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Make Me Over Again
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Vous avez sélectionné:
Make Me Over Again
Partitions à imprimer
72 partitions trouvées
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1
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51
Make Me Over Again
Make Me Over Again
#
Chorale 3 parties
#
INTERMÉDIAIRE/AVANCÉ
#
Marcus Petitt
#
Make Me Over Again
#
SucraMusic Publishing
#
SheetMusicPlus
Choral Choir (SAT) - Level 4 - SKU: A0.1030508 Composed by Marcus Petitt. Christian,Gospel. Octavo. 37 pages. SucraMusic Publishing #6366427. Published ...
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Choral Choir (SAT) - Level 4 - SKU: A0.1030508 Composed by Marcus Petitt. Christian,Gospel. Octavo. 37 pages. SucraMusic Publishing #6366427. Published by SucraMusic Publishing (A0.1030508). Make Me Over Again is a powerful worship song arranged for SAT vocal ensemble with a lead vocalist and full band. Perfect for contemporary worship teams or gospel choirs.
$4.99
Sing them over again to me (For Violin and Cello)
Sing them over again to me (For Violin and Cello)
#
Violon, Violoncelle (duo)
#
AVANCÉ
#
P
#
Han-Ki Kim
#
Sing them over again to me
#
Han-Ki Kim
#
SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 5 - SKU: A0.1279801 Composed by P.P.Bliss. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Religious,Sacr...
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Cello,Instrumental Duet,Violin - Level 5 - SKU: A0.1279801 Composed by P.P.Bliss. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Religious,Sacred. 3 pages. Han-Ki Kim #871250. Published by Han-Ki Kim (A0.1279801). Sing them over again to me is an arrangement for Violin and Cello of a popular old hymn tune. It works great for offertories, special music for a worship service, or for the Concert where inspirational music is desired. Arranger - also as a Violinist - is very experienced(with I Musici - world famous Chamber group of Italy), and his works are very loved world widely. And, especially, Shown Bowing sign(Violin and Cello parts) and Fingering(Violin part) will be very helpful to player. As far as the main theme is concerned, it is arranged in the form of violin and cello playing alternately. This makes the performer more interested. Attached music file is recorded with two Violins, it’s just for a reference. AND, “SCORE ONLY“.
$3.99
Rock Me To Sleep, Mother
Rock Me To Sleep, Mother
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Piano, Voix
#
John H
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Rock Me To Sleep, Mother
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - SKU: LV.23170 Composed by John H. Hewitt. Mothers & children, Nostalgia, Civil war--Confederate. Lester S. Levy Collection. 3 pages. P...
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Piano and voice - SKU: LV.23170 Composed by John H. Hewitt. Mothers & children, Nostalgia, Civil war--Confederate. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23170). Rock Me To Sleep, Mother. Words by Florence Percy. Music by John H. Hewitt. Published 1861 by Julian A. Selby in Columbia, S.C. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Mothers & children, Nostalgia, Civil war--Confederate. First line reads Backward, still backward, oh, time in your flight, make me a child again, just for a night.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Someone To Watch Over Me
Someone To Watch Over Me
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Ligne De Mélodie, (Paroles) et Accords
#
INTERMÉDIAIRE/AVANCÉ
#
George Gershwin and Ira Gershw
#
John Fries
#
Someone To Watch Over Me
#
John Fries
#
SheetMusicPlus
C Instrument - Level 4 - SKU: A0.499612 Composed by George Gershwin and Ira Gershwin. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,St...
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C Instrument - Level 4 - SKU: A0.499612 Composed by George Gershwin and Ira Gershwin. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #112904. Published by John Fries (A0.499612). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Someone to Watch Over Me is a 1926 song composed by George Gershwin with lyrics by Ira Gershwin, assisted by Howard Dietz who penned the title. It was written for the musical Oh, Kay! (1926), with the part originally sung on Broadway by English actress Gertrude Lawrence while holding a rag doll in a sentimental solo scene. The song was recorded by Frank Sinatra in 1946 for his first album The Voice Of Frank Sinatra, and again in 1954 for the film Young At Heart. Sinatra's popular recordings helped cement the standard slow style. Someone to Watch Over Me was notably covered by Ella Fitzgerald (1951), Chet Baker (1955), Sarah Vaughan (1957) and Dakota Staton (1960).
$3.99
Someone To Watch Over Me
Someone To Watch Over Me
#
Ligne De Mélodie, (Paroles) et Accords
#
INTERMÉDIAIRE/AVANCÉ
#
Adrian Gurvitz, Francine Golde
#
John Fries
#
Someone To Watch Over Me
#
John Fries
#
SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1158832 Composed by Adrian Gurvitz, Francine Golde, and Robbie Buchanan. Arranged by John Fries. 20th Century,Broadway,...
