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Vous avez sélectionné:
La Catedral
Partitions à imprimer
17 partitions trouvées
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1
La Catedral Sumergida
La Catedral Sumergida
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Stephen Goss
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La Catedral Sumergida
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar and flute - SKU: ZY.DO-1535 Composed by Stephen Goss. Score and part. 25 pages. Les Editions Doberman-Yppan (digital) #DO 1535. Published by Les ...
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Guitar and flute - SKU: ZY.DO-1535 Composed by Stephen Goss. Score and part. 25 pages. Les Editions Doberman-Yppan (digital) #DO 1535. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1535). J'ai ajouté une partie de flûte à deux pièces bien connues pour guitare solo en si mineur – l'Étude Op. 35, n° 22 de Fernando Sor et le mouvement final de La Catedral d'AgustÃn Barrios Mangoré – Allegro Solemne. Le guitariste joue les pièces de Sor et de Barrios dans leur forme originale, tandis que le flûtiste superpose mon nouveau matériel.La Catedral Sumergida a été commandée par Emily Andrews et Francisco Correa pour un album de ma musique pour flûte et guitare (Deux-Elles, 2025). La première représentation a eu lieu au Michael Tippett Centre, Bath Spa University, le 2 mai 2024.- Stephen GossI have added a flute part to two well-known solo guitar pieces in B minor – Fernando Sor’s Etude Op. 35, No. 22 and the final movement from La Catedral by AgustÃn Barrios Mangoré – Allegro Solemne. The guitarist plays the Sor and Barrios pieces in their original form, while the flautist superimposes my new material.La Catedral Sumergida was commissioned by Emily Andrews and Francisco Correa for an album of my collected flute and guitar music (Deux-Elles, 2025). The first performance took place at the Michael Tippett Centre, Bath Spa University, 2nd May 2024.- Stephen Goss.
$11.95 ≈
¥84.70
Barrios - La Catedral (easy piano sheet)
Barrios - La Catedral (easy piano sheet)
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Piano Facile
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DÉBUTANT
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A
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Music-holley
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Barrios - La Catedral
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music-holley
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1278180 Composed by A. Barrios. Arranged by Music-holley. 19th Century,Classical,Multicultural,Romantic Period,World. Sco...
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Easy Piano - Level 1 - SKU: A0.1278180 Composed by A. Barrios. Arranged by Music-holley. 19th Century,Classical,Multicultural,Romantic Period,World. Score. 2 pages. Music-holley #869877. Published by music-holley (A0.1278180). Barrios - La Catedral Easy piano version, 2 pages.La Catedral is a musical composition originally for guitar by AgustÃÂn Barrios, structured as a suite in three movements. The sheet is taken from the third movement, the Allegro solemne. The title refers to the beautiful Montevideo Cathedral. La Catedral is widely considered the masterpiece in Barrios' works, and it is one of the most offered pieces in the repertoire and discographies of the world's leading performers.
$3.49 ≈
¥24.74
La Catedral for Piano
La Catedral for Piano
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Agustin Barrios Mangore
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Arr
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La Catedral for Piano
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Baran Çakıcı
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1327644 By Agustin Barrios Mangore. By Agustin Barrios Mangore. Arranged by Arr. Baran Çakıcı. 20th Century. Sc...
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Piano Solo - Level 3 - SKU: A0.1327644 By Agustin Barrios Mangore. By Agustin Barrios Mangore. Arranged by Arr. Baran Çakıcı. 20th Century. Score. 3 pages. Baran Çakıcı #915688. Published by Baran Çakıcı (A0.1327644). Agustin Barrios, one of the 20th century guitarists, arranged the perulde section of the famous La Catedral song for piano. My students played it with pleasure. I hope you will enjoy this romantic work.
$3.99 ≈
¥28.28
La Catedral (Andante Religioso & Allegro Solemne) (w/ TAB)
La Catedral (Andante Religioso & Allegro Solemne) (w/ TAB)
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Guitare notes et tablatures
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Classique
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Agustin Barrios
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Brian Hayes
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La Catedral
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Brian Hayes
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SheetMusicPlus
Guitar Tab, Acoustic Guitar, Classical Guitar, Solo Guitar, Spanish Guitar - Composed by Agustin Barrios. Arranged by Brian Hayes. 20th Century, Cla...
