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Let's Get It On [Jazz version]
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Vous avez sélectionné:
Let's Get It On [Jazz version]
Partitions à imprimer
16 partitions trouvées
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1
Let's Get It On [Jazz version]
Let's Get It On [Jazz version]
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Piano seul
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Marvin Gaye
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Let's Get It On [Jazz version]
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.357649 By Marvin Gaye. This edition: Interactive Download. Funk,Love,Pop,Rock,Soul. Piano Solo. 4 pages. Published by Hal Le...
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Interactive Download SKU: HX.357649 By Marvin Gaye. This edition: Interactive Download. Funk,Love,Pop,Rock,Soul. Piano Solo. 4 pages. Published by Hal Leonard - Digital (HX.357649).
$4.99 ≈
¥35.51
Why Don't You Do Right (get Me Some Money, Too!)
Why Don't You Do Right (get Me Some Money, Too!)
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Peggy Lee
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Nigel Hanley
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Why Don't You Do Right
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Nigel Hanley Music
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.1156443 By Peggy Lee. By Joe McCoy. Arranged by Nigel Hanley. Blues,Jazz,Standards. Score and parts. 22 pages. Nigel Hanl...
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Jazz Combo - Level 4 - SKU: A0.1156443 By Peggy Lee. By Joe McCoy. Arranged by Nigel Hanley. Blues,Jazz,Standards. Score and parts. 22 pages. Nigel Hanley Music #756761. Published by Nigel Hanley Music (A0.1156443). This chart is a 7-pc swing arrangement of 'Why Don't You Do Right'. It is based on a version recorded by Peggy Lee in 1942. From wikipedia: it is considered a classic woman's blues song and has become a standard. Singer Lil Green recorded a popular rendition in 1941, which Peggy Lee recorded the next year — accompanied by Benny Goodman — and made one of her signature songs. The instrumentation is: Piano Bass Drums Guitar Trumpet Tenor Sax Trombone Other keys, instrumentation, and a backing track are available on request: info@nigelhanley.com The complete backing track can be downloaded at www.nigelhanleymusic.com Suitable for: rock band with horns, little big band, funk band with horns, cover band with horns, cruise ship bands, high school & college bands, cabaret bands & cabaret artists
$24.99 ≈
¥177.84
Marvin Gaye: Let's Get It On [Jazz version] - piano solo
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Piano seul
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INTERMÉDIAIRE
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Rock
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Marvin Gaye
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Virtualsheetmusic
Instantly printable sheet music by Marvin Gaye for piano solo of MEDIUM skill level. / funk,love,pop,rock,soul
Instantly printable sheet music by Marvin Gaye for piano solo of MEDIUM skill level. / funk,love,pop,rock,soul
$5.97 ≈
¥42.49
Easy Piano-Organ Duets III-Digital Version
Easy Piano-Organ Duets III-Digital Version
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Fairest Lord Jesus
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Easy Piano-Organ Duets III-Dig
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Hope Publishing - Digital
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SheetMusicPlus
SKU: H1.9197DP Piano/Organ. 92 pages. Hope Publishing - Digital #9197DP. Published by Hope Publishing - Digital (H1.9197DP). Marianne Kim.Ten ...
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SKU: H1.9197DP Piano/Organ. 92 pages. Hope Publishing - Digital #9197DP. Published by Hope Publishing - Digital (H1.9197DP). Marianne Kim.Ten settings of favorite hymns Immerse yourself in a musical journey with Marianne Kim's Volume III of Easy Piano-Organ Duets. Featuring her heartfelt arrangements, this collection infuses loving hymns, Christmas carols, and Easter, and Thanksgiving hymns, with a touch of jazz and fresh harmonies. Perfect for musicians of all levels, experience the harmonious convergence of tradition and creativity. Let these arrangements unlock a tapestry of emotion, creating moments of reflection and shared musical joy. Contents: Christ the Lord Is Risen Today; Fairest Lord Jesus; Go, Tell It on the Mountain; He's Got the Whole World in His Hands; How Great Thou Art; Let Us Break Bread Together; O Come, O Come, Emmanuel; O Little Town of Bethlehem with It Came Upon a Midnight Clear; The Gift of Love; We Gather Together.
