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Leonardo Leo Baroque
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Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
#
Chorale SATB
#
Leonardo Leo
#
Guido Menestrina
#
Leonardo Leo - Dixit Dominus a
#
Guido Menestrina
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestri...
(+)
Choral Choir (SATB) - SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #481065. Published by Guido Menestrina (A0.828714). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://www.youtube.com/watch?v=vqOa9skJg5o.
$13.99 ≈
12.93€
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Leonardo Leo
#
Guido Menestrina
#
Leonardo Leo - Dixit Dominus a
#
Guido Menestrina
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guid...
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Choral Choir (SATB) - Level 4 - SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guido Menestrina #238145. Published by Guido Menestrina (A0.828703). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimentoEdit Published by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: http://youtu.be/q3iMskZjm1Y.
$17.99 ≈
16.63€
Leonardo Leo Sinfonia in A major for String Orchestra
Leonardo Leo Sinfonia in A major for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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MyMusicScores
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Leonardo Leo Sinfonia in A maj
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.736747 Arranged by MyMusicScores.com. Baroque. Score and parts. 25 pages. MyMusicScores.com #5224067. Published by ...
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String Orchestra - Level 4 - SKU: A0.736747 Arranged by MyMusicScores.com. Baroque. Score and parts. 25 pages. MyMusicScores.com #5224067. Published by MyMusicScores.com (A0.736747). A short and lively Sinfonia for Strings by Leonardo Leo (5 August 1694 – 31 October 1744).The PDF file part includes the Score, Violin 1, Violin2, Viola, Cello/Bass and Harpsichord parts.
$14.99 ≈
13.86€
Leonardo Vinci Al fiero mio sospetto (Bass Voice) transcribed by Helios D'Andrea
Leonardo Vinci Al fiero mio sospetto (Bass Voice) transcribed by Helios D'Andrea
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Piano, Voix
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FACILE
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Leo Vinci
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Helios D'Andrea
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Leonardo Vinci Al fiero mio so
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D'Andrea Helios
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1148048 Composed by Leo Vinci. Arranged by Helios D'Andrea. Baroque. Score. 4 pages. D'Andrea Helios #748241. Publ...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1148048 Composed by Leo Vinci. Arranged by Helios D'Andrea. Baroque. Score. 4 pages. D'Andrea Helios #748241. Published by D'Andrea Helios (A0.1148048).
$3.00 ≈
2.77€
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Terzo movimento (Terzetto)
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Terzo movimento (Terzetto)
Organ,Violin,String Duet,Viola,Cello,Double Bass,Soprano Voice,Tenor Voice,Voice Trio,SST
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Baroque Period, Sacred. 24 pages. Published by Guido Menestrina (S0.87001). - - Baroque Period,Sacred - Guido Menestrina...
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Baroque Period, Sacred. 24 pages. Published by Guido Menestrina (S0.87001). - - Baroque Period,Sacred - Guido Menestrina
$12.99 ≈
12.01€
Victimae Paschali a 6
Victimae Paschali a 6
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Niccolò Jommelli
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Guido Menestrina
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Victimae Paschali a 6
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Guido Menestrina
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SheetMusicPlus
Choral Choir,Choral - Level 4 - SKU: A0.1399473 By Niccolò Jommelli. By Niccolò Jommelli. Arranged by Guido Menestrina. Baroque,Chamber,Christian,...
