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80 partitions trouvées
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Limited Alternatives
Limited Alternatives
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Violon
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AVANCÉ
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Contemporain
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Richard Montalto
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Limited Alternatives
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ArrangeMe
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.597640 Composed by Richard Montalto. Contemporary. 5 pages. ArrangeMe #4820975. Published by ArrangeMe (A0.597640).
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Violin Solo - Level 5 - SKU: A0.597640 Composed by Richard Montalto. Contemporary. 5 pages. ArrangeMe #4820975. Published by ArrangeMe (A0.597640).
$8.00 ≈
$10.97
Oscillation
Oscillation
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Contemporain
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contrast, the string quartet h
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Jeremy Hart
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Oscillation
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Jeremy Graham Hart
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pa...
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Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pages. Jeremy Graham Hart #6590413. Published by Jeremy Graham Hart (A0.1028192). Oscillation began as an experiment in coordination of a melody and harmony which are based on different means of organization. To this end, the clarinet is treated separately from the string quartet. The clarinet melody is constructed by means of limited interval usage. In mm.1–3 it can be observed that the melodic intervals are strictly limited to the use of a major 2nd/minor 7th or a major 6th/minor 3rd. By contrast, the string quartet has no limitation on its intervallic usage but always strives towards triadic harmonies in its accompanimental capacity and tends to converge on harmonies diatonic to the key. In addition, despite the proliferation of non-chord tones and transitionary passages in the string quartets’ music, the stable harmonies are written to have fairly parsimonious motion between them (if one were to reduce out the NCTs etc.) The coordination of these two separate logics is done by the selection of anchor-pitches for the melodic phrases. For example, the melodic phrase in mm.4–7 oscillates around the pitch of G natural (transposed in the score), which it shares with the F major/minor 7th chord that is heard as the harmonic goal of the strings in m.7. The teleology of the work can largely be traced in its melodic construction. Its opening phrase of mm.1–3 is anchored on G natural and ends on a C sharp, a tritone above the anchor, to simulate a half-cadence effect. The second phrase of mm.4–7 is still written on G natural but it ends on G as well, forming the authentic cadence and establishing a basic period as well as the work’s first theme. This is followed by second period which represents a dominant relationship to the first. The phrase at mm.10–13.2 is a rather extended utterance in comparison to the first two and is anchored on D natural. This is followed by 4-stage call and response across the ensemble (excluding the second violin) that leads the first section to a close at m.16 on a C diminished triad. Melodically, the first section is characterised by its limited used of a major 2nd/minor 7th or a major 6th/minor 3rd interval. At m.17, the second section follows much the same process as the first, using anchor pitches as a means of coordination and formal definition, and alternating soloistic clarinet playing with activated harmonies in the strings. The primary difference is in the character of the second section’s theme with regards to its rhythmic profile as well as its intervallic content. Namely, these are limited to the use of a minor 3rd or minor 2nd and their inversions. The second section draws to a close at m.32, returning to the tonic harmony of the key. With the first and second sections complete, the work now proceeds into a developmental section. Mm.33–84 largely consists of development of the two themes by manipulation of intervallic content as well as adjusting the placement of the thematic material withing the accompanimental context. This does include juxtaposition of the two themes (though one typicall becomes integrated into to accompaniment) as can be seen between the violin and viola at m.39. Variety is heightened by the introduction of episodic material such as the secondary melody performed by the clarinet at mm.40–41. The Lento section starting at m.53 introduces further rhythmic and metric adjustment of the thematic content. A varied recapitulation occurs at mm.85–113 and is followed by a coda at mm.114–131.
$19.95 ≈
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Bela Bartok : Mikrokosmos, Volume I - N° 10 Mains alternées
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Piano seul
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DÉBUTANT
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Classique
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Bela Bartok
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Mikrokosmos, Volume I
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Tomplay
Telechargez la partition Piano Mikrokosmos, Volume I - N° 10 Mains alternees de Bartók. Partition pour Piano seul -- Classique...
