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Vous avez sélectionné:
Living For The City Piano Solo
Partitions à imprimer
26 partitions trouvées
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Audacious Binary Forms for Pianist (one or two pianos)
Audacious Binary Forms for Pianist (one or two pianos)
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Piano seul
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Contemporain
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Paul Copeland
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Audacious Binary Forms for Pia
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Paul Copeland
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SheetMusicPlus
Piano Solo - SKU: A0.901081 Composed by Paul Copeland. 20th Century,Contemporary. Score. 50 pages. Paul Copeland #5988217. Published by Paul Copeland (A...
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Piano Solo - SKU: A0.901081 Composed by Paul Copeland. 20th Century,Contemporary. Score. 50 pages. Paul Copeland #5988217. Published by Paul Copeland (A0.901081). Audacious Binary Forms for pianist playing one or two pianos, won Australia’s most prestigious piano composition competition the Jean Bogan Prize for Piano Composition 2016. The world premiere was performed by Michael Kieran Harvey. He is considered by many as being one of Australia’s greatest living concert pianists. Michael specializes in performing world premieres of compositions by Australian composers. He is also a prolific composer of avant-garde music. ABSTRACT FROM THE GENERAL DIRECTIONS Audacious Binary Forms for piano is in a fractured binary form. Two types of structures exist; lettered structures, which are experimental structures, and explore the sonorities of the piano, and numbered structures, which are more traditional structures. A structure may be a single page or more than one page. Each page in a structure is to be played sequentially. For example, with structure C, consisting of three pages, C1, C2, C3, each page is played sequentially in numerical order, C1, C2, C3. EXPERIMENTAL STRUCTURESThe structures A, B, C, D, E, F, G, Percussion, CADENZA, and CODA are experimental. TRADITIONAL STRUCTURESThe structures 1, 2, 3, 4, 5, and 6, are traditional. PREPARING THE SCORE FOR PERFORMANCE There are four different options for a performance. MINIMALIST OPTIONThe 13 cards cut from the CUTOUT page are shuffled. Card 4 Rag (1,2) is removed. The 12 cards are placed face down. One card is revealed representing the structure that is to be performed. A member of the audience can be invited to shuffle the cards. STOCHASTIC OPTION An audience member or members can be invited to shuffle all the pages of the score. The resultant random sequence of pages becomes the whole score for the performance. PERFORMER’S OPTIONThe performer prepares the structures according to his musical tastes. All of the experimental structures should be performed. The performer is free to play none, some, or all of the traditional structures. Please note that each structure remains an independent structure and is played sequentially. For example, structure C, consisting of three pages would be played C1, C2, C3 in that order. PERFORMER/COMPOSER OPTIONMonths before the concert the performer can contact me at paulcopeland1@bigpond.com, to discuss the performance, and to work out an ideal performance structure for the work, taking into consideration the venue, expected size of audience, size of auditorium, music program, and if two pianos will be available. IMPORTANT INFORMATION REGARDING SHEET MUSIC SIZE Please note that the score should be printed on separate pages (the notated pages), not back to back. Ideally the score should be printed on A3 pages in colour. However the score can still be printed in grayscale. The sheet music file is approximately 15Mb because the score is in full color. BIOGRAPHICAL INFORMATION Paul Copeland is an award-winning multi-genre composer, graphic artist, programmer, teacher, and author, based in his home city of Melbourne. His compositional styles range from neo-classical, jazz, ragtime, and musical theatre to electronic, avant-garde, post-avant-garde, and experimental music. Born in 1947, Copeland grew up an only child in a musical household. His mother was a talented singer, his father an accomplished amateur pianist, composer of popular music, and internationally renowned travelling telepathist known as Argus The Boy Prophet. Copeland's musical studies commenced at the age of 16 when he began studying piano, and a year later, he enrolled at the Melba Conserv.