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Choral Choir,Choral - Level 4 - SKU: A0.1399473 By Niccolò Jommelli. By Niccolò Jommelli. Arranged by Guido Menestrina. Baroque,Chamber,Christian,Easter,Sacred. 20 pages. Guido Menestrina #982762. Published by Guido Menestrina (A0.1399473). Composizione per coro a 6 voci (SSAATB), soprano solo e quartetto (SATB) con basso continuo per il giorno di Pasqua, di Niccolò Jommelli (1714-1774). Allievo di Francesco Durante e di Leonardo Leo, si dice che all'inizio degli anni '40, come molti musicisti, compreso il Leo, si fosse recato a Bologna per apprendere da padre Martini; -Chi siete voi?, chiese Martini, volete burlarvi di me? Sono io che voglio apprendere da voi! Dal '48 al '54 fu maestro di cappella in S.Pietro a Roma, ed è a questo periodo che deve ascriversi il brano che proponiamo in trascrizione. Gli ultimi vent'anni di vita li passò in Germania, maestro di cappella dei Württemberg a Stoccarda; qui si imbastardì il suo bel barocco, napoletano-romano, appesantendosi (almeno secondo i contemporanei in patria) di ornamenti inopportuni. Trascrizione a cura di Guido Menestrina dai manoscritti della Biblioteca Nazionale di Spagna e della Biblioteca Palatina di Parma, disponibile in chiavi moderne A Score for 6 voices choir (SSAATB), soprano solo, and SATB quartet by Niccolò Jommelli, who was Durante's and Leo's pupil and very much appreciated by G.B.Martini at his time. He was maestro di cappella in St.Peter's Cathedral in Rome in the period he composed this music. In the last 20 years of his life he was chapelmaster in Stuttgart, where his clean Neapolitan baroque style got heavier and full of embellishments.
$2.99 ≈
2.76€
O magnum mysterium - acapella 3 movements choral music
O magnum mysterium - acapella 3 movements choral music
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Chorale SATB
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INTERMÉDIAIRE
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C
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O magnum mysterium - acapella
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C. G. Davin Leonardo
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.999166 Composed by C. G. Davin Leonardo. A Cappella,Baroque,Christmas,Contemporary,Renaissance,Sacred. Oc...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.999166 Composed by C. G. Davin Leonardo. A Cappella,Baroque,Christmas,Contemporary,Renaissance,Sacred. Octavo. 16 pages. C. G. Davin Leonardo #5991577. Published by C. G. Davin Leonardo (A0.999166). Runner-up of SMP Press Composition Competition 2020 - Contemporary Choral Music CategoryThis entry is my choral composition on Latin Text O magnum mysterium. It contains three movements:1. O magnum - consists of the first stanza of the text, with Renaissance-like hymn style (SSATBB) (00:00).2. Beata Virgo - consists of the second stanza of the text, sung by the soloist (SATB Solo) (02:12).3. Fuga - Alleluia - consists of the final 'Alleluia' exclamation of the text. This part is a fugal composition with a Baroque-like style (SATB) (04:06).This composition reflects the mystery of the Incarnation of the Lord (first movement), the joy of Mother Mary after giving birth to the Lord while remembering the words of St. Elizabeth (second movement), and the exclamation of the faithful singing Alleluia continuously (third movement).This composition is accessible and suitable for student, school, or university choir, especially for Christmas Concert or Christmas Recital. But this composition is not ideal to be used in Mass since it has not received Nihil Obstat from any diocese.Audiomack: https://audiomack.com/cgdlEmail: https://davinleonardo.me/contact.htmlInstagram: https://www.instagram.com/cg_davin/Website: https://davinleonardo.me/
$5.00 ≈
4.62€
Niccolò Jommelli - Beatus vir a 4
Niccolò Jommelli - Beatus vir a 4
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Niccolò Jommelli
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Guido Menestrina
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Niccolò Jommelli - Beat
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.828749 Composed by Niccolò Jommelli. Arranged by Guido Menestrina. Baroque,Sacred. Octavo. 21 pages. Guido Me...
