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Laughin in Rhythm
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Vous avez sélectionné:
Laughin in Rhythm
Partitions à imprimer
18 partitions trouvées
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1
Sidney Bechet: Laughin in Rhythm
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Piano, Voix et Guitare
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Chanson Française
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Sidney Bechet
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Laughin in Rhythm
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Quickpartitions
4.99€
Nancy With The Laughing Face
Nancy With The Laughing Face
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Piano grosses notes
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DÉBUTANT
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Jazz
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Frank Sinatra
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Nancy With The Laughing Face
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.447855 By Frank Sinatra. Jazz,Standards. E-Z Play Today. 2 pages. Published by Hal Leonard - Digital (HX.447855). Abou...
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SKU: HX.447855 By Frank Sinatra. Jazz,Standards. E-Z Play Today. 2 pages. Published by Hal Leonard - Digital (HX.447855). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.76€
Weekend in Paris. Original Jazz Waltz for Brass Sextet.
Weekend in Paris. Original Jazz Waltz for Brass Sextet.
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Ensemble de cuivres
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INTERMÉDIAIRE
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Grant Horsley
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Weekend in Paris. Original Jaz
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Grant Horsley
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1411739 Composed by Grant Horsley. Contest,Festival,Film/TV,Holiday,Jazz,Wedding. 41 pages...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1411739 Composed by Grant Horsley. Contest,Festival,Film/TV,Holiday,Jazz,Wedding. 41 pages. Grant Horsley #993998. Published by Grant Horsley (A0.1411739). Scored for 2 B flat Trumpets, Horn in F, 2 Trombones and Tuba, Weekend in Paris is a bright jazz waltz intended to convey the excitement and anticipation of a trip to Paris. The music is to bring to mind pleasure in sightseeing, wandering around cafe's, seeing children at play, people dancing and laughing and families gathering in a happy relaxed atmosphere in the glorious sunshine.The piece is in concert F major establishing the bright swingy rhythm, this then flows into the second section which is more lyrical and legato and is in E flat major. A short bridge section follows keeping the motif's heard in the first section but exploring the lower registers and remains largely legato. The first two sections are then heard again before a modulation takes place to give the piece a final lift before the end. The piece concludes quietly with a snippet of the opening motif.I have set it to intermediate level but the whole score is on the youtube link for you to assess suitability.The music would be a great addition to any repertoire as a happy piece, programmatic with a world/travelling theme in mind.Full score 16 pages-parts 4 pages each. 4 mins 15 in length.Price is for score and all parts.NB Versions for Flute choir (4 C flutes, Alto and Bass Flute) and Flute Ensemble of 6 C Flutes are also available as is a Clarinet Choir version.
$13.50 ≈
12.44€
Weekend in Paris. A Jazz Waltz for Flute Clarinet and Piano.
Weekend in Paris. A Jazz Waltz for Flute Clarinet and Piano.
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Grant Horsley
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Weekend in Paris. A Jazz Waltz
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Grant Horsley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.1473258 Composed by Grant Horsley. Contest,Festival,Film/TV,Ho...
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Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.1473258 Composed by Grant Horsley. Contest,Festival,Film/TV,Holiday,Jazz,Wedding. 30 pages. Grant Horsley #1051064. Published by Grant Horsley (A0.1473258). There is a Piano accompaniment track availableWeekend in Paris is a bright jazz waltz intended to convey the excitement and anticipation of a trip to Paris.The music is to bring to mind pleasure in sightseeing, wandering around cafe's, seeing children at play, people dancing and laughing and families gathering in a happy relaxed atmosphere in the glorious sunshine. The piece is in concert F major establishing the bright swingy rhythm, this then flows into the second section which is more lyrical and legato and is in E flat major.A short bridge section follows keeping the motif's heard in the first section but exploring the lower registers and remains largely legato. The first two sections are then heard again before a modulation takes place to give the piece a final lift before the end. The piece concludes quietly with a snippet of the opening motif. I have set it to intermediate level but the whole score is on the youtube link for you to assess suitability.The music would be a great addition to any repertoire as a happy piece, programmatic with a world/travelling theme in mind.Full score 13 pages-parts 4 pages. 4 mins 30 in length. Price is for the full score and all parts.NB Versions  for Flute Duet,  6 C flutes, Flute Choir, Clarinet Choir and Brass Sextet are also available.
$5.99 ≈
5.52€
Weekend in Paris. A Jazz Waltz for Flute Duet and Piano.
Weekend in Paris. A Jazz Waltz for Flute Duet and Piano.
