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Vous avez sélectionné:
Lament of the Rain piano solo
Partitions à imprimer
13 partitions trouvées
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1
Lament of the Rain--piano solo
Lament of the Rain--piano solo
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Piano seul
#
INTERMÉDIAIRE
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Beka Wilson
#
Beka Wilson
#
Lament of the Rain--piano solo
#
Beka Wilson
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1450516 By Beka Wilson. By Beka Wilson. Arranged by Beka Wilson. Celtic,Contemporary,Irish,Medieval. Score. 3 pages. Beka...
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Piano Solo - Level 3 - SKU: A0.1450516 By Beka Wilson. By Beka Wilson. Arranged by Beka Wilson. Celtic,Contemporary,Irish,Medieval. Score. 3 pages. Beka Wilson #1030204. Published by Beka Wilson (A0.1450516). Lament of the Rain is a calm, melancholy piece ideal for background music or an easy recital piece.Length: Approximately 4:20Level: intermediate (no accidentals, some 16th notes and dotted 8th/16th couplings).
$7.99 ≈
7.37€
The Water is Wide for Viola & Piano
The Water is Wide for Viola & Piano
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Alto, Piano
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FACILE
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Contemporain
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Traditional Scottish
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James M
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The Water is Wide for Viola &
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jmsgu3
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SheetMusicPlus
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pag...
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)
Duration: 5:24
Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time
Solo part: 3 pg.
Piano part: 4 pg.
A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"
it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."
This is an original arrangement from the ground up.
Programming:
If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.
It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.
Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.
Keep in mind these performance ideas:
1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.
2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.
3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.
Synopsis of the arrangement:
verse 1: Simple quiet duet with the melody in the solo instrument.
verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.
verse 3: Melody in the piano in 4-part harmony.
verse 4: 3-part canon on the melody (with a free accompaniment voice).
verse 5: 2-part canon with a free accompaniment in the solo part
verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.
verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal
piano clusters over bass chords that suggest submerged church bells.
For better insight into the performance of this music: express the emotion indicated by the lyrics:
The Water Is Wide:
The water is wide, I cannot get over
Neither have I wings to fly
Give me a boat that can carry two
And both shall row, my love and I
A ship there is and she sails the sea
She's loaded deep as deep can be
But not so deep as the love I'm in
I know not if I sink or swim
I leaned my back against an oak
Thinking it was a trusty tree
But first it bent and then it broke
So did my love prove false to me
I reached my finger into some soft bush
Thinking the fairest flower to find
I pricked my finger to the bone
And left the fairest flower behind
Oh love be handsome and love be kind
Gay as a jewel when first it is new
But love grows old and waxes cold
And fades away like the morning dew
Must I go bound while you go free
Must I love a man who doesn't love me
Must I be born with so little art
As to love a man who'll break my heart
When cockle shells turn silver bells
Then will my love come back to me
When roses bloom in winter's gloom
Then will my love return to me
The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).
O Waly, waly (a lament ? "woe is me") up the bank,
And waly, waly doun the brae (hill),
And waly, waly, yon burn-side (riverside),
Where I and my love wont to gae.
I lean'd my back into an aik (oak),
I thocht it was a trusty tree;
But first it bow'd, and syne (soon) it brak (broke),
Sae my true love did lightly me.
O waly, waly, but love be bonnie (beautiful),
A little time while it is new,
But when 'tis auld (old), it waxeth cauld (cold),
And fades away like the morning dew.
O wherefore should I busk my heid (adorn my head)?
Or wherefore should I kame (comb) my hair?
For my true love has me forsook,
And says he'll never love me mair (more).
Now Arthur Seat shall be my bed,
The sheets shall ne'er be fyl'd by me,
Saint Anton's well shall be my drink,
Since my true love has forsaken me.
Martinmas wind, when wilt thou blaw (blow),
And shake the green leaves off the tree?
O gentle death, when wilt thou come?
For of my life I am weary.
'Tis not the frost, that freezes fell,
Nor blawing snaws (snow) inclemency,
'Tis not sic cauld (such cold) that makes me cry,
But my love's heart grown cauld to me.
When we cam in by Glasgow town,
We were a comely sight to see;
My love was clad in the black velvet,
And I my sell in cramasie (crimson).