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C Instrument - Level 4 - SKU: A0.1158832 Composed by Adrian Gurvitz, Francine Golde, and Robbie Buchanan. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #759081. Published by John Fries (A0.1158832). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Someone to Watch Over Me is a 1926 song composed by George Gershwin with lyrics by Ira Gershwin, assisted by Howard Dietz who penned the title. It was written for the musical Oh, Kay! (1926), with the part originally sung on Broadway by English actress Gertrude Lawrence while holding a rag doll in a sentimental solo scene. The song was recorded by Frank Sinatra in 1946 for his first album The Voice Of Frank Sinatra, and again in 1954 for the film Young At Heart. Sinatra's popular recordings helped cement the standard slow style. Someone to Watch Over Me was notably covered by Ella Fitzgerald (1951), Chet Baker (1955), Sarah Vaughan (1957) and Dakota Staton (1960).
$3.99
Take Me To Your Heart Again
Take Me To Your Heart Again
#
Violon et Piano
#
INTERMÉDIAIRE
#
Edith Piaf
#
Marcus Martin
#
Take Me To Your Heart Again
#
Cornelius Edition
#
SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.805651 By Edith Piaf. By Edith Piaf and Louiguy. Arranged by Marcus Martin. French,Pop. 5 pages. Cornelius Edition (uk)...
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Piano,Violin - Level 3 - SKU: A0.805651 By Edith Piaf. By Edith Piaf and Louiguy. Arranged by Marcus Martin. French,Pop. 5 pages. Cornelius Edition (uk) #6666903. Published by Cornelius Edition (uk) (A0.805651). La Vie en Rose was the signature song of popular French singer Édith Piaf. It was written in 1945 with lyrics by Édith Piaf, and a melody composed by Louiguy (Luis Guglielmi). The song became very popular in the US in 1950, with English lyrics (‘Take me to your heart again’) by David Mack, when seven recordings - made by Tony Martin, Paul Weston, Bing Crosby, Ralph Flanagan, Victor Young, Dean Martin, and Louis Armstrong - all reached the Billboard charts. The song has also been covered by many other artists over the years, including Bette Midler, Donna Summer and a 2018 version by Lady Gaga.This instrumental arrangement makes an excellent recital item or popular encore.
$5.50
There's A Kind Of Hush (all Over The World)
There's A Kind Of Hush (all Over The World)
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Instruments en Do
#
INTERMÉDIAIRE/AVANCÉ
#
Herman's Hermits
#
John Fries
#
There's A Kind Of Hush
#
John Fries
#
SheetMusicPlus
C Instrument - Level 4 - SKU: A0.500180 By Herman's Hermits. By Geoff Stephens and Les Reed. Arranged by John Fries. 20th Century,Jazz,Standards. Lead S...
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C Instrument - Level 4 - SKU: A0.500180 By Herman's Hermits. By Geoff Stephens and Les Reed. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113362. Published by John Fries (A0.500180). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  There's a Kind of Hush is a popular song written by Les Reed and Geoff Stephens. Originally recorded by Stephens' group the New Vaudeville Band in 1967 as a neo-British music hall number, this version of the track became a hit in Australia and South Africa. However, in the rest of the world, a near-simultaneous cover was a big hit for Herman's Hermits. The song was a charted hit again in 1976 for The Carpenters.
$3.99
There's A Kind Of Hush (all Over The World)
There's A Kind Of Hush (all Over The World)
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Piano, Voix et Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Herman's Hermits
#
John Fries
#
There's A Kind Of Hush
#
John Fries
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1200455 By Herman's Hermits. By Geoff Stephens and Les Reed. Arranged by John Fries. 20th Century,Pop,Stand...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1200455 By Herman's Hermits. By Geoff Stephens and Les Reed. Arranged by John Fries. 20th Century,Pop,Standards. Score. 2 pages. John Fries #799282. Published by John Fries (A0.1200455). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John.  There's a Kind of Hush is a popular song written by Les Reed and Geoff Stephens. Originally recorded by Stephens' group the New Vaudeville Band in 1967 as a neo-British music hall number, this version of the track became a hit in Australia and South Africa. However, in the rest of the world, a near-simultaneous cover was a big hit for Herman's Hermits. The song was a charted hit again in 1976 for The Carpenters.
