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Letting You Go
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Vous avez sélectionné:
Letting You Go
Partitions à imprimer
46 partitions trouvées
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1
26
Letting You Go
Letting You Go
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Piano seul
#
Contemporain
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Alstad
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Letting You Go
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Cory Alstad
#
SheetMusicPlus
Piano Solo - SKU: A0.922741 Composed by Alstad. 20th Century,Contemporary. Score. 5 pages. Cory Alstad #6637807. Published by Cory Alstad (A0.922741).
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Piano Solo - SKU: A0.922741 Composed by Alstad. 20th Century,Contemporary. Score. 5 pages. Cory Alstad #6637807. Published by Cory Alstad (A0.922741). Letting You Go is a piano solo release by Alstad and was written after experiencing the loss of relationship with a loved one. Even though it was filled with heartache and pain, there was also a sense of peace that quietly permeated the entire experience. This song is about the importance of releasing our grip we often have with our loved ones; the necessity of letting them go.
$4.99 ≈
4.57€
If I Can Let You Go, May Sarton, poem
If I Can Let You Go, May Sarton, poem
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Mary Ann Joyce
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If I Can Let You Go, May Sarto
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Mary Ann Joyce-Walter
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SheetMusicPlus
Small Ensemble Cello,Piano,Voice - Level 4 - SKU: A0.989233 Composed by Mary Ann Joyce. 20th Century,Concert. Score and parts. 8 pages. Mary Ann Joyce-W...
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Small Ensemble Cello,Piano,Voice - Level 4 - SKU: A0.989233 Composed by Mary Ann Joyce. 20th Century,Concert. Score and parts. 8 pages. Mary Ann Joyce-Walter #6207649. Published by Mary Ann Joyce-Walter (A0.989233). This 4-minute piece is scored for soprano, piano, cello. Tender, poignant piece about the letting go of a lover.
$4.99 ≈
4.57€
Letting go of Love
Letting go of Love
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Piano seul
#
INTERMÉDIAIRE
#
Max Potseluiev
#
Letting go of Love
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Max Potseluiev
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1255179 By Max Potseluiev. By Max Potseluiev. 20th Century,21st Century,Jazz,New Age,Pop. Score. 2 pages. Max Potseluiev ...
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Piano Solo - Level 3 - SKU: A0.1255179 By Max Potseluiev. By Max Potseluiev. 20th Century,21st Century,Jazz,New Age,Pop. Score. 2 pages. Max Potseluiev #848744. Published by Max Potseluiev (A0.1255179). Letting go of Love is a heartfelt and introspective composition that embraces the spirit of a freely improvisational jazz ballad. Inspired by the piano style of Keith Jarrett, this piece invites the listener to embark on a soulful journey of letting go and moving forward. With its soft and evocative melodies, it captures the bittersweet beauty of releasing love and finding inner peace.The music unfolds with a sense of spontaneity, as if the pianist is exploring the depths of their emotions in real-time. The gentle phrasing and delicate harmonies create an intimate atmosphere, allowing the listener to connect with the raw and vulnerable emotions that arise when love is set free.Letting go of Love embodies the essence of improvisation, where each note is an expression of the moment and emotions take shape through the music. The melodies meander freely, navigating through the emotional landscape with a tender touch. The soft dynamics and subtle nuances evoke a sense of vulnerability and acceptance, as the music embraces the journey of releasing attachments and finding solace in the act of letting go.Influenced by Keith Jarrett's piano style, this composition pays homage to his distinctive improvisational approach. It captures the essence of his ability to convey deep emotions through fluid and expressive melodies. The improvisational nature of the piece allows for artistic freedom, creating a unique and personal experience for both the listener and the performer.Letting go of Love is an invitation to embrace the process of healing and growth. The softness of the music provides a comforting space for reflection and self-discovery. Through its gentle and heartfelt melodies, it encourages the listener to release the weight of past attachments and find a renewed sense of freedom and inner peace.Immerse yourself in the soothing and contemplative sounds of Letting go of Love, and allow its improvisational beauty to resonate within. Let the music guide you through the emotional journey of releasing love and finding strength in the act of letting go.
