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Max's March
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Vous avez sélectionné:
Max's March
Partitions à imprimer
172 partitions trouvées
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Max's March
Max's March
#
Piano seul
#
FACILE
#
Miriam Troxler
#
Max's March
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Miriam Troxler
#
SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.744216 Composed by Miriam Troxler. Instructional,Standards. Score. 2 pages. Miriam Troxler #2032301. Published by Miriam ...
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Piano Solo - Level 2 - SKU: A0.744216 Composed by Miriam Troxler. Instructional,Standards. Score. 2 pages. Miriam Troxler #2032301. Published by Miriam Troxler (A0.744216). Max's March is a G Major piano solo. All three G's within the grand staff are necessary. The introduction uses treble clef ledger lines below middle C and the coda takes the right hand into bass clef, writing the same musical material in different staves. Both hands move between G positions three times throughout the march.
$2.99 ≈
2.80€
Mad Max's March
Mad Max's March
#
Piano seul
#
Reed Burkholder
#
Mad Max's March
#
The FJH Music Company - Digital
#
SheetMusicPlus
Piano Solo - Early Intermediate - SKU: F0.S4131 Composed by Reed Burkholder. Sheet Music. Spotlight Solo Sheets. Solo Sheet. 3 pages. The FJH Music Comp...
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Piano Solo - Early Intermediate - SKU: F0.S4131 Composed by Reed Burkholder. Sheet Music. Spotlight Solo Sheets. Solo Sheet. 3 pages. The FJH Music Company - Digital #S4131. Published by The FJH Music Company - Digital (F0.S4131). UPC: 674398215478.With a pivoting melody that sets the piece spinning, this whirling etude features recurring triplet-pair flourishes, played against a classic march downbeat. The march's strong theme helps make triplet practice fun to learn and teach. Hand-crossing arpeggios make a show of this recital highlight! About FJH Spotlight Solo SheetsMotivating piano solos written for study and performance.
$2.50 ≈
2.34€
Larmes et Prières, Marche Funèbre
Larmes et Prières, Marche Funèbre
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Orchestre d'harmonie
#
Classique
#
Jouan Bauderuc
#
Larmes et Prières, Marc
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Maxime's Music
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SheetMusicPlus
Concert Band - SKU: A0.1025634 Composed by Jouan Bauderuc. Arranged by Arranged by Craig Dabelstein. Romantic Period. Score and parts. 46 pages. Maxime'...
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Concert Band - SKU: A0.1025634 Composed by Jouan Bauderuc. Arranged by Arranged by Craig Dabelstein. Romantic Period. Score and parts. 46 pages. Maxime's Music #4898221. Published by Maxime's Music (A0.1025634). An emotional funeral march from the 1800s, playable by high school bands.Larmes et PrièresTears and Prayers – March FunèbreJouan BauderucArranged by Craig Dabelstein (1973–)Date: 1838Instrumentation: Concert BandDuration: 7:30Level: 3
$70.00 ≈
65.45€
Commander-in-Chief. A Martial Melody to Inspire our Soldier Boys. March Two-Step
Commander-in-Chief. A Martial Melody to Inspire our Soldier Boys. March Two-Step
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Piano seul
#
Max S
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Max S
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Commander-in-Chief. A Martial
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano - SKU: LV.13824 Composed by Max S. Witt. Portraits--Gen. Nelson A. Miles. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins Universit...
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Piano - SKU: LV.13824 Composed by Max S. Witt. Portraits--Gen. Nelson A. Miles. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13824). Commander-in-Chief. A Martial Melody to Inspire our Soldier Boys. March Two-Step. By Max S. Witt. Published 1898 by Jos. W. Stern & Co., 45 East 20th St. in New York. Composition of sectional with piano instrumentation. Subject headings for this piece include Portraits--Gen. Nelson A. Miles. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.60€
Big Max
Big Max
#
Fanfare
#
INTERMÉDIAIRE
#
Jazz
#
Matthew Drumm
#
Big Max
#
Matthew S Drumm
#
SheetMusicPlus
Marching Band - Level 3 - SKU: A0.877431 Composed by Matthew Drumm. Jazz. Score and parts. 1 pages. Matthew S Drumm #5791621. Published by Matthew S Dru...
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Marching Band - Level 3 - SKU: A0.877431 Composed by Matthew Drumm. Jazz. Score and parts. 1 pages. Matthew S Drumm #5791621. Published by Matthew S Drumm (A0.877431). This is a drumline groove inspired by the drumming of the jazz great, Max Roach. This is also available as part of two different cadence packs. .