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Choral Choir (SATB) - Level 4 - SKU: A0.828749 Composed by Niccolò Jommelli. Arranged by Guido Menestrina. Baroque,Sacred. Octavo. 21 pages. Guido Menestrina #2869081. Published by Guido Menestrina (A0.828749). ​Salmo Beatus Vir a 4 (SATB) concertato, espressamente composto per la Basilica Vaticana da Niccolò Jommelli (1714-1774).Allievo di Francesco Durante e di Leonardo Leo, si dice che all'inizio degli anni '40, come molti musicisti, compreso il Leo, si fosse recato a Bologna per apprendere da padre Martini; -Chi siete voi?, chiese Martini, volete burlarvi di me? Sono io che voglio apprendere da voi!Dal '48 al '54 fu maestro di cappella in S.Pietro a Roma, ed è a questo periodo che deve ascriversi il brano che proponiamo in trascrizione.Gli ultimi vent'anni di vita li passò in Germania, maestro di cappella dei Württemberg a Stoccarda; qui si imbastardì il suo bel barocco, napoletano-romano, appesantendosi (almeno secondo i contemporanei in patria) di ornamenti inopportuni.Trascrizione a cura di Guido Menestrina.L'acquisto è riferito all'autorizzazione alla stampa di 5 copie (una per voce + l'accompagnamento di basso)The purchase gives the right to print 5 copies (one for each voice and basso continuo).Clefs are original: soprano, alto, tenor, bass, bass.Include in 21 pagine i seguenti movimenti:Primo movimento - Coro SATBSecondo Movimento - Tenore SoloTerzo Movimento - Coro SATBQuarto Movimento - Basso SoloQuinto e Sesto Movimento - Coro SATBTratti dal salmo 111.TestoBeatus vir qui timet Dominum,In mandatis ejus volet nimis.Potens in terra erit semen ejus,Generatio rectorum benedicetur.Gloria et divitiae in domo ejus,Et justitia ejus manetIn saeculum saeculi.Exortum est in tenebris lumen rectis,Misericors et miserator et justus.Jucundus homo,Qui miseretur et commodat,Disponet sermones suos in judicio.Quia in aeternum non commovebitur.In memoria aeterna erit justus,Ab auditione mala non timebit.Paratum cor ejus sperare in Domino.Confirmatum est cor ejus;Non commovebiturDonec despiciat inimicos suos.Dispersit, dedit pauperibus,Justitia ejus manetIn saeculum saeculi.Cornu ejus exaltabitur in gloria.Peccator videbit et irascetur,Dentibus suis fremet et tabescet;Desiderium peccatorum peribit.
$34.99 ≈
32.35€
Sinfonia from Armida al Campo D'Egitto - 2 Violins and Piano - Early Advanced
Sinfonia from Armida al Campo D'Egitto - 2 Violins and Piano - Early Advanced
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2 Violons (duo)
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AVANCÉ
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Classique
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Antonio Vivaldi
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Raymond Fenech
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Sinfonia from Armida al Campo
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Raymond Fenech
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SheetMusicPlus
Violin Duet Violin - Level 5 - SKU: A0.760438 Composed by Antonio Vivaldi. Arranged by Raymond Fenech. Baroque,Easter,Instructional,Multicultural,Standa...
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Violin Duet Violin - Level 5 - SKU: A0.760438 Composed by Antonio Vivaldi. Arranged by Raymond Fenech. Baroque,Easter,Instructional,Multicultural,Standards,World. 24 pages. Raymond Fenech #3675877. Published by Raymond Fenech (A0.760438). Armida al campo d'Egitto is an opera in three acts by Antonio Vivaldi to a libretto by Giovanni Palazzo. It was first performed during the Carnival season of 1718 at the Teatro San Moisè in Venice. Unlike the more than 50 operas based on the romance of Rinaldo and Armida, Vivaldi's version starts during previous events before the war against the Crusaders. Armida was revived for the Carnival season of 1738, with much of the music rewritten, and arias by Leonardo Leo added. Act II of the original version of the opera is now lost. The Level is Early Advance and the duration is approximately 4.13 minutes. It could be played in any type of recital/concert.
$5.99 ≈
5.54€
Sinfonia from Armida al Campo D'Egitto - 2 Flutes and Piano - Early Advanced
Sinfonia from Armida al Campo D'Egitto - 2 Flutes and Piano - Early Advanced
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2 Flûtes traversières (duo)
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AVANCÉ
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Classique
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Antonio Vivaldi
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Raymond Fenech
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Sinfonia from Armida al Campo
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Raymond Fenech
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SheetMusicPlus
Flute Duet Flute - Level 5 - SKU: A0.760437 Composed by Antonio Vivaldi. Arranged by Raymond Fenech. Baroque,Easter,Instructional,Multicultural,Standard...