$4.99 ≈
4.57€
The Art of Letting Go
The Art of Letting Go
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Piano, Voix
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FACILE
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Claire Kelly
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Sarah Jane Bonsignore
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The Art of Letting Go
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Sarah Bonsignore
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1136338 By Claire Kelly. By Claire Kelly, Sarah Bonsignore, Helga Kaefer. Arranged by Sarah Jane Bonsignore. Conte...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1136338 By Claire Kelly. By Claire Kelly, Sarah Bonsignore, Helga Kaefer. Arranged by Sarah Jane Bonsignore. Contemporary,Film/TV,Pop,Singer/Songwriter,Spiritual. Score. 13 pages. Sarah Bonsignore #736347. Published by Sarah Bonsignore (A0.1136338). Here is our song The Art of Letting Go as heard on Love is Blind season 9 episode 309. Sarah arranged the song in two keys, the original of E flat major, and a simpler key C major. We hope you enjoy playing and singing it, and please let us know how it goes at our instagram handles @clairekellymusic @sarahbonsignore and @helga.kaefer Have a wonderful day!!
$3.99 ≈
3.65€
Two Meditative Hymns - Let Go, Let God/I Am One With You
Two Meditative Hymns - Let Go, Let God/I Am One With You
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Piano, Voix et Guitare
#
FACILE
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Musique Sacrée
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Janet Kidd
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Janet Kidd
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Two Meditative Hymns - Let Go,
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Janet Kidd
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1388508 By Janet Kidd. By Janet Kidd. Arranged by Janet Kidd. Christian,Praise & Worship,Religious,Sacred. ...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1388508 By Janet Kidd. By Janet Kidd. Arranged by Janet Kidd. Christian,Praise & Worship,Religious,Sacred. Score. 6 pages. Janet Kidd #972050. Published by Janet Kidd (A0.1388508). Two Meditative HymnsLet Go, Let God - a meditative reflection on the peace of letting goI Am One with You - meditative in style. Communion hymn.
$2.99 ≈
2.74€
When You're Gone
When You're Gone
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Piano seul
#
INTERMÉDIAIRE
#
Shawn Mendes
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Vicky Shum
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When You're Gone
#
Vicky Shum
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1095811 By Shawn Mendes. By Jonah Shy, Scott Harris, and Shawn Mendes. Arranged by Vicky Shum. Contemporary,Disco,Pop,Sin...
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Piano Solo - Level 3 - SKU: A0.1095811 By Shawn Mendes. By Jonah Shy, Scott Harris, and Shawn Mendes. Arranged by Vicky Shum. Contemporary,Disco,Pop,Singer/Songwriter. Score. 5 pages. Vicky Shum #699779. Published by Vicky Shum (A0.1095811). This arrangement emphasizes on the sentimental feeling of the song. You can feel the sadness of when you're gone as well as the tranquility and calmness of letting go.
$4.99 ≈
4.57€
The Bridge That Leads to You (P/V/G) Piano Accompaniment Track
The Bridge That Leads to You (P/V/G) Piano Accompaniment Track
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Accompagnement Piano
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Country
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Carol Troutman Wiggins
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The Bridge That Leads to You
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Carol Troutman Wiggins
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SheetMusicPlus
Guitar,Piano,Voice - SKU: A0.1065589 Composed by Carol Troutman Wiggins. Country. Accompaniment. Duration 247. Carol Troutman Wiggins #3508559. Publishe...
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Guitar,Piano,Voice - SKU: A0.1065589 Composed by Carol Troutman Wiggins. Country. Accompaniment. Duration 247. Carol Troutman Wiggins #3508559. Published by Carol Troutman Wiggins (A0.1065589). THE BRIDGE THAT LEADS TO YOU Piano TrackPiano/Vocal/GuitarCountry Rock Ballad about letting go of the past.Medium range, Key of C.
$5.99 ≈
5.48€
GO, GOING
GO, GOING
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Piano seul
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AVANCÉ
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New Age
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Mark William Manning
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GO, GOING
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faucetmusic
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.946020 Composed by Mark William Manning. New Age. Score. 13 pages. Faucetmusic #6613081. Published by faucetmusic (A0.946...
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Piano Solo - Level 5 - SKU: A0.946020 Composed by Mark William Manning. New Age. Score. 13 pages. Faucetmusic #6613081. Published by faucetmusic (A0.946020). An advanced piano piece that explores the tender landscape of letting go of things that have run their course. Good for a a contemporary solo piano piece in your piano repertoire. .
$4.99 ≈
4.57€
Lay Your Children
Lay Your Children
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Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Andrew Mc Donald
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Lay Your Children
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.841691 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 5 pages. Andrew Mc Donald (Macka Records) #34734...