$20.00 ≈
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Living For The City arranged for Piano Solo
Living For The City - Piano Solo
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Piano Facile
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FACILE
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Rock
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Stevie Wonder
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Nigel Jefferies
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Living For The City - Piano So
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Nigel Jefferies Music
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SheetMusicPlus
Piano Solo - Early Intermediate - Digital Download By Stevie Wonder. Arranged by Nigel Jefferies. Individual Part. 5 pages. Published by Nigel Jeffer...
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Piano Solo - Early Intermediate - Digital Download By Stevie Wonder. Arranged by Nigel Jefferies. Individual Part. 5 pages. Published by Nigel Jefferies Music
Living For The City arranged for Piano Solo.
$4.99 ≈
4.57€
Living For The City
Living For The City
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Piano seul
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INTERMÉDIAIRE
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Stevie Wonder
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The Sheet Music Library
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Living For The City
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The Sheet Music Library
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.825540 By Stevie Wonder. By Stevie Wonder. Arranged by The Sheet Music Library. Instructional,Pop. Score. 4 pages. The Sh...
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Piano Solo - Level 3 - SKU: A0.825540 By Stevie Wonder. By Stevie Wonder. Arranged by The Sheet Music Library. Instructional,Pop. Score. 4 pages. The Sheet Music Library #5048327. Published by The Sheet Music Library (A0.825540). Instrumental Version of Stevie Wonder Living For The City, piano part. only comping with chord symbols.
$4.99 ≈
4.57€
The Girl from Ipanema for Solo Trumpet & Piano
The Girl from Ipanema for Solo Trumpet & Piano
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Trompette, Piano
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INTERMÉDIAIRE/AVANCÉ
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Latin/Musique du monde
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Various
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Keith Terrett
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The Girl from Ipanema for Solo
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Music for all Occasions
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SheetMusicPlus
By Various. Arranged by Keith Terrett. Score, Set of Parts. 8 pages. Published by Music for all Occasions...
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By Various. Arranged by Keith Terrett. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Arranged for Solo Bb Brass & Piano "Garota de Ipanema" ("The Girl from Ipanema") is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antnio Carlos Jobim and Portuguese lyrics by Vincius de Moraes. English lyrics were written later by Norman Gimbel.
The first commercial recording was in 1962, by Pery Ribeiro. The Stan Getz recording featuring the vocal debut of Astrud Gilberto became an international hit. This version had been shortened from the version on the album Getz/Gilberto (recorded in March 1963, released in March 1964) which had also included the Portuguese lyrics sung by Astrud's then husband Joo Gilberto. In the US, the single peaked at number five on the Billboard Hot 100, and went to number one for two weeks on the Easy Listening chart. Overseas it peaked at number 29 in the United Kingdom, and charted highly throughout the world.
Numerous recordings have been used in films, sometimes as an elevator music clich. It is believed to be the second most recorded pop song in history, after "Yesterday" by The Beatles. The song was inducted into the Latin Grammy Hall of Fame in 2001. In 2004, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2009, the song was voted by the Brazilian edition of Rolling Stone as the 27th greatest Brazilian song.
Ipanema is a fashionable seaside neighborhood located in the southern region of the city of Rio de Janeiro.
Hel Pinheiro, the woman who inspired the song, in 2006.
The song was composed for a musical comedy titled Dirigvel (Blimp), then a work-in-progress of Vinicius de Moraes. The original title was "Menina que Passa" ("The Girl Who Passes By"); the first verse was different. Jobim composed the melody on his piano in his new house in Rua Baro da Torre, in Ipanema. In turn, Moraes had written the lyrics in Petrpolis, near Rio de Janeiro, as he had done with "Chega de Saudade" ("No More Blues") six years earlier.
During a recording session in New York with Joo Gilberto, Antonio Carlos Jobim and Stan Getz, the idea of cutting an English-language version came up. Norman Gimbel wrote the English lyrics. Joo's wife, Astrud Gilberto, was the only one of the Brazilians who could speak English well and was chosen to sing. Her voice, without trained singer mannerisms, proved a perfect fit for the song. Ethel Ennis and Nat King Cole have also both recorded the song.