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Telechargez la partition Piano Mikrokosmos, Volume I - N° 10 Mains alternees de Bartók. Partition pour Piano seul -- Classique
2.99€ ≈
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Mo Ghile Mear
Mo Ghile Mear
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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Folklorique/Traditionel
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Traditional Irish
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Desmond Earley
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Mo Ghile Mear
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Seolta Music Limited
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1291799 Composed by Traditional Irish. Arranged by Desmond Earley. A Cappella,Celtic,Irish,Traditi...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1291799 Composed by Traditional Irish. Arranged by Desmond Earley. A Cappella,Celtic,Irish,Traditional. 7 pages. Seolta Music Limited #882411. Published by Seolta Music Limited (A0.1291799). Written by the 18th century poet, Seán  Clárach Mac Dómhnaill, Mo Ghile Mear is a traditional Irish allegorical song in which the poet laments the departure of Prince Charles Edward Stuart (Bonnie Prince Charlie). This arrangement features the Irish single-headed frame drum, the bodhrán, but an alternative hand-played frame drum may be used as a substitute.To explore all choral titles in College Choral Series please click here.
$2.50 ≈
$3.43
Hope Prevails
Hope Prevails
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Ensemble de cuivres
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His Own Hand - 4:26 in length:
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Arwyn Bailey
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Hope Prevails
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Galactic Publishers Limited
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SheetMusicPlus
Brass Ensemble - SKU: A0.1028133 Composed by Arwyn Bailey. Christian,Gospel,Jewish,Sacred,Spiritual. Score and parts. 113 pages. Galactic Publishers Lim...
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Brass Ensemble - SKU: A0.1028133 Composed by Arwyn Bailey. Christian,Gospel,Jewish,Sacred,Spiritual. Score and parts. 113 pages. Galactic Publishers Limited #3382201. Published by Galactic Publishers Limited (A0.1028133). Hope PrevailsThe composition consists of six movements and is for a Brass Quintet with guest instrumentalists of Oboe, Violin, Viola and Soprano voice.The piece explores the moods that many encounter as they go through life from loneliness through to elation. the composers brother experienced these extreme emotions and it resulted in him taking his own life. This piece is dedicated to his memory.The MP3 contains a very short extract from each movement that is a direct download from computer composition software and is therefore not of great quality.The composer is looking for a group to record this piece. Please get in touch if you wish to be part fo a collaborative project perhaps as a school, college, university or other group.The Struggle of the night - 4:09 in length:The first movement commences with sonorous chord sequences and quickly moves to a lively section. The piece incorporates the tune of the Welsh National Anthem along with the hymn tune Cwm Rhondda. The movement moves between the despair and loneliness of the night that one can feel, even when sleeping next to a close partner, and the racing desperation of the mind, whereby patriotic affiliations will calm the soul at these times. the movement finishes with the tune of Land of my father's resonating but even this is of no comfort, and the troubled mind lies awake and the movement finishes with a flurry of discord.The Solitude - 5.34 in length:The movement begins with a haunting melody led by the Oboe. the Horn soon joins in as do other instruments of the quintet. A simple Gregorian type rhythm and chant passes through the quintet with the Oboe leading the movement.Crescendos and attacked notes give the piece a rise and fall showing the mood of the soul that alternates between a calm and a peak of mood as sleep is hard to come by and a restless state is invoked.It appears that the oboe will be leading the soul into peace yet, at the last moment, the quintet joins in with chords of attack and crescendo followed by a sharp diminuendo to end the piece.The soul has sought solace, yet, all they find is loneliness.Brad's Broadcast - 3:01 in length:The restless soul awakes after a restless night. The world is full of voices, advice, motivation and answers.In this lively movement, the soul searches for solace and finds sense from some sources, yet, the cacophony of contrary advice and the nature of some disciples of business and life coaches becomes confusing. there are some real gems of advice available, but, the noise of others drowns out the sense and sanity.The soul manages to find some humour in the forums and media, they smile, but the relief is short lived.The movement ends with all voices descending away in a glissando and silence is restored.By His Own Hand - 4:26 in length:This movement reflects the desperation of the soul. they have sought solace, humour has passed them by, they do not feel that they can continue to live.The piece starts with a cadenza played by a viola. A violin soon duets in this Jewish styled lament.Throughout the movement the brass are spartan, reflecting the confusion of the soul. The ability to cling onto the world and to continue living is a losing battle.The waves of the lament increase in their presence, but not velocity, for the depressed souul is reaching the point of no return and of no choice.They will soon depart from the world by their own hand. The end ofthe movement is a descent and a unifying discordant sound as the soul leaves.Dreaming of Heaven - 2:31 in length:The soul is now rising and an ancient Celtic tune accompanies the soul in the form of a Soprano voice singing words of hope and light.The soul's path is lit and the ancient bell of.