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Piano,Vocal,Voice - Level 4 - SKU: A0.841691 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 5 pages. Andrew Mc Donald (Macka Records) #3473417. Published by Andrew Mc Donald (Macka Records) (A0.841691). Lay Your Children is a song about letting go the burden of changing the people in church. Allow the shepherd and that is Jesus to sort out the people's issues. All we need to do as a pastor of the flock or in leadership is to keep teaching and encouraging each of God's children. Allow God to do the rest.
$4.99 ≈
4.57€
Say You Won't Let Go - Piano Solo
Say You Won't Let Go - Piano Solo
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Piano seul
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INTERMÉDIAIRE
#
Pop musique
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James Arthur
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Mario Stallbaumer
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Say You Won't Let Go - Piano S
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo - Intermediate - By James Arthur. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer...
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Piano Solo - Intermediate - By James Arthur. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
Here's how to play "Say You Won't Let Go" by James Arthur on piano!
With this piano sheet music, you get an accurate arrangement of the full song which is not too hard to play, and sounds fantastic!
The full melody is included in the piano part, so it makes for a great instrumental (piano solo) version!
"Say You Won't Let Go" is the lead single from James Arthur's second studio album, "Back from the Edge".
It became one of his most successful songs, and has been streamed over 1 billion times on Spotify!
Here are the full lyrics to James Arthur's "Say You Won't Let Go":
I met you in the dark, you lit me up
You made me feel as though I was enough
We danced the night away, we drank too much
I held your hair back when
You were throwing up
Then you smiled over your shoulder
For a minute, I was stone-cold sober
I pulled you closer to my chest
And you asked me to stay over
I said, I already told ya
I think that you should get some rest
I knew I loved you then
But you'd never know
'Cause I played it cool when I was scared of letting go
I know I needed you
But I never showed
But I wanna stay with you until we're grey and old
Just say you won't let go
Just say you won't let go
I'll wake you up with some breakfast in bed
I'll bring you coffee with a kiss on your head
And I'll take the kids to school
Wave them goodbye
And I'll thank my lucky stars for that night
When you looked over your shoulder
For a minute, I forget that I'm older
I wanna dance with you right now
Oh, and you look as beautiful as ever
And I swear that everyday'll get better
You make me feel this way somehow
I'm so in love with you
And I hope you know
Darling your love is more than worth its weight in gold
We've come so far my dear
Look how we've grown
And I wanna stay with you until we're grey and old
Just say you won't let go
Just say you won't let go
I wanna live with you
Even when we're ghosts
'Cause you were always there for me when I needed you most
I'm gonna love you till
My lungs give out
I promise till death we part like in our vows
So I wrote this song for you, now everybody knows
Finally it's just you and me till we're grey and old
Just say you won't let go
Just say you won't let go
$4.99 ≈
4.57€
James Arthur - Say You Won't Let Go
James Arthur - Say You Won't Let Go
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Piano, Voix
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INTERMÉDIAIRE
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Pop musique
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James Arthur
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Mario Stallbaumer
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James Arthur - Say You Won't L
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Mario Stallbaumer
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SheetMusicPlus
Piano/Vocal/Chords - Intermediate - Digital Download By James Arthur. Arranged by Mario Stallbaumer. 6 pages. Published by Mario Stallbaumer...
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Piano/Vocal/Chords - Intermediate - Digital Download By James Arthur. Arranged by Mario Stallbaumer. 6 pages. Published by Mario Stallbaumer
Here's how to play "Say You Won't Let Go" by James Arthur on piano!
With this piano sheet music, you get an accurate arrangement of the full song which is not too hard to play, and sounds fantastic!
These piano sheets come with an extra system for the singer, as well as the song's full lyrics. However, the full melody is included in the piano part, so it makes for a great instrumental (piano solo) version, too!
"Say You Won't Let Go" is the lead single from James Arthur's second studio album, "Back from the Edge".
It became one of his most successful songs, and has been streamed over 1 billion times on Spotify!
