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Vous avez sélectionné:
Margin B
Partitions à imprimer
12 partitions trouvées
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1
"Rhapsody On the River"
"Rhapsody On the River"
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Orchestre de chambre
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Margin
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"Rhapsody On the River&qu
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Margin Alexander
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SheetMusicPlus
Chamber Orchestra - SKU: A0.944120 Composed by Margin. B Alexander. 20th Century,Contemporary,Film/TV. Score and parts. 30 pages. Margin Alexander #4885...
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Chamber Orchestra - SKU: A0.944120 Composed by Margin. B Alexander. 20th Century,Contemporary,Film/TV. Score and parts. 30 pages. Margin Alexander #4885967. Published by Margin Alexander (A0.944120). A trio for clarinet, flute and piano. It lasts about less than 10 min and it is a neo-romantic piece. It stands out for its long phrases and contrapuntal harmonies that change drastically throughout the performance. The dialogues between the instruments are very intertwined, but yet loyal to their own nuances.
$10.00 ≈
£7.59
"Bleecker Rain"
"Bleecker Rain"
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Piano seul
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Margin B
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"Bleecker Rain"
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Margin Alexander
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SheetMusicPlus
Piano Solo - SKU: A0.944119 Composed by Margin B. Alexander. 20th Century,Contemporary,Film/TV. Score. 10 pages. Margin Alexander #4885963. Published by...
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Piano Solo - SKU: A0.944119 Composed by Margin B. Alexander. 20th Century,Contemporary,Film/TV. Score. 10 pages. Margin Alexander #4885963. Published by Margin Alexander (A0.944119). A piano prelude.
$3.99 ≈
£3.03
"Water Sounds"
"Water Sounds"
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Piano seul
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AVANCÉ
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Contemporain
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Margin B
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"Water Sounds"
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SheetMusicPlus
Composed by Margin B. Alexander. 20th Century, Concert, Film/TV, World. Score. 21 pages. Margin Alexander #4804385. Published by Margin Alexander ...
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Composed by Margin B. Alexander. 20th Century, Concert, Film/TV, World. Score. 21 pages. Margin Alexander #4804385. Published by Margin Alexander
$4.99 ≈
£3.79
Three Impressions of Northern Arizona Violin Version
Three Impressions of Northern Arizona Violin Version
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Violon et Piano
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Judith Cloud
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panose-1:2 4 5 3 5 4 6 3 2 4
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Three Impressions of Northern
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Judith Cloud
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SheetMusicPlus
Piano,Violin - SKU: A0.981188 Composed by Judith Cloud (b. 1954). 20th Century,Contemporary,World. 32 pages. Judith Cloud #4621701. Published by Judith ...
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Piano,Violin - SKU: A0.981188 Composed by Judith Cloud (b. 1954). 20th Century,Contemporary,World. 32 pages. Judith Cloud #4621701. Published by Judith Cloud (A0.981188). <!-- /* Font Definitions */ @font-face {font-family:Cambria; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Times New Roman; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Cambria; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:Times New Roman; mso-bidi-theme-font:minor-bidi;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} --> Program notes: Three Impressions of Northern Arizona for flute (or violin) and piano The three movements of this piece were composed in the summer of 2007 for Emily McKay, flute and Rita Borden, piano. I chose places and themes that were compelling for me for a variety of reasons. The first movement, Wupatki, is based on the feeling of expanse and solitude I experience when I am visiting this ancient pueblo and the stunning vistas of the Painted Desert. The Song of Friendship, a charming and simple tune was introduced to me by Gary Gorman, a Native American student of mine in the early 1990’s. I fashioned a simple arrangement and composed some original tunes to accompany it. This movement is dedicated to my colleague, clarinetist Michael Sullivan, who was dying from a rare form of cancer during the days I was finishing this movement. The day I finished the piece, I realized that it needed to end as if it never had a chance to finish, much like Michael’s life that was so tragically cut short. Quite by chance, the music ends at bar 43-the exact number of years of Michael’s brief life. Wind, title of the third movement, was composed to give musical interpretation to this element of relentless fury we experience during several months out of the year in this region. It springs up then dies down, only to resurface with more force and resilience.
