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Vous avez sélectionné:
Language or the Kiss
Partitions à imprimer
10 partitions trouvées
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1
The Joyce Cycle, for voice and orchestra
The Joyce Cycle, for voice and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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the turbulent sea, the loved o
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Music and James Joyce, Ofer Be
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The Joyce Cycle, for voice and
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score a...
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Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00 ≈
¥391.57
Two Scenes from the Lodz Ghetto: 1. At the Clothing Department; 2. To Get a Ration
Two Scenes from the Lodz Ghetto: 1. At the Clothing Department; 2. To Get a Ration
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Piano, Voix
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AVANCÉ
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Stanley M Hoffman
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2
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Two Scenes from the Lodz Ghett
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stanleymhoffman.com
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1435089 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. Score. 48 pages. Stanleymhoffman.com #1015189...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1435089 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. Score. 48 pages. Stanleymhoffman.com #1015189. Published by stanleymhoffman.com (A0.1435089). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Małgorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Małgorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Małgorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.
$12.00 ≈
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Two Scenes from the Lodz Ghetto - Chamber Version: 1. At the Clothing Department; 2. To Get a Ration
Two Scenes from the Lodz Ghetto - Chamber Version: 1. At the Clothing Department; 2. To Get a Ration
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Stanley M Hoffman
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2
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Two Scenes from the Lodz Ghett
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stanleymhoffman.com
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SheetMusicPlus
Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - SKU: A0.1435098 Composed by Stanley M Hoffman. 21st Century,Classical,...
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Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - SKU: A0.1435098 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. 240 pages. Stanleymhoffman.com #1015206. Published by stanleymhoffman.com (A0.1435098). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Małgorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Małgorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Małgorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.
$60.00 ≈
¥435.08
Kiss Me and I'll Go To Sleep, or, Forgive Me Father Dear, Forgive Me
Kiss Me and I'll Go To Sleep, or, Forgive Me Father Dear, Forgive Me
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C
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C
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Kiss Me and I'll Go To Sleep,
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.711 Composed by C.A. White. Parlors, Oil lamps, Clocks & watches, Mothers & children, Dolls, Spouses, D...
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Piano and voice (solo and SATB chorus) - SKU: LV.711 Composed by C.A. White. Parlors, Oil lamps, Clocks & watches, Mothers & children, Dolls, Spouses, Deathbed, Religion. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.711). Kiss Me and I'll Go To Sleep, or, Forgive Me Father Dear, Forgive Me. By C.A. White. Published 1872 by White, Smith & Perry, 298 & 300 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Parlors, Oil lamps, Clocks & watches, Mothers & children, Dolls, Spouses, Deathbed, Religion. First line reads Oh, father, come and sit by me, and let me take your hand in mine.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
¥43.44
The Little Homeless One, or, No One to Kiss Me Good Night
The Little Homeless One, or, No One to Kiss Me Good Night
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Eastburn
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The Little Homeless One, or, N
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.744 Composed by Eastburn. Poor persons, Building deterioration, Children, Homeless persons, Sadness, Or...
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Piano and voice (solo and SATB chorus) - SKU: LV.744 Composed by Eastburn. Poor persons, Building deterioration, Children, Homeless persons, Sadness, Orphans, Religion. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.744). The Little Homeless One, or, No One to Kiss Me Good Night. Words by Elmer Ruan Coates. Music by Eastburn. Published 1867 by Jos. E. Winner, 545 Nth 8th St. in Philadelphia. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Poor persons, Building deterioration, Children, Homeless persons, Sadness, Orphans, Religion. First line reads 'Tis morning and people are coming, the rain will soon beat on my head.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
¥43.44
Dip, Dip, or Rowing in the Starlight
Dip, Dip, or Rowing in the Starlight
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J
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Dip, Dip, or Rowing in the Sta
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.4175 Composed by J. H. Mack. Boats, Night, Kissing, Courtship, Love. Lester S. Levy Collection. 5 pages...