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Flute Duet Flute - Level 5 - SKU: A0.760437 Composed by Antonio Vivaldi. Arranged by Raymond Fenech. Baroque,Easter,Instructional,Multicultural,Standards,World. Score. 25 pages. Raymond Fenech #3675745. Published by Raymond Fenech (A0.760437). Armida al campo d'Egitto is an opera in three acts by Antonio Vivaldi to a libretto by Giovanni Palazzo. It was first performed during the Carnival season of 1718 at the Teatro San Moisè in Venice. Unlike the more than 50 operas based on the romance of Rinaldo and Armida, Vivaldi's version starts during previous events before the war against the Crusaders. Armida was revived for the Carnival season of 1738, with much of the music rewritten, and arias by Leonardo Leo added. Act II of the original version of the opera is now lost. The Level is Early Advance and the duration is approximately 4.13 minutes. It could be played in any type of recital/concert.
$5.99 ≈
5.54€
Sinfonia from Armida al Campo D'Egitto - 2 Bass Clarinets and Piano - Early Advanced
Sinfonia from Armida al Campo D'Egitto - 2 Bass Clarinets and Piano - Early Advanced
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2 Clarinettes, Piano
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AVANCÉ
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Classique
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Antonio Vivaldi
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Raymond Fenech
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Sinfonia from Armida al Campo
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Raymond Fenech
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SheetMusicPlus
Instrumental Duet,Piano Bass Clarinet,Instrumental Duet,Piano - Level 5 - SKU: A0.760450 Composed by Antonio Vivaldi. Arranged by Raymond Fenech. Baroqu...
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Instrumental Duet,Piano Bass Clarinet,Instrumental Duet,Piano - Level 5 - SKU: A0.760450 Composed by Antonio Vivaldi. Arranged by Raymond Fenech. Baroque,Easter,Instructional,Multicultural,Standards,World. Score and parts. 25 pages. Raymond Fenech #3692659. Published by Raymond Fenech (A0.760450). Armida al campo d'Egitto is an opera in three acts by Antonio Vivaldi to a libretto by Giovanni Palazzo. It was first performed during the Carnival season of 1718 at the Teatro San Moisè in Venice. Unlike the more than 50 operas based on the romance of Rinaldo and Armida, Vivaldi's version starts during previous events before the war against the Crusaders. Armida was revived for the Carnival season of 1738, with much of the music rewritten, and arias by Leonardo Leo added. Act II of the original version of the opera is now lost. The Level is Early Advance and the duration is approximately 4.13 minutes. It could be played in any type of recital/concert.
$5.99 ≈
5.54€
Four Toccatas
Four Toccatas
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Leonardo Leo
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Roberto GarcÃa
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Four Toccatas
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apt4guitar
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.789359 Composed by Leonardo Leo. Arranged by Roberto GarcÃa. Baroque,Standards. Individual part. 11 pages. Apt4guitar...
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Solo Guitar - Level 4 - SKU: A0.789359 Composed by Leonardo Leo. Arranged by Roberto GarcÃa. Baroque,Standards. Individual part. 11 pages. Apt4guitar #3462847. Published by apt4guitar (A0.789359). Contents: Toccatas 3, 4, 10 and 13.Solo guitar arrangements.
$9.50 ≈
8.78€
Sinfonia from Armida al Campo D'Egitto - Saxophone Choir Qaurtet (Soprano; Alto; Tenor and Baritone
Sinfonia from Armida al Campo D'Egitto - Saxophone Choir Qaurtet (Soprano; Alto; Tenor and Baritone
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Classique
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Antonio Vivaldi
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Raymond Fenech
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Sinfonia from Armida al Campo
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Raymond Fenech
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.760439 Composed by Antonio V...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.760439 Composed by Antonio Vivaldi. Arranged by Raymond Fenech. Baroque,Easter,Instructional,Multicultural,Standards,World. 27 pages. Raymond Fenech #3675883. Published by Raymond Fenech (A0.760439). Armida al campo d'Egitto is an opera in three acts by Antonio Vivaldi to a libretto by Giovanni Palazzo. It was first performed during the Carnival season of 1718 at the Teatro San Moisè in Venice. Unlike the more than 50 operas based on the romance of Rinaldo and Armida, Vivaldi's version starts during previous events before the war against the Crusaders. Armida was revived for the Carnival season of 1738, with much of the music rewritten, and arias by Leonardo Leo added. Act II of the original version of the opera is now lost. The Level is Early Advance and the duration is approximately 4.13 minutes. It could be played in any type of recital/concert.