$4.99
Broke - Chose Money Over Me
Broke - Chose Money Over Me
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Ensemble Jazz
#
AVANCÉ
#
Gbērē Dodoh
#
Broke - Chose Money Over Me
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Holyone Tombari Dodoh
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.518631 By Gbērē Dodoh. By Holyone Tombari Dodoh. 20th Century,Blues,Jazz,Pop,Romantic Period. Sc...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.518631 By Gbērē Dodoh. By Holyone Tombari Dodoh. 20th Century,Blues,Jazz,Pop,Romantic Period. Score and parts. 100 pages. Holyone Tombari Dodoh #129341. Published by Holyone Tombari Dodoh (A0.518631). The broken hearted. Lyrics performed by an Open Source Virtual Singer Software (bot). Score and parts included. Lyrics No, no, no, no, no! Can't hide it anymore, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! She has no hope in me making it big, She saw no future in me becoming rich, She chose luxury over me; Baby I'm so sorry! She saw no happiness with me so soon, She chose money over me Because I was broke; We ate together, We laughed together; We loved each other: She said she love me I am everything to her, She said I meant the world and the life in her, But she chose luxury over me, Baby I'm so sorry! Luxury so sweet; the life she feels I cannot give, She chose money over me Because I was broke; I was out in the colds Just to gist with you, I know my failures Made me look senseless And my path rejections Made me look worthless; I buried my labour just to make you so happy And sweet smile on your face gave me joy and hope on my dreams I will never forget you, I will always remember, For the memory of you Had consumed my thoughts, Baby I'm so sorry! Baby I'm so sorry! I thought I was the one for you all this while, I hope your luxury will love and care for you More than the way I would love and care for you, Because I thought my little love was just enough She chose money over me Because I was broke; No, no, no, no, no! Can't hide it any more, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! My dreams of promises to her is gone with her For it never became a reality, I told her to never leave me. She said I'm giving her tough times. I called her my Belov'd the one in whom I am well pleased, I told her it will be all right for one day we Will make it to the top of the World together, But she never believed me Because I was broke; She started feeling bored for texting and chatting with me; She started laying False accusations against me; I denied pleasure and Distance just to be with her And made her so happy But she could not do same for me, Baby I'm so sorry! Baby I'm so sorry! She suspects me for what I do not know, I had to let it go For her to be happy Because that's what she wants! Baby I'm so sorry! Baby I'm so sorry! It's hard to say the word Because I was broke; Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry!
$6.70
To Rise Again
To Rise Again
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Trombone et Piano
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AVANCÉ
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Alex Schwarte
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To Rise Again
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Alex Schwarte
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.1455537 By Alex Schwarte. By Alex Schwarte. 21st Century,Classical,Contemporary,New Age. Score and part. 26 pages. Al...
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Piano,Trombone - Level 5 - SKU: A0.1455537 By Alex Schwarte. By Alex Schwarte. 21st Century,Classical,Contemporary,New Age. Score and part. 26 pages. Alex Schwarte #1034623. Published by Alex Schwarte (A0.1455537). I have been working on To Rise Again for about a year since the passing of several close family members. As with any long-term struggle, some days are easier than others, and some days it is hard to do much of anything at all. Walking through hard days, this piece is about mental health, the struggles that you face, and on the most difficult days, what it takes to rise again. Despair: This movement opens with what I call the despair motif. This motif consists of seven notes and will return throughout the piece, reminding us of uncertainty and darkness. The middle of the movement includes a build-up leading to a complete panic attack, featuring cluster chords in the piano and extreme volumes and articulation in the trombone. Finally, a quasi-march leads us to the end, where we sink to the lowest and angriest point. Support: This tranquil and shimmering movement evokes the other side of grief and depression: the people around you. In the dark moments, these people can become pillars of aid and light. Even with support, there are moments of darkness and uncertainty, but support will always be there. Musically, this movement features numerous color tones and aims to create an emotionally understanding and steady atmosphere. The opening trombone line (the support motif) represents tender support and is used numerous times in the next movement. Overcome: The final movement opens with a haunting atmosphere created by plucked piano strings. The first normal piano entrance is the Rumbling motif: the feeling of the soul exerting its will to be free but not quite making it. Throughout the rest of the movement, the trombone and piano go back and forth, with the piano emphasizing support and the trombone wallowing in despair. Eventually, the trombone begins to come around and rise. Concluding with a triumphant feeling of release, the mind is lifted from despair, free and open to whatever life brings next. Mental health looks different for everyone, and I want to reflect that in this composition. For all future performances, the performers can make significant musical changes to better reflect their own challenges. This could be as small as a different tempo or as large as a completely different style and articulation. To Rise Again is very personal to me, and I want every performance of it to be just as personal.Playlist: https://www.youtube.com/playlist?list=PLDoVD8lbKulOjUbvdKcc9phxPNOgYLDuh.
$40.00
I Just Fall In Love Again
I Just Fall In Love Again
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Anne Murray
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John Fries
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I Just Fall In Love Again
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1200460 By Anne Murray. By Gloria Sklerov, Harry Lloyd, Larry Herbstritt, and Stephen H. Dorff. Arranged by...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1200460 By Anne Murray. By Gloria Sklerov, Harry Lloyd, Larry Herbstritt, and Stephen H. Dorff. Arranged by John Fries. 20th Century,Jazz,Pop,Standards. Score. 2 pages. John Fries #799287. Published by John Fries (A0.1200460). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John.  I Just Fall in Love Again is a song written by Larry Herbstritt, with co-writers Steve Dorff, Harry Lloyd, and Gloria Sklerov. Herbstritt had composed the melody and chords for the chorus and a chord progression for the verse, which he took to his friend Steve Dorff. Harry Lloyd and Gloria Sklerov completed the lyrics. The song was originally recorded by the Carpenters and later covered by Dusty Springfield, and Anne Murray, who was unaware Springfield had recorded it just 6 months prior.
