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Vous avez sélectionné:
MEDITATION for solo viola
Partitions à imprimer
89 partitions trouvées
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Viola solo-Mobile Meditation for solo viola and piano ACCOMPANIMENT track
Viola solo-Mobile Meditation for solo viola and piano ACCOMPANIMENT track
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Alto, Piano
#
Contemporain
#
Dan Cutchen
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Viola solo-Mobile Meditation f
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Dan Cutchen Music
#
SheetMusicPlus
Piano,Viola - SKU: A0.1069294 Composed by Dan Cutchen. Contemporary. Accompaniment. Duration 325. Dan Cutchen Music #5034407. Published by Dan Cutchen M...
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Piano,Viola - SKU: A0.1069294 Composed by Dan Cutchen. Contemporary. Accompaniment. Duration 325. Dan Cutchen Music #5034407. Published by Dan Cutchen Music (A0.1069294). This is the piano accompaniment track for:Viola solo-Mobile Meditation for solo viola and piano. For the sheet music (piano and solo viola part), go to:http://www.sheetmusicplus.com/title/21568003or copy and paste the following: Dan Cutchen, Viola solo-Mobile Meditation for solo viola and pianoThis piece was designed to focus on articulation, an expressive playing style and extensive use of double stops.
$1.99 ≈
¥14.37
Viola solo-Mobile Meditation for solo viola and piano
Viola solo-Mobile Meditation for solo viola and piano
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Alto, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Dan Cutchen
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Viola solo-Mobile Meditation f
#
Dan Cutchen Music
#
SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.844360 Composed by Dan Cutchen. Contemporary. Score and part. 7 pages. Dan Cutchen Music #5031223. Published by Dan Cutc...
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Piano,Viola - Level 4 - SKU: A0.844360 Composed by Dan Cutchen. Contemporary. Score and part. 7 pages. Dan Cutchen Music #5031223. Published by Dan Cutchen Music (A0.844360). For solo viola AND solo piano.This piece was designed to focus on articulation, an expressive playing style and extensive use of double stops.
$10.00 ≈
¥72.21
MEDITATION for solo viola
MEDITATION for solo viola
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Alto seul
#
INTERMÉDIAIRE/AVANCÉ
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Christian contemporain
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Musique Sacrée
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Marilena Zlatanou
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MEDITATION for solo viola
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Marilena Zlatanou
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SheetMusicPlus
Viola Solo - Level 4 - SKU: A0.887093 Composed by Marilena Zlatanou. Contemporary,Sacred. Individual part. 2 pages. Marilena Zlatanou #6113069. Publishe...
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Viola Solo - Level 4 - SKU: A0.887093 Composed by Marilena Zlatanou. Contemporary,Sacred. Individual part. 2 pages. Marilena Zlatanou #6113069. Published by Marilena Zlatanou (A0.887093). Expressive music that suits both secular and church programmes. Duration: 3 min. The composer is a member of TONO (the Norwegian copyright org.) For more info on her please visit website www.zlatanou.net
$10.00 ≈
¥72.21
Grieg: Ase's Death from Peer Gynt Suite for Viola & Piano
Grieg: Ase's Death from Peer Gynt Suite for Viola & Piano
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Alto, Piano
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549528 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standa...
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Piano,Viola - Level 3 - SKU: A0.549528 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505753. Published by jmsgu3 (A0.549528). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95 ≈
¥180.18
Grieg: Morning Mood from Peer Gynt Suite for Viola & Piano
Grieg: Morning Mood from Peer Gynt Suite for Viola & Piano
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Alto, Piano
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Morning Mood from Peer
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549506 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Sc...
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Piano,Viola - Level 3 - SKU: A0.549506 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502223. Published by jmsgu3 (A0.549506). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous Instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95 ≈
¥237.95
Handel: Largo from Xerxes for Viola & Piano
Handel: Largo from Xerxes for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549373 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score ...