$15.00 ≈
£11.39
J.S. Bach Adagio from the Organ Toccata in C
J.S. Bach Adagio from the Organ Toccata in C
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Classique
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Johann Sebastian Bach
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James Scott
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}
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J.S. Bach Adagio from the Orga
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Mesa Music Publishing
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SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet,Piano - Level 3 - SKU: A0.892486 Composed by Johann Sebastian Bach. Arranged by James Scott. Baroque. Sc...
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Instrumental Duet Double Bass,Instrumental Duet,Piano - Level 3 - SKU: A0.892486 Composed by Johann Sebastian Bach. Arranged by James Scott. Baroque. Score and parts. 8 pages. Mesa Music Publishing #4885421. Published by Mesa Music Publishing (A0.892486). Bach Adagio from the Organ Toccata in C Piano parts for both solo A-E-B-F# and orchestra G-D-A-E tuning are included along with the solo bass part written in tenor clef. p { margin-bottom: 0.08in; }
$12.50 ≈
£9.49
W.A. Mozart "Dies Bildniss" Aria from the opera "The Magic Flute"
W.A. Mozart "Dies Bildniss" Aria from the opera "The Magic Flute"
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Classique
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Classique
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Wolfgang Amadeus Mozart
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James Scott
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}
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W.A. Mozart "Dies Bildnis
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Mesa Music Publishing
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SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet,Piano - Level 4 - SKU: A0.892488 Composed by Wolfgang Amadeus Mozart. Arranged by James Scott. Classical...
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Instrumental Duet Double Bass,Instrumental Duet,Piano - Level 4 - SKU: A0.892488 Composed by Wolfgang Amadeus Mozart. Arranged by James Scott. Classical,Opera. Score and parts. 10 pages. Mesa Music Publishing #4885433. Published by Mesa Music Publishing (A0.892488). Mozart, Dies Bildniss Tenor aria from The Magic Flute. Some of Mozart’s most profound music is to be found in his arias for tenor voice. This transcription gives the solo bassist a chance to really sing. Piano parts for both solo A-E-B-F# and orchestra G-D-A-E tuning are included along with the solo bass part written in tenor clef. p { margin-bottom: 0.08in; }
$12.50 ≈
£9.49
Piano Sonata No. 1
Piano Sonata No. 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Megan K
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Piano Sonata No. 1
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Megan K. Denslinger
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.993763 Composed by Megan K. Denslinger. Contemporary. Score. 10 pages. Megan K. Denslinger #4404826. Published by Megan K...
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Piano Solo - Level 4 - SKU: A0.993763 Composed by Megan K. Denslinger. Contemporary. Score. 10 pages. Megan K. Denslinger #4404826. Published by Megan K. Denslinger (A0.993763). P.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica} Piano Sonata No. 1 is my first piano sonata which encapsulates both the lyrical and technical elements on the piano. It is centered in C Major with multiple occurring modulations throughout the development of the A and B themes. Pianistic qualities hold the piece together creating a sweet and delicate texture. The opening motif is structured like a string orchestra playing with the fullness within the chords and harmonies. This orchestral-like texture is kept as a cadential point at the end of each section. In keeping things simple, the form and harmonic structures are kept traditionally.
$12.00 ≈
£9.11
Diehnelt: Striadica - A Symphonic Passage - SCORE
Diehnelt: Striadica - A Symphonic Passage - SCORE
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Kim Diehnelt
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Diehnelt: Striadica - A Sympho
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Kim Diehnelt
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.809057 Composed by Kim Diehnelt. Contemporary. Score and parts. 28 pages. Kim Diehnelt #4367718. Published by Kim Die...