$4.99
Byzantine hymn: O THRINOS TIS ALOSEOS: LAMENT OVER THE FALL OF CONSTANTINOPLE
Byzantine hymn: O THRINOS TIS ALOSEOS: LAMENT OVER THE FALL OF CONSTANTINOPLE
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Chorale SATB
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INTERMÉDIAIRE
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Classique
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Byzantine hymn
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Marilena Zlatanou
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Byzantine hymn: O THRINOS TIS
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Marilena Zlatanou
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343529 Composed by Byzantine hymn. Arranged by Marilena Zlatanou. Classical. 6 pages. Marilena Zlatanou ...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343529 Composed by Byzantine hymn. Arranged by Marilena Zlatanou. Classical. 6 pages. Marilena Zlatanou #929058. Published by Marilena Zlatanou (A0.1343529). BYZANTINE HYMN: O THRINOS TIS ALOSEOS: Lament over the Fall of Constantinople in 1453 (after Simon Karas) arranged for soloist and SATB choirConstantinople (ΚωνταντινοÏπολη=Constantin's City), had been the capital of the Byzantine (Eastern Roman) empire from 330 until 1453, when it fell to the Ottomans. It continued then as the capital of the Ottoman empire, and has since 1930 been called Istanbul, the Turkish understanding of the sound of Greek: Stin Poli (= to the City). This Hymn survived in the Greek Orthodox Church and has both a secular and a religious character, as it records the end of the 1100 years glorious era, as well as it is lamenting the religious restrictions the Greek Orthodox Church was subjected to as a result of the Islamic Occupation. The content of the text is the praising of the brave heroes who fought to protect Constantinople, under emperor Constantin, against the invading forces of the Ottomans. duration: 2'25'' Phonetic transcription in the Latin alphabet is notated right below the original Greek text, English translation, and a key to Greek Pronunciation are provided on the title page. The mp3 file provided is exported from the sibelius file.For more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.netAs a Greek living in Norway for most of my adult life, and in my many years’ work as a conductor of a Norwegian choir specializing in Greek music (!), I have experienced the need to enrich the choir’s repertoire with both folk song- as well as other -arrangements of Greek music: This gave me the opportunity to share with our audiences some of the centuries-long musical heritage, as well as helping me make known to them some of the History behind the music of a country of such international historical influence in the past, and such a tourist magnet in our times.
$20.00
Don't You Wish You Were Back Home Again
Don't You Wish You Were Back Home Again
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Piano, Voix
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Charles K
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Don't You Wish You Were Back H
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.7430 Composed by Charles K. Harris. Portraits, Homesickness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins Un...
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Piano and voice - SKU: LV.7430 Composed by Charles K. Harris. Portraits, Homesickness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7430). Don't You Wish You Were Back Home Again. Words & Music by Chas. K. Harris. Published 1913 by Chas. K. Harris in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Homesickness. First line reads Tell me pal, is it true, is it love makes you blue.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Make You Feel My Love
Make You Feel My Love
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Pop musique
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Bob Dylan
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HELEN MARPLE-HORVAT
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Make You Feel My Love
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Helen Marple-Horvat
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.749237 By Bob Dylan. By Bob Dylan. Arranged by HELEN MARPLE-HORVAT. Pop. Score and part. 25 pages. Helen Marple-Horvat #6...
