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Living in the Shadows
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Vous avez sélectionné:
Living in the Shadows
Partitions à imprimer
19 partitions trouvées
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1
Apache as played by Hank Marvin & The Shadows
Apache as played by Hank Marvin & The Shadows
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4 Guitares (Quatuor)
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INTERMÉDIAIRE
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Contemporain
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The Shadows
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Dam Jones (www
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Apache as played by Hank Marvi
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danjonesguitarist.com
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SheetMusicPlus
Guitar Quartet - Intermediate - By The Shadows (written by Jerry Lordan). Arranged by Dam Jones (www.danjonesguitarist.com). Score, Set of Parts, ...
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Guitar Quartet - Intermediate - By The Shadows (written by Jerry Lordan). Arranged by Dam Jones (www.danjonesguitarist.com). Score, Set of Parts, Tablature. 22 pages. Published by danjonesguitarist.com
Apachecomposed by Jerry Lordan, as playedby The Shadows
Arranged for Guitar Quartet by Dan Jones
Thisarrangement of Apache has been madewith real-world guitar teachers and ensembles in mind.
Perhapsour instrument?s greatest joy is the fact that it exists in so many forms andstyles of music. Some players prefer the electric guitar and read from TAB,others have a classical background and are therefore more familiar with notes;others still prefer reading from chord charts with fretboard diagrams.
Thisdownload considers all of these musicians.
Guitar1 is the main tune, as played by Hank Marvin in The iconic recording made byThe Shadows. The music is provided in both notes and TAB.
Guitar 2is a part with chords. This is given with chord symbols, fretboard diagrams andrhythm patterns.
Guitar3 is designed to include the less-experienced player. It is in open positionand the part, being easy to read, is given in notes. This is an optional part.
Guitar 4is a transcription of the bass line. It is an interesting andrhythmically-exciting part. It is in simple positions and is given in notesonly.
Guitar4 can also be played by a bass guitar. The part is also given in bass clef(sounding an octave lower).
It is myintention to provide arrangements which are exciting, original, stimulating,flexible and which people want to play. Films of all of my arrangements forboth guitar solo and guitar ensemble can be found at:
www.danjonesguitarist.com
Readabout my life as a guitarist working and living in rural France here:
www.danjonesauthor.com
A split screen video showing all of the parts of the arrangement being performed can be viewed anytime at www.danjonesguitarist.com.
$5.95 ≈
£4.60
Living in the Shadows
Living in the Shadows
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Comédie Musicale
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Annemarie Lewis Thomas
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Living in the Shadows
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A L Thomas
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.933771 Composed by Annemarie Lewis Thomas. Musical/Show. 4 pages. A L Thomas #2922865. Published b...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.933771 Composed by Annemarie Lewis Thomas. Musical/Show. 4 pages. A L Thomas #2922865. Published by A L Thomas (A0.933771). A song from the musical The Sunshine Gang which tells the tale of a man with a secret - a deserter attempting to come to terms with his past.
$3.99 ≈
£3.09
Goin' Home - From the New World Op. 95
Goin' Home - From the New World Op. 95
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Harpe, Flûte (duo)
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Goin' Home - From the New Worl
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HarpSong, Jennifer Grady and Karen Almquist
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SheetMusicPlus
Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - SKU: A0.502638 Composed by Antonin Dvorak. Arranged by Arranged by Karen Almquist, Edited by ...
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Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - SKU: A0.502638 Composed by Antonin Dvorak. Arranged by Arranged by Karen Almquist, Edited by Jennifer Grady. Classical,Romantic Period. Score and parts. 4 pages. HarpSong, Jennifer Grady and Karen Almquist #114989. Published by HarpSong, Jennifer Grady and Karen Almquist (A0.502638). “Goin Home†is a peaceful and moving flute and harp arrangement of Antonin Dvorak’s magnificent Symphony No. 9 “From the New World†2nd Movement. The arrangement in Eb begins and ends quietly in the lower register of the instruments. The flute introduces the melody over quiet eighth note arpeggios on the harp. The harp plays the melody in the second verse. “Goin Home†builds to a glorious ending with an uplifting harp glissando, full rolled chords and flute soaring in its high register. The music is full of emotion and hope. William Arms Fisher a student of Dvorak penned the moving lyrics “Goin Home†to the music. Goin' home. Goin' home. I'm a-goin' home. Quiet-like some still day, I'm just goin' home. It's not far, just close by, through an open door. Work all done, cares laid by, goin' to roam no more; Mother's there 'xpecting me, father's waiting, too, Lots of folks gathered there, all the friends I knew. Morning star lights the way, restless dream all done. Shadows gone, break of day, real life just begun. There's no break, there's no end, just a-living on; Wide awake, with a smile, going on and on. Going home. Going home, I'm just going home. It's not far, just close by, through an open door.