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Full Orchestra - Level 4 - SKU: A0.809057 Composed by Kim Diehnelt. Contemporary. Score and parts. 28 pages. Kim Diehnelt #4367718. Published by Kim Diehnelt (A0.809057). Striadica: A Symphonic PassageThe every-day, reshaped by contingencies. The time-bound path twists through certainty, bewilderment, and fragile reconstruction. Upon release, recognition arrives.Duration: 8 - 9 mins.I was specifically asked to write a work where everyone had something to play. As is my usual style, I tend to allow the second players and less-prominent instruments a chance to shine, and in general shake up the usual orchestral hierarchy. (The second violins, for example, even get their own solo passage!)The wind parts are much more individualized, where the first part may have a completely different line than the second.A colleague who is a trombone player challenged me to write parts that sing for his instrument; hence the word dolce occurs in the low brass parts. Although the low brass parts are rather simple, they do require finesse and nuance.In general, none of the parts are overly challenging; rather, I hope each player finds the music allows them the opportunity to express themselves both individually and as an ensemble.Instrumentation1 Piccolo2 Flutes2 Oboes2 Clarinets in A2 Bassoons4 Horns in F2 Trumpets in C3 Trombones (2 Tenor, 1 Bass Trombone)1 TubaTimpani (B / D)Percussion: Wood Blocks, Snare Drum1 HarpStrings------Commissioned by the Lake Forest Civic Orchestra, IL. Premiere performance May, 2018This item contains ONLY THE SCORE. The PDF, when printed double sided will make for an 8 ½ by 11 score with a left margin suitable for comb binding. (Please consider a larger sized comb than usual so pages may be turned quietly!) A full set of hard-copy parts are available directly from Kim Diehnelt. (Kim@KimDiehnelt.com)© 2017 Kim Diehnelt (ASCAP)
$8.99 ≈
£6.83
Variations on Shall we gather at the river for clarinet quartet (4 B flat clarinets or 3 clarinets and 1 bass clarinet)
Variations on Shall we gather at the river for clarinet quartet (4 B flat clarinets or 3 clarinets and 1 bass clarinet)
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Contemporain
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Robert Lowry
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David Warin Solomons
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Variations on Shall we gather
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David Warin Solomons
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SheetMusicPlus
Composed by Robert Lowry. Arranged by David Warin Solomons. 21st Century, Romantic Period, Neo-Classical, Christian, General Worship. Set of Parts. 18 pages. Pu...
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Composed by Robert Lowry. Arranged by David Warin Solomons. 21st Century, Romantic Period, Neo-Classical, Christian, General Worship. Set of Parts. 18 pages. Published by David Warin Solomons (S0.256899). - Set of Parts - 21st Century,Romantic Period,Neo-Classical,Christian,General Worship - David Warin Solomons
Variations on the hymn by Robert Lowry. The variations include various melismas and "Scotch Snaps" and also a section in minor mode. A simple transcription version is also available The pdf file contains score and parts. The sound sample is an electronic preview Words of the original hymn: Shall we gather at the river, Where bright angel feet have trod, With its crystal tide forever Flowing by the throne of God? Refrain: Yes, we?ll gather at the river, The beautiful, the beautiful river; Gather with the saints at the river That flows by the throne of God. On the margin of the river, Washing up its silver spray, We will talk and worship ever, All the happy golden day. Ere we reach the shining river, Lay we every burden down; Grace our spirits will deliver, And provide a robe and crown. At the smiling of the river, Mirror of the Savior?s face, Saints, whom death will never sever, Lift their songs of saving grace. Soon we?ll reach the silver river, Soon our pilgrimage will cease; Soon our happy hearts will quiver With the melody of peace.