$24.95 ≈
¥177.56
Don't Get Around Much Anymore
Don't Get Around Much Anymore
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Jazz
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Bob Russell and Duke Ellington
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Music for all Occasions
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Don't Get Around Much Anymore
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.746865 Composed by Bob Russell and Duke Ellington. Arranged by Music for all Occasio...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.746865 Composed by Bob Russell and Duke Ellington. Arranged by Music for all Occasions. Jazz,Standards. 8 pages. Keith Terrett #4784411. Published by Keith Terrett (A0.746865). Arranged for Clarinet Quintet Don't Get Around Much Anymore is a jazz standard written by composer Duke Ellington.The song was originally entitled Never No Lament and was first recorded by Duke Ellington and his orchestra on May 4, 1940. Don't Get Around Much Anymore quickly became a hit after Bob Russell wrote its lyrics in 1942.Two different recordings of Don't Get Around Much Anymore, one by The Ink Spots and the other by Ellington's own band, reached No. 1 on the R&B chart in the US in 1943. Both were top-ten pop records, along with a version by Glen Gray. The Duke Ellington version reached No. 8 on the pop chart.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$14.99 ≈
¥106.68
Don't Get Around Much Anymore
Don't Get Around Much Anymore
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Jazz
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Bob Russell and Duke Ellington
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Keith Terrett
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Don't Get Around Much Anymore
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Keith Terrett
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.746864 Composed by Bob Russe...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.746864 Composed by Bob Russell and Duke Ellington. Arranged by Keith Terrett. Jazz. 8 pages. Keith Terrett #4784301. Published by Keith Terrett (A0.746864). Arranged for Saxophone Quintet, Don't Get Around Much Anymore is a jazz standard written by composer Duke Ellington. The song was originally entitled Never No Lament and was first recorded by Duke Ellington and his orchestra on May 4, 1940. Don't Get Around Much Anymore quickly became a hit after Bob Russell wrote its lyrics in 1942.Two different recordings of Don't Get Around Much Anymore, one by The Ink Spots and the other by Ellington's own band, reached No. 1 on the R&B chart in the US in 1943. Both were top-ten pop records, along with a version by Glen Gray. The Duke Ellington version reached No. 8 on the pop chart.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$14.99 ≈
¥106.68
Angel, Blow that Trumpet
Angel, Blow that Trumpet
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Chorale TTBB
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INTERMÉDIAIRE
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Ken Litton
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Ken Litton
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Angel, Blow that Trumpet
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1445608 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 2...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1445608 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 22 pages. Artist of Note, Inc. #1025450. Published by Artist of Note, Inc. (A0.1445608). Angel, Blow that TrumpetWords & Music by Ken Litton (ASCAP)TTBB Piano, opt. String Bass, Clarinet, Trumpet & TromboneMany choirs/ensembles haven't done many trumpet-feature songs in the last decade or so. But, since the trumpet figures so prominently in the Bible why not try one?! And, since both the anthems and contemporary worship songs of today tend to neglect the second coming of Christ here’s an offering from the spiritual/anthem/jazz confluence.Angel, Blow that Trumpet is based on I Corinthians 13:50-57 and I Thessalonians 4:13-18. The style? Well, let’s call it “Natalie Sleeth meets New Orleans jazz!”You’re almost sure to find the voicing very approachable, yet thrilling for SATB (TTBB and SSA also available).The accompaniment is a dixie-land styling originally conceived for piano, string bass/fretless electric bass/standard bass guitar (it would be fun to have someone do it on the “big bass viol”), Bb clarinet, trombone and Bb trumpet. These parts are included with the choral score.Above all, it's fairly easy to learn and fun to sing!The clarinet and trombone parts are a lot of fun and the trumpet part features an easily playable/adaptable ending that nails the piece (actually the lower version is really nice). Plus, with the single exception of swinging the eighth note pairs, there’s no improvisation required here. These parts are really best for good, legit players just as written.And, though I know that you have more than enough skill to get all of this from the score, the audio file in mp3 format (3:32) will also available separately.All this from the places you go for the best in downloadable resources:Sheet Music Directhttps://www.sheetmusicdirect.com/se/ID_No/1538200/Product.aspxSheet Music Plushttps://www.sheetmusicplus.com/en/explore?q=Ken+Litton&lang=defaultAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$1.99 ≈
¥14.16
Angel, Blow that Trumpet
Angel, Blow that Trumpet
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Ken Litton
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Ken Litton
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Angel, Blow that Trumpet
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Artist of Note, Inc.
