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Vous avez sélectionné:
Many Kinds
Partitions à imprimer
99 partitions trouvées
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Many Kinds
Many Kinds
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Andrew Mc Donald
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Many Kinds
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Andrew Mc Donald
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.841736 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #34739...
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Piano,Vocal,Voice - Level 4 - SKU: A0.841736 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #3473913. Published by Andrew Mc Donald (Macka Records) (A0.841736). Many Kinds is a song about the fact that Jesus wants everyone to come to the light and to come and get saved, no matter what religion, race, social standing, sexual orientation or what they look like they are all acceptable to Him.
$4.99 ≈
4.60€
Oh, Promise Me (Rehearsal Track)
Oh, Promise Me (Rehearsal Track)
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Musique Sacrée
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Reginald De Koven
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Stephen DeCesare
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#
Oh, Promise Me
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Exultet Music
#
SheetMusicPlus
Soprano voice,Tenor Voice - SKU: A0.1052810 Composed by Reginald De Koven. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Wedding. Full...
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Soprano voice,Tenor Voice - SKU: A0.1052810 Composed by Reginald De Koven. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Wedding. Full Performance. Duration 154. Exultet Music #6321229. Published by Exultet Music (A0.1052810). The traditional song sung at many weddings has now been freshly arranged for many kinds of arrangements. Accessible and appropriate for any wedding venue. Note: this is the original concept recording.
$3.99 ≈
3.68€
The Finest Art
The Finest Art
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Dane Anthony Madrigal
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The Finest Art
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Dane Anthony Madrigal
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SheetMusicPlus
Melodica,Piano,Voice - SKU: A0.1015077 Composed by Dane Anthony Madrigal. 20th Century,Concert,Contemporary,Standards. 9 pages. Dane Anthony Madrigal #4...
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Melodica,Piano,Voice - SKU: A0.1015077 Composed by Dane Anthony Madrigal. 20th Century,Concert,Contemporary,Standards. 9 pages. Dane Anthony Madrigal #4615769. Published by Dane Anthony Madrigal (A0.1015077). The Finest Art is one in a series of poems by Ea Nicole Madrigal titled, Insanity Days. The poems explore two years of experiences of life and how they relate to everyday life, and life well reflected on. The poem set here titled The Finest Art explores many of these elements and is more of a piece for face value. Filled with emotion of many kinds, the piece should captivate audiences with a fine performance, fitting well into sets of repertory that focus on the humanity of persons.
$3.50 ≈
3.23€
Salve Regina (Downloadable)
Salve Regina (Downloadable)
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Chorale SSATTB
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Dean M
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Salve Regina
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SSATBB choir unaccompanied - Moderately Difficult - SKU: MQ.8470-E Composed by Dean M. Estabrook. 24 pages. Duration 6 minutes, 5 seconds. E. C. Schirme...
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SSATBB choir unaccompanied - Moderately Difficult - SKU: MQ.8470-E Composed by Dean M. Estabrook. 24 pages. Duration 6 minutes, 5 seconds. E. C. Schirmer Music Company - Digital #8470-E. Published by E. C. Schirmer Music Company - Digital (MQ.8470-E). Latin.This piece was written at the request of the composer's daughter who needed a Marian song for an M.M. recital focused on women in choral music. The music is based on the chant Salve Regina from the Liber Usualis (1961). The piece is in two sections beginning with an optional votive antiphon (the chant sung by only men) followed by a motet that features varied choral techniques of many kinds to hold the interest of singers and listeners alike. Duration: 6:05.
$3.20 ≈
2.95€
Steadfast (Downloadable)
Steadfast (Downloadable)
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Mariage/Ballade
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Howard Goodall
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Steadfast
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Soprano voice or tenor voice solo, SATB choir, and piano/keyboard - Moderately Easy - SKU: MQ.56-0038-E Composed by Howard Goodall. Wedding. Instrument ...