The song was inspired by Helosa Eneida Menezes Paes Pinto (now known as Hel Pinheiro), a seventeen-year-old girl living on Montenegro Street in Ipanema. Daily, she would stroll past the Veloso bar-caf, not just to the beach ("each day when she walks to the sea"), but in the everyday course of her life. She would sometimes enter the bar to buy cigarettes for her mother and leave to the sound of wolf-whistles. In the winter of 1962, the composers saw the girl pass by the bar. Since the song became popular, she has become a celebrity.
In Revelao: a verdadeira Garta de Ipanema ("Revealed: The Real Girl from Ipanema") Moraes wrote that she was "the paradigm of the young Carioca: a golden teenage girl, a mixture of flower and mermaid, full of light and grace, the sight of whom is also sad, in that she carries with her, on her route to the sea, the feeling of youth that fades, of the beauty that is not ours alone?it is a gift of life in its beautiful and melancholic constant ebb and flow."
Ella Fitzgerald recorded this song on her two-disc set of Brazilian music Ella Abraca Jobim, released on the label [[Pablo today}] in 1981.
The legacy of "The Girl from Ipanema" was acknowledged by multiple aspects of the 2016 Summer Olympics and Paralympics held in Rio de Janeiro: the Olympic and Paralympic mascots were respectively named Vinicius and Tom after the song's co-writers by a public vote, while the Olympics' opening ceremony featured a segment themed around the song and the architecture of Oscar Niemeyer. Jobim's grandson Daniel performed the song during the segment, which also featured an appearance by Brazilian supermodel Gisele Bndchen. Spotify reported that the song had been streamed on its service 40,000 times per-day in the days following the ceremony (a 1200% increase), while in the U.S., the song reached #5 on Billboard's World Digital Songs chart the following week.
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Piano Concerto No. 1 - FIRST movement [score and parts]
Piano Concerto No. 1 - FIRST movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74...
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Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
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Piano Concerto No. 1 - SECOND movement [score and parts]
Piano Concerto No. 1 - SECOND movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical...
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Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00 ≈
30.19€
Piano Concerto No. 1 - THIRD movement [score and parts]
Piano Concerto No. 1 - THIRD movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00 ≈
30.19€
Five Songs Without Words, Op. 35 for Tuba or Bass Trombone & Piano
Five Songs Without Words, Op. 35 for Tuba or Bass Trombone & Piano
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Tuba et Piano
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AVANCÉ
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Contemporain
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Prokofiev, S
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Sauer, Ralph
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Five Songs Without Words, Op.
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Instrumental Solo,Piano,Tuba - Level 5 - SKU: A0.810900 Composed by Prokofiev, S. Arranged by Sauer, Ralph. 20th Century. Score and indivi...
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Bass Trombone,Instrumental Solo,Piano,Tuba - Level 5 - SKU: A0.810900 Composed by Prokofiev, S. Arranged by Sauer, Ralph. 20th Century. Score and individual part. 31 pages. Gordon Cherry #3676421. Published by Gordon Cherry (A0.810900). The Prokofiev Five Songs Without Words, Opus 35 were written in December 1920 during a tour of the USA. The musical format of songs without words is not unusual, as Mendelssohn composed a number of very beautiful ones for the Piano and of course Rachmaninoff’s Vocalise is one of the most famous works in the musical repertoire.The Five Songs Without Words were premiered in New York City in 1921 by the soprano Nina Koshetz. In 1925, while living in Paris the composer arranged the five brief songs for Violin and Piano. Their haunting, bittersweet and lyrical style is typical of Prokofiev and the advanced performer will find these wonderful miniatures totaling 12 minutes in length a perfect vehicle for a major work on a recital. Mr. Sauer has scored these songs beautifully for the Tuba or Bass Trombone and Piano.