Here are the full lyrics to James Arthur's "Say You Won't Let Go":
I met you in the dark, you lit me up
You made me feel as though I was enough
We danced the night away, we drank too much
I held your hair back when
You were throwing up
Then you smiled over your shoulder
For a minute, I was stone-cold sober
I pulled you closer to my chest
And you asked me to stay over
I said, I already told ya
I think that you should get some rest
I knew I loved you then
But you'd never know
'Cause I played it cool when I was scared of letting go
I know I needed you
But I never showed
But I wanna stay with you until we're grey and old
Just say you won't let go
Just say you won't let go
I'll wake you up with some breakfast in bed
I'll bring you coffee with a kiss on your head
And I'll take the kids to school
Wave them goodbye
And I'll thank my lucky stars for that night
When you looked over your shoulder
For a minute, I forget that I'm older
I wanna dance with you right now
Oh, and you look as beautiful as ever
And I swear that everyday'll get better
You make me feel this way somehow
I'm so in love with you
And I hope you know
Darling your love is more than worth its weight in gold
We've come so far my dear
Look how we've grown
And I wanna stay with you until we're grey and old
Just say you won't let go
Just say you won't let go
I wanna live with you
Even when we're ghosts
'Cause you were always there for me when I needed you most
I'm gonna love you till
My lungs give out
I promise till death we part like in our vows
So I wrote this song for you, now everybody knows
Finally it's just you and me till we're grey and old
Just say you won't let go
Just say you won't let go
$4.99 ≈
4.57€
Letting You Go by Lauren Kennedy - Piano/Vocal/Chords, Singer Pro
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Piano, Voix
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Lauren Kennedy
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Letting You Go
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Musicnotes
Performed by: Lauren Kennedy: Letting You Go Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file ...
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Performed by: Lauren Kennedy: Letting You Go Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 7 pages -- Adult Contemporary~~Singer-Songwriter~~Soft Rock~~Show/Broadway~~Theater~~Traditional Pop~~Vocal Pop
$5.50 ≈
5.03€
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
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James Nathaniel Holland
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The Snow Queen, A Ballet in 3
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James Nathaniel Holland
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. Jame...
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Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
$19.95 ≈
18.25€
Eternal Bridge For Oboe Harp And Strings
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and part...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00 ≈
22.87€
Requiem
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
51.23€
Chasing Fireflies
Chasing Fireflies
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Casey Crosby
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Chasing Fireflies
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Casey Crosby
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.958601 Composed by Casey Crosby. 20th Century,Celtic,Contemporary,New Age. Score. 5 pages. Casey Crosby #4320309. Publish...
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Piano Solo - Level 4 - SKU: A0.958601 Composed by Casey Crosby. 20th Century,Celtic,Contemporary,New Age. Score. 5 pages. Casey Crosby #4320309. Published by Casey Crosby (A0.958601). This solo piano song is from Casey Crosby's album November. The album is a personal collection of memories and landscapes of Casey growing up in the Blue Ridge Mountain region of Northern Virginia and a small farming community in rural Upstate New York. The songs are images and observations of Casey's personal experiences of autumn, particularly November. It was a common event between Casey and his older brother to try to capture fireflies in glass jars as the sun set. Being only 4 or 5 years old, you can imagine how magical it must have been for a young boy to see his brother catch these flying creatures in a jar and stare in wonder at how they lit up the night. Sometimes his brother let Casey carry the jar through the forrest before letting them go free. Sometimes Casey got lucky and caught his own and his brother then would exaggerate his level of skill and stealth and hunting technique to their parents on arriving home. It’s the first time Casey remembers feeling a sense of accomplishment. The magical wonder of creation and nature and the eternal bond between brothers – both so easily taken for granted and yet both so easily lost. Surely on Smith Mountain road, Lynchburg, Virginia, even now, those fireflies are putting on their show for free to an enraptured child. The song Chasing Fireflies is about this memory of Casey. Reviewers say that the nostalgic yet hopeful song perfectly captures the flying fireflies and the innocence of a time long since passed.
$3.99 ≈
3.65€
Memories of the Heart
Memories of the Heart
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Pop musique
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Mary AnnChatman
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Memories of the Heart
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Mary AnnChatman
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SheetMusicPlus
SKU: A0.1072436 Composed by Mary AnnChatman. Pop. Full Performance. Duration 226. Mary AnnChatman #2999315. Published by Mary AnnChatman (A0.1072436).
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SKU: A0.1072436 Composed by Mary AnnChatman. Pop. Full Performance. Duration 226. Mary AnnChatman #2999315. Published by Mary AnnChatman (A0.1072436). Young Girl was mad at her mom not letting her go party all teens and moms will buy this song think millions teenagers and moms that go through this every day!!!Promote to US and it will sell says America Got Talent !!!
$1.99 ≈
1.82€
What Will We Say?
What Will We Say?
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Aaron Gage
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What Will We Say?