$13.00 ≈
£9.87
Summertime
Summertime
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Jazz
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Dorothy Heyward, Du Bose Heywa
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Phil Thrift
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Summertime
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Phil Thrift
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.955721 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwi...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.955721 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Phil Thrift. Jazz. Score and parts. 13 pages. Phil Thrift #5333957. Published by Phil Thrift (A0.955721). Everyone has heard the very evocative song Summertime from the opera Porgy and Bess many times. I hope you’ll enjoy my interpretation written for solo viola and string quintet: 2 violins, tutti viola, cello, and bass.After the introduction, the soloist is given plenty of space to make the most of the rich sound of the viola’s lowest octave. The accompaniment is thickened marginally when tutti viola and bass join in at letter B. At letter C the soloist repeats the melody but one octave higher, gradually adding more and more decoration as the accompaniment builds and reaches a climax in measure 36. That is followed by a strong statement from the quintet which ebbs away to give the soloist space again to take us into the concluding section (watch out for those 5/4 measures!) with long notes allowing the listener to fully appreciate the sound of the viola and a quasi-cadenza to round off this arrangement.This is a good chance for your viola player to step briefly into the limelight and show us what the viola can do! Although my version follows the original closely, the soloist should not feel constricted to the notes of the written part, should try to achieve a slightly more jazzy style, playing a little behind the time while the accompanying quintet sticks rigidly to the tempo.The quintet parts could be played by a small string orchestra instead of solo instruments.
$12.99 ≈
£9.86
A Duet for Two Performers on One Piano Forte
A Duet for Two Performers on One Piano Forte
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Piano seul
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N
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A Duet for Two Performers on O
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.1094 Arranged by N.B. Challoner. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1094)....
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Piano - SKU: LV.1094 Arranged by N.B. Challoner. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1094). A Duet for Two Performers on One Piano Forte. Arranged from the favorite Venetian Air Sul Margine D'un Rio, or The Voice of Her I Love, and The Legacy, A Much Admired Irish Melody, by N.B. Challoner. Published [n.d.] by G. Willig's Musical Magazine in Philadelphia. Composition of da capo with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
£4.55
The Emotional Lives of Colors (for trumpet, piano, and percussion)
The Emotional Lives of Colors (for trumpet, piano, and percussion)
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Brandon Nelson
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The Emotional Lives of Colors
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Brandon Nelson
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SheetMusicPlus
B-Flat Trumpet,Percussion,Piano - Level 5 - SKU: A0.1201730 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. 37...
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B-Flat Trumpet,Percussion,Piano - Level 5 - SKU: A0.1201730 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. 37 pages. Brandon Nelson #800346. Published by Brandon Nelson (A0.1201730). Johann Wolfgang von Goethe and his theory on how colors impacted mental states was the inspiration for this piece. He was far more gifted with prose than I, so I’ll him explain further:We shall not be surprised to find that [colours’] effects are at all times decided and significant, and that they are immediately associated with the emotions of the mind.Colour, considered as an element of art, may be made subservient to the highest aesthetical needs.General impressions produced by single colours cannot be changed[.] They act specifically and must produce definite, specific states in the living organ. Experience teaches us that particular colours excite particular states of feeling.Goethe goes on to detail these notions in an elaborate, deeply imaginative treatise. Sadly for him, this work was coming out just as the science of optics had begun to give the world an empirical understanding of color, leaving Goethe’s romantic ideas in the margins.But it is those ideas that I find intriguing from a poetic viewpoint, and, in this composition, I shed musical light unto his dramatic descriptions of several different colors.“Yellow-Red†is described as “primordial, impetuous, robust,†to the point of eliciting “extreme excitement†which disturbs and enrages even animals!“Yellow†is portrayed as that being nearest to natural light. It is of “utmost purity and beauty[….] Serene, gay, softly exciting.â€The color “Red-Blue†we are told is “something lively without gladness.â€â€œBlue†is steeped in darkness, a “contradiction between excitement and repose.†It gives one the “impression of cold.†and brings to mind melancholy.
$29.99 ≈
£22.77
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