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
#
Grant Horsley
#
Weekend in Paris. A Jazz Waltz
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Grant Horsley
#
SheetMusicPlus
Flute Duet Flute - Level 3 - SKU: A0.1473255 Composed by Grant Horsley. Contest,Festival,Film/TV,Holiday,Jazz,Wedding. Score. 30 pages. Grant Horsley #1...
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Flute Duet Flute - Level 3 - SKU: A0.1473255 Composed by Grant Horsley. Contest,Festival,Film/TV,Holiday,Jazz,Wedding. Score. 30 pages. Grant Horsley #1051060. Published by Grant Horsley (A0.1473255). There is a Piano accompaniment track availableWeekend in Paris is a bright jazz waltz intended to convey the excitement and anticipation of a trip to Paris.The music is to bring to mind pleasure in sightseeing, wandering around cafe's, seeing children at play, people dancing and laughing and families gathering in a happy relaxed atmosphere in the glorious sunshine. The piece is in concert F major establishing the bright swingy rhythm, this then flows into the second section which is more lyrical and legato and is in E flat major.A short bridge section follows keeping the motif's heard in the first section but exploring the lower registers and remains largely legato. The first two sections are then heard again before a modulation takes place to give the piece a final lift before the end. The piece concludes quietly with a snippet of the opening motif. I have set it to intermediate level but the whole score is on the youtube link for you to assess suitability.The music would be a great addition to any repertoire as a happy piece, programmatic with a world/travelling theme in mind.Full score 13 pages-parts 4 pages. 4 mins 30 in length. Price is for the full score and all parts.NB Versions for Flute and Clarinet Duet, 6 C flutes, Flute Choir, Clarinet Choir and Brass Sextet are also available.
$5.99 ≈
5.52€
"Weekend in Paris" Original Jazz Waltz for Clarinet Choir
"Weekend in Paris" Original Jazz Waltz for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
#
Grant Horsley
#
"Weekend in Paris" O
#
Grant Horsley
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1272643 Composed by Grant Horsley. Contest,Festival,Holiday,Jazz,Mult...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1272643 Composed by Grant Horsley. Contest,Festival,Holiday,Jazz,Multicultural,Wedding,World. 41 pages. Grant Horsley #864869. Published by Grant Horsley (A0.1272643). Scored for Clarinet in E flat, 3 B flat Clarinets, Alto and Bass Clarinet, Weekend in Paris is a bright jazz waltz intended to convey the excitement and anticipation of a trip to Paris. The music is to bring to mind pleasure in sightseeing, wandering around cafe's, seeing children at play, people dancing and laughing and families gathering in a happy relaxed atmosphere in the glorious sunshine. The piece is in Concert D flat major establishing the bright swingy rhythm, this then flows into the second section which is more lyrical and legato. A short bridge section follows keeping the motif's heard in the first section but exploring the lower registers and remains largely legato. The first two sections are then heard again before a modulation takes place to give the piece a final lift before the end. The piece concludes quietly with a snippet of the opening motif. I have set it to intermediate level but the whole score is on the youtube link for you to assess suitability. The music would be a great addition to any repertoire as a happy piece, programmatic with a world/travelling theme in mind. Full score 16 pages-parts 4 pages. 4 mins 30 in length. Price is for the Full Score and all parts.NB Other versions of Flute choirs are also available.
$14.50 ≈
13.37€
"Weekend in Paris" Original Jazz Waltz for Flute Choir
"Weekend in Paris" Original Jazz Waltz for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
#
Grant Horsley
#
"Weekend in Paris" O
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Grant Horsley
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1272638 Composed by Grant Horsley. Contest,Festival,Holiday,Jazz,Multicultural,W...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1272638 Composed by Grant Horsley. Contest,Festival,Holiday,Jazz,Multicultural,Wedding,World. 41 pages. Grant Horsley #864863. Published by Grant Horsley (A0.1272638). Scored for 4 C Flutes, Alto and Bass Flute, Weekend in Paris is a bright jazz waltz intended to convey the excitement and anticipation of a trip to Paris.The music is to bring to mind pleasure in sightseeing, wandering around cafe's, seeing children at play, people dancing and laughing and families gathering in a happy relaxed atmosphere in the glorious sunshine. The piece is in concert F major establishing the bright swingy rhythm, this then flows into the second section which is more lyrical and legato and is in E flat major. A short bridge section follows keeping the motif's heard in the first section but exploring the lower registers and remains largely legato. The first two sections are then heard again before a modulation takes place to give the piece a final lift before the end. The piece concludes quietly with a snippet of the opening motif. I have set it to intermediate level but the whole score is on the youtube link for you to assess suitability. The music would be a great addition to any repertoire as a happy piece, programmatic with a world/travelling theme in mind. Full score 16 pages-parts 4 pages. 4 mins 30 in length. Price is for the full score and all parts.NB Another version for 6 C flutes, is also available as is a Clarinet Choir versions.