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SheetMusicPlus
Double Bass,Piano - Level 3 - SKU: A0.1446334 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. Accompaniment. ...
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Double Bass,Piano - Level 3 - SKU: A0.1446334 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. Accompaniment. Duration 213. Artist of Note, Inc. #1026140. Published by Artist of Note, Inc. (A0.1446334). MP3 Accompaniment [~3:30]Angel, Blow that TrumpetWords & Music by Ken Litton (ASCAP)SATB or TTBB Piano, opt. String Bass, Clarinet, Trumpet & TromboneMany choirs/ensembles haven't done many trumpet-feature songs in the last decade or so. But, since the trumpet figures so prominently in the Bible why not try one?! And, since both the anthems and contemporary worship songs of today tend to neglect the second coming of Christ here’s an offering from the spiritual/anthem/jazz confluence.Angel, Blow that Trumpet is based on I Corinthians 13:50-57 and I Thessalonians 4:13-18. The style? Well, let’s call it “Natalie Sleeth meets New Orleans jazz!”You’re almost sure to find the voicing very approachable, yet thrilling for SATB (TTBB and SSA also available).The accompaniment is a dixie-land styling originally conceived for piano, string bass/fretless electric bass/standard bass guitar (it would be fun to have someone do it on the “big bass viol”), Bb clarinet, trombone and Bb trumpet. These parts are included with the choral score.Above all, it's fairly easy to learn and fun to sing!The clarinet and trombone parts are a lot of fun and the trumpet part features an easily playable/adaptable ending that nails the piece (actually the lower version is really nice). Plus, with the single exception of swinging the eighth note pairs, there’s no improvisation required here. These parts are really best for good, legit players just as written.And, though I know that you have more than enough skill to get all of this from the score, the audio file in mp3 format (3:32) will also available separately.All this from the places you go for the best in downloadable resources:Sheet Music Directhttps://www.sheetmusicdirect.com/se/ID_No/1538200/Product.aspxSheet Music Plushttps://www.sheetmusicplus.com/en/explore?q=Ken+Litton&lang=defaultAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$4.99 ≈
¥35.51
Angel, Blow that Trumpet
Angel, Blow that Trumpet
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Chorale SATB
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Ken Litton
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Ken Litton
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Angel, Blow that Trumpet
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - SKU: A0.1436603 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 20 pages. A...
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Choral Choir,Choral,SATB Chorus - SKU: A0.1436603 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 20 pages. Artist of Note, Inc. #1016714. Published by Artist of Note, Inc. (A0.1436603). Angel, Blow that TrumpetWords & Music by Ken Litton (ASCAP)SATB Piano, opt. String Bass, Clarinet, Trumpet & TromboneMany choirs/ensembles haven't done many trumpet-feature songs in the last decade or so. But, since the trumpet figures so prominently in the Bible why not try one?! And, since both the anthems and contemporary worship songs of today tend to neglect the second coming of Christ here’s an offering from the spiritual/anthem/jazz confluence.Angel, Blow that Trumpet is based on I Corinthians 13:50-57 and I Thessalonians 4:13-18. The style? Well, let’s call it “Natalie Sleeth meets New Orleans jazz!”You’re almost sure to find the voicing very approachable, yet thrilling for SATB (TTNN and SSA also available).The accompaniment is a dixie-land styling originally conceived for piano, string bass/fretless electric bass/standard bass guitar (it would be fun to have someone do it on the “big bass viol”), Bb clarinet, trombone and Bb trumpet. These parts are included with the choral score.Above all, it's fairly easy to learn and fun to sing!The clarinet and trombone parts a lot of fun and the trumpet part features an easily playable/adaptable ending that really nails the piece (actually the lower version is really nice). It turns out that they are really best for good, legit players just as written in a swing style.And, though I know that you have more than enough skill to get all of this from the score, the audio file in mp3 format (3:32) will also available separately.All this from the places you go for the best in downloadable resources:Sheet Music Directsheetmusicdirect.comSheet Music Plussheetmusicplus.comAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$1.99 ≈
¥14.16
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitare
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FACILE
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99 ≈
¥14.16
Danny Boy
Danny Boy
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Niall O'Sullivan
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Niall O'Sullivan
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Danny Boy
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Niall O'Sullivan
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SheetMusicPlus
B-Flat Trumpet,C Trumpet,Piano - Level 4 - SKU: A0.1476496 By Niall O'Sullivan. By Trad Irish. Arranged by Niall O'Sullivan. Celtic,Classical,Folk,Irish...