$7.99 ≈
7.39€
La Pietà for Violin and Harpsichord duet
La Pietà for Violin and Harpsichord duet
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C
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La Pietà for Violin and
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C. G. Davin Leonardo
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.999168 Composed by C. G. Davin Leonardo. Baroque,Classical,Sacred. Score and parts. 12 pages. C. G. Davin Leonardo #...
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String Ensemble - Level 3 - SKU: A0.999168 Composed by C. G. Davin Leonardo. Baroque,Classical,Sacred. Score and parts. 12 pages. C. G. Davin Leonardo #6077693. Published by C. G. Davin Leonardo (A0.999168). This is a simple violin and harpsichord duet piece depicting the sorrow of a mother who lost her only son, the sorrow of Mother Mary. The piece uses baroque tuning (A=415Hz) as its tuning.
$4.99 ≈
4.61€
Ave Maria - 2 violins
Ave Maria - 2 violins
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Violon
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FACILE
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Classique
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Charles Francois Gounod
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Leonardo Cunha
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Ave Maria - 2 violins
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Leonardo Cunha
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SheetMusicPlus
Violin Solo - Level 2 - SKU: A0.902634 Composed by Charles Francois Gounod. Arranged by Leonardo Cunha. Baroque,Classical,Sacred,Wedding. 2 pages. Leona...
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Violin Solo - Level 2 - SKU: A0.902634 Composed by Charles Francois Gounod. Arranged by Leonardo Cunha. Baroque,Classical,Sacred,Wedding. 2 pages. Leonardo Cunha #6244601. Published by Leonardo Cunha (A0.902634). Ave Maria by Charles Gounod arranged for 2 violins.
$6.00 ≈
5.55€
Ave Maria - string orchestra
Ave Maria - string orchestra
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Orchestre à Cordes
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FACILE
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Classique
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Charles Francois Gounod
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Leonardo Cunha
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Ave Maria - string orchestra
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Leonardo Cunha
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.902635 Composed by Charles Francois Gounod. Arranged by Leonardo Cunha. Baroque,Classical,Sacred,Standards,Wedding....
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String Orchestra - Level 2 - SKU: A0.902635 Composed by Charles Francois Gounod. Arranged by Leonardo Cunha. Baroque,Classical,Sacred,Standards,Wedding. Score and parts. 8 pages. Leonardo Cunha #6244597. Published by Leonardo Cunha (A0.902635). Ave Maria by Charles Gounod arranged for string orchestra.
$10.00 ≈
9.24€
Fugue No. 24 - Well Tempered Clavier, Book 1 - J. S. Bach
Fugue No. 24 - Well Tempered Clavier, Book 1 - J. S. Bach
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Flûte, Hautbois, Clarinette, Basson
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Classique
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Johann Sebastian Bach
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Leonardo Muniz Corrêa
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Fugue No. 24 - Well Tempered C
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Leonardo Muniz Correa
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - SKU: A0.999867 Composed by Johann Sebastian Bach. Arranged by Leonardo Muniz Corrêa. Baroque. 22 pages. Leonardo...
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Woodwind Ensemble,Woodwind Quartet - SKU: A0.999867 Composed by Johann Sebastian Bach. Arranged by Leonardo Muniz Corrêa. Baroque. 22 pages. Leonardo Muniz Correa #6093485. Published by Leonardo Muniz Correa (A0.999867). Arrangement for saxophone quartet (soprano, alto, tenor and baritone).
