defendit means that the word defends to those who know. In the coda, since it is vocally much more practical to finish in m than in t, I changed the last word: dolor sit ipsum, what carries the existentialist message that pain is oneself.  Musically, the form is a rondo, with an obsessive refrain (based on the sentence we are commenting) which reappears without modifications.  This piece was composed in Bremen (Germany) on 18, 19 and 20 May 2015 (as if from a handbook: one day the text, the following day the music and on the third one big adjustements and the definitive precisions). Lorem ipsum is dedicated to Gonzalo MartÃn SaldÃvar. Premiere by the chamber choir Northern Spirit, conducted by Jaret Choolun, tenth year anniversary concert1 (19th November 2016) at the kleiner Saal of Die Glocke, Bremen, Germany. (https://www.northernspirit.de/kammerchor-bremen/jubilaeumskonzert-in-der-glocke/)First performance in Latin America: Coro Estable Municipal de Tandil, conducted by Annele Moroder, during the opening concert of the Third Argentine Choral Congress and the First Latin American Choral Congress (Choral Art and Identity) on May 24, 2018 (at 8:15 PM) at the Tandil Museum of Fine Arts, Argentina (https://www.youtube.com/watch?v=4uyp8F6qTqw). Juan MarÃa Solare [1] de Finnibus Bonorum et Malorum (On the Ends of Good and Evil), sections 1.10.32 and 1.10.33, written in the year 45 before Christ. This book -a treatise on ethic theory- was very popular during the Renaissance.
$5.00 ≈
4.61€
Concerto
Concerto
#
Piano et Orchestre
#
AVANCÉ
#
Contemporain
#
Gyorgy Ligeti
#
Concerto
#
Schott Music - Digital
#
SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
(+)
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.14€
<
1
Konzert Etüden