$1.99 ≈
1.86€
March (I Want To Be a Military Man)
March (I Want To Be a Military Man)
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Piano seul
#
Leslie Stuart
#
Max Dreyfus
#
March
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano - SKU: LV.10855 Composed by Leslie Stuart. Arranged by Max Dreyfus. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sher...
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Piano - SKU: LV.10855 Composed by Leslie Stuart. Arranged by Max Dreyfus. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10855). Selections for Piano from Florodora. March (I Want To Be a Military Man). Book by Owen Hall. Music by Leslie Stuart. Arr. by Max Dreyfus. Published 1900 by T.B. Harms & Co., 18 East 22nd St. in New York. Composition of sectional with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.60€
The Hunt Ball. March & Two Step
The Hunt Ball. March & Two Step
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Piano seul
#
Max Dreyfus
#
The Hunt Ball. March & Two
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano - SKU: LV.9314 Composed by Max Dreyfus. Ballroom dancing, Couples, Musicians, Hunters, Courtship, Dance parties. Lester S. Levy Collection. 5 page...
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Piano - SKU: LV.9314 Composed by Max Dreyfus. Ballroom dancing, Couples, Musicians, Hunters, Courtship, Dance parties. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9314). The Hunt Ball. March & Two Step. by Max Dreyfus. Published 1899 by T.B. Harms & Co., 18 East 22nd St. in New York. Composition of sectional with piano instrumentation. Subject headings for this piece include Ballroom dancing, Couples, Musicians, Hunters, Courtship, Dance parties. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.60€
Marche Processionelle-Guilmant- organ solo
Marche Processionelle-Guilmant- organ solo
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Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Alex
#
Phil Beaman
#
Marche Processionelle-Guilmant
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Phil Beaman
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.1139501 Composed by Alex. Guilmant. Arranged by Phil Beaman. March,Romantic Period,Standards. Score. 11 pages. Phil Beaman #73...
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Organ - Level 4 - SKU: A0.1139501 Composed by Alex. Guilmant. Arranged by Phil Beaman. March,Romantic Period,Standards. Score. 11 pages. Phil Beaman #739789. Published by Phil Beaman (A0.1139501). I wrote this piece to use as the opening piece for an organ dedication recital I was playing. I admired this March by Alexander Guilmant, but that piece opened softly and I wanted a bold opening; so I expanded and arranged the piece, using Guilmant's own material, and created new beginning sections so that I could open the dedication concert with trumpets. The piece is now about contrasts as I have changed tempi, dynamics, registrations, and textures to alternate with each section. Many colours of the organ are shown, from reeds to flutes, from mp to tutti. The piece builds to a full and vigorous Tutti climax. 11 pages; 5:45 minutes.
$7.40 ≈
6.92€
Maria Wiegenlied ("Mary's Lullaby") - brass quintet
Maria Wiegenlied ("Mary's Lullaby") - brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Max Reger
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Todd Marchand
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Maria Wiegenlied
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Con Spirito Music
#
SheetMusicPlus
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.726109 Composed by Max Reger (1873-1916). Arranged by Todd Marchand. Christi...
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.726109 Composed by Max Reger (1873-1916). Arranged by Todd Marchand. Christian,Christmas,Holiday,Sacred. Score and parts. 9 pages. Con Spirito Music #6115387. Published by Con Spirito Music (A0.726109). Maria Wiegenlied (Mary's Lullaby) is No. 52 of 60 songs from the German composer Max Reger's Schlichte Weisen (Simple Melodies), Op. 76, and his most commercially successful work, with copies and arrangements of it outselling all of his other pieces combined.
$10.00 ≈
9.35€
March Slav (Concert Band Transcription) - Tsarist Edition
March Slav (Concert Band Transcription) - Tsarist Edition
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Orchestre d'harmonie
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Classique
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Peter Ilyich Tchaikovsky
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Marc Oliver
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March Slav
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - SKU: A0.733069 Composed by Peter Ilyich Tchaikovsky. Arranged by Marc Oliver. Romantic Period. Score and parts. 179 pages. Ayotte Custom ...