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Piano,Viola - Level 3 - SKU: A0.549373 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3491405. Published by jmsgu3 (A0.549373). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95 ≈
¥237.95
Beethoven: Adagio from Sonata Pathetique for Viola & Piano
Beethoven: Adagio from Sonata Pathetique for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Piano,Viola - Level 3 - SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516289. Published by jmsgu3 (A0.549634). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95 ≈
¥180.18
Here in Nomansland (A Meditation in the Vosges) for two violas and guitar
Here in Nomansland (A Meditation in the Vosges) for two violas and guitar
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Alto, Guitare (duo)
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FACILE
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Contemporain
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David Warin Solomons
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Here in Nomansland
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Viola - Level 2 - SKU: A0.578544 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts...
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Instrumental Duet Guitar,Instrumental Duet,Viola - Level 2 - SKU: A0.578544 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #6104591. Published by David Warin Solomons (A0.578544). Voice one solos with the guitar for the first verse and Voice 2 joins in for the second verse.
$9.00 ≈
¥64.99
[Slayton] Meditation and Reflections
[Slayton] Meditation and Reflections
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Alto seul
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Contemporain
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Michael Slayton
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[Slayton] Meditation and Refle
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American Composers Alliance Inc.
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SheetMusicPlus
Viola Solo - SKU: A0.952668 Composed by Michael Slayton. Contemporary. Individual part. 5 pages. American Composers Alliance Inc. #4613555. Published by...
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Viola Solo - SKU: A0.952668 Composed by Michael Slayton. Contemporary. Individual part. 5 pages. American Composers Alliance Inc. #4613555. Published by American Composers Alliance Inc. (A0.952668). Scored for solo viola with quotes sourced from Mozart K. 488 and Schubert's Der Leiermann - PDF download includes score.
$10.95 ≈
¥79.08
Meditations on Solitude
Meditations on Solitude
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Alto seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Samuel M
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Meditations on Solitude
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Samuel Hunter
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SheetMusicPlus
Viola Solo - Level 4 - SKU: A0.877671 Composed by Samuel M. Hunter. Contemporary. Individual part. 5 pages. Samuel Hunter #5850187. Published by Samuel ...
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Viola Solo - Level 4 - SKU: A0.877671 Composed by Samuel M. Hunter. Contemporary. Individual part. 5 pages. Samuel Hunter #5850187. Published by Samuel Hunter (A0.877671). A short yet probing work for solo viola which draws on 12-tone compositional language to produce a deeply evocative exploration of loneliness, agitation, introspection, and desperation - all feelings common to our human experience when we find ourselves in time of extended solitude. This edition includes extensive program notes which will aid in understanding and performing the piece. .
$6.99 ≈
¥50.48
Scriabin: Prelude Op. 11 No. 2 for Viola & Piano
Scriabin: Prelude Op. 11 No. 2 for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549462 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Piano,Viola - Level 3 - SKU: A0.549462 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499711. Published by jmsgu3 (A0.549462). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
¥144.07
Viola String Sampler Sheet Music
Viola String Sampler
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Alto seul
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Contemporain
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Robin Kay Deverich
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Viola String Sampler
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Global Music School String Publications
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SheetMusicPlus
Viola Solo - SKU: A0.902206 Arranged by Robin Kay Deverich. Contemporary. Individual part. 82 pages. Global Music School String Publications #5355047. P...
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Viola Solo - SKU: A0.902206 Arranged by Robin Kay Deverich. Contemporary. Individual part. 82 pages. Global Music School String Publications #5355047. Published by Global Music School String Publications (A0.902206). Viola Online String Sampler Viola Sheet Music is a fun and easy way to actively learn, study and play beautiful viola music from a wide variety of styles and eras. 54 pieces are featured, representing music history periods, cultures and styles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate players, and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. As an added bonus, sound files of each piece and a study guide are currently available on the website ViolaOnline.com* as a self-guided class specifically designed to accompany this music: https://www.violaonline.com/stringclass.html The study guide explains the history and musical form of the selected pieces, and includes viola technique tips for each piece of music. Let the music begin! *No guarantees are made that these sound files and website will be available indefinitely.Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-TyÄgarÄja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.