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Oboe,Piano - Level 3 - SKU: A0.749237 By Bob Dylan. By Bob Dylan. Arranged by HELEN MARPLE-HORVAT. Pop. Score and part. 25 pages. Helen Marple-Horvat #6139947. Published by Helen Marple-Horvat (A0.749237). Https://www.youtube.com/watch?v=JvQMUMBLDgUBritish singer-songwriter Adele recorded Make You Feel My Love for her debut studio album 19, in 2008. As it is such a popular hit I was surprised to find that the original was by Bob Dylan, from the album ‘Time out of Mind’ from 1997, and also that it has been covered many times by different artists.Why choose my arrangement?I have arranged the piano part to follow the original very closely, transposed into G Major, a great key for the oboe. It is the best I can do because I also want to be able to play it in gigs with my daughter who is a singer. As such I have made the piano part to lie under the fingers, making sure the clefs are easy to read.Some of the harmony is slightly changed, and I composed my own bridge passage with hints at the original. Also Adele sings a quite dissonant G in the melody, against the F sharps in some of the verses. Personally I love this, but it would need to be played subtly, and the clash is less obvious in the less dense sonority of a vocal part, so I have left this option open by notating the safer version, and suggesting the dissonance rather than the other way around. On the video is an example of both.I also include a bonus ‘Easy Oboe’ Part that younger players will enjoy, or perhaps pupils of those who buy the professional level arrangement. I have also enclosed a ‘piano only’ score as it falls onto three pages and is convenient for performing, as well as the two piano scores with each oboe version.Adele sings the original at 72 bpm but I think you could certainly go as high as 76 bpm without losing that mournful quality, and it will help young players with their breathing.My Youtube Channel has many arrangements for String Quartet, recorded by Capriccio Quartet, plus an arrangement of Downton Abbey for Oboe and Piano available from Sheet Music Plus. Please visit me there - Helen Marple-Horvat, Songwriter, Arranger, Composer
$10.00
Make You Feel My Love
Make You Feel My Love
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Bob Dylan
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HELEN MARPLE-HORVAT
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Make You Feel My Love
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Helen Marple-Horvat
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.749238 By Bob Dylan. By Bob Dylan. Arranged by HELEN MARPLE-HORVAT. Pop. 25 pages. Helen Marple-Horvat #6141419. Publis...
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Piano,Violin - Level 4 - SKU: A0.749238 By Bob Dylan. By Bob Dylan. Arranged by HELEN MARPLE-HORVAT. Pop. 25 pages. Helen Marple-Horvat #6141419. Published by Helen Marple-Horvat (A0.749238). https://www.youtube.com/watch?v=Pnga6ib32RgBritish singer-songwriter Adele recorded Make You Feel My Love for her debut studio album 19, in 2008. As it is such a popular hit I was surprised to find that the original was by Bob Dylan, from the album ‘Time out of Mind’ from 1997, and also that it has been covered many times by different artists.Why choose my arrangement?I have arranged the piano part to follow the original very closely, transposed into G Major, as I also want to be able to play it in gigs with my daughter who is a singer. As such I have made the piano part to lie under the fingers, making sure the clefs are easy to read. I have also included a ‘piano only’ score as it falls onto three pages, and is convenient for performing, as well as the two piano scores with each violin version.Some of the harmony is slightly changed, and I composed my own bridge passage with hints at the original. Also Adele sings a quite dissonant G in the melody, against the F sharps in some of the verses. Personally I love this, but it would need to be played subtly, and the clash is less obvious in the less dense sonority of a vocal part, so I have left this option open by notating the safer version, and suggesting the dissonance rather than the other way around. On the video is an example of both.I also include a bonus ‘Easy Violin’ Part that younger players will enjoy, or perhaps the pupils of those who buy the professional level arrangement. It requires some simple shifts in the Chorus and Bridge section. However, there are some places where an open ‘A’ could slip by unobtrusively in quaver passages too. Feel free to take as many bows as you need and don’t feel bound by my bowing suggestions. I have changed my mind many times! Just do what feels comfortable and enjoy it. Some places I have left out bowing altogether eg Bar 27 where you can experiment or discuss with your teacher.Adele sings the original at 72 bpm but I think you could certainly go as high as 76 bpm without losing that mournful quality, and it will help young players with their bowing.My Youtube Channel has many of my arrangements for String Quartet, recorded by the Worcestershire, UK ‘Capriccio Quartet’, as well as many songs for instrument and piano. All but two are available as Sheet Music Plus products. Please visit me there - Helen Marple-Horvat, Songwriter, Arranger, Composer
$10.00
Symphony No. 6 in G minor
Symphony No. 6 in G minor
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Charles -Marie Widor, Charles
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Nelson Ramos
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Symphony No. 6 in G minor
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Published / Arranged by Nelson Ramos
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1354678 Composed by Charles -Marie Widor, Charles Marie Widor, and Widor. Arranged by Nelson Ramos. 19th Century,Romant...
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Concert Band - Level 4 - SKU: A0.1354678 Composed by Charles -Marie Widor, Charles Marie Widor, and Widor. Arranged by Nelson Ramos. 19th Century,Romantic Period,Sacred. 194 pages. Published / Arranged by Nelson Ramos #939373. Published by Published / Arranged by Nelson Ramos (A0.1354678). IMPORTANT: If you want to help me, and instead of buying the arrangement via this platform, that takes 50% comission over the price from the arranger / composer, please contact me via email at nelsonramos@pm.me and I may even make you a discount, since I will receive the value in its entirety.I decided to arrange the first movement of Widor's Sixth Symphony because I deem of paramount importance that Band Directors start making the concert band repertoire more varied, so as to avoid what usually happens: concert/wind bands keep playing the same pieces over and over again, usually Tchaikovsky overtures, or Wagnerian overtures. Namely, I think that the various textures this arrangement, when properly played, provides, will make for a very interesting piece.