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Concert Band - SKU: A0.733069 Composed by Peter Ilyich Tchaikovsky. Arranged by Marc Oliver. Romantic Period. Score and parts. 179 pages. Ayotte Custom Musical Engravings #2968245. Published by Ayotte Custom Musical Engravings (A0.733069). Tchaikovsky referred to the piece as his Serbo-Russian March while writing it. It was premiered in Moscow on November 17 1876, conducted by Nikolai Rubinstein. The march is highly programmatic in its form and organization. The first section describes the oppression of the Serbs by the Turkish. It uses two Serbian folk songs, Sunce jarko, ne sijaš jednako (Bright sun, you do not shine equally), by Isidor Ćirić and Rado ide Srbin u vojnike (Gladly does the Serb become a soldier), by Josip Runjanin - giving way to the second section in the relative major key, which describes the Russians rallying to help the Serbs. This is based on a simple melody with the character of a rustic dance which is passed around the orchestra until finally it gives way to a solemn statement of the Russian national anthem God Save the Tsar. The third section of the piece is a repeat of Tchaikovsky's furious orchestral climax, reiterating the Serbian cry for help. The final section describes the Russian volunteers marching to assist the Serbs. It uses a Russian tune, this time in the tonic major key and includes another blazing rendition of God Save the Tsar prophesying the triumph of the Slavonic people over tyranny. The overture finishes with a virtuoso coda for the full orchestra. The piece shares a few refrains with the 1812 Overture, with which it is frequently paired in performance. This is the Tsarist (i.e., non-Soviet) Version.
$100.00 ≈
93.49€
Turkish March
Turkish March
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Inacio Saldanha
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Turkish March
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Inacio Saldanha
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.798118 Composed by Ludwig van Beethoven. Arranged by Inacio Saldanha. C...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.798118 Composed by Ludwig van Beethoven. Arranged by Inacio Saldanha. Classical,Concert,Standards,World. Score and parts. 15 pages. Inacio Saldanha #6252921. Published by Inacio Saldanha (A0.798118). The Turkish March (Marcia alla turca) is a well-known classical march theme by Ludwig van Beethoven. It was written in the Turkish style popular in music of the time.The theme was first used in Beethoven's Six Variations on an Original Theme, Op. 76, of 1808. In 1811, Beethoven wrote an overture and incidental music to a play by August von Kotzebue called The Ruins of Athens (Op. 113), which premiered in Pest in 1812. The Turkish March appears as movement four of the incidental music. Many music lovers associate the theme with The Ruins of Athens, although that was not its original appearance.The march is in Bâ™ major, tempo vivace and 2/4 time. Its dynamic scheme is highly suggestive of a procession passing by, starting out pianissimo, poco a poco rising to a fortissimo climax and then receding back to pianissimo by the coda. Unlike much of Beethoven's other orchestral music, the woodwinds are the dominant voice rather than the strings. (Wikipedia)Arranged for String Quintet. Key of Bb. Intermediate.
$12.99 ≈
12.14€
Funeral March of a Marionette (Puppet) / Theme from “Alfred Hitchcock Presents”
Funeral March of a Marionette (Puppet) / Theme from “Alfred Hitchcock Presents”
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Piano seul
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INTERMÉDIAIRE
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Charles Francois Gounod
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Thomas Ling of Sibu
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Funeral March of a Marionette
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Thomas Swee Chin
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1378651 Composed by Charles Francois Gounod. Arranged by Thomas Ling of Sibu. 19th Century,Instructional,Romantic Period....
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Piano Solo - Level 3 - SKU: A0.1378651 Composed by Charles Francois Gounod. Arranged by Thomas Ling of Sibu. 19th Century,Instructional,Romantic Period. Score. 9 pages. Thomas Swee Chin #963311. Published by Thomas Swee Chin (A0.1378651). 3 versions included- from simple to the full version. Gounod's Funeral March of a Marionette for piano is a haunting and evocative piece that tells a macabre story through music. Originally composed as a short orchestral work, it gained popularity when it was adapted for piano. The piece opens with a solemn and ominous melody, characterized by its melancholic and mournful tone. As the music progresses, the mood shifts, alternating between moments of tension and release. Gounod's use of chromaticism and dissonance adds to the eerie atmosphere, creating a sense of unease and foreboding. The piece builds to a dramatic climax before fading away into silence, leaving listeners with a lingering sense of mystery and intrigue. Despite its brevity, Funeral March of a Marionette is a powerful and emotive composition that showcases Gounod's mastery of musical storytelling.