$4.99 ≈
¥36.04
TWO NEW MEDITATIONS for Viola
TWO NEW MEDITATIONS for Viola
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Alto seul
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INTERMÉDIAIRE/AVANCÉ
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Alan Edgar
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TWO NEW MEDITATIONS for Viola
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Alan Edgar Ted Moon
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SheetMusicPlus
Viola Solo - Level 4 - SKU: A0.1405068 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #988104. Published by Alan Ed...
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Viola Solo - Level 4 - SKU: A0.1405068 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #988104. Published by Alan Edgar Ted Moon (A0.1405068). Duration: about 3 minutes. If you are to perform the pieces, please let us know: there is no charge. In contrast to my very popular Two Meditations, which were in ancient modes, these use 20thC techniques. Woodland was inspired by a notated motif and mysterious elements found in a tapestry by Libby Morton-Gibson and by the quartal-based Haru No Umi or The Sea in Spring by Michio Miyagi. After I play a game with the scale, every phrase delineates a four-note quartal: classical progressions including a circle of fifths are cunningly concealed within. The rhythms are unpredictable. Use your imagination. The scale game returns in retrograde at the end. Will- o'-the- Wisp is the eerie and elusive flame sometimes formed over marshes. The term is also used to mean an unobtainable wish. I use my octatonic scale.
$22.00 ≈
¥158.87
In the Forest (Amazing Grace): for string quartet
In the Forest (Amazing Grace): for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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Sarah Wallin Huff
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In the Forest
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Novel Soundtrax
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.800318 Composed by Sarah Wallin Huff. 21st Century,Contemporary,New Age,Religious. 15 pages. Novel Soundtrax #20...
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String Quartet String Quartet - SKU: A0.800318 Composed by Sarah Wallin Huff. 21st Century,Contemporary,New Age,Religious. 15 pages. Novel Soundtrax #2035901. Published by Novel Soundtrax (A0.800318). This original work creatively weaves the beloved Amazing Grace melody in and out of a second original tune titled In the Forest, evoking a meditative and melancholy sense of wandering and reflection, as if hidden from the outside world. This composition for string quartet was composed in 2011 at the request of Danielle Rosaria Cummins and the organization Alternate Avenues. The piece existed originally as only an unfinished sketch for solo piano, started some years prior; When Wallin Huff was requested to compose a quick-and-dirty string quartet arrangement of the traditional tune Amazing Grace for a formal fundraising banquet being held in two days, Wallin Huff was inspired to take her old sketch of In the Forest and turn it into this present gem of a string quartet that was instantly well-received and sought after.
$10.00 ≈
¥72.21
Ah, Holy Jesus (Viola Solo, Piano Accompaniment)
Ah, Holy Jesus (Viola Solo, Piano Accompaniment)
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Alto, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Music: Johann Cruger and Tune:
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Cathy Stamegna
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Ah, Holy Jesus
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Cathy Stamegna
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.781096 Composed by Music: Johann Cruger and Tune: HERZLIEBSTER JESU. Arranged by Cathy Stamegna. Easter,Praise & Worship...
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Piano,Viola - Level 3 - SKU: A0.781096 Composed by Music: Johann Cruger and Tune: HERZLIEBSTER JESU. Arranged by Cathy Stamegna. Easter,Praise & Worship,Sacred. Score and part. 12 pages. Cathy Stamegna #6705119. Published by Cathy Stamegna (A0.781096). This haunting Lenten hymn has been newly arranged as a viola solo with a flowing piano accompaniment. Appropriate as a Prelude or Meditation for Lent, Holy Week, Penance, or Reconciliation Services. Accessible as a Concert or Recital piece as well. Concert Key: Em. Set of Parts. Performance Time: 3:50.
$5.99 ≈
¥43.26
Meditation for Viola
Meditation for Viola
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Alto, Piano
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INTERMÉDIAIRE
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Contemporain
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a winner of the ASTA 75th Anni
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Ron Planting
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Meditation for Viola
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Converging Prospect Music
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.695654 Composed by Ron Planting. Classical,Contemporary. Score and part. 7 pages. Converging Prospect Music #304240. Pub...