$45.00
Symphonie Fantastique
Symphonie Fantastique
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Hector Berlioz and Louis-Hecto
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Nelson Ramos
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Symphonie Fantastique
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Published / Arranged by Nelson Ramos
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1141642 Composed by Hector Berlioz and Louis-Hector Berlioz. Arranged by Nelson Ramos. 19th Century,Classical,Romantic ...
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Concert Band - Level 4 - SKU: A0.1141642 Composed by Hector Berlioz and Louis-Hector Berlioz. Arranged by Nelson Ramos. 19th Century,Classical,Romantic Period. 266 pages. Published / Arranged by Nelson Ramos #741982. Published by Published / Arranged by Nelson Ramos (A0.1141642). IMPORTANT: If you want to help me, and instead of buying the arrangement via this platform, that takes 50% comission over the price from the arranger / composer, please contact me via email at nelsonramos@pm.me and I may even make you a discount, since I will receive the value in its entirety.I decided to arrange the last movement of the Symphonie Fantastique, by Louis-Hector Berlioz, because I deem of paramount importance that Band Directors start making the concert band repertoire more varied, so as to avoid what usually happens: concert/wind bands keep playing the same pieces over and over again, usually Tchaikovsky overtures, or Wagnerian overtures.
$50.00
La nemesi
La nemesi
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now your fire is spent
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Monica Bergo
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La nemesi
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Monica Bergo
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SheetMusicPlus
Small Ensemble Pan Pipe,Piano,Trumpet,Tubular Bells,Viola,Violin - Level 3 - SKU: A0.976861 Composed by Monica Bergo. Contemporary,Halloween. Score and ...
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Small Ensemble Pan Pipe,Piano,Trumpet,Tubular Bells,Viola,Violin - Level 3 - SKU: A0.976861 Composed by Monica Bergo. Contemporary,Halloween. Score and parts. 43 pages. Monica Bergo #3238977. Published by Monica Bergo (A0.976861). 2017 Holiday Contest EntryNEMESIS I enter the room of my consciousness That incredible disorder I rummage through the drawers Where I keep sufferings And the ineradicable memories Dust that knows of regret Spider webs cover my time, I recompose pieces of life But I'm here for you Fleeting shadow And my face reflects, Inside you My nemesis, my alter ego You reflect me and then Are a dark ghost The imperfect and the unsaid I will let you be what you are, My soul, black and rending. If you destroy my image It does not matter Finally that door remains open And opening the border between dream and reality I stumble among people at my funeral Who cry, who laugh, It is my Carnival I look at them from above, a spectral profile Rush down into the void that I have inside Nobody hugs me, I touch the silence, Slow-motion of a movie without more viewers, Close the curtain of the world outside and ... and ... The snow falls , how cold it is For this actress without identity I escape from the frost of my uncertainties But there is no refuge save me from she Who is heat, but to hurt Is my animal instinct I'm alone in this storm But certainly I do not regret Your mood swings, your sterile love Even without, I will survive My nemesis now dominates Be careful! If she comes for you She destroys you, crushes you, is cruel and savage, And then she will laugh in your face And sitting here on the bank of my river I'm waiting for you to pass this way Naked and without arrogance I'll never get enough This dance that gives me joy And in the darkness I move safe and stealthy (what are you?) I'm not afraid of anything and I feel wicked (you are lost now) Souls dancing to the beat of their sins (you like us) In this limbo I disown my past days (and so will you be...) Wind and storm I'm not just this, The rumble of thunder I don't understand any longer which side I’m on And it goes against the wind and sharpens my torment I'm hungry for the Sun Nemesis cannot dominate me My nemesis is here, Is stronger than ever And I know that she is reaching for me And it’s she who does not know Ever to stop halfway, Is Lady of Vice and Deception She seizes me , she exhausts me because She does not accept the peace that I have inside She has no balance, Makes me waver, And frustrates what I have achieved Tell me that you'll disappear As a dream in the morning light And will be, within me, A memory clouded by time I leave the room of my consciousness To make order is impossible Strange this drawer, not only sufferings But something relentless Nemesis, it is no longer your time By now your fire is spent And I will be born again to enchantment By words and music Food for the soul ... Monica Bergo
$3.99
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Duplicitous Heart
Duplicitous Heart
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Piano seul
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AVANCÉ
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Contemporain
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Dakota Anthony
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Duplicitous Heart
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Dakota Anthony
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1015500 Composed by Dakota Anthony. Contemporary. Score. 13 pages. Dakota Anthony #4785575. Published by Dakota Anthony (...