But had I wist (known), before I kiss'd,
That love had been sae ill to win,
I'd lock my heart in a case of gold,
And pin'd it with a silver pin.
Oh, oh! if my young babe were born,
And set upon the nurse's knee,
And I my sell were dead and gane,
For a maid again I'll never be.[4]
(Lyrics courtesy of Wikipedia)
For more information, please feel free to contact me at: jmsgu3 "at" gmail.com
James M. Guthrie, ASCAP
jmsgu3 publications
$32.95 ≈
30.41€
Beyond The Sea
Beyond The Sea
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
#
Bobby Darin
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Tobi A Crawford
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Beyond The Sea
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Tobi Crawford
#
SheetMusicPlus
Piano - Level 4 - SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Sc...
(+)
Piano - Level 4 - SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Score (Chords/Lyrics). 7 pages. Tobi Crawford #981711. Published by Tobi Crawford (A0.1398436). This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson and Sara Gazarek improvise on ballads for inspiration.
$25.00 ≈
23.07€
Beyond The Sea
Beyond The Sea
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Charles Tenet
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Tobi Crawford
#
Beyond The Sea
#
Tobi Crawford
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00 ≈
9.23€
Beyond The Sea *INSTRUMENTAL PACK ONLY*
Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea *INSTRUMENTAL P
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Tobi Crawford
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawfor...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00 ≈
27.69€
Housewife's Lament
Housewife's Lament
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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English Folk from the 19th cen
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Paul Taylor
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Housewife's Lament
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Paul Taylor
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.803279 Composed by English Folk from the 19th century. Arranged by Paul Taylor. Folk,New Age. Score. 5 pages. Paul Taylor...
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Piano Solo - Level 4 - SKU: A0.803279 Composed by English Folk from the 19th century. Arranged by Paul Taylor. Folk,New Age. Score. 5 pages. Paul Taylor #4356523. Published by Paul Taylor (A0.803279). This piano solo version of the folk tune, Housewife's Lament, is reminiscent of the contemporary piano style of the 90's movie,  The Piano. The rolling arpeggiated left hand provides the  intermediate pianist with an etude-like study.  The melody and lyrics (from the from the diary of a civil war-era wife), is accompanied with a contemporary harmonic language. Fingerings and chord tabs appear as well as the text for two verses and refrain, each in a different key. Intermediate pianists will benefit from this presentation of the song in two different keys to de-mystify the art of transposition. The recording of this piece was done by a 45 year-old- mother of three studying piano with the composer.
$1.99 ≈
1.84€
Lamentation (A Slow Piece for Piano)
Lamentation (A Slow Piece for Piano)
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Piano seul
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FACILE
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Danilo Wimmer
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Lamentation
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Danilo Wimmer
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1411844 Composed by Danilo Wimmer. 21st Century,Classical,Film/TV,Jazz,Sacred. Score. 3 pages. Danilo Wimmer #994072. Pub...
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Piano Solo - Level 2 - SKU: A0.1411844 Composed by Danilo Wimmer. 21st Century,Classical,Film/TV,Jazz,Sacred. Score. 3 pages. Danilo Wimmer #994072. Published by Danilo Wimmer (A0.1411844). A very sensitive and plaintive piano piece, written for both beginners and advanced players, distinguishes itself with the ability to express a lamenting voice accompanied by harmonic chords. Restraint in tempo and dynamics is required.Originally composed as an opening theme for a short film, Lamentation can also be played effectively as a standalone piece. I wish you plenty of emotions and hopefully not too much sadness while playing!
$2.99 ≈
2.76€
The Swallows for cello and piano
The Swallows for cello and piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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David Warin Solomons
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The Swallows for cello and pia
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David Warin Solomons
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.576585 Composed by David Warin Solomons. 20th Century,Contemporary,World. Score and part. 11 pages. David Warin Solomons...