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Piano,Viola - Level 3 - SKU: A0.695654 Composed by Ron Planting. Classical,Contemporary. Score and part. 7 pages. Converging Prospect Music #304240. Published by Converging Prospect Music (A0.695654). With intimacy and expressiveness, this solo perseveres until a resolution is finally accomplished. Piano accompaniment very approachable. By a winner of the ASTA 75th Anniversary Composition Competition. Approx. duration 4:30.
$6.99 ≈
¥50.48
Prayer before the close of day for string quartet performed by Budapest Scoring (mp3)
Prayer before the close of day for string quartet performed by Budapest Scoring (mp3)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Budapest Scoring String Quarte
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Prayer before the close of day
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David Warin Solomons
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SheetMusicPlus
Level 4 - SKU: A0.1114065 By Budapest Scoring String Quartet. By David Warin Solomons. Christian,Classical,Contemporary. Full Performance. Duration 372....
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Level 4 - SKU: A0.1114065 By Budapest Scoring String Quartet. By David Warin Solomons. Christian,Classical,Contemporary. Full Performance. Duration 372. David Warin Solomons #715966. Published by David Warin Solomons (A0.1114065). This meditation piece was originally written for a tuba and euphonium quartet commissioned and recorded by the group Tubalate. This is a new version for string quartet. The underlying themes are a sequence of shifting chords representing going to sleep and the ancient chant Te lucis ante terminum (To Thee before the close of day...) (quoted in various parts from bar 20 onwards). Te lucis ante terminum, rerum Creator, poscimus, ut solita clementia sis præsul ad custodiam. Procul recedant somnia et noctium phantasmata; hostemque nostrum comprime, ne polluantur corpora. Præsta, Pater omnÃpotens, per Iesum Christum Dominum, qui tecum in perpetuum regnat cum Sancto SpÃritu. Amen. To Thee before the close of day, Creator of the world, we pray That, with Thy wonted favour, Thou Wouldst be our guard and keeper now. From all ill dreams defend our sight, From fears and terrors of the night; Withhold from us our ghostly foe, That spot of sin we may not know. O Father, that we ask be done, Through Jesus Christ, Thine only Son, Who, with the Holy Ghost and Thee, Doth live and reign eternally. Amen. Performed by Violin 1: Csongor Veér Violin 2: Anna Fehér Viola: Péter Kondor Cello: Mátyás Ölveti of Budapest Scoring.
$5.50 ≈
¥39.72
Sullivan: The Lost Chord for Viola & Piano
Sullivan: The Lost Chord for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for V
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Piano,Viola - Level 3 - SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95 ≈
¥194.62
Bach-Gounod: Ave Maria, Schwencke version for Viola & Piano
Bach-Gounod: Ave Maria, Schwencke version for Viola & Piano
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Alto, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.550913 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Piano,Viola - Level 2 - SKU: A0.550913 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888187. Published by jmsgu3 (A0.550913). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95 ≈
¥237.95
Ave Maria (Charles Gounod) for Easy Viola
Ave Maria (Charles Gounod) for Easy Viola
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Alto (partie séparée)
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FACILE
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Classique
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Charles Francois Gounod
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Marcos Soares
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Ave Maria
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Ateneu's
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SheetMusicPlus
Viola Solo - Level 2 - SKU: A0.503463 Composed by Charles Francois Gounod. Arranged by Marcos Soares. Classical,Instructional,Sacred,Spiritual,Wedding. ...
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Viola Solo - Level 2 - SKU: A0.503463 Composed by Charles Francois Gounod. Arranged by Marcos Soares. Classical,Instructional,Sacred,Spiritual,Wedding. Individual part. 1 pages. Ateneu's #115582. Published by Ateneu's (A0.503463). Ave Maria (Charles Gounod) sheet music for viola. Easy arrangement for viola of the Ave Maria by Charles Gounod. Meditation on Bach's 1st Prelude.
$1.99 ≈
¥14.37
Impromptu Op. 90, No. 3 for Viola and Piano
Impromptu Op. 90, No. 3 for Viola and Piano
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Alto, Piano
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FACILE
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Franz Schubert
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Diego Marani
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Impromptu Op. 90, No. 3 for Vi
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Diego Marani
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1459811 Composed by Franz Schubert. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Wedding. S...