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Aaron Gage
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SheetMusicPlus
Cello,Piano,Steel Pan,Violin - Level 4 - SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Publis...
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Cello,Piano,Steel Pan,Violin - Level 4 - SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Published by Aaron Gage (A0.1095566). At the time this piece was conceived, the world had fallen into chaos. We were in the midst of a vast economic crisis leaving millions in poverty, racism had once again found its foothold in the foreground of US culture, climate change had decimated the west coast in flames while southern coastal cities were being bombarded with floods from storms. We have also been forced to see the ugliness of domestic terrorists establishing themselves in the hopes of hurting their fellow citizens. However, these issues pale in comparison to the utter devastation we have faced from COVID-19. As I write this note, we are just shy of nearly a quarter of a million people having senselessly died from COVID-19. The utter failure we’ve had in leadership and lack of empathy from our fellow citizens have caused countless families to now have empty seats at their table. There was no need for this. Hundreds of thousands of men, women, and children have died from means that could have been completely preventable. When I was asked to write this piece, I wanted to come up with a simple concept as an elegy to those lost to the virus. A simple question arose; What will we say? 50 years from now, how will we answer to those younger generations while we collectively sat by and did nothing to help each other? How are we going to excuse letting the rot that has sunk in go unpunished? How do we defend the indefensible? This question haunts me. The music you will hear channels my answer to that question. There is no true resolution. There is no happy ending. When we have finally moved on past this pandemic, we are still left in the wake of hundreds of thousands of dead citizens. One day it will hit us all how many lives we really lost. So I ask this; while you listen, reflect on every individual who suffered at the hands that did not act. Allow yourself to absorb the true gravity of what we have experienced. Give those victims a few minutes of your time. When the time comes for you to be asked, what will you say?
$19.99 ≈
18.29€
Bach Fuga BWV 539 For Woodwind Quintet
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00 ≈
22.87€
It's Hard Letting You Go
It's Hard Letting You Go
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Piano, Voix et Guitare
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Rock
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Bon Jovi
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Rock
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It's Hard Letting You Go
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Bon Jovi. For piano, voice, and guitar (chords only). Pop; Rock. 5 pages. Published by Hal Leonard - Digital Sheet Music...
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By Bon Jovi. For piano, voice, and guitar (chords only). Pop; Rock. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.57€
Letting You Go
Letting You Go
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Piano, Voix
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Pop musique
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Jason Robert Brown and Lauren
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Letting You Go
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Jason Robert Brown and Lauren Kennedy. Pop. PV. 7 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Jason Robert Brown and Lauren Kennedy. Pop. PV. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.57€
Bon Jovi: It's Hard Letting You Go for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Rock
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Bon Jovi
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Virtualsheetmusic
Instantly printable sheet music by Bon Jovi for voice, piano or guitar of MEDIUM skill level. / pop,rock
Instantly printable sheet music by Bon Jovi for voice, piano or guitar of MEDIUM skill level. / pop,rock
$5.97 ≈
5.46€
Jason Robert Brown: Letting You Go for voice & piano
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Piano, Voix
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INTERMÉDIAIRE
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Pop musique
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Jason Robert Brown
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Virtualsheetmusic
Instantly printable sheet music by Jason Robert Brown for voice & piano of MEDIUM skill level. / pop
Instantly printable sheet music by Jason Robert Brown for voice & piano of MEDIUM skill level. / pop
$9.99 ≈
9.14€
Bow & Say Goodbye
Bow & Say Goodbye
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Piano, Voix
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INTERMÉDIAIRE
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HOVIG NASSANIAN
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Bow & Say Goodbye
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Hovig Nassanian
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1000423 Composed by HOVIG NASSANIAN. 20th Century,Contemporary,Graduation,Jazz,Spiritual. Score. 5 pages. Hovig Na...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1000423 Composed by HOVIG NASSANIAN. 20th Century,Contemporary,Graduation,Jazz,Spiritual. Score. 5 pages. Hovig Nassanian #6667451. Published by Hovig Nassanian (A0.1000423). I wrote this song during the summer of 2021 for some friends who were going through a difficult time with letting go and saying goodbye to people and situations in their lives. The arrangement is for piano and vocal. The lyrics can resonate with people in various situations (bereavement, redundancy, relocation, divorce, separations...). The song was released on December 31, 2021, and you can watch the music video of the release on YouTube and also find the single release on Spotify, Apple Music and all audio platforms. I would love to hear from you if you choose to use it.
$2.99 ≈
2.74€
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