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Cello,Piano - Level 3 - SKU: A0.576585 Composed by David Warin Solomons. 20th Century,Contemporary,World. Score and part. 11 pages. David Warin Solomons #38161. Published by David Warin Solomons (A0.576585). The Swallows is based on the poem by Gourgen Mahari, as translated from the Armenian by James Russell. The Armenian poet Gourgen Mahari, who died in the USSR in 1969 is lamenting his many compatriots who were exiled, dispossessed and killed during the 20th century (poem shown below) Versions are available on this site for: voice, clarinet, flute, violin, alto saxophone, cello or cor anglais and guitar and for voice, clarinet, flute, violin, alto saxophone, cello or cor anglais and piano The sound sample is an electronic preview. The pdf file contain score and parts. The original song can be heard on youtube at: https://www.youtube.com/watch?v=vucw5zpeGzQ  == The Swallows == Far in the distant Nile Valley down nameless highways unknown, where the Dead Sea`s gloomy ripples break, straining on their way unfinished home, with a song in their hearts, the swallows died, unable to return. Far in the distant Nile Valley down down nameless highways unknown. They never came back to adorn the Spring with heady song, to chant with the winds the green meadow, rebuild abandoned nests. They died on distant mountains, plains afar, unable to return. Far away. Can they subsist with the love of our hearts or our gardens` blossoms gay or our joyous vernal rains? They who died on the way unfinished home. Far in the distant Nile Valley. Unable to return.
$9.00 ≈
8.31€
Best Of Piano Stories, Sheet Music Book - Three in One - Special Edition
Best Of Piano Stories, Book - Three in One - Special Edition
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Frederic Bernard
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Best Of Piano Stories, Book -
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Frederic Bernard
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SheetMusicPlus
Composed by Frederic Bernard. 21st Century, Contemporary Classical, Minimalism, Neo- Classical, New Age. 104 pages. Published by Frederic Bernard...
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Composed by Frederic Bernard. 21st Century, Contemporary Classical, Minimalism, Neo- Classical, New Age. 104 pages. Published by Frederic Bernard
A collection of all three sheet music books: Best Of Piano Stories Vol. I, Best Of Piano Stories Vol. II and Best Of Piano Stories Vol. III, in a highly-discounted price.
For more info about Frederic's endeavours, check out his official page: https://fredericbernardmusic.com/
Here's a table of all songs included:
1. Underwater Wonderscapes (aka. Swarm of Fish)
2. Peculiar World
3. Loneliness
4. Enchantment
5. Requiem
6. Inspire Me
7. Sorrow
8. The Sad Snow-Queen
9. Waterdrops (aka. Falling Snowflakes)
10. Blue Clouds
11. Butterfly
12. Waltz of Sorrow
13. Constant Motion
14. Sea of Roses
15. Maiden's Elegy
16. Thunder and Rain
17. Postcards
18. Dark Days
19. Harp-playing Mermaid
20. Eternal Flow
21. Evening Melodies
22. Rain
23. Starlight Nights
24. Final Lament
25. A Bird's First Flight
26. Most Beautiful Memories
27. Minimalistic Piano Moment
28. Farewell
29. Her
30. Innocence
31. Threnody for a Lost Space Astronaut
32. Just two Clouds Apart
33. Forgotten Times
34. Fireflies
35. Suffering
36. Unwritten Romance
$39.00 ≈
35.99€
The Swallows for cello and guitar
The Swallows for cello and guitar
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Violoncelle , Guitare (duo)
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INTERMÉDIAIRE
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David Warin Solomons
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The Swallows for cello and gui
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Cello,Guitar,Instrumental Duet - Level 3 - SKU: A0.576586 Composed by David Warin Solomons. 20th Century,Contemporary,World. Score and...
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Instrumental Duet Cello,Guitar,Instrumental Duet - Level 3 - SKU: A0.576586 Composed by David Warin Solomons. 20th Century,Contemporary,World. Score and parts. 11 pages. David Warin Solomons #38163. Published by David Warin Solomons (A0.576586). The Swallows is based on the poem by Gourgen Mahari, as translated from the Armenian by James Russell. The Armenian poet Gourgen Mahari, who died in the USSR in 1969 is lamenting his many compatriots who were exiled, dispossessed and killed during the 20th century (poem shown below) Versions are available on this site for: voice, clarinet, flute, violin, alto saxophone, cello or cor anglais and guitar and for voice, clarinet, flute, violin, alto saxophone, cello or cor anglais and piano The sound sample is an electronic preview. The pdf file contain score and parts. The original song can be heard on youtube at: https://www.youtube.com/watch?v=vucw5zpeGzQ  == The Swallows == Far in the distant Nile Valley down nameless highways unknown, where the Dead Sea`s gloomy ripples break, straining on their way unfinished home, with a song in their hearts, the swallows died, unable to return. Far in the distant Nile Valley down down nameless highways unknown. They never came back to adorn the Spring with heady song, to chant with the winds the green meadow, rebuild abandoned nests. They died on distant mountains, plains afar, unable to return. Far away. Can they subsist with the love of our hearts or our gardens` blossoms gay or our joyous vernal rains? They who died on the way unfinished home. Far in the distant Nile Valley. Unable to return.