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Piano,Viola - Level 2 - SKU: A0.1459811 Composed by Franz Schubert. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Wedding. Score and part. 12 pages. Diego Marani #1038766. Published by Diego Marani (A0.1459811). The Impromptus, Op. 90, D. 899, are a set of four impromptus for solo piano composed by Franz Schubert in 1827. They were written in the same year as the Impromptus, Op. 142, though only the first two pieces were published during Schubert's lifetime. Together with the latter set, they have become a cornerstone of the piano repertoire. The third Impromptu (Andante) is an wonderful epitome of slow-moving Schubert melody over a flowing arpeggiated accompaniment. This lyrical and meditative work remains unified in mood and texture throughout. The piece is a classic example of Schubert's penchant for long melodic lines.This easy arrangement for viola with piano accompaniment is suitable for classroom, repertoire, recital, wedding or for an emotional encore.
$8.99 ≈
¥64.92
Impromptu Op. 90, No. 3 for String Quartet
Impromptu Op. 90, No. 3 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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Diego Marani
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Impromptu Op. 90, No. 3 for St
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Diego Marani
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1449760 Composed by Franz Schubert. Arranged by Diego Marani. Classical,Film/TV,Ins...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1449760 Composed by Franz Schubert. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Wedding. 20 pages. Diego Marani #1029520. Published by Diego Marani (A0.1449760). The Impromptus, Op. 90, D. 899, are a set of four impromptus for solo piano composed by Franz Schubert in 1827. They were written in the same year as the Impromptus, Op. 142, though only the first two pieces were published during Schubert's lifetime. Together with the latter set, they have become a cornerstone of the piano repertoire. The third Impromptu (Andante) is an wonderful epitome of slow-moving Schubert melody over a flowing arpeggiated accompaniment. This lyrical and meditative work remains unified in mood and texture throughout. The piece is a classic example of Schubert's penchant for long melodic lines.This arrangement for string quartet (Violin I, Violin II, Viola, Cello) is suitable for classroom, repertoire, recital, wedding or for an emotional encore.
$12.99 ≈
¥93.81
Impromptu Op. 90, No. 3 for String Quartet - Easy Version
Impromptu Op. 90, No. 3 for String Quartet - Easy Version
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Classique
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Franz Schubert
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Diego Marani
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Impromptu Op. 90, No. 3 for St
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Diego Marani
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1453782 Composed by Franz Schubert. Arranged by Diego Marani. Classical,Film/TV,Ins...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1453782 Composed by Franz Schubert. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Wedding. 10 pages. Diego Marani #1033031. Published by Diego Marani (A0.1453782). The Impromptus, Op. 90, D. 899, are a set of four impromptus for solo piano composed by Franz Schubert in 1827. They were written in the same year as the Impromptus, Op. 142, though only the first two pieces were published during Schubert's lifetime. Together with the latter set, they have become a cornerstone of the piano repertoire. The third Impromptu (Andante) is an wonderful epitome of slow-moving Schubert melody over a flowing arpeggiated accompaniment. This lyrical and meditative work remains unified in mood and texture throughout. The piece is a classic example of Schubert's penchant for long melodic lines.This easy arrangement for string quartet (Violni I, Violin II, Viola, Cello) is suitable for classroom, repertoire, recital, wedding or for an emotional encore.
$8.99 ≈
¥64.92
Five Hymn Arrangements for Lent and Holy Week
Five Hymn Arrangements for Lent and Holy Week
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Musique Sacrée
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Jonathan Blumhofer
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Five Hymn Arrangements for Len
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Jonathan E Blumhofer
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.885631 Arranged by Jonathan Blumhofer. Christian,Easter,Sacred,Spiritual. Sco...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.885631 Arranged by Jonathan Blumhofer. Christian,Easter,Sacred,Spiritual. Score and parts. 48 pages. Jonathan E Blumhofer #4820259. Published by Jonathan E Blumhofer (A0.885631). This is a set of five Lenten/Holy Week hymn tunes arranged for solo string instrument (violin, viola, or cello) with piano accompaniment. They're particularly fitting as communion meditations, offertories, and prelude or postlude music.
$29.99 ≈
¥216.57
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MEDITATION for solo viola