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Soprano voice or tenor voice solo, SATB choir, and piano/keyboard - Moderately Easy - SKU: MQ.56-0038-E Composed by Howard Goodall. Wedding. Instrument parts. 9 pages. MorningStar Music Publishers - Digital Sheet Music #56-0038-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0038-E). English.Set for SATB voices, a soprano or tenor soloist, and piano, Goodall’s original text is a promise of constancy from one person to another. Through many kinds of situations and circumstances it is assured that “We’ll walk together stride by stride.†The choral parts are homophonic and approachable, the piano part a bit challenging (there is one section which is essentially a beautiful piano solo with the chorus accompanying on a neutral syllable). An uplifting piece suitable for school, community, or professional choruses.
$3.15 ≈
2.90€
A Forever Kind of Love alto voice and guitar
A Forever Kind of Love alto voice and guitar
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Voix duo
#
INTERMÉDIAIRE
#
Contemporain
#
David Warin Solomons
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A Forever Kind of Love alto vo
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David Warin Solomons
#
SheetMusicPlus
Voice Duet Voice - Level 3 - SKU: A0.577549 Composed by David Warin Solomons. 20th Century. 10 pages. David Warin Solomons #1989187. Published by David ...
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Voice Duet Voice - Level 3 - SKU: A0.577549 Composed by David Warin Solomons. 20th Century. 10 pages. David Warin Solomons #1989187. Published by David Warin Solomons (A0.577549). Inspired by Neville Frenkiels' poem A forever kind of love : There is no explaining all the changes inside just one person's lifetime too many kinds of pain don't even have a name There is no explaining the meaning of them all. Only questions ... but I do believe the slowly changing colours of the seasons clearly show how ev'ry thing in its turn must surrender and all things overflow into for ever An everlasting love, ev'rything ev'rything love The sound sample is performed by the composer.
$7.00 ≈
6.45€
A Forever Kind of Love (Sentimental Duo) for clarinet and guitar
A Forever Kind of Love (Sentimental Duo) for clarinet and guitar
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Clarinette, Guitare (duo)
#
INTERMÉDIAIRE
#
Contemporain
#
David Warin Solomons
#
A Forever Kind of Love
#
David Warin Solomons
#
SheetMusicPlus
Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 3 - SKU: A0.577552 Composed by David Warin Solomons. 20th Century,Contemporary. Score and pa...
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Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 3 - SKU: A0.577552 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #1989193. Published by David Warin Solomons (A0.577552). Instrumental duo inspired by Neville Frenkiels' poem A forever kind of love There is no explaining all the changes inside just one person's lifetime too many kinds of pain don't even have a name There is no explaining the meaning of them all. Only questions ... but I do believe the slowly changing colours of the seasons clearly show how ev'ry thing in its turn must surrender and all things overflow into for ever An everlasting love, ev'rything ev'rything love The sung version (with my live performance) is also available on this site The sound sample here is an electronic preview. The pdf file contains score and parts.
$7.00 ≈
6.45€
A Forever Kind of Love (Sentimental Duo) for cor anglais and guitar
A Forever Kind of Love (Sentimental Duo) for cor anglais and guitar
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Cor anglais, Guitare (duo)
#
INTERMÉDIAIRE
#
Contemporain
#
David Warin Solomons
#
A Forever Kind of Love
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David Warin Solomons
#
SheetMusicPlus
Instrumental Duet English Horn,Guitar,Instrumental Duet - Level 3 - SKU: A0.577553 Composed by David Warin Solomons. 20th Century,Contemporary. Score an...
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Instrumental Duet English Horn,Guitar,Instrumental Duet - Level 3 - SKU: A0.577553 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #1989195. Published by David Warin Solomons (A0.577553). Instrumental duo inspired by Neville Frenkiels' poem A forever kind of love There is no explaining all the changes inside just one person's lifetime too many kinds of pain don't even have a name There is no explaining the meaning of them all. Only questions ... but I do believe the slowly changing colours of the seasons clearly show how ev'ry thing in its turn must surrender and all things overflow into for ever An everlasting love, ev'rything ev'rything love It is performed here by Ãgnes Jakab (cor anglais) and András Csáki (guitar)The pdf file contains score and parts.