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Piano Solo - Level 5 - SKU: A0.1015500 Composed by Dakota Anthony. Contemporary. Score. 13 pages. Dakota Anthony #4785575. Published by Dakota Anthony (A0.1015500). This is a 5-6 minute long piano solo piece that uses styles from blues, jazz, and contemporary genres. If you have questions please contact me at one of the following:Facebook page- https://www.facebook.com/dakanthony1Email- dakanthony1@gmail.comI write a poem for all of my songs. Hopefully it helps give a little meaning to its purpose!One songIt just takes one song to move myself to another world,And my heart beats faster.One songMakes me feel I can conquer every problem-All the world's disasters.One songIt makes my heart break and mend itself overAnd overAnd overUntil it's a whole new heartWith a whole new stature.One songI hear joy. I hear peace.But it's all for myself.It doesn't even matter.One songI don't know how to share what I hear.One songSo what I hear disappears.One songTurns to none, so I fear,And try to find another one songThat I can hold dear.One song,But it all happens again.One songBreaks a heart that's already bee mendedBy the first one song,And the heart's offended.Now there's two songs;The one song has ended.Two songs Clash and pretend thatTwo songsAre unique but they can't be - insteadTwo songsAffected the same heart.With two songsThe first's uniqueness is upended.Two songsSplit the heartHalf as powerfulAs the start,So I need another two one songsTo double the power.But the result is the same, And the dilution gets stronger.And what was difficult to share initiallyBecomes impossible because my heart isn't free.It's torn into a million piecesEach tied to a one song, each song with the thesisThat I want to share my songs to everyoneBecause of how it broke and mended my heart.But too many songs made my heart hardenedUntil the songs hardly affect a heart - just scar it.By the time I learn how to share any songThey'll all be goneJust the heart's shadow of what it longed to share.So I watch others to see if my one song was a myth.They all have one songs creating the semblance of mended heart.So my one song could only make another heart splitDiluting their one song to half as powerful as its start.
$7.99
Yesterday Once More
Yesterday Once More
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Piano seul
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INTERMÉDIAIRE
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The Carpenters
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Timothy Stapay
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Then
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Yesterday Once More
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1262310 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Song...
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Piano Solo - Level 3 - SKU: A0.1262310 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 2 pages. Timothy Stapay #855346. Published by Timothy Stapay (A0.1262310). A piano solo arrangement of Yesterday Once More; made famous by The Carpenters. Yesterday Once More, written by Richard Carpenter and John Bettis, is a hit song by the Carpenters from their 1973 album Now & Then. Thematically the song concerns reminiscing about songs of a generation gone by. It segues into a long medley, consisting of eight covers of 1960s tunes incorporated into a faux oldies radio program. The work takes up the entire B-side of the album.The single version of the song peaked at number 2 on the Billboard Hot 100 chart, kept from the number 1 spot by Bad, Bad Leroy Brown by Jim Croce. It was the duo's fifth number two hit and makes them the act with the second-most number two hits on the chart behind Madonna. The song also peaked at number 1 on the easy listening chart, becoming their eighth number 1 on that chart in four years.  It is the Carpenters' biggest-selling record worldwide and their best-selling single in the UK, peaking at number 2 Richard Carpenter stated, on a Japanese documentary, that it was his favorite of all the songs that he had written. He has performed an instrumental version at concerts.Lyrics:[Verse 1]When I was young, I'd listen to the radioWaitin' for my favorite songsWhen they played, I'd sing alongIt made me smile[Pre-Chorus 1]Those were such happy timesAnd not so long agoHow I wondered where they'd goneBut they're back againJust like a long-lost friendAll the songs I loved so well[Chorus 1]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineWhen they get to the partWhere he's breaking her heartIt can really make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang)(Shoobie-doo, lang, lang) [Verse 2]Lookin' back on how it was in years gone byAnd the good times that I hadMakes today seem rather sadSo much has changed[Pre-Chorus 2]It was songs of loveThat I would sing to themAnd I'd memorize each wordThose old melodiesStill sound so good to meAs they melt the years away[Chorus 2]Every sha-la-la-laEvery whoa, whoa-oh still shines(Only oldies, but goodies)Every shing-a-ling-a-lingThat they're starting to sing so fineAll my best memoriesCome back clearly to meSome can even make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang) [Outro]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineEvery sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fine...
$6.99
Suite Revelation for cello and piano
Suite Revelation for cello and piano
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Robert M
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Suite Revelation for cello and
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Robert M. Greenberg
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SheetMusicPlus
Cello,Instrumental Solo,Piano - Level 4 - SKU: A0.987858 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 32 pages...