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B-Flat Trumpet,C Trumpet,Piano - Level 4 - SKU: A0.1476496 By Niall O'Sullivan. By Trad Irish. Arranged by Niall O'Sullivan. Celtic,Classical,Folk,Irish,Jazz,Traditional. Score and part. 8 pages. Niall O'Sullivan #1054019. Published by Niall O'Sullivan (A0.1476496). Trumpet and Piano version of the Traditional Irish song Danny Boy as recoreded by Niall O'Sullivan on the #1 selling iTunes Jazz charts record, 'Ballads'.Elevate your repertoire with this enchanting interpretation of Danny Boy, arranged for trumpet and piano based on the Niall O'Sullivan jazz quartet version. This sheet music offers musicians the chance to explore a unique and sophisticated take on the beloved classic, combining the soulful melody with intricate jazz harmonies.This arrangement stands out with Niall O’Sullivan’s signature style, blending the warmth of the trumpet with the elegant subtleties of the piano. Ideal for both performance and practice, it provides a fresh and captivating interpretation that will resonate with audiences and musicians alike.Transform your musical performances with this exquisite jazz arrangement of Danny Boy. Perfect for recitals, concerts, or personal enjoyment, this piece showcases the emotional depth and technical brilliance of Niall O’Sullivan’s vision. The trumpet's rich tones and the piano’s delicate accompaniment create a harmonious balance, making this arrangement a standout addition to any music collectionEmbrace the opportunity to bring Niall O’Sullivan’s exceptional jazz version of Danny Boy to life with this professionally arranged sheet music. Perfect for musicians seeking a fresh and engaging piece, this arrangement will undoubtedly become a cherished part of your repertoire.Includes Piano and C Trumpet (together), Piano, Bb Part.
$9.99 ≈
¥71.10
Chameleon
Chameleon
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Bennie Maupin, Harvey Mason, H
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Tim Olt
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Chameleon
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Olt Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.759125 Composed by Bennie Maupin, Harvey Mason, Herbie Hancock, and Paul Jackson. Arranged...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.759125 Composed by Bennie Maupin, Harvey Mason, Herbie Hancock, and Paul Jackson. Arranged by Tim Olt. Contemporary. Score and parts. 29 pages. Olt Music #4780831. Published by Olt Music (A0.759125). Grab your bell bottoms and let's hit the club for some killer jazz. This chart is based on the Maynard Ferguson version, so the lead trumpet gets to light it up! Trombone gets an improv solo.
$15.00 ≈
¥106.75
My Old Kentucky Home
My Old Kentucky Home
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Guitare
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FACILE
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Stephen Foster
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Brian Streckfus
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My Old Kentucky Home
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyr...
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Guitar - Level 2 - SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.
$1.99 ≈
¥14.16
The Peanut Vendor (el Manisero)
The Peanut Vendor (el Manisero)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Stan Kenton & His Orchestra
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F
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The Peanut Vendor
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Si...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Simons. Arranged by F. Leslie Smith. Jazz,Latin,Multicultural,Pop,World. 39 pages. Sweetwater Brass Press #817754. Published by Sweetwater Brass Press (A0.1221432). Can a brass quintet sound like Stan Kenton’s 19-piece big band? No, not really:  no saxophones, no rhythm section, no Milt Bernhart, no Maynard Ferguson, no Bill Russo, no Conte Candoli, no . . .  Well, you get the picture.  But five brass instruments can play in the Kenton style.  And that’s what this is:  “The Peanut Vendor†in the style of the Stan Kenton Orchestra.   Moisés Simons’ “El Manisero†(“The Peanut Vendorâ€) was first recorded in the late 1920s.  The melody was relatively simple yet exotic sounding; the lyrics, a Cuban street vendor’s pitch for selling his bags of peanuts.  Consumers bought more than a million copies of the sheet music, and the song supposedly led to a “rumba craze†in the U.S. and Europe (although the song is not really a rumba!).     Don Azpiazú and his Havana Casino Orchestra recorded the song for RCA Victor in 1930 with Antonio MachÃn on the vocal; its sales may well have been more than the million-plus sheet music copies sold.     English lyrics were added by L. Wolfe Gilbert and Marion Sunshine and the song became “The Peanut Vendor.† One estimate is that nearly 200 recordings have been made.  That’s a lot of peanuts.    Stan Kenton revived “The Peanut Vendor†in 1947 when he first recorded it for Capitol Records.  His version was completely instrumental.  Rhythm and saxophones opened the number and established the background; later the trombone section added emphasis.  