$7.00 ≈
6.45€
A Forever Kind of Love (Sentimental Duo) for flute and guitar
A Forever Kind of Love (Sentimental Duo) for flute and guitar
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Flûte et Guitare
#
INTERMÉDIAIRE
#
Contemporain
#
David Warin Solomns
#
A Forever Kind of Love
#
David Warin Solomons
#
SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.577550 Composed by David Warin Solomns. 20th Century,Contemporary. Score and parts....
(+)
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.577550 Composed by David Warin Solomns. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #1989189. Published by David Warin Solomons (A0.577550). Instrumental duo inspired by Neville Frenkiels' poem A forever kind of love There is no explaining all the changes inside just one person's lifetime too many kinds of pain don't even have a name There is no explaining the meaning of them all. Only questions ... but I do believe the slowly changing colours of the seasons clearly show how ev'ry thing in its turn must surrender and all things overflow into for ever An everlasting love, ev'rything ev'rything love The sung version (with my live performance) is also available on this site The sound sample here is an electronic preview. The pdf file contains score and parts.
$7.00 ≈
6.45€
A Forever Kind of Love (Sentimental Duo) for bassoon and guitar
A Forever Kind of Love (Sentimental Duo) for bassoon and guitar
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Guitare, Basson
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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A Forever Kind of Love
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Bassoon,Guitar,Instrumental Duet - Level 3 - SKU: A0.577555 Composed by David Warin Solomons. 20th Century,Contemporary. Score and par...
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Instrumental Duet Bassoon,Guitar,Instrumental Duet - Level 3 - SKU: A0.577555 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #1989199. Published by David Warin Solomons (A0.577555). Instrumental duo inspired by Neville Frenkiels' poem A forever kind of love There is no explaining all the changes inside just one person's lifetime too many kinds of pain don't even have a name There is no explaining the meaning of them all. Only questions ... but I do believe the slowly changing colours of the seasons clearly show how ev'ry thing in its turn must surrender and all things overflow into for ever An everlasting love, ev'rything ev'rything love The sung version (with my live performance) is also available on this site The sound sample here is an electronic preview. The pdf file contains score and parts.
$7.00 ≈
6.45€
A Forever Kind of Love (Sentimental Duo) for alto flute and guitar
A Forever Kind of Love (Sentimental Duo) for alto flute and guitar
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Flûte et Guitare
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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A Forever Kind of Love
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Alto Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.577551 Composed by David Warin Solomons. 20th Century,Contemporary. Score and ...
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Instrumental Duet Alto Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.577551 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #1989191. Published by David Warin Solomons (A0.577551). Instrumental duo inspired by Neville Frenkiels' poem A forever kind of love There is no explaining all the changes inside just one person's lifetime too many kinds of pain don't even have a name There is no explaining the meaning of them all. Only questions ... but I do believe the slowly changing colours of the seasons clearly show how ev'ry thing in its turn must surrender and all things overflow into for ever An everlasting love, ev'rything ev'rything love The sung version (with my live performance) is also available on this site The sound sample here is an electronic preview. The pdf file contains score and parts.
$7.00 ≈
6.45€
Edelweiss
Edelweiss
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Richard Rodgers
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Mary-Kate Spring Lee
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Edelweiss
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Mary-Kate Spring Lee
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SheetMusicPlus
Harp - Level 4 - SKU: A0.1018074 Composed by Richard Rodgers. Arranged by Mary-Kate Spring Lee. Contemporary. Score. 4 pages. Mary-Kate Spring Lee #6418...
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Harp - Level 4 - SKU: A0.1018074 Composed by Richard Rodgers. Arranged by Mary-Kate Spring Lee. Contemporary. Score. 4 pages. Mary-Kate Spring Lee #6418919. Published by Mary-Kate Spring Lee (A0.1018074). This classic from The Sound of Music is perfect for a moderately advanced lever harpist. All lever changes are clearly marked. This arrangement will sound great for many kinds of gigs including weddings, nursing homes, cocktail hours, small gatherings, and for performance. .