$14.50 ≈
13.37€
"Weekend in Paris" Original Jazz Waltz for Flute Ensemble (6 C Flutes)
"Weekend in Paris" Original Jazz Waltz for Flute Ensemble (6 C Flutes)
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Ensemble de Flûtes
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INTERMÉDIAIRE
#
Grant Horsley
#
"Weekend in Paris" O
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Grant Horsley
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Flute - Level 3 - SKU: A0.1272639 Composed by Grant Horsley. Contest,Festival,Holiday,Jazz,Multicultural,Wedding,World. 41...
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Flute Choir,Woodwind Ensemble Flute - Level 3 - SKU: A0.1272639 Composed by Grant Horsley. Contest,Festival,Holiday,Jazz,Multicultural,Wedding,World. 41 pages. Grant Horsley #864865. Published by Grant Horsley (A0.1272639). Scored for 6 C Flutes, Weekend in Paris is a bright jazz waltz intended to convey the excitement and anticipation of a trip to Paris. The music is to bring to mind pleasure in sightseeing, wandering around cafe's, seeing children at play, people dancing and laughing and families gathering in a happy relaxed atmosphere in the glorious sunshine. The piece is in concert F major establishing the bright swingy rhythm, this then flows into the second section which is more lyrical and legato and is in E flat major. A short bridge section follows keeping the motif's heard in the first section but exploring the lower registers and remains largely legato. The first two sections are then heard again before a modulation takes place to give the piece a final lift before the end. The piece concludes quietly with a snippet of the opening motif. I have set it to intermediate level but the whole score is on the youtube link for you to assess suitability. The music would be a great addition to any repertoire as a happy piece, programmatic with a world/travelling theme in mind. Full score 16 pages-parts 4 pages. 4 mins 30 in length. Price is for the Full Score and all parts.NB Another Flute choir version (4 C flutes, Alto and Bass Flute) is also available as is a Clarinet Choir version.
$14.50 ≈
13.37€
Laughing
Laughing
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Rock
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The Guess Who
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Jim Farley
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2
and
Trombone
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Laughing
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Jim Farley arrangementsone.com
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SheetMusicPlus
Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 2 - SKU: A0.1267389 By The Guess Who. By Burton Cummings a...
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Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 2 - SKU: A0.1267389 By The Guess Who. By Burton Cummings and Randy Bachman. Arranged by Jim Farley. Pop,Rock. 48 pages. Jim Farley arrangementsone.com #859968. Published by Jim Farley arrangementsone.com (A0.1267389). Arranged for 7-8 piece horn band, including: Directors Score, Piano/Vocal/Chords, Leadsheet, Guitar (chords and rhythm only), Bass Guitar, Drums, Alto Sax, Tenor Sax (identical to Alto), Trumpets 1 & 2 and Trombone.ABOUT THE ARRANGER: Jim Farley has been a professional arranger, composer, transcriptionist and copyist since the mid 1970's and has thousands of works, spanning various genres, in his catalogue: Musical Theater, College and High School Pep Band, Orchestra and Show Choir, Cruise Ship Performers, as well as arranging for dozens of classic rock horn bands throughout the U.S., Canada & Europe. Feel free to contact Jim directly at jfarley@arrangementsone.com and visit his website at ARRANGEMENTS ON E!
$40.00 ≈
36.87€
Sonata Hymnica No. 6
Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00 ≈
9.22€
Ba Humbug
Ba Humbug
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Sam Araya
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Ba Humbug
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Sam's Cello Studio
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SheetMusicPlus
Cello - Level 2 - SKU: A0.1429628 Composed by Sam Araya. 21st Century,Chamber,Classical,Instructional. 10 pages. Sam's Cello Studio #1010326. Published ...
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Cello - Level 2 - SKU: A0.1429628 Composed by Sam Araya. 21st Century,Chamber,Classical,Instructional. 10 pages. Sam's Cello Studio #1010326. Published by Sam's Cello Studio (A0.1429628). Back in 2019, my student Giovanni was having trouble with 6/8 meter. At the time I was using the rhythm solfège of Ba for dotted quarter notes in 6/8. So one lesson, while frustrated with rhythms he exclaimed Ba Humbug! and I couldn't stop laughing! It inspired me to write this cello trio for him and his cello friends to play, honoring that frustration and giving another opportunity to practice 6/8!All 3 cello parts are at an intermediate level, making it a great early ensemble piece for student cellists.The parts were designed with neurodiverse learners in mind with well spaced notes and no unnecessary markings added. The cello parts and score are included as PDFs that are easily read on a tablet or printed on US letter or A4 paper without any need for reformatting.