$20.00 ≈
18.30€
Hymns for All Seasons
Hymns for All Seasons
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Piano seul
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Jan Sanborn
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Hymns for All Seasons
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Fred Bock Music Company
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SheetMusicPlus
Piano Solo Piano/Keyboard - late intermediate SKU: HL.8739112 Piano Settings by Jan Sanborn. Arranged by Jan Sanborn. Fred Bock Publications. Gene...
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Piano Solo Piano/Keyboard - late intermediate SKU: HL.8739112 Piano Settings by Jan Sanborn. Arranged by Jan Sanborn. Fred Bock Publications. General Worship, Sacred. 52 pages. Fred Bock Music Company #BG0981. Published by Fred Bock Music Company (HL.8739112). ISBN 9781934596340. UPC: 073999391121. 9.0x12.0x0.149 inches.A fresh collection of 14 piano arrangements - categorized by season and the church year - perfect for preludes, offertories and postludes. Songs include: Angels We Have Heard on High * Christ the Lord Is Risen Today * For the Beauty of the Earth * Let All Things Now Living * Love Divine, All Loves Excelling * The Old Rugged Cross * Promised Land * What Child Is This? * and more. A CD is also available featuring Jan's own beautiful interpretations of these arrangements (HL08739113, $15.99).
Song List
: Angels We Have Heard On High Promised Land Christ The Lord Is Risen Today Give Me Jesus What Child Is This? Let All Things Now Living For The Beauty Of The Earth The Church's One Foundation The Old Rugged Cross Once In Royal David's City Love Divine, All Loves Excelling In The Garden
$14.95 ≈
13.68€
Piano Concerto No. 1 - Score Only
Piano Concerto No. 1 - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00 ≈
22.87€
The Celebrated Croton Ode
The Celebrated Croton Ode
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Piano seul
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Gioachino Rossini
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Sidney Pearson
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The Celebrated Croton Ode
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.15981 Composed by Gioachino Rossini. Arranged by Sidney Pearson. Crowds, Parades & processions, Fountains, Carriages & coaches, Flags, S...
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Piano - SKU: LV.15981 Composed by Gioachino Rossini. Arranged by Sidney Pearson. Crowds, Parades & processions, Fountains, Carriages & coaches, Flags, Spires, Avenues, Cityscapes, Families, Couples, Symbols, Supernatural beings. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15981). The Celebrated Croton Ode. Written at the request of the Corporation of The City of New York by George P. Morris, Esq.; The Music arranged & adapted From Rossini's Opera of Amidas by Sidney Pearson. Published 1842 by Atwill, 201 Broadway in New York. Composition of strophic with chorus with piano instrumentation. Subject headings for this piece include Crowds, Parades & processions, Fountains, Carriages & coaches, Flags, Spires, Avenues, Cityscapes, Families, Couples, Symbols, Supernatural beings. First line reads Gushing from yon living fountain, Music pours a falling strain.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.48€
Symphony No. 8 ... City of Light (2011) for chamber orchestra
Symphony No. 8 ... City of Light (2011) for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 8 ... City of Lig
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. ...
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Chamber Orchestra - Level 4 - SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99 ≈
9.14€
Charlie Valse for piano
Charlie Valse for piano
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Piano seul
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INTERMÉDIAIRE
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Germaine Tailleferre
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Charlie Valse for piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1087463 Composed by Germaine Tailleferre. Classical,Film/TV. Score. 5 pages. Musik Fabrik Music Publishing #691671. Publi...
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Piano Solo - Level 3 - SKU: A0.1087463 Composed by Germaine Tailleferre. Classical,Film/TV. Score. 5 pages. Musik Fabrik Music Publishing #691671. Published by Musik Fabrik Music Publishing (A0.1087463). Germaine Tailleferre first met Charlie Chaplin when she was living in New York City with her first husband Ralph Barton. Tailleferre and Chaplin spent a great deal of time improvising at the piano and Tailleferre convinced him to write his own themes for the music he used in his films. After her divorce from Ralph Barton, she did not see Chaplin until the early 1950s during a visit he made to Paris. At that time, she wrote this attractive waltz in Chaplin’s own style to give to him as a gift.