$5.00 ≈
$6.86
The Privateers
The Privateers
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Craig Wadley
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The Privateers
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Wadley Publications
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.983162 Composed by Craig Wadley. Concert,Contemporary,Standards. Score and parts. 102 pages. Wadley Publications #30438...
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Concert Band - Level 3 - SKU: A0.983162 Composed by Craig Wadley. Concert,Contemporary,Standards. Score and parts. 102 pages. Wadley Publications #3043809. Published by Wadley Publications (A0.983162). The Privateers is a swashbuckling depiction of an oceangoing pirate adventure, presented in the form of a march. The piece starts with a brief fanfare, followed immediately by a rousing melody in the style of an old sea-shanty. Images of sailing upon an endless sea of stars come to mind as a tranquil nocturne is presented, but the peace is shattered as cutlasses and sabers clash in a dogfight sure to end in Davy Jones’ locker! The music swells to a dramatic conclusion as our mighty galleon surges across a stormy sea. Instrumentation The Privateers comes with full sets of both concert/stage and marching/field parts, allowing for great flexibility in your performance venues. Contemporary marching bands and drum & bugle corps utilize specialized field percussion which is typically not used in a concert setting. With this piece, the use of outdoor percussion (quad toms and a tonal bass drum line) onstage is encouraged, although not required. A single bass drum line is included which may be used instead of (or in addition to) the tonal bass drum line, and the Quad Toms part may be omitted. A piano part is included, primarily for optional use indoors as a color instrument for the ensemble. However, smaller bands in particular may find it useful for filling out the accompaniment line if instrumentation is limited. Optionally, a very small ensemble of melodic instruments could be used, with the piano acting as a full-fledged accompaniment. Several optional parts are included, such as Eb and Bb Horn, for ensembles with limited instrumentation. Also, the two Low Winds parts should be distributed equally across trombone, baritone/euphonium, and tenor sax players. Double reed parts are not included. Double these instruments on appropriate parts to suit the needs of your ensemble. Teaching Points Meter – The alternation of 6/8 and 4/4 with a constant pulse (rather than a constant 8th note) provides an excellent opportunity to teach your students to shift the subdivision of the beat from triple to duple and back again. Chromaticism & Accidentals – There is a recurring passage which features the prominent use of secondary dominants, or circle of fifths chord motion. Students can learn a few less-than-common accidentals and enharmonics, while also getting a larger lesson in music theory.