$8.99 ≈
8.29€
Birdland
Birdland
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Ensemble Jazz
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AVANCÉ
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Jazz
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Manhattan Transfer
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Terry Carpenter
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Birdland
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Terry Carpenter
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.916189 By Manhattan Transfer. By Joe Zawinul. Arranged by Terry Carpenter. Jazz. Score and parts. 40 pag...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.916189 By Manhattan Transfer. By Joe Zawinul. Arranged by Terry Carpenter. Jazz. Score and parts. 40 pages. Terry Carpenter #4782319. Published by Terry Carpenter (A0.916189). Birdland. a cool and relaxed arrangement with many kinds of atmosphere. I tried to be as close as possible to the original version, but with another orchestration. Have fun !Sorry for the bad quality of mp3 audio made with my software (Finale). I am sure you know it will sound much better with real musicians!Any comments : carpentermusic@yahoo.com
$15.00 ≈
13.83€
Mozart Violin Duets
Mozart Violin Duets
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2 Violons (duo)
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Luis Anjos Teixeira
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Mozart Violin Duets
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Luis Anjos Teixeira
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.889440 Composed by Wolfgang Amadeus Mozart. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards....
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Violin Duet Violin - Level 3 - SKU: A0.889440 Composed by Wolfgang Amadeus Mozart. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. 35 pages. Luis Anjos Teixeira #4758249. Published by Luis Anjos Teixeira (A0.889440). Wolfgang Amadeus Mozart, is probably the most beloved artist that ever existed in this World. His work is without any doubt amongst the highest cultural achievements of the Human Being. To understand his cultural environment and musical practices I would advise you to read among others also the following books: „A Treatise on the Fundamental Principles of Violin Playing „Versuch einer gründlichen Violinschule from Leopold Mozart and from David D. Boyden A History of Violin Playing from its Origins to 1761. Also the biography righten by Jean et Brigite Massin gives us a deep view and idea of this times. Mozart wrote in Wien at 27.07.1786 this 12 duets for 2 basset horns K. 487, for his very Dear Friends „the Jacquin Family. This arrangement for 2 violin proposes an intime relation with the original work, but allows us to perform it also with modern instruments and to apply todays standards of musical literature praxis. No changes where made on the original composition, only the presentation of the score has been adjusted to contemporary violin music literature. It is also perfect adjusted for the use of baroque violins. I transposed it for the violin and introduced interpretation symbols to shorten some notes and induce loudness variations. The bowing is adjusted to violin performance but very much compromised with the ones in the original scores in wish they also meant a musical legato. I advise you to adjust much of the bowing to your taste and interpretation. Fingering is also relative to taste and school practices and is left to the artists choice. In order to leave the original notation as much untouched as possible I shortened the length of some notes with the „Staccato symbol to originate silence in between them. You are also free to further shorten even many more notes. As Mozart said - „The music is not in the notes but in the silent in between. In the arrangement, instead of repetitions, the performers interchange their parts so each of them will get to play as first and second violin player along each piece. This was common practice in chamber music when both musicians where at the same level. Very Human, this work comes from the hand of a musical Genius no other than Mozart. I tried to do an arrangement that would bring us as close as possible to the musical intention of the original work. This music demands accuracy and a very lively sensitive approach, it is a refined work of art, totally appropriate for serious „concert halls, for advanced students and great performers. Very useful of course for the music classroom on a wide range of various practices with students and also little concerts or presentations. It was righten for close friends and it should be practiced and performed with a heart full of Love and compassion. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Tei.
$17.56 ≈
16.19€
The Volcano`s Lake
The Volcano`s Lake
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Harpe
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FACILE
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Luis Anjos Teixeira
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The Volcano`s Lake
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Luis Anjos Teixeira
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SheetMusicPlus
Harp - Level 2 - SKU: A0.889438 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Teixeira #4758665....