$19.99 ≈
18.48€
Harpsichord Concerto no. 1 in D Minor BWV 1052 for saxophone quartet and piano
Harpsichord Concerto no. 1 in D Minor BWV 1052 for saxophone quartet and piano
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Quatuor de Saxophones: 4 saxophones
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Classique
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Johann Sebastian Bach
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Leonardo Muniz Corrêa
#
#
Harpsichord Concerto no. 1 in
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Leonardo Muniz Correa
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - SKU: A0.999847 Composed by Johann Sebastian Bach. Arranged by Leonardo Muniz Corrêa. Baroque. 177 pages. Leonard...
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Woodwind Ensemble,Woodwind Quartet - SKU: A0.999847 Composed by Johann Sebastian Bach. Arranged by Leonardo Muniz Corrêa. Baroque. 177 pages. Leonardo Muniz Correa #6077333. Published by Leonardo Muniz Correa (A0.999847). Harpsichord Concerto no. 1 in D Minor BWV 1052 for saxophone quartet (soprano, alto, tenor and baritone) and piano.Score and partsMovements 1 - allegro 2 - adagio 3 - allegro
$34.99 ≈
32.35€
Prelude No. 24 - Well Tempered Clavier, Book 1 - J. S. Bach
Prelude No. 24 - Well Tempered Clavier, Book 1 - J. S. Bach
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Classique
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Johann Sebastian Bach
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Leonardo Muniz Corrêa
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Prelude No. 24 - Well Tempered
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Leonardo Muniz Correa
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SheetMusicPlus
Small Ensemble Alto Saxophone,B-Flat Trumpet,Double Bass - SKU: A0.999870 Composed by Johann Sebastian Bach. Arranged by Leonardo Muniz Corrêa. Baroq...
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Small Ensemble Alto Saxophone,B-Flat Trumpet,Double Bass - SKU: A0.999870 Composed by Johann Sebastian Bach. Arranged by Leonardo Muniz Corrêa. Baroque. Score and parts. 17 pages. Leonardo Muniz Correa #6093665. Published by Leonardo Muniz Correa (A0.999870). Arrangement for trumpet Bb, alto saxophone and acustic bass.
$12.99 ≈
12.01€
Teco, sì, vengo anch'io (A-flat major)
Teco, sì, vengo anch'io (A-flat major)
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Piano, Voix
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Classique
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Leonardo Vinci
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Teco, sì, vengo anch'io
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AST Publications
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SheetMusicPlus
Composed by Leonardo Vinci (1690-1730). Baroque Period. Score. 9 pages. Published by AST Publications (S0.124201). - Score - Baroque Period - AST Publications...
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Composed by Leonardo Vinci (1690-1730). Baroque Period. Score. 9 pages. Published by AST Publications (S0.124201). - Score - Baroque Period - AST Publications
$9.99 ≈
9.24€
Teco, sì, vengo anch'io (B-flat major)
Teco, sì, vengo anch'io (B-flat major)
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Piano, Voix
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Classique
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Leonardo Vinci
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Teco, sì, vengo anch'io
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AST Publications
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SheetMusicPlus
Composed by Leonardo Vinci (1690-1730). Baroque Period. Score. 9 pages. Published by AST Publications (S0.124297). - Score - Baroque Period - AST Publications...
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Composed by Leonardo Vinci (1690-1730). Baroque Period. Score. 9 pages. Published by AST Publications (S0.124297). - Score - Baroque Period - AST Publications
$9.99 ≈
9.24€
12 Selected Castrato Pieces - Sublime Bliss
12 Selected Castrato Pieces - Sublime Bliss
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Classique
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George Frideric Handel, Henry
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Gabriel Sung
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12 Selected Castrato Pieces -
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Gabriel Bachmanov
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Double Bass,Harpsichord,High Voice,Horn,Low Voice,Viola,Violin - Level 3 - SKU: A0.925033 Composed by George Frideric Hande...