$24.99 ≈
$34.28
As We Leave (Choral Amen)
As We Leave (Choral Amen)
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Piano, Voix et Guitare
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DÉBUTANT
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Musique Sacrée
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Lisa Waites
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As We Leave
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.921767 Composed by Lisa Waites. Christian,Christmas,Easter,Praise & Worship,Sacred. Score. 1 pages. Servant...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.921767 Composed by Lisa Waites. Christian,Christmas,Easter,Praise & Worship,Sacred. Score. 1 pages. Servant Song Music and Ministry #6626013. Published by Servant Song Music and Ministry (A0.921767). I wrote As We Leave because I wanted my congregation to be able to sing an upbeat, justice-focused benedictory Amen with contemporary-sounding music and active lyrics that speak of God being with us out in the world, fuelling us for the work of loving people and restoring our beautiful, broken communities that God so loves. I don't know about your denomination or local church practices, but the section for Choral Amens in the hymnal I use is very limited. So, I composed five different versions of the lyrics, so that you can use this Amen throughout the whole year. The alternative lyrics begin with Advent, then provide words to sing together on Christmas Eve. Next, you can use the Epiphany lyrics throughout that season, and then return to the main lyric for Lent, switching to alternative lyrics for Holy Week, and then finally returning to the main lyric for Ordinary Time. If you are worshipping in a non-liturgical church, that's okay, too - use the standard lyrics all year, or switch things up by using one of the alternative lyrics whenever your Pastor is preaching on the themes mentioned in those verses! For $4.59 US, you are getting five different versions of the piece, and you'll be able to use As We Leave all year long, if you so choose. This is a great value for an Amen you can sing together Sunday after Sunday. The music is set in F Major and the accompaniment is simple enough for beginners and early intermediate accompanists. I've added guitar chords to the score as well as the piano accompaniment, for those who play by chord symbol. A YouTube video with embedded lyrics will also be added soon - so that congregations who are meeting digitally during the pandemic will have something to listen to and to watch as they sing along from home.
$4.59 ≈
$6.30
Attention
Attention
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Chorale SATB
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FACILE
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Charlie Puth
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Jane Berry
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Attention
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Jane Berry
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.928302 By Charlie Puth. By Charlie Puth and Jacob Kasher Hindlin. Arranged by Jane Berry. A Cappella,Pop. Octavo...
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Choral Choir (SATB) - Level 2 - SKU: A0.928302 By Charlie Puth. By Charlie Puth and Jacob Kasher Hindlin. Arranged by Jane Berry. A Cappella,Pop. Octavo. 10 pages. Jane Berry #5349575. Published by Jane Berry (A0.928302). This SATB arrangement of Charlie Puth's Attention plays on the idea of role reversal by alternating perspectives in the lyrics. This arrangement is tons of fun and works best when a bit of drama and fun are brought into the mix. This arrangement can be successfully don by an ensemble of any size. There are four measure that involve alto divisi but if being performed one to a part the alto should simply sing the upper alto section. The alternative pitches are provided in parentheses if you are working with a bass section with a limited low end. Overall, this is a super fun arrangement that provides a great opportunity for groups to work on active listening, handing off lines, and balance.
$4.50 ≈
$6.17
Gabriel Faure - Les berceaux op. 23,1
Gabriel Faure - Les berceaux op. 23,1
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Piano, Voix et Guitare
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AVANCÉ
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Classique
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Gabriel Faure
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Frank Reifenstahl
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Gabriel Faure - Les berceaux o
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Frank Reifenstahl
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 5 - SKU: A0.1075616 Composed by Gabriel Faure. Arranged by Frank Reifenstahl. Classical. Score. 12 pages. Frank Reifens...
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Guitar,Piano,Vocal,Voice - Level 5 - SKU: A0.1075616 Composed by Gabriel Faure. Arranged by Frank Reifenstahl. Classical. Score. 12 pages. Frank Reifenstahl #679424. Published by Frank Reifenstahl (A0.1075616). As for me, one of Faure's most enchanting songs. Much of it's original impression comes from the lulling piano accompaniment. I tried to capture as much of it while adapting it to the guitars limited scope (regarding pitch range and dynamics compared to a piano) focusing on fluidity and harmonic conformance. For some parts (which might be difficult especially for players with smaller hands) the guitar score offers alternative fingerings, feel free to use whatever single alternative bar fits your taste. The download contains a score and parts, as well as a guitar tab and chord diagrams for easier accessibility.Edit: the most current download is a complete overhaul. It now contains two levels for guitar, an advanced close to piano notation and a new gig-proofed notation which is much easier to render (advanced intermediate level), both as score and tablature.