$4.99 ≈
£3.86
My Shepherd Is the Living Lord (Psalm 23): from Tenebrae (I-II) (Downloadable Choral Score)
My Shepherd Is the Living Lord (Psalm 23): from Tenebrae (I-II) (Downloadable Choral Score)
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Musique Sacrée
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Robert Kyr
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My Shepherd Is the Living Lord
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice solo, SATB choir, flute, viola, and violoncello, or piano - Moderately Difficult - SKU: MQ.8597-E Composed by Robert Kyr. Holy Week/Three Da...
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Tenor voice solo, SATB choir, flute, viola, and violoncello, or piano - Moderately Difficult - SKU: MQ.8597-E Composed by Robert Kyr. Holy Week/Three Days, 21st Century. Full score. 14 pages. E. C. Schirmer Music Company - Digital #8597-E. Published by E. C. Schirmer Music Company - Digital (MQ.8597-E). English. Psalms 23.A setting of Psalm 23 taken from the larger work Tenebrae. The chorus sings the well-known scripture text alone, and then repeats the text while the soloist responds with an original text. Tenebrae is a musical journey through the shadows of the cross. The work is divided into nine individual movements and can be performed with either instrumental trio or piano accompaniment. Staging and program suggestions are included in the full score. Part IV of the â€Life unto Life†Cycle.This work may be performed with accompaniment of either instrumental trio or piano. The complete text and suggested staging appear in the full score.Instrumental Parts include: Flute/Alto Flute, Viola, Violoncello.
$2.85 ≈
£2.21
Living In The Shadows (from Victor/Victoria)
Living In The Shadows (from Victor/Victoria)
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Piano, Voix et Guitare
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Comédie Musicale
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Film/TV
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Living In The Shadows
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Hal Leonard - Digital
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SheetMusicPlus
Broadway, Film/TV, Musical/Show. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digital...
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Broadway, Film/TV, Musical/Show. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digital
$4.99 ≈
£3.86
Piano Concerto No. 1 - FIRST movement [score and parts]
Piano Concerto No. 1 - FIRST movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74...
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Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00 ≈
£25.54
Piano Concerto No. 1 - SECOND movement [score and parts]
Piano Concerto No. 1 - SECOND movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical...
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Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00 ≈
£25.54
Piano Concerto No. 1 - THIRD movement [score and parts]
Piano Concerto No. 1 - THIRD movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00 ≈
£25.54
Piano Concerto No. 1 - Score Only
Piano Concerto No. 1 - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00 ≈
£19.35
Living in the Shadows by Pianobin - Piano Solo
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Piano seul
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Pianobin
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Living in the Shadows
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Musicnotes
Performed by: Pianobin: Living in the Shadows - (from Love, Death & Robots) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, dow...
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Performed by: Pianobin: Living in the Shadows - (from Love, Death & Robots) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 5 pages -- Movie/TV~~Soundtrack~~Solo Instrumental~~Alternative Pop/Rock
$8.99 ≈
£6.96
Living In the Shadows by David Meece - Piano/Vocal/Chords
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Piano, Voix
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David Meece
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Living In the Shadows
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Musicnotes
Performed by: David Meece: Living In the Shadows Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music f...
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Performed by: David Meece: Living In the Shadows Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 6 pages -- Gospel~~CCM~~Pop~~Christian~~Contemporary Gospel
$5.50 ≈
£4.26
Living In the Shadows from Victor Victoria - Piano/Vocal/Chords
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Piano, Voix
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Comédie Musicale
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Living In the Shadows from Vic
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Musicnotes
Frank Wildhorn - Living In the Shadows Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this ...
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Frank Wildhorn - Living In the Shadows Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 5 pages -- Show/Broadway~~Musical
$5.50 ≈
£4.26
4 Prague Poems of Altered Minds - Score
4 Prague Poems of Altered Minds - Score
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Elia Cmiral
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4 Prague Poems of Altered Mind
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Elia's Forte Music
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.1090452 Composed by Elia Cmiral. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Elia'...