$7.95 ≈
7.27€
Living For The City
Living For The City
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Piano seul
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Rock
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Stevie Wonder
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Living For The City
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Hal Leonard - Digital
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SheetMusicPlus
By Stevie Wonder. Pop,Rock,Soul. Keyboard Transcription. 16 pages. Published by Hal Leonard - Digital...
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By Stevie Wonder. Pop,Rock,Soul. Keyboard Transcription. 16 pages. Published by Hal Leonard - Digital
$5.99 ≈
5.48€
'Largo' from 'New World Symphony' arranged for Piano solo
'Largo' from 'New World Symphony' - Piano solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonin Dvorak
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Marcus Martin
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'Largo' from 'New World Sympho
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Cornelius Edition
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1152600 Composed by Antonin Dvorak. Arranged by Marcus Martin. 19th Century,Classical. Score. 6 pages. Cornelius Edition ...
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Piano Solo - Level 4 - SKU: A0.1152600 Composed by Antonin Dvorak. Arranged by Marcus Martin. 19th Century,Classical. Score. 6 pages. Cornelius Edition (uk) #752825. Published by Cornelius Edition (uk) (A0.1152600). The “ Largo †from New World Symphony, is a popular orchestral work by Bohemian composer AntonÃn Dvořák, Written while Dvořák was living and working in New York City, the symphony purportedly incorporated the composer’s reflections on his American setting. The entire movement is transcribed for Piano Solo.
$4.99 ≈
4.57€
Aspirations Op. 1
Aspirations Op. 1
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Piano seul
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AVANCÉ
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Contemporain
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Tayren N
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Aspirations Op. 1
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Tayren N. Ben-Abraham
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1027238 Composed by Tayren N. Ben-Abraham. 20th Century,Concert,Contemporary. Score. 10 pages. Tayren N. Ben-Abraham #203...
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Piano Solo - Level 5 - SKU: A0.1027238 Composed by Tayren N. Ben-Abraham. 20th Century,Concert,Contemporary. Score. 10 pages. Tayren N. Ben-Abraham #2039327. Published by Tayren N. Ben-Abraham (A0.1027238). This solo piano work describes the unfulfilled aspirations of a person or group of people and aims to be as a meditation by which these aspirations can be offered at the time of performance together as one voice along with the performer. This work is suitable for recitals, to be placed as solo repertoire as part of a concert, and more. Aspirations is suitable for all audiences. It is suitable for performers who are at an advanced level of piano skills to the professional. The entire work lasts approximate 7 minutes long. This piece was written in January and February 2012 with the official finishing date being February 28, 2012. It is my first serious piece which was composed in my undergraduate studies at Valley City State University under my professor Jorge Variego. The first 22 bars were conceived a year earlier as a sketch. This piece is part of the Valley City Collection, which describes works of music I composed while living in Valley City, North Dakota. The piece in the beginning involves bitonality, the bass being in A minor and the melodic line being in F major. The main theme is given much room to develop and soon runs into the secondary theme at measure 45. At measures 48 to 50 the main theme returns only to introduce the third theme at measure 51 to 52 then returning to the first theme. At measure 73, another theme enters to transition back to the main theme that is a variation at measure 81 to the end. Mainly composed in 12/8 time, the work concludes in 4/4 time. Your Performing Rights Organization Your Social Media Channels and Contact Information.