$8.99 ≈
$12.33
Basin Street Blues
Basin Street Blues
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Spencer Williams
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Will Corbin
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Basin Street Blues
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Will Corbin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1458413 Composed by Spencer Williams. Arranged by Will Corbin. Blues,Historic,Jazz. 22 page...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1458413 Composed by Spencer Williams. Arranged by Will Corbin. Blues,Historic,Jazz. 22 pages. Will Corbin #1037395. Published by Will Corbin (A0.1458413). Basin Street sits on the edge of the French Quarter of New Orleans. A few years before this song was written, it served as the border of a red-light district known as Storyville. A city councilman named Sidney Story came up with the idea of creating a district to which prostitution would be limited, where it could be watched and regulated. So The District was created in 1897; it soon became known as Storyville, much to the chagrin of Councilman Story. During its 20-year official life, a visitor could buy a blue book for two bits that listed prostitutes alphabetically and by race and address. It was abolished in 1917 during World War I because it violated a rule that no house of prostitution could be within 5 miles of a military base. The Navy wanted its sailors pure of heart. It's also a place where jazz grew up. The bordellos hired musicians to entertain customers, who weren't particularly interested in the music. So the mostly black performers were free to experiment, to try new syncopated rhythms, to blend the sounds of African drums and plantation gospel to come up with what would become known as Dixieland music. Storyville (it would later mostly be razed for public housing, and still later begin to gentrify as property values rose) was where Spencer Williams wrote the song in 1928; Louis Armstrong, who spent some of his childhood nearby, first recorded it in 1928. It has since been recorded by dozens of other artists.If you need alternative instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.
$15.00 ≈
$20.58
Hurricane
Hurricane
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Ms Mr
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Rachel J T Edwards
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Hurricane
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Rachel J T Edwards
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1441821 By Ms Mr. By Alexander Hershenow and Elizabeth Plapinger. Arranged by Rachel J T Edwards. 21st Century,Pop. Lea...
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C Instrument - Level 2 - SKU: A0.1441821 By Ms Mr. By Alexander Hershenow and Elizabeth Plapinger. Arranged by Rachel J T Edwards. 21st Century,Pop. Lead Sheet / Fake Book. 4 pages. Rachel J T Edwards #1021809. Published by Rachel J T Edwards (A0.1441821). A moody pop song suitable for singers with a limited 'speech quality' range, with some challenging rhythms and staccato passages. This arrangement is in a higher alternative key, suitable for soprano / higher mezzo voices or tenor at the octave.
$3.99 ≈
$5.47
Love Theme From "St. Elmo's Fire"
Love Theme From "St. Elmo's Fire"
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David Babyface Foster
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Derek Hasted
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Love Theme From "St. Elmo
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble - Level 3 - SKU: A0.1444004 By David Babyface Foster. By David Babyface Foster. Arranged by Derek Hasted. Film/TV. Score and Parts. 24 p...
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Guitar Ensemble - Level 3 - SKU: A0.1444004 By David Babyface Foster. By David Babyface Foster. Arranged by Derek Hasted. Film/TV. Score and Parts. 24 pages. Derek Hasted #1023964. Published by Derek Hasted (A0.1444004). Love Theme from ST ELMO'S FIRE - GUITAR QUARTET/large ensembleFor Classical or Acoustic GuitarDerek Hasted writes This charming instrumental was the Love Theme from the film “St. Elmo’s Fire” and it makes a lovely guitar ensemble item for a concert. It will suit a quartet or a larger ensemble.My arrangement is just a semitone lower than the original and moves the piece to a familiar and comfortable set of notes for the intermediate player.There is limited Left Hand fingering - whilst the lower parts remain in first position much of the time, the upper parts go up the neck. Players confident up the neck might stay up there, but less experienced players might want to return to more familiar territory as soon as possible, so please add the fingering that works for you.The original has the luxury of instruments with long sustain, and with contrasting tone colours. In order to make sure that the tune cuts through, be sure to listen to those around you…The whole piece is here, lasting 5 minutes or so. The original saxophone ending is included, but you might feel that on guitar it finishes more solidly 3 measures from the end, where an alternative ending is indicated..I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99 ≈
$6.84
CrashBoom!