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Guitar Tab, Acoustic Guitar, Classical Guitar, Solo Guitar, Spanish Guitar - Composed by Agustin Barrios. Arranged by Brian Hayes. 20th Century, Classical Period, Neo-Classical, South American. Score, Sheet Music Single, Tablature. 14 pages. Published by Brian Hayes
I hope you will enjoy my fingerings for Agustín Barrios' La Catedral - Andante Religioso & Allegro Solemne; the second and third movements of this great piece.
Barrios had originally composed La Catedral in 1921 as a two-movement piece and so the piece was originally known as having only these two movements. Some seventeen years later, he then composed another piece entitled 'Saudade' (available, separately, as a stand-alone piece) and then a year after composing it, decided to include it as the prelude to the already existing two-movement version. Although it is well-known that Barrios' always included Preludio 'Saudade' whenever performing La Catedral, there are actually no original written copies of the three-movement version.
In this arrangement, some liberties were taken with Allegro Solemne in the 21st measure as it was thought to make for a smoother progression.
$6.99 ≈
¥49.55
La Catedral
La Catedral
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Agustin Barrios
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Micha
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La Catedral
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Micha
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SheetMusicPlus
B-Flat Clarinet Solo - Level 4 - SKU: A0.1139633 Composed by Agustin Barrios. Arranged by Micha. Classical. Individual part. 6 pages. Micha #739903. Pub...
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B-Flat Clarinet Solo - Level 4 - SKU: A0.1139633 Composed by Agustin Barrios. Arranged by Micha. Classical. Individual part. 6 pages. Micha #739903. Published by Micha (A0.1139633). Original guitar score was arranged for solo clarinet. The composer originally composed two movements (Andante Religioso and Allegro Solemne), and later composed Saudade, adding it as the first movement. This score contains all the three movements.
$5.99 ≈
¥42.46
La Catedral
La Catedral
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Piano, Voix et Guitare
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AVANCÉ
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Contemporain
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Agustin Barrios
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Pedro Rocha
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La Catedral
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pedrorochaguitar
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 5 - SKU: A0.1253210 Composed by Agustin Barrios. Arranged by Pedro Rocha. 20th Century,Classical. Score. 7 pages. Pedro...
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Guitar,Piano,Vocal,Voice - Level 5 - SKU: A0.1253210 Composed by Agustin Barrios. Arranged by Pedro Rocha. 20th Century,Classical. Score. 7 pages. Pedrorochaguitar #846968. Published by pedrorochaguitar (A0.1253210). I - Preludio (Saudade)II - Andante Religioso III - Allegro Solemne.
$8.00 ≈
¥56.70
La Catedral first movement - Preludio Saudade
La Catedral first movement - Preludio Saudade
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Agustin Barrios Mangore
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La Catedral first movement - P
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Edina Balczo
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SheetMusicPlus
Composed by Agustin Barrios Mangore (1885-1944). Arranged by Edina Balczo. Classical, Contemporary, Latin, Multicultural, Traditional, World. Guitar T...
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Composed by Agustin Barrios Mangore (1885-1944). Arranged by Edina Balczo. Classical, Contemporary, Latin, Multicultural, Traditional, World. Guitar Tab. 2 pages. Edina Balczo #763514. Published by Edina Balczo
$7.00 ≈
¥49.62
La Catedral (Andante Religioso & Allegro Solemne) (Standard Notation)
La Catedral (Andante Religioso & Allegro Solemne) (Standard Notation)
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Guitare
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Classique
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Contemporain
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Agustin Barrios
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Brian Hayes
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La Catedral
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Brian Hayes
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SheetMusicPlus
Composed by Agustin Barrios. Arranged by Brian Hayes. 20th Century, Classical, World. Individual part. 10 pages. Brian Hayes #6137697. Published by Br...
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Composed by Agustin Barrios. Arranged by Brian Hayes. 20th Century, Classical, World. Individual part. 10 pages. Brian Hayes #6137697. Published by Brian Hayes
$6.99 ≈
¥49.55
Portals of Catedral de Orihuela.