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String Quartet String Quartet - Level 5 - SKU: A0.1090452 Composed by Elia Cmiral. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Elia's Forte Music #694630. Published by Elia's Forte Music (A0.1090452). The composition 4 Prague Poems of Altered Minds for a classical string quartet (two violins, viola, cello) and electronics and has been written by an award wining composer Elia Cmiral. The composition is in traditional four movements, it can be performed together with electronic pre-recorded material or as an option together with film produced and directed by Elia Cmiral. The composition expresses the feeling of hopelessness and despair by the breakdowns of values in our societies, reflects the change in the human minds in a global crisis exacerbated by the COVID-19 pandemic. Composition has started during the COVID-19 pandemic and was completed last year (2021) premiered live with the film in Prague, Czech Republic by a prime string ensemble Epoque Quartet that also played the whole piece in the film. The visual part of the project has emotional attachment to the city of Prague, each movement brings poetic visions of the city, raising the questions - Did we really lose ourselves? Is humanity going to destroy itself with its endless and arrogant greed? Where are we heading? After three dark movements we find in the last movement a hope in human creativity, love and finding a light in the end of the dark tunnel. Movement I – Desolated City and its Living Shadows (8 min), fast and rhythmical Movement II - Tears of a Dark River (10 min), slow and emotional Movement II - Anguish and Rage (4 min), extremely fast and dissonant Movement IV - Faith in Hope (6 min), medium tempo, rather emotional Performing Options: Option 1. Played with electronics guided with a click track Option 2. Played with electronics guided with a click track synchronized to the film To obtain the audio track for the electronics, the click track and/or the video for live performance please contact the publisher at www.EliaCmiral.com Elia Cmiral is an award wining composer with over 70 film scores as well as numerous chamber music compositions. His musical style combines contemporary electronics with the modern orchestra, joining cutting edge technology and production with evocative and haunting melodic themes. Born in formal Czechoslovakia now lives in Los Angeles, USA. The Parts are available separately.
$49.99 ≈
£38.69
4 Prague Poems of Altered Minds - Parts
4 Prague Poems of Altered Minds - Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Elia Cmiral
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4 Prague Poems of Altered Mind
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Elia's Forte Music
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.1090455 Composed by Elia Cmiral. 20th Century,Classical,Contemporary. Score and parts. 66 pages. Elia'...
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String Quartet String Quartet - Level 5 - SKU: A0.1090455 Composed by Elia Cmiral. 20th Century,Classical,Contemporary. Score and parts. 66 pages. Elia's Forte Music #694633. Published by Elia's Forte Music (A0.1090455). The composition 4 Prague Poems of Altered Minds for a classical string quartet (two violins, viola, cello) and electronics and has been written by an award wining composer Elia Cmiral. The composition is in traditional four movements, it can be performed together with electronic pre-recorded material or as an option together with film produced and directed by Elia Cmiral. The composition expresses the feeling of hopelessness and despair by the breakdowns of values in our societies, reflects the change in the human minds in a global crisis exacerbated by the COVID-19 pandemic. Composition has started during the COVID-19 pandemic and was completed last year (2021) premiered live with the film in Prague, Czech Republic by a prime string ensemble Epoque Quartet that also played the whole piece in the film. The visual part of the project has emotional attachment to the city of Prague, each movement brings poetic visions of the city, raising the questions - Did we really lose ourselves? Is humanity going to destroy itself with its endless and arrogant greed? Where are we heading? After three dark movements we find in the last movement a hope in human creativity, love and finding a light in the end of the dark tunnel. Movement I – Desolated City and its Living Shadows (8 min), fast and rhythmical Movement II - Tears of a Dark River (10 min), slow and emotional Movement II - Anguish and Rage (4 min), extremely fast and dissonant Movement IV - Faith in Hope (6 min), medium tempo, rather emotional Performing Options: Option 1. Played with electronics guided with a click track Option 2. Played with electronics guided with a click track synchronized to the film To obtain the audio track for the electronics, the click track and/or the video for live performance please contact the publisher at www.EliaCmiral.com Elia Cmiral is an award wining composer with over 70 film scores as well as numerous chamber music compositions. His musical style combines contemporary electronics with the modern orchestra, joining cutting edge technology and production with evocative and haunting melodic themes. Born in formal Czechoslovakia now lives in Los Angeles, USA. The Score is available separately.
$49.99 ≈
£38.69
Living In The Shadows
Living In The Shadows
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Guitare notes et tablatures
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Billy Talent
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Rock
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Living In The Shadows
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Billy Talent. For guitar. Punk; Rock. Guitar TAB. 5 pages. Published by Hal Leonard - Digital Sheet Music...
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By Billy Talent. For guitar. Punk; Rock. Guitar TAB. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
£3.86
Leslie Bricusse: Living In The Shadows (from Victor/Victoria) - voice, piano or guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Film/TV
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Comédie Musicale
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Leslie Bricusse
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Virtualsheetmusic
Instantly printable sheet music by Leslie Bricusse for voice, piano or guitar of MEDIUM skill level. / film/tv,musical/show,broadway,movies
Instantly printable sheet music by Leslie Bricusse for voice, piano or guitar of MEDIUM skill level. / film/tv,musical/show,broadway,movies
$5.97 ≈
£4.62
Jon Gallant: Living In The Shadows for guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Punk
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Jon Gallant
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Virtualsheetmusic
Instantly printable sheet music by Billy Talent for guitar (tablature) of MEDIUM skill level. / punk,rock
Instantly printable sheet music by Billy Talent for guitar (tablature) of MEDIUM skill level. / punk,rock
$6.97 ≈
£5.39
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Living in the Shadows