CrashBoom!
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Orchestre d'harmonie
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DÉBUTANT
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Cody Myre
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CrashBoom!
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T.U.X. People's Music
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1431918 Composed by Cody Myre. Contest,Festival,Instructional,Rock. 36 pages. T.U.X. People's Music #1012391. Published...
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Concert Band - Level 1 - SKU: A0.1431918 Composed by Cody Myre. Contest,Festival,Instructional,Rock. 36 pages. T.U.X. People's Music #1012391. Published by T.U.X. People's Music (A0.1431918). Drawing from the composer's hard rock and heavy metal roots, CrashBoom! combines exciting, driving percussion with metal-infused groove that is sure to excite! With limited ranges, alternative and reduced percussion, and a laid back tempo, this piece is perfect for young bands that are ready for a challenge!
$65.00 ≈
$89.16
Arabian Nights
Arabian Nights
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Will Smith
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Kara Williams
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Arabian Nights
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Kara Williams
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1422065 By Will Smith. By Alan Menken and Howard Ashman. Arranged by ...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1422065 By Will Smith. By Alan Menken and Howard Ashman. Arranged by Kara Williams. Broadway,Children,Classical,Film/TV,Musical/Show,Pop. 31 pages. Kara Williams #1003402. Published by Kara Williams (A0.1422065). From the Disney classic 'Aladdin', this instrumental arrrangement of the hit song 'Arabian Nights' for upper intermediate clarinet choir is sure to be a hit with players and audiences alike. Fully scored for 1x Eb, x4 Bb, x1 Alto, x1 Bass and x1 Contrabass clarinet, Kara's thoughtful orchestration and inclusion of alternative parts (Eb-Bb, Alto-Bass, Alto/Bass combined, optional CB) means this fun arrangement can be performed with compliment of just x5 Bb clarinets and one bass clarinet making it a perfect choice for ensembles with more limited instrumentation.karawilliamsmusic.com
$22.00 ≈
$30.18
God So Loved The World
God So Loved The World
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Chorale 3 parties
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FACILE
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Nigel Poole
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God So Loved The World
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Nigel Poole Music
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1399508 Composed by Nigel Poole. Christian,Lent,Praise & Worship,Religious,Sacred. 3 pages. Nigel Poole Mu...
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Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1399508 Composed by Nigel Poole. Christian,Lent,Praise & Worship,Religious,Sacred. 3 pages. Nigel Poole Music #982797. Published by Nigel Poole Music (A0.1399508). A setting of the words from John 3: 16,17 for SAB Choir. Suitable for a parish choir with limited numbers, and as an alternative to the commonly used setting by Stainer.Nigel Poole is a composer and church musician in Canberra, Australia.More information at http://nigelsmusic.net.
$1.99 ≈
$2.73
24 Italian Songs and Arias for 21st-Century Singers, No. 8 Gia il sole dal gange
24 Italian Songs and Arias for 21st-Century Singers, No. 8 Gia il sole dal gange
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Voix Soprano, Piano
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DÉBUTANT
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Judith Cloud
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24 Italian Songs and Arias for
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Judith Cloud
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.981208 Composed by Judith Cloud. Contemporary,Standards. 4 pages. Judith Cloud #6686593. Published by Judit...
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.981208 Composed by Judith Cloud. Contemporary,Standards. 4 pages. Judith Cloud #6686593. Published by Judith Cloud (A0.981208). 24 Italian Songs and Arias for 21st-Century Singers, No. 8 Gia il sole dal gange The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99 ≈
$6.84
24 Italian Songs and Arias for 21st-Century Singers, No. 9 Nina
24 Italian Songs and Arias for 21st-Century Singers, No. 9 Nina
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Judith Cloud
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24 Italian Songs and Arias for
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Judith Cloud
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SheetMusicPlus
Bass Voice,Vocal Solo - Level 2 - SKU: A0.981209 Composed by Judith Cloud. Contemporary,Standards. 3 pages. Judith Cloud #6686595. Published by Judith C...