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Cello,Instrumental Solo,Piano - Level 4 - SKU: A0.987858 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 32 pages. Robert M. Greenberg #115605. Published by Robert M. Greenberg (A0.987858). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://mail.google.com/mail/?tab=wm#inbox/14f3cea616cb0a88?projector=1 Duration: ca. 12 minutes Year of composition: 2014 Program Note: I. Overture II. Nigun no. 9 III. Molad’ti IV. Gilu Hagalilim V. Y’mey Hanoar VI. The Gigue Is Up My apologies upfront for all the first person pronouns in this program note! A few years back, Nina Flyer asked me to write for her a piece of music that would contain or make reference to Jewish/Yiddish/Hebrew dance music and/or folk songs. The more I thought about it, the more difficult I realized the challenge would be. As best as I could tell, I had three options. Option one: I could set said dance music/songs for cello and piano, with the result being a series of arrangements: nice, but artlessly unoriginal (meaning dull). Option two: I could weave the tunes into a single narrative and in doing so write another version of Schlomo (a self-proclaimed Hebraic work for cello and orchestra by Ernst Bloch). Option three: I could make up my own ethnic-sounding melodies and either arrange them for cello and piano or weave them into some sort of Hebraic narrative: options one and two all over again. So I came up with option four. I selected four folk tunes (movements II, III, IV, and V) and composed a counter-melody to each. The first half of movements II, III, IV, and V set that counter-melody without any reference to the original folk tune. The second half of those movements then combines the counter-melody with the original tune (and thus the revelation, as the original tune is revealed). The generally two-part shape described above (excepting movement IV, which is A-B-A in structure) suggested Baroque binary dance form, and so I turned the piece into a sort of Baroque dance suite. It begins with a French Overture based on the counter-melodies of movement III and V, and concludes with a gigue based on the counter melodies of movements II and IV. The historical references are supposed to be tongue-in-cheek and I can only hope they will be taken that way. A thousand-and-one thanks to Nina Flyer and Lori Lack for their patience, hard work, and musical brilliance. Suite Revelation is dedicated – with the greatest respect and affection – to Nina Flyer.
$28.00
If You Could Go Back Piano Vocal Performance
If You Could Go Back Piano Vocal Performance
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Pop musique
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Steven H
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Ashley Ivers
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If You Could Go Back Piano Voc
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Boothe Publishing
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SheetMusicPlus
Piano,Voice - SKU: A0.1069977 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Full Performance. Duration 184. Boothe Publishing #4633725. P...
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Piano,Voice - SKU: A0.1069977 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Full Performance. Duration 184. Boothe Publishing #4633725. Published by Boothe Publishing (A0.1069977). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
If You Could Go Back Guitar Vocal Performance
If You Could Go Back Guitar Vocal Performance
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Rock
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Steven H
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If You Could Go Back Guitar Vo
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Boothe Publishing
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SheetMusicPlus
Bass Guitar,Voice - SKU: A0.1069976 Composed by Steven H. Boothe. Pop,Rock. Full Performance. Duration 187. Boothe Publishing #4633723. Published by Boo...
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Bass Guitar,Voice - SKU: A0.1069976 Composed by Steven H. Boothe. Pop,Rock. Full Performance. Duration 187. Boothe Publishing #4633723. Published by Boothe Publishing (A0.1069976). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
Passacaglia
Passacaglia
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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Passacaglia
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Sally Whitwell
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.873027 Composed by Sally Whitwell. Contemporary. Score. 5 pages. Sally Whitwell #3867219. Published by Sally Whitwell (A0...
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Piano Solo - Level 4 - SKU: A0.873027 Composed by Sally Whitwell. Contemporary. Score. 5 pages. Sally Whitwell #3867219. Published by Sally Whitwell (A0.873027). At the end of July 2016, I was in my hometown Canberra for a job interview. I was sick as a dog with laryngitis for the interview and audition. Imagine me trying to take a choir rehearsal with no voice? It was never going to happen for me and I was feeling pretty sorry for myself. Halfway back to Sydney on the bus, I get a text from my dear friend Emma. I don’t remember the exact words, but the gist of it was No easy way to say this. We lost Jeff today. Jeff being Emma’s beloved husband and all round awesome human. It was truly devastating. I didn’t know what to do. I felt terribly guilty for thinking of myself and my employment failure all day instead of thinking of Emma and Jeff, even though that was completely irrational. Didn’t want to call because I knew she’d have enough stuff to deal with. Couldn’t turn around cos Public Transport. Had lost the ability to formulate sentences because in that situation, there are no words. So I fell back into the place where I express most clearly. Music. And into my native habitat, the piano. Passacaglia came flowing out very quickly. I hardly stopped to edit. Normally I would try to plan a composition a bit, so that it’s structurally sound. I didn’t do that but somehow it just emerged fully formed. I sent it to Emma who asked if I could come and perform it at the memorial service. But I couldn’t make it to the memorial. And you know what the saddest thing is? I can’t even now remember why, which means it can’t have actually been that important. Instead I created an electronic file of the piece, with more sounds than just piano. I hope it worked ok. Emma told me later that after the funeral when she suddenly found herself alone, she just played it over and over again on repeat. So I guess it did its job, but now it’s ready to make its own way in the world in its original version for solo piano. I hope it can bring some solace to others in grief
$2.99
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Make Me Over Again