$4.99 ≈
4.60€
Sing My Blues Away!
Sing My Blues Away!
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Chorale 2 parties
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INTERMÉDIAIRE/AVANCÉ
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Gretchen Ratke
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Sing My Blues Away!
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Gretchen Ratke
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SheetMusicPlus
Choral Choir (SA) - Level 4 - SKU: A0.921301 Composed by Gretchen Ratke. A Cappella,Blues,Children,Jazz. Octavo. 17 pages. Gretchen Ratke #3111463. Publ...
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Choral Choir (SA) - Level 4 - SKU: A0.921301 Composed by Gretchen Ratke. A Cappella,Blues,Children,Jazz. Octavo. 17 pages. Gretchen Ratke #3111463. Published by Gretchen Ratke (A0.921301). Need a jazzy tune and a snappy beat to put a bounce in your step and shake those blues off? Do you have fun being silly and singing with your friends? Sing My Blues Away! will get you laughing and clapping your hands to the beat. This fun rhythm and blues children's choir piece features clapping, a cappella parts, spoken solos (...c'mon, let's make some noise!) and an optional harmony line for 2-part choir. So stop feeling down and blue and put the swing back into your step with some singing, clapping, and toe-tapping!
$3.99 ≈
3.68€
Emoticons III for Wind Quintet
Emoticons III for Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Contemporain
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Sy Brandon
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Emoticons III for Wind Quintet
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Sy Brandon
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.755253 Composed by Sy Brandon. 20th Century,Concert,Contemporary. 21 pages. Sy Brandon #3602975. ...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.755253 Composed by Sy Brandon. 20th Century,Concert,Contemporary. 21 pages. Sy Brandon #3602975. Published by Sy Brandon (A0.755253). Emoticons III is the third in a series of compositions that are designed to be aural representations of images that reflect emotions. This composition has eight short movements and is scored for wind quintet.I. Nebulous – The wandering tonality, slow tempo, frequent shifts of color, and lack of cadences gives this movement a feeling of vagueness.II. Puckish – This Allegretto movement has a playful quality that is created by staccato articulations, melodic leaps, unexpected use of rests and sudden tonality shifts to express an impish quality.III. Excited – A fast tempo and technical passages along with driving rhythms help this movement express excitement.IV. Horrified – Angular melodic lines, trills, dissonant chords, extreme ranges, and accents are all used to create this emotional representation.V. Jocular – This playful movement in an Allegretto tempo uses staccato, syncopation, meter change, dotted rhythms, and angular melodies for its laughing sounds.VI. Scattered – A Presto tempo with hemiola, staccato notes, and light scoring are used throughout this short movement that feels like it is constantly changing direction.VII. Regretful – This Lento movement has sad legato lines with unresolved dissonances at the beginning and end. The middle section creates a sense of hope but quickly returns to the sorrowful sound.VIII. Confident – This movement is in a march style with strong accents. Its clear lines and rhythms help portray strength in one’s beliefs.
$14.99 ≈
13.82€
Emoticons III for Reed Quintet
Emoticons III for Reed Quintet
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Contemporain
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Sy Brandon
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Emoticons III for Reed Quintet
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Sy Brandon
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bassoon,Clarinet,Oboe - Level 5 - SKU: A0.755261 Composed by Sy Brandon. 20th Century,Contemporary. 46...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bassoon,Clarinet,Oboe - Level 5 - SKU: A0.755261 Composed by Sy Brandon. 20th Century,Contemporary. 46 pages. Sy Brandon #3604157. Published by Sy Brandon (A0.755261). Emoticons III is the third in a series of compositions that are designed to be aural representations of images that reflect emotions. This composition has eight short movements and is scored for wind quintet. I. Nebulous – The wandering tonality, slow tempo, frequent shifts of color, and lack of cadences gives this movement a feeling of vagueness. II. Puckish – This Allegretto movement has a playful quality that is created by staccato articulations, melodic leaps, unexpected use of rests and sudden tonality shifts to express an impish quality. III. Excited – A fast tempo and technical passages along with driving rhythms help this movement express excitement. IV. Horrified – Angular melodic lines, trills, dissonant chords, extreme ranges, and accents are all used to create this emotional representation. V. Jocular – This playful movement in an Allegretto tempo uses staccato, syncopation, meter change, dotted rhythms, and angular melodies for its laughing sounds. VI. Scattered – A Presto tempo with hemiola, staccato notes, and light scoring are used throughout this short movement that feels like it is constantly changing direction. VII. Regretful – This Lento movement has sad legato lines with unresolved dissonances at the beginning and end. The middle section creates a sense of hope but quickly returns to the sorrowful sound. VIII. Confident – This movement is in a march style with strong accents. Its clear lines and rhythms help portray strength in one’s beliefs.