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Harp - Level 2 - SKU: A0.889438 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Teixeira #4758665. Published by Luis Anjos Teixeira (A0.889438). The piece is thou very simple and easy to perform. It is appropriate for the harp and it sounds great on any kind of harp. When using a little lap harp, one can easily transpose the bass voice an octave higher. It is a flexible piece, you can play it slower or a little faster and even the arpeggio in the end that becomes quite easy after some practice could be replaced by a simple glissando. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Your Soul. It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira „Now comes the Little Story The Volcano`s Lake was composed on a volcano called Pico that stands out about 2000 meters above see level right in the middle of the Atlantic ocean. From the bottom of the ocean to its pick it is higher than mount Everest. I like to know that there are an enormous amount of different species of whales that live in this area and many others that go there strictly for romance. I went there to perform with the harp but was at the same time deeply morning the death of my Dear Cat Mary Jane that tragically passed away the day before the flight. In this isle I was having at night strange dreams of epic battles and fights between flying Angels and Demons. In one of these dreams „Time and Matter were a byproduct of „Music itself. The wind was blowing, the volcano was dancing and the water on the lake was whispering enchanting melodies. As soon as I woke up I wrote some notes before they vanished away, just a fragment of an idea of what I was listening in the dream. I named it „The Volcano`s Lake, because the „Lake was comforting me with its melodies, I realized that my tears were also becoming the lake itself and in this lake I was becoming one with Mary Jane and all the rest of the Universe. Thanks to Claudia Eppelt for the all the Love the wonderful painting and cover design. Special Thanks to Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Mary Jane, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score.
$6.79 ≈
6.26€
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Con...
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99 ≈
10.13€
Passacaglia For Harp
Passacaglia For Harp
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Harpe
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Passacaglia For Harp
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Luis Anjos Teixeira
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SheetMusicPlus
Harp - Level 5 - SKU: A0.889432 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. Score. 10 pages...
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Harp - Level 5 - SKU: A0.889432 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. Score. 10 pages. Luis Anjos Teixeira #4736137. Published by Luis Anjos Teixeira (A0.889432). I found this Passacaglia from Bach among some of my own handwritten manuscripts. It is a phenomenal piece. Bach was definitive a great artist, a Genius. Passacaglia is an Italian word. This music form was originated in early 17th-century Spain as a strummed interlude between instrumentally accompanied dances or songs. In this piece we can clearly experience this „Spanish strumming between „Bars 137 and 145. The passacaglia was redefined in the late 1620s by Italian composer Girolamo Frescobaldi, who transformed it into a series of continuous variations over an ostinato bass pattern (which itself may be varied). I added to this piece some interpretation symbols and rearranged it for the harp but every single note was left as it would be found in the original version. The piece is appropriate for advanced performers. Most of the score is left to the interpretation of the artists involved, particularly the use of fingering. The piece is difficult but very Human. It requires focused endurance and some practice on certain passages. Once learned you will also be playing much better. Feel Free to apply in this piece the Art and technic that expresses entirely your individual skills and taste. Have fun! It is a piece that can be used in many different kinds of situations, from a serious concert hall to a marriage, it is perfect for Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file is the version in D minor for a concert harp, it was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$7.55 ≈
6.96€
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contem...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.94 ≈
9.16€
raised again
raised again
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Piano seul
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Musique Sacrée
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Gospel Spirituel
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THEMIS KOUTRAS
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raised again
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THEMIS KOUTRAS
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SheetMusicPlus
Piano - SKU: A0.1066690 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 186. THEMIS KOUTRAS #5012667. P...