$5.00 ≈
4.57€
Stevie Wonder: Living For The City - keyboard or piano
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Piano seul
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INTERMÉDIAIRE
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Rock
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Stevie Wonder
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Virtualsheetmusic
Instantly printable sheet music by Stevie Wonder for keyboard or piano of MEDIUM skill level. / pop,rock,soul
Instantly printable sheet music by Stevie Wonder for keyboard or piano of MEDIUM skill level. / pop,rock,soul
$8.97 ≈
8.21€
Stevie Wonder: Living For The City - keyboard or piano
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Piano seul
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INTERMÉDIAIRE
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Rock
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Stevie Wonder
#
Virtualsheetmusic
Instantly printable sheet music by Stevie Wonder for keyboard or piano of MEDIUM skill level. / pop,rock,soul
Instantly printable sheet music by Stevie Wonder for keyboard or piano of MEDIUM skill level. / pop,rock,soul
$9.97 ≈
9.12€
Graves Into Gardens
Graves Into Gardens
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Elevation Worship
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Amy J
#
#
Graves Into Gardens
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Amy J. Snyder
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.733636 By Elevation Worship. By Brandon Lake, Chris Brown, Christopher Joel Brown, Steven Furtick, and Tiffany Ham...
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Piano,Vocal,Voice - Level 4 - SKU: A0.733636 By Elevation Worship. By Brandon Lake, Chris Brown, Christopher Joel Brown, Steven Furtick, and Tiffany Hammer. Arranged by Amy J. Snyder. Contemporary. Score. 7 pages. Amy J. Snyder #6571881. Published by Amy J. Snyder (A0.733636). Graves Into Gardens is an exciting contemporary worship song by Steven Furtick, Brandon Lake, Chris Brown, and Tiffany Hammer that states There is nothing better than You. This arrangement is for advanced intermediate piano solo, and includes the lyrics and chord symbols. Helpful fingering is added. Make sure and bring out the melody above the accompaniment, and have fun with the accented chords on the bridge! Great for church preludes, special music, or can be played along with the praise band for corporate worship singing. Arranged by Amy J. Snyder. Visit Amy at www.facebook.com/amyjsnyder7. If you enjoy this arrangement, check out Amy's arrangements of O Praise the Name, Way Maker, The Blessing, I Can Only Imagine, King of my Heart, Great Are You Lord, Do It Again, Build My Life, Living Hope, and more! Copyright © 2020 Music By Elevation Worship Publishing, Bethel Music Publishing and Maverick City Publishing Worldwide (Admin. by Heritage Worship Publishing) All Rights for Music By Elevation Worship Publishing Administered at EssentialMusicPublishing.com All Rights for Heritage Worship Publishing Administered by Bethel Music Publishing All Rights Reserved Used by Permission
$5.50 ≈
5.03€
Robot Bluegrass
Robot Bluegrass
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Ben Dockery
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Robot Bluegrass
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Ben Dockery
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.693010 Composed by Ben Dockery. Contemporary,Folk,Instructional,Standards. Score. 3 pages. Ben Dockery #3241725. Publishe...
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Piano Solo - Level 4 - SKU: A0.693010 Composed by Ben Dockery. Contemporary,Folk,Instructional,Standards. Score. 3 pages. Ben Dockery #3241725. Published by Ben Dockery (A0.693010). This fast angular piano piece (1 min. 5 sec) is the tenth in a series of impromptus inspired by the sounds of childhood, namely the soundtracks of early 90s video game systems like Nintendo. This composition captures the robotic, computerized quality that was common with many of the 8-bit soundtracks. Although composers were limited to writing thin textures, they often took advantage of the computer's ability to play virtuosic passages that would be nearly unimaginable for a living performer. The texture of this piece is almost entirely monophonic. The velocity of the 16th notes creates the impression of harmony in the same way virtuosic blue-grass flat-picking guitarist can. The greatest challenge to the performer is getting the alternating hands coordinated. Fingerings are important, but more so is deciding which hand to play specific melodic passages. Where these spots seemed most precarious, I provided suggestions. Elsewhere, it is helpful to recognize that any consecutively repeated note is best played with an alternate hand.Follow my work at www.bendockery.comThere you can sign up for my email list and get tons of free music! .
$2.99 ≈
2.74€
Living For The City
Living For The City
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Piano seul
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Rock
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Soul/R&B
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Stevie Wonder
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Rock
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Living For The City
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Stevie Wonder. Pop; Rock; Soul. Kbdtrn. 24 pages. Published by Hal Leonard - Digital Sheet Music (HX.357567). - kbdtrn - Pop; Rock; Soul - Hal Leonard - Digi...