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Piano and voice (solo and SATB chorus) - SKU: LV.4175 Composed by J. H. Mack. Boats, Night, Kissing, Courtship, Love. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4175). Dip, Dip, or Rowing in the Starlight. Composed by J.H. Mac. Published 1878 by Frederick Blume, 861 Broadway (2 Doors above 17 St.) in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Boats, Night, Kissing, Courtship, Love. First line reads The stars were twinkling o'er the lake, one lovely summer night.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
¥43.44
The Oil Shop, or, Soap, Starch & Candles
The Oil Shop, or, Soap, Starch & Candles
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Piano, Voix
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B
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The Oil Shop, or, Soap, Starch
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.16618 Composed by B. J. Dallas. Business enterprises, Window displays, Portraits, Courtship & love, Kissing, Families, Marriag...
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Piano and voice - SKU: LV.16618 Composed by B. J. Dallas. Business enterprises, Window displays, Portraits, Courtship & love, Kissing, Families, Marriage. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16618). The Oil Shop, or, Soap, Starch & Candles. Written and Composed by B.J. Dallas. Published [n.d.] by [H. D'Alcorn, Blenheim House, 351 Oxford Street, W. in London. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Business enterprises, Window displays, Portraits, Courtship & love, Kissing, Families, Marriage. First line reads Last Easter Monday I went out and took a trip to Kew.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
¥43.44
Quarter to One, or, Look at the Clock, Darling
Quarter to One, or, Look at the Clock, Darling
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Chorale SATB
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W
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Quarter to One, or, Look at th
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.4002 Composed by W. C. Baker. Courtship, Love, Farewells, Kissing. Lester S. Levy Collection. 4 pages. ...
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Piano and voice (solo and SATB chorus) - SKU: LV.4002 Composed by W. C. Baker. Courtship, Love, Farewells, Kissing. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4002). Quarter to One, or, Look at the Clock, Darling. Written and Composed by W.C. Baker. Published 1867 by C.M. Tremaine, 481 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Courtship, Love, Farewells, Kissing. First line reads Quarter to one, darling, see we must part!.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
¥43.44
Language or the Kiss by Indigo Girls - Piano/Vocal/Chords
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Piano, Voix
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Indigo Girls
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Language or the Kiss
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Musicnotes
Performed by: Indigo Girls: Language or the Kiss Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music f...
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Performed by: Indigo Girls: Language or the Kiss Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 5 pages -- Adult Alternative~~Alternative Pop/Rock~~Folk-Rock
$5.50 ≈
¥39.88
Iko Iko
Iko Iko
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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The Dixie Cups
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Will Corbin
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Iko Iko
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Will Corbin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1461185 By The Dixie Cups. By Barbara Ann Hawkins, Joan Marie Johnson, and Rosa Lee Hawkins...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1461185 By The Dixie Cups. By Barbara Ann Hawkins, Joan Marie Johnson, and Rosa Lee Hawkins. Arranged by Will Corbin. Jazz,Pop. 24 pages. Will Corbin #1040044. Published by Will Corbin (A0.1461185). This song has roots in a Mardi Gras chant that ostensibly came from some unspecified Native American language. James Sugar Boy Crawford turned it into a song, and his band, Sugar Boy and his Cane Cutters (southern Louisiana had a lot of that) recorded it in 1953 as Jock-a-Mo, which may mean kiss my ass or a defiant response to that effect. It was recorded again, as kind of a whim, in 1964 by the girl trio The Dixie Cups, who made it a hit. It has since been endlessly covered by everyone from Cyndi Lauper to The Grateful Dead.This arrangement is essentially solo variations on the main melody backed by horn rhythms. If you want to make it go on endlessly, it's a simple three-chord tune (actually, mostly two chords) that lends itself to simple improv. It's arranged for two trumpets, horn, trombone and tuba.If you require alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.
$15.00 ≈
¥108.77
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