$9.00 ≈
8.31€
Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99 ≈
81.21€
Where Everybody Knows Your Name
Where Everybody Knows Your Name
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Gary Portnoy and Judy Hart Ang
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John Fries
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Where Everybody Knows Your Nam
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John Fries
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1339566 Composed by Gary Portnoy and Judy Hart Angelo. Arranged by John Fries. 20th Century,Film/TV,Pop,Standards. Score....
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Piano Solo - Level 4 - SKU: A0.1339566 Composed by Gary Portnoy and Judy Hart Angelo. Arranged by John Fries. 20th Century,Film/TV,Pop,Standards. Score. 3 pages. John Fries #925265. Published by John Fries (A0.1339566). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. Where Everybody Knows Your Name, also credited as Theme from Cheers (Where Everybody Knows Your Name), is the theme song from the television sitcom Cheers, as well as the debut single for Gary Portnoy. He finally came up with a catchy intro followed by simple alternating chords on a piano. The opening verse lines, both musically and lyrically, were something of a lament. The verse then transitioned into a soaring refrain that seemed to capture the essence of why people might want to go to a place like Cheers—a place Where Everybody Knows Your Name.
$5.99 ≈
5.53€
Sunset: St. Louis
Sunset: St. Louis
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Chorale 3 parties
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FACILE
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Dennis Tobenski
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Sunset: St. Louis
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Dennis Tobenski
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SheetMusicPlus
Choral Choir (SSA) - Level 2 - SKU: A0.1003298 Composed by Dennis Tobenski. Contemporary,Folk. Octavo. 12 pages. Dennis Tobenski #539737. Published by D...
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Choral Choir (SSA) - Level 2 - SKU: A0.1003298 Composed by Dennis Tobenski. Contemporary,Folk. Octavo. 12 pages. Dennis Tobenski #539737. Published by Dennis Tobenski (A0.1003298). Sunset: St. Louis for SSA choir and piano was written at the suggestion of a conductor I met at the 2013 American Choral Directors’ Association national conference in Dallas, TX. He lamented the lack of new music for SSA choir that kept the voices within a restricted range yet wasn’t simplistic, and also didn’t use a restricitve number of accompanying instruments; throughout the week his sentiment was echoed by countless other conductors who I had the pleasure of spending time with. At that point, I also had no music for treble/women’s choir in my catalog, so this piece is not only an attempt to fill in this hole in the repertoire, but also an attempt to fill in the hole in my own choral output. The piece opens with a short passage for solo piano evocative of late afternoon light on water which leads into the voices’ hazy entrance of close diatonic harmonies and loose, liquid rhythms. After this soft opening, the piano begins a gently undulating, water-like accompaniment that – like the Mississippi – flows by, bringing harmonic shifts and swells. The words Dream by the river captured my imagination, conjuring images of the city drifting to sleep as the sun sets, so I couldn’t resist making the single word Dream into a refrain, weaving it into the larger structure of the poem, which makes the piece not only a love song to the city, but also a lullaby. The vocal parts have a compressed range: Soprano 1 has a few unsustained Gs, and the Alto line never drops below B-flat. There are some minor challenges with rhythm and pitch (hemiolas, tuplets, and some harmonic cross-relations with the piano), but all are navigable. The piece was written and prepared for publication in a compositional frenzy between 1pm on March 30, 2013 and 7pm on March 31, 2013 in Montauk, NY.Duration: ca. 4 min. Composed: 2013 Registered with ASCAP. Please email dennis@dennistobenski.com so that your performance of Sunset: St. Louis can be added to Dennis' website calendar. Email: dennis@dennistobenski.com Website: dennistobenski.com Facebook: facebook.com/dennistobenski Twitter: @dennistobenski Tumblr: A Commonplace Blog Soundcloud: soundcloud.com/dennistobenski
$1.99 ≈
1.84€
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Lament of the Rain piano solo