$14.99 ≈
13.82€
Kids' Stuff - Giordano Maselli (flute quartet)
Kids' Stuff - Giordano Maselli (flute quartet)
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Quatuor de Flûtes : 4 flûtes
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AVANCÉ
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Contemporain
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Giordano Maselli
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Kids' Stuff - Giordano Maselli
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Giordano Maselli
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 5 - SKU: A0.849871 Composed by Giordano Maselli. Contemporary. 41 pages. Giordano Maselli #5317343. Pub...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 5 - SKU: A0.849871 Composed by Giordano Maselli. Contemporary. 41 pages. Giordano Maselli #5317343. Published by Giordano Maselli (A0.849871). Kids’ Stuff is a piece for an ensemble of four flutes in C composed by Giordano Maselli (www.giordanomaselli.com).It includes full score and individual parts (Flute I - II - III - IV)Full Score (21pages) - Flute I (5 pages) - Flute II (5 pages) - Flute III (5 pages) - Flute IV (5 pages)Its provocative title, being the piece not really a good fit for beginners level, sets the piece in a childlike and playful context. Playing is the fundamental concept to the creative fulcrum of the piece. The idea was to compose a short two-themed piece of music imagining four kids playing together and chasing each other randomly, just for the sake of being happy and carefree.I still remember when I used to play with my friends in grade school and at a certain point all of the sudden we got tired of following the old traditional game rules, too stressing! So we’d start playing randomly, usually running around, jumping and laughing. It’s that kind of carefree state of mind that I took inspiration from, to create a music in which every kind of harmonic or rhythmic tension relaxes and lands to something instinctive, simple, and most of all in which the different parts never fight against each other but just complete each other and create union, just as four kids playing the same game at the same time.***Full song streaming here https://soundcloud.com/giordanomaselli/kids-stuff-live-alchimie-sonore
$4.99 ≈
4.60€
Monteverdi - The Sixth Book of Madrigals - 10. Qui rise Tirsi
Monteverdi - The Sixth Book of Madrigals - 10. Qui rise Tirsi
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767279 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 38 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767279 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 38 pages. Lyons Music Services #3218699. Published by Lyons Music Services (A0.767279). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This song, No 10 starts with the line Here Tirsi laughed and wriggled under the two(twin?) stars of the beautiful Clorinda I think you get the picture! We can see plenty of musical laughing and wriggling in the music with dotted rhythms and semiquaver runs. The top two voices are Clorinda (doing a fair amount of wriggling herself) while the bottom two take the part of Tirsi. There are places where all four voices give vent to an exclamation and where, presumably, the two lovers had to stop for breath! The original incorporates a very basic continuo part, which I have shared between the resting voices. As with all things madrigalian, the lyrics are rife with double entendres.
$4.99 ≈
4.60€
She'll Be Comin' 'Round the Mountain: from "Four American Folk Songs"
She'll Be Comin' 'Round the Mountain: from "Four American Folk Songs"
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Chorale SSAA
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Frank Ferko
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She'll Be Comin' 'Round the Mo
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SSAA choir unaccompanied - Moderately Difficult - SKU: MQ.8907-E Composed by Frank Ferko. 14 pages. E. C. Schirmer Music Company - Digital #8907-E. Publ...
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SSAA choir unaccompanied - Moderately Difficult - SKU: MQ.8907-E Composed by Frank Ferko. 14 pages. E. C. Schirmer Music Company - Digital #8907-E. Published by E. C. Schirmer Music Company - Digital (MQ.8907-E). English.Commissioned by Christopher Watson, conductor of the Trinity College Choir, Melbourne, for the ensemble's U.S. concert tour in 2020. With its swinging rhythms and laughing motif throughout, this is a fitting conclusion to Ferko's set of four American folk songs. Eschewing weightier interpretations of the text, this setting is pure fun.
$2.85 ≈
2.63€
Watermelon Man for Clarinet Quintet & Opt. Drumset
Watermelon Man for Clarinet Quintet & Opt. Drumset
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Jazz
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Qu
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Music for all Occasions
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SheetMusicPlus
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.
A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.
The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.
Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B
Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.
On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.
This version was often featured on The Weather Channel's Local on the 8s segments.
The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.
A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99 ≈
13.82€
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Laughin in Rhythm