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Bass Voice,Vocal Solo - Level 2 - SKU: A0.981209 Composed by Judith Cloud. Contemporary,Standards. 3 pages. Judith Cloud #6686595. Published by Judith Cloud (A0.981209). 24 Italian Songs and Arias for 21st-Century Singers, No. 9 Nina The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99 ≈
$6.84
24 Italian Songs and Arias for 21st-Century Singers, no. 13 Star vicino
24 Italian Songs and Arias for 21st-Century Singers, no. 13 Star vicino
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Piano, Voix
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FACILE
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Contemporain
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Judith Cloud
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24 Italian Songs and Arias for
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Judith Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.981231 Composed by Judith Cloud. Contemporary. Score. 3 pages. Judith Cloud #6710217. Published by Judith Cloud (A...
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Piano,Vocal,Voice - Level 2 - SKU: A0.981231 Composed by Judith Cloud. Contemporary. Score. 3 pages. Judith Cloud #6710217. Published by Judith Cloud (A0.981231). 24 Italian Songs and Arias for 21st-Century Singers, No. 13 Star vicino (Judith Cloud) The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99 ≈
$6.84
24 Italian Songs and Arias for 21st-Century Singers, No. 7 Le violette
24 Italian Songs and Arias for 21st-Century Singers, No. 7 Le violette
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Judith Cloud
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24 Italian Songs and Arias for
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Judith Cloud
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.981207 Composed by Judith Cloud. Contemporary,Standards. 7 pages. Judith Cloud #6686591. Published by Judit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.981207 Composed by Judith Cloud. Contemporary,Standards. 7 pages. Judith Cloud #6686591. Published by Judith Cloud (A0.981207). 24 Italian Songs and Arias for 21st-Century Singers, No. 7 Le violette The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99 ≈
$6.84
24 Italian Songs and Arias for 21st-Century Singers, No. 4 Tu lo sai
24 Italian Songs and Arias for 21st-Century Singers, No. 4 Tu lo sai
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Judith Cloud
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24 Italian Songs and Arias for
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Judith Cloud
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 2 - SKU: A0.981206 Composed by Judith Cloud. Contemporary,Standards. 2 pages. Judith Cloud #6686585. Published...
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Baritone Horn TC,Vocal Solo,Voice - Level 2 - SKU: A0.981206 Composed by Judith Cloud. Contemporary,Standards. 2 pages. Judith Cloud #6686585. Published by Judith Cloud (A0.981206). 24 Italian Songs and Arias for 21st-Century Singers, No. 4 Tu lo sai The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99 ≈
$6.84
24 Italian Songs and Arias for 21st-Century Singers, No. 18 Danza, danza fanciulla gentile
24 Italian Songs and Arias for 21st-Century Singers, No. 18 Danza, danza fanciulla gentile
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Judith Cloud
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24 Italian Songs and Arias for
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Judith Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.981229 Composed by Judith Cloud. Contemporary. Score. 5 pages. Judith Cloud #6700865. Published by Judith Cloud (A...
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Piano,Vocal,Voice - Level 4 - SKU: A0.981229 Composed by Judith Cloud. Contemporary. Score. 5 pages. Judith Cloud #6700865. Published by Judith Cloud (A0.981229). The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99 ≈
$6.84
24 Italian Songs and Arias for 21st-Century Singers, no. 12 Che fiero costume
24 Italian Songs and Arias for 21st-Century Singers, no. 12 Che fiero costume
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Judith Cloud
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24 Italian Songs and Arias for
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Judith Cloud
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Voice - Level 2 - SKU: A0.981198 Composed by Judith Cloud. Contemporary,Instructional. Score and parts. 4 page...