A trombone solo first stated the melody but eventually the five-person trumpet section took over with what one writer referred to as “shrieking dissonances.† “The Peanut Vendor†subsequently became one of Kenton’s most requested numbers and he recorded it at least three more times.   This brass quintet arrangement, of course, has access to only two trumpets.  So the good news is that all five players get a chance with the melody.  Kenton’s extended opening trombone solo is shared by Trombone and Tuba.  The “shrieking dissonances†are performed not only by Trumpets but also by Horn in F and Trombone.  The bad news is that all five players have to take a turn with the continuing rhythmic background melody.  Written in 4/4 time, the suggested tempo is 184 BPM in a Latin style.  Kenton’s version is in B-flat major; this arrangement lowers it to A-flat major so that most notes are within the normal playing range of the instruments.  (Don’t worry; the “shrieking dissonances†are still there!)     Completed in 2023, performance time runs about 3 minutes, 37 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99 ≈
¥92.45
We Can't Be Friends (Wait For Your Love)
We Can't Be Friends (Wait For Your Love)
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Piano seul
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INTERMÉDIAIRE
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Ariana Grande
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We Can't Be Friends
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Martyn Johnson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1405692 By Ariana Grande. By Ariana Grande, Ilya Salmanzadeh, and Max Martin. Arranged by Martyn Clive Johnson (aka Marty...
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Piano Solo - Level 3 - SKU: A0.1405692 By Ariana Grande. By Ariana Grande, Ilya Salmanzadeh, and Max Martin. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). 21st Century,Contemporary,Instructional,Pop,Singer/Songwriter. Score. 7 pages. Martyn Johnson #988242. Published by Martyn Johnson (A0.1405692). This is my version of Ariane Grande's latest song/composition. It isn't a carbon copy of her work as I have a lot of jazz influences and have skipped over some bits developed others changed key etc. This is my impression of the tune but I think I have captured the spirit of the original. I start it in F major and finish it in Ab major. I don't include dynamics, pedal or fingering as I prefer to leave these to the discretion of the individual pianist as no two piano teachers ever agree on this. Lyrics are not included either.Please note this is a piano solo and I do not include notation for the other instruments included on my YouTube recording, bass, strings, drums etc. I write all my tunes as piano solos and they sound full and perfectly complete in this format.I hope you will get as much pleasure out of playing this music as I did in arranging it.
$4.99 ≈
¥35.51
Carols of Suite 1225 / What Child Is This?
Carols of Suite 1225 / What Child Is This?
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Guitare
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INTERMÉDIAIRE
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Rock
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The Candlelight Guitarist
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Bradley Powell
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Carols of Suite 1225 / What Ch
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Geofonica Artistworks
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1316982 By The Candlelight Guitarist. By Bradley Powell and traditional. Arranged by Bradley Powell. Christmas,Folk,Holi...
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Solo Guitar - Level 3 - SKU: A0.1316982 By The Candlelight Guitarist. By Bradley Powell and traditional. Arranged by Bradley Powell. Christmas,Folk,Holiday,Renaissance,Traditional. Individual part. 4 pages. Geofonica Artistworks #905018. Published by Geofonica Artistworks (A0.1316982). This two-song arrangement or Carols of Suite 1225 and What Child Is This? is an excerpt from Christmas Suite 1225 - a new album by The Candlelight Guitarist (aka Bradley Powell), featuring relaxing classical guitar versions of 14 traditional Christmas carols. These two-songs use fingerstyle classical guitar, with a mix of modern folk-classical and Renaissance flavor. They can be seen and heard, in sequence, performed by the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 2) at the very beginning of the video. Also, check out the Candlelight Guitarist official video of Part 1, which includes a similar take on this opener Carols of Suite 1225: https://youtu.be/g4QRqTcNGtkABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl. He was mentored in composition by David Rose (Little House on the Prairie), and has composed music Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often hiking with his four dogs. Brad has also played solo guitar for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort, playing for Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, and Cinderella!COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com(Brad's) music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$2.99 ≈
¥21.28
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Let's Get It On [Jazz version]