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By Stevie Wonder. Pop; Rock; Soul. Kbdtrn. 24 pages. Published by Hal Leonard - Digital Sheet Music (HX.357567). - kbdtrn - Pop; Rock; Soul - Hal Leonard - Digital Sheet Music
$5.99 ≈
5.48€
Goodbye Yellow Brick Road
Goodbye Yellow Brick Road
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Piano Facile
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INTERMÉDIAIRE
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Rock
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Elton John
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Jerome Stokes
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Goodbye Yellow Brick Road
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Jerome Stokes
#
SheetMusicPlus
Easy Piano - Level 3 - SKU: A0.802795 By Elton John. By Bernie Taupin and Elton John. Arranged by Jerome Stokes. Pop,Rock. Score. 2 pages. Jerome Stokes...
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Easy Piano - Level 3 - SKU: A0.802795 By Elton John. By Bernie Taupin and Elton John. Arranged by Jerome Stokes. Pop,Rock. Score. 2 pages. Jerome Stokes #409851. Published by Jerome Stokes (A0.802795). The greatest rock and roll piano player/singer of all time, Elton John, penned this epic song merging the dreams of living the high life with the realizations that the fame and glitter is not all its cracked up to be; and that the place he came from might just be his Emerald City beyond the yellow brick road. This arrangement is intended as an accompaniment for the performing soloist or small ensemble. It is in the same key and tempo as the original recording. You can listen to the Elton John recording at the Youtube link provided.
$4.99 ≈
4.57€
Shangri-la
Shangri-la
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Piano seul
#
AVANCÉ
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Carl Sigman, Matt Malneck, and
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Timothy Stapay
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Shangri-la
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Timothy Stapay
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1255025 Composed by Carl Sigman, Matt Malneck, and Robert Maxwell. Arranged by Timothy Stapay. Broadway,Film/TV,Multicult...
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Piano Solo - Level 5 - SKU: A0.1255025 Composed by Carl Sigman, Matt Malneck, and Robert Maxwell. Arranged by Timothy Stapay. Broadway,Film/TV,Multicultural,Musical/Show,Singer/Songwriter,Standards,World. Score. 6 pages. Timothy Stapay #848614. Published by Timothy Stapay (A0.1255025). This is an arrangement of Shangri-la a mystical city of eternal life and love. This mystical land was featured in the movie Lost Horizon.Shangri-La is a popular song written by bandleader Matty Malneck and Robert Maxwell in 1946 with lyrics by Carl Sigman. The melody was used as the theme song for The Jackie Gleason Show and Shangri-La is also associated with the movie Lost Horizon and the novel by James Hilton.The term comes from Shangri-La as the hidden valley of delight in James Hilton's 1933 novel Lost Horizon. The term Shangri-La, especially in the 1930s and 1940s, was slang for heaven or paradise, and the song is about the joy of being in love.Shangri-La is a fictional place in Tibet’s Kunlun Mountains described in the 1933 novel Lost Horizon by English author James Hilton. Hilton portrays Shangri-La as a mystical, harmonious valley, gently guided from a lamasery, enclosed in the western end of the Kunlun Mountains. Shangri-La has become synonymous with any earthly paradise, particularly a mythical Himalayan utopia – an enduringly happy land, isolated from the world. In the novel, the people who live in Shangri-La are almost immortal, living hundreds of years beyond the normal lifespan and only very slowly aging in appearance.Ancient  Tibetan scriptures mention the existence of seven such places as Nghe-Beyul Khembalung.  Khembalung is one of several Utopia beyuls (hidden lands similar to Shangri-La) which  Tibetan Buddhists believe that Padmasambhava established in the 9th century CE as idyllic, sacred places of refuge for Buddhists during times of strife.
$7.99 ≈
7.31€
Rock - a Roger Jones musical
Rock - a Roger Jones musical
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise &...
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Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99 ≈
9.14€
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Living For The City Piano Solo