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Large Ensemble Bassoon,Cello,Double Bass,Harpsichord,High Voice,Horn,Low Voice,Viola,Violin - Level 3 - SKU: A0.925033 Composed by George Frideric Handel, Henry Purcell, Leonardo Vinci, Nicola Porpora, and Riccardo Broschi. Arranged by Gabriel Sung. Baroque,Opera. Score and parts. 119 pages. Gabriel Bachmanov #4361695. Published by Gabriel Bachmanov (A0.925033). A collection of 12 underrated yet sublime Baroque pieces written for the castrato voice, this book is suitable for sopranos, mezzo sopranos and countertenors in the modern age.Following are the pieces included:Handel - Ombra mai fu (from Serse)Handel - Lascia ch'io pianga (from Rinaldo)Handel - Scherza infida (from Ariodante)Handel - Cara sposa (from Rinaldo)Handel - Va tacito (from Giulio Cesare in Egitto)Purcell - They tell us that (from The Indian Queen)Purcell - When I am Laid (from Dido and Aeneas)Porpora - Alto Giove (from Polifemo)Broschi - Se al labbro (from Artaserse)Broschi - Ombra fedele (from Idaspe)Vinci - Per pieta (from Artaserse)Vinci - Perche tarda (from Artaserse).
$14.99 ≈
13.86€
Danza, danza, fanciulla gentile - Viola and Piano (Individual Parts)
Danza, danza, fanciulla gentile - Viola and Piano (Individual Parts)
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Alto, Piano
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INTERMÉDIAIRE
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Francesco Durante
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César Madeira
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Danza, danza, fanciulla gentil
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1459974 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Contest,Festival,Multicultural,Oper...
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Piano,Viola - Level 3 - SKU: A0.1459974 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Contest,Festival,Multicultural,Opera,World. Score and part. 5 pages. Sheet Music To Play Editions #1038988. Published by Sheet Music To Play Editions (A0.1459974). Danza, danza, fanciulla gentile by Durante. Arrangement for Viola and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Francesco Durante (1684 – 1755) was an Italian composer of the Neapolitan School. Best known for his church music, he was also an important teacher, instructing Niccolò Jommelli, Giovanni Paisiello, Giovanni Battista Pergolesi, Niccolò Piccinni and Leonardo Vinci, among others.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99 ≈
4.61€
Danza, danza, fanciulla gentile - Voice and Piano - F minor (Full Score and Parts)
Danza, danza, fanciulla gentile - Voice and Piano - F minor (Full Score and Parts)
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Piano, Voix
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INTERMÉDIAIRE
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Francesco Durante
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César Madeira
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Danza, danza, fanciulla gentil
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1459702 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Ope...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1459702 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Opera,World. Score. 11 pages. Sheet Music To Play Editions #1038655. Published by Sheet Music To Play Editions (A0.1459702). Danza, danza, fanciulla gentile by Durante. Arrangement for Voice and Piano - F minor. With Full Score and Individual Parts. Enjoy it!Francesco Durante (1684 – 1755) was an Italian composer of the Neapolitan School. Best known for his church music, he was also an important teacher, instructing Niccolò Jommelli, Giovanni Paisiello, Giovanni Battista Pergolesi, Niccolò Piccinni and Leonardo Vinci, among others.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99 ≈
7.39€
Danza, danza, fanciulla gentile - Violin and Piano (Individual Parts)
Danza, danza, fanciulla gentile - Violin and Piano (Individual Parts)
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Violon et Piano
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INTERMÉDIAIRE
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Francesco Durante
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César Madeira
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Danza, danza, fanciulla gentil
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1459927 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Opera,Wo...
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Piano,Violin - Level 3 - SKU: A0.1459927 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Opera,World. 5 pages. Sheet Music To Play Editions #1038884. Published by Sheet Music To Play Editions (A0.1459927). Danza, danza, fanciulla gentile by Durante. Arrangement for Violin and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Francesco Durante (1684 – 1755) was an Italian composer of the Neapolitan School. Best known for his church music, he was also an important teacher, instructing Niccolò Jommelli, Giovanni Paisiello, Giovanni Battista Pergolesi, Niccolò Piccinni and Leonardo Vinci, among others.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99 ≈
4.61€
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Leonardo Leo Baroque