$8.00 ≈
7.48€
March of the Arachnids
March of the Arachnids
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Orchestre d'harmonie
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Britt Burns
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March of the Arachnids
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Imagine Music - Digital
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SheetMusicPlus
Concert band - SKU: IZ.CBS151-S Composed by Britt Burns. Score. 17 pages. Imagine Music - Digital #CBS151-S. Published by Imagine Music - Digital (IZ.CB...
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Concert band - SKU: IZ.CBS151-S Composed by Britt Burns. Score. 17 pages. Imagine Music - Digital #CBS151-S. Published by Imagine Music - Digital (IZ.CBS151-S). 9 x 12 in inches.March of the Arachnids was composed with the intention of being music for the Halloween season, although it could beperformed at other times in the year. The early sketch was written in 2008, although the work wasn't fully realized until theSpring of 2011. The work is dedicated to my composer friend, Joseph Eidson, whose music largely inspired theorchestration and harmonic material for this piece.Creepy, energetic, dissonant, and playful - these adjectives best describe the work. It begins with the solo timpani thatimmediately sets the sneaking tone for the arachnids that have begun crawling. After a build-up in the woodwinds, thetrumpets introduce the terror with the main arachnid theme. From there, the tune is shared throughout the ensemble, givingnearly every instrument a chance to play the arachnid theme. A contrasting, calmer theme is introduced, simply to give ussome hope and relief that the arachnids will leave. The piece gradually grows more thick and dissonant over time, withwebby textures of woodwinds and muted brass. A short coda with the full ensemble ends the work where the piece reachesits climax.
$8.00 ≈
7.48€
Cape Breton & Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
Cape Breton & Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
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Intermediate
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Cape Breton & Prince Edwar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Banjo - Beginning; Intermediate; Advanced - SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - Digital Sheet Mus...
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Banjo - Beginning; Intermediate; Advanced - SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - Digital Sheet Music #31054MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31054MEB). ISBN 9781513477107. 8.75X11.75 inches.The island of Cape Breton & its close neighbor, Prince Edward Island in eastern Canada are home to two of the oldest, strongest, and most vibrant fiddling traditions in North America. Cape Breton gave rise to a professional Celtic-based fiddling scene to rival anything coming out of Scotland & Ireland. Prince Edward Island’s traditional fiddlers developed lively, idiosyncratic styles every bit as musically compelling as anything you’ll hear on archival recordings of iconic American old-time fiddlers from the Appalachians. This book features 136 tunes from these two distinct but related fiddling traditions, collected by the author directly from master fiddlers, and arranged note-for-note for clawhammer banjo with as much flavor and nuance as possible. These settings of reels, hornpipes, jigs, marches, strathspeys, airs, and other fiddle tunes are all eminently playable and fully benefit from the author’s half-century of experience playing banjo, arranging for banjo, writing banjo instruction books, and researching fiddle-music traditions. Here’s what you’ll find in this volume. 136 fiddle tunes arranged for clawhammer banjo in clear tablatureOver 40 musical examples & exercisesInstruction on basic and advanced techniquesFingering diagrams & detailed fingering suggestionsA systematic approach to playing up-the-neckA thorough treatment of playing triplets, grace notes, and other characteristic ornaments in clawhammerGuides on how to approach playing various kinds of fiddle tunesA framework for understanding the modes encountered in fiddle musicHistorical notes on the tunes and musical traditionsBiographical information on source fiddlers169 audio illustrations available online Note: Most audio illustrations for the tunes in this book are drawn directly from the author’s CDs, Devil in the Kitchen, Frails & Frolics, Island Boy, and Northern Banjo.