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Piano - SKU: A0.1066690 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 186. THEMIS KOUTRAS #5012667. Published by THEMIS KOUTRAS (A0.1066690). This is a song story how i was risen to life many times due to been martyred for the word of GOD i insisted in attacking enemy line casting all kinds of evil spirits to hell prediction to defend GOD and creation on the count of it i was killed in this spiritual war Armageddon each time i fell asleep for many years to come JESUS CHRIST insisted to resurrect me each time until he won the war because of it do not be surprised about this the holy bible clearly says when JESUS CHRIST was resurrected found alive many prophets and people of GOD were resurrected with him and they went directly to the the temple to preach the gospel well it is happening to today many reports came my way that some still get raised to life all others will be resurrected in the last days to enter new world heaven well i am one of those resurrected these days thanking GOD for his perfect holy help
$4.99 ≈
4.60€
Music for Children
Music for Children
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Carl Orff and Gunild Keetman
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Arnold Walter and Doreen Hall
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - SKU: S9.Q25928 Pentatonic. Composed by Carl Orff and Gunild Keetman. Arranged by Arnold Walter and Doreen Hall. ...
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Voice, recorder and percussion - SKU: S9.Q25928 Pentatonic. Composed by Carl Orff and Gunild Keetman. Arranged by Arnold Walter and Doreen Hall. This edition: score for voice and/or instruments. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 1. Schott Music - Digital #Q25928. Published by Schott Music - Digital (S9.Q25928). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition musik für Kinder, english adaption with additional material by Doreen Hall and Arnold Walter.
$10.99 ≈
10.13€
Argraffiad Cymraeg
Argraffiad Cymraeg
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Carl Orff and Gunild Keetman
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Argraffiad Cymraeg
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - SKU: S9.Q23985 Pentatonig. Composed by Carl Orff and Gunild Keetman. This edition: score for voice and/or instru...
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Voice, recorder and percussion - SKU: S9.Q23985 Pentatonig. Composed by Carl Orff and Gunild Keetman. This edition: score for voice and/or instruments. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 1. Schott Music - Digital #Q23985. Published by Schott Music - Digital (S9.Q23985). Welsh.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Welsh Edition This volume closely follows the English Volume 1, substituting Welsh for English wherever words are used in speech or song. It should be used in conjunction with the English version, since only the sung and spoken parts are provided.
$10.99 ≈
10.13€
Music for Children
Music for Children
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Carl Orff and Gunild Keetman
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Arnold Walter and Doreen Hall
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - SKU: S9.Q2433 Minor: Bordun. Composed by Carl Orff and Gunild Keetman. Arranged by Arnold Walter and Doreen Hall...
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Voice, recorder and percussion - SKU: S9.Q2433 Minor: Bordun. Composed by Carl Orff and Gunild Keetman. Arranged by Arnold Walter and Doreen Hall. This edition: score for voice and/or instruments. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 4. Schott Music - Digital #Q2433. Published by Schott Music - Digital (S9.Q2433). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition musik für Kinder, english adaption with additional material by Doreen Hall and Arnold Walter.
$11.99 ≈
11.05€
Music for Children
Music for Children
#
Margaret Murray
#
Music for Children
#
Schott Music - Digital
#
SheetMusicPlus
Voice, recorder and percussion - SKU: S9.Q42466 Pentatonic. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orff-S...
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Voice, recorder and percussion - SKU: S9.Q42466 Pentatonic. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orff-Schulwerk - Rhythmusübungen - Kinderreime. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 1. Schott Music - Digital #Q42466. Published by Schott Music - Digital (S9.Q42466). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this first volume: speech and rhythmic exercises, nursery rhymes, songs, instrumental pieces and melodic exercises using only the five note scale, with instructions and notes. Illustrated.
$21.99 ≈
20.27€
Music for Children
Music for Children
#
Margaret Murray
#
Music for Children
#
Schott Music - Digital
#
SheetMusicPlus
Voice, recorder and percussion - SKU: S9.Q53825 Major: Dominant and Subdominant Triads. Arranged by Margaret Murray. This edition: score for voic...
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Voice, recorder and percussion - SKU: S9.Q53825 Major: Dominant and Subdominant Triads. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orchestration - Orff Schulwerk - keys. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 3. Schott Music - Digital #Q53825. Published by Schott Music - Digital (S9.Q53825). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this third volume: The instrumentation and range of keys are inceased. The settings include the chords on the fourth and fifth notes of the major scale.
$21.99 ≈
20.27€
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