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Instrumental Duet Instrumental Duet,Piano,Voice - Level 2 - SKU: A0.981198 Composed by Judith Cloud. Contemporary,Instructional. Score and parts. 4 pages. Judith Cloud #6591243. Published by Judith Cloud (A0.981198). The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.The complete volume is available from Classical Vocal Reprints (www.classicalvocalrep.com)Model #5273
$4.99 ≈
$6.84
24 Italian Songs and Arias for 21st-Century Singers, no. 22 Caro mio ben
24 Italian Songs and Arias for 21st-Century Singers, no. 22 Caro mio ben
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Contemporain
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Judith Cloud
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24 Italian Songs and Arias for
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Judith Cloud
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SheetMusicPlus
Instrumental Duet High Voice,Instrumental Duet,Piano - Level 4 - SKU: A0.981196 Composed by Judith Cloud. Contemporary. Score and parts. 5 pages. Judith...
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Instrumental Duet High Voice,Instrumental Duet,Piano - Level 4 - SKU: A0.981196 Composed by Judith Cloud. Contemporary. Score and parts. 5 pages. Judith Cloud #6591239. Published by Judith Cloud (A0.981196). The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.The complete volume is available from Classical Vocal Reprints (www.classicalvocalrep.com)Model #5273
$4.99 ≈
$6.84
Madeleines
Madeleines
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Piano seul
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John Carbon
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Madeleines
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John Carbon
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SheetMusicPlus
Piano Solo - SKU: A0.966218 Composed by John Carbon. 20th Century,Contemporary. Score. 25 pages. John Carbon #3586217. Published by John Carbon (A0.9662...
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Piano Solo - SKU: A0.966218 Composed by John Carbon. 20th Century,Contemporary. Score. 25 pages. John Carbon #3586217. Published by John Carbon (A0.966218). Composed in 2016, Madeleines is similar to my two sets of Spanish Lessons (1988 and 2001) which are both suites of character pieces for piano inspired by my admittedly limited travel in Spain. Madeleines is inspired by a much earlier hairbrained trip I took to France (and the rest of the Grand Tour) with my sister when I was in college. The title refers to Proust's episode of the madeleine, in which involuntary memory overwhelms the protagonist when he bites into one of these small cakes. I also sometimes experience poignant memories from our fondly remembered trip triggered by various catalysts. The five episodes in this set of pieces attempt to capture the essence of some of these memories. The first piece, MeÌmoire triste dans un cafeÌ (sad memory in a cafeÌ), serves the purpose of a preÌlude. One might conclude that the madeleine is sampled in this location. Il pleut aÌ Brest (It is raining in Brest) evokes memories of the wet weather in Brest, a city in Brittany near the coast. I was curious about this area because, during our travels, we met a boy in Paris with dark and dangerous eyes named François (François et ses yeux dangereux) who was from that area. In Il pleut the sound of rain alternates with church bells and fog horns (one of the poetic sensations I remember vividly about Brest). The third piece (François) is a blend of a barcarolle and a funeral march. I continued to send one-way letters to François after we returned and one day the French police called to tell me that he was dead and that they had found one of my letters on his body, which had been tossed into the Seine. They wanted more information, and they revealed that he had been smuggling drugs out of Turkey. I think the next piece, Promenade dans la meÌnagerie de Versailles (Walk in the zoo at Versailles), is tempered by later memories of a trip I took to the zoo at Schönbrunn palace near Vienna, the oldest Baroque zoo, which was in a terrible state of decay when I saw it, hence the wistful air. The finale of the set, Madeleine deÌteste les devoirs (Madeleine hates homework) is a bow to the French primer I grew up with, which had as one of its main characters a little girl who I think may have been named Madeleine. I know her father was named François. My memories are mixed up, the actual François Thibaud is remembered as the inventor of the fast-track method of learning French, which was in vogue when I first studied it in 6th grade. The idea here is that Madeleine, the daughter of François, is having a tantrum and playing with her hoops or a bike rather than doing her English homework.John Carbon
$6.99 ≈
$9.59
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