Portals of Catedral de Orihuela.
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Dr Anthony Costandius
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Portals of Catedral de Orihuel
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Anthony Costandius Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Sco...
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Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.
$10.00 ≈
¥70.88
Suite No. 1
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'...
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Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à -dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95 ≈
¥77.61
La Catedral: 2. Andante Religioso by SkyGuitar - Guitar Tab
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Guitare notes et tablatures
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SkyGuitar
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La Catedral: 2. Andante Religi
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Musicnotes
Sheet Music for La Catedral: 2. Andante Religioso by Sky Guitar arranged for Guitar TAB;Instrumental Solo in B Minor. Digital sheet music from Musicnotes. ...
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Sheet Music for La Catedral: 2. Andante Religioso by Sky Guitar arranged for Guitar TAB;Instrumental Solo in B Minor. Digital sheet music from Musicnotes.
$9.99 ≈
¥70.81
La Catedral: 3. Allegro Solemne by SkyGuitar - Guitar Tab
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Guitare notes et tablatures
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SkyGuitar
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La Catedral: 3. Allegro Solemn
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Musicnotes
Sheet Music for La Catedral: 3. Allegro Solemne by Sky Guitar arranged for Guitar TAB;Instrumental Solo in B Minor. Digital sheet music from Musicnotes. ...
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Sheet Music for La Catedral: 3. Allegro Solemne by Sky Guitar arranged for Guitar TAB;Instrumental Solo in B Minor. Digital sheet music from Musicnotes.
$9.99 ≈
¥70.81
La Catedral: 1. Preludio Saudade by SkyGuitar - Guitar Tab
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Guitare notes et tablatures
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SkyGuitar
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La Catedral: 1. Preludio Sauda
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Musicnotes
Sheet Music for La Catedral: 1. Preludio Saudade by Sky Guitar arranged for Guitar TAB;Instrumental Solo in B Minor. Digital sheet music from Musicnotes. ...
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Sheet Music for La Catedral: 1. Preludio Saudade by Sky Guitar arranged for Guitar TAB;Instrumental Solo in B Minor. Digital sheet music from Musicnotes.
$9.99 ≈
¥70.81
Ay Leonida (Solo humano)
Ay Leonida (Solo humano)
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Juan de Lima Serqueira
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Early Music Scores
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Ay Leonida
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Early Music Scores
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SheetMusicPlus
Vocal Solo,Voice - SKU: A0.1411120 Composed by Juan de Lima Serqueira. Arranged by Early Music Scores. Early Music. 2 pages. Early Music Scores #993447....
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Vocal Solo,Voice - SKU: A0.1411120 Composed by Juan de Lima Serqueira. Arranged by Early Music Scores. Early Music. 2 pages. Early Music Scores #993447. Published by Early Music Scores (A0.1411120). Voice and continuoComposed by Juan de Lima Serqueira (c. 1655-1726). From Archivo de la Catedral de Segovia, música, 42-34. Edited by Felipe Dias. 2 pages.
$6.99 ≈
¥49.55
Complete Works of Agustin Barrios Mangore for Guitar, Vol. 2
Complete Works of Agustin Barrios Mangore for Guitar, Vol. 2
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Guitare
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AVANCÉ
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Classique
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Contemporain
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Agustin Barrios Mangore
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Complete Works of Agustin Barr
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Agustin Barrios Mangore (1885-1944). For Guitar (Classical). Classic. 264 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Agustin Barrios Mangore (1885-1944). For Guitar (Classical). Classic. 264 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610652278. Volume 2 of this landmark publication includes 65 original compositions in standard notation plus unique audio online featuring Barrios himself playing 21original works including: Danza Paraguaya, La Catedral, Un Sueo en la Floresta, Maxixe, Tarantella, Aire Popular Paraguayo and many more! In addition to the music, 82 pages of exhaustive Critical Notes shed light on the Barrios catalog making this the definitive anthology of his work. More reliable, comprehensive and articulate than any previously published edition, this new Mel Bay Publications compilation (524 pages in all) will make the entire world of Barrios more accessible. Audio available for download online.
$34.99 ≈
¥248.01
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La Catedral