Song List
:
Andy Renwick's Ferret
Angus Campbell
Archie Menzies
The Banks Hornpipe
Bear River Jig
Bee's Wing Hornpipe, The
Belfast hornpipe, The
Belfast Jig
Big John McNeil
Bonaparte Crossing The Alps
Bonniest Lass in a' the World, The
Bonny Lass of Fisherrow, The
Bonny Lea Rig, The
Brae Reel, The
Braes of Auchtertyre, The
Brenda Stubbert's Reel
Caber Feidh
Cape Breton Wedding Reel, The
Captain Campbell
Carleton County Breakdown
Carnie's Canter
Chaisson Reel, The
Cheticamp Reel, The
Chorus Jig
Come Under My Plaidie
Compliments To Buddy Macmaster
Cutting Ferns
Darlin' Don't You Meddle Me
Delphine's Reel
Democratic Rage, The
Devil In The Kitchen
Dillon Brown
Dinkie's Reel
Don't Be Teasing
Dr Keith, Aberdeen
Dragger's Reel, The
Drunken piper, The
Dublin Porter
Duke of Gordon's Birthday, The
Durang's Hornpipe
East Neuk of Bear River, The
Emil Gaudet's Reel
Farmer's Daughter, The
Farmer's Reel, The
Fay's Hornpipe
Fermoy Lasses
Fig For A Kiss
Fisher's Hornpipe (F Setting)
Fred Wilson's Hornpipe
Glencoe March
Green Meadow Reel
Haggis, The
Hector's Fancy
Hector's New Dance Hall
High Level Hornpipe, The
Homeward Bound
Honeymoon, The
Inverness Jig
Irishman's Heart To The Ladies
Iron Man, The
Island Boy
Jack Webster's Reel
Jackson's Jig
Jenny Dang The Weaver
JEROME'S FAREWELL TO GIBRALTAR
Jerry Holland's Jig
Joe Kearney's Reel
Joe MacInnis' March
Kenmure's On & Awa', Willie
Killiecrankie
Koehler's Hornpipe
Lad O'beirne's Reel
Lasses of Glenaladale, The
Levantine's Barrel
Light & Airy
Little Donald In The Pigpen
Little Jack's Reel
Londonderry Hornpipe
Lord Gordon
Lord MacDonald's Reel
Macdonald's March Reel
Mackinnon's Rant
Marchioness of Tullibardine, The
Marie ? Pierre
Marquis of Huntly, The
Meeting of Waters, The
Miller o' Drone, The
Miller's Reel
Miramichi Fire, The
Miss Barker's Hornpipe
Miss Georgina Campbell
Miss Gordon
Miss Lyall Strathspey
Miss Maxwell
Mr. Murray
Munlochy Bridge
Munster Lass, The
North Side of the Grampians, The
Northside Tune
Orange & Blue, The
Ottawa Valley Reel
Paddy On The Turnpike
Pigeon On The Gatepost
Plains of Boyle, The
Poppy Leaf, ThePride of the Ball
Prince Edward Island Wedding Reel
Princess Reel
River Bend Jig
Robert Cormack, Aberdeen
Robert Stubbert
Rock Valley Jig
Rose in the Garden, The
Rose of Tennessee, The
Rothiemurchus Rant, The
Royal Circus Jig
Shandon Bells
Shores of Lough Gowna, The
Silver & Gold
Sleepy Maggie
Souris Breakwater
Southern Melody
St Anne's Reel -Original Version
St Anne's Reel -Prince County Version
St Kilda Wedding
Stack Of Barley
Stella's Trip To Kamloops
Stool of Repentance, The
Teviot Bridge
Trip To Windsor
West Point Jig
When I Go Out the Door
Where the North River Flows
Whiskey Jig
Wilfred's Fiddle
You Married My Daughter, & Yet
$24.99 ≈
23.36€
A Little Scherzo
A Little Scherzo
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Piano seul
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Reed Burkholder
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A Little Scherzo
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The FJH Music Company - Digital
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SheetMusicPlus
Piano Solo - Early Intermediate - SKU: F0.S4143 Composed by Reed Burkholder. Sheet Music. Spotlight Solo Sheets. Youngsters will grab on to the stop-and...
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Piano Solo - Early Intermediate - SKU: F0.S4143 Composed by Reed Burkholder. Sheet Music. Spotlight Solo Sheets. Youngsters will grab on to the stop-and-go motion of Monkey Bars, where one hand often rests while the other plays on! Solo Sheet. 3 pages. The FJH Music Company - Digital #S4143. Published by The FJH Music Company - Digital (F0.S4143). UPC: 674398216888.Expect big things from this little scherzo. A triplet pickup rolling into staccato triads give this piece its initial march-type feel. Then listen for simple yet surprising modulations that have real harmonic character. While rhythmically similar to Mad Max's March, it creates an altogether different, introspective impression. Consider them as a set! About FJH Spotlight Solo SheetsMotivating piano solos written for study and performance.
$2.95 ≈
2.76€
Souvenir de Porto Rico - Marche des Gibaros for Brass Quintet
Souvenir de Porto Rico - Marche des Gibaros for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Classique
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Gottschalk, Louis Moreau
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Hinterbichler, Karl
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Souvenir de Porto Rico - March
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Cherry Classics Music
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SheetMusicPlus
Brass Quintet - Advanced - Composed by Gottschalk, Louis Moreau. Arranged by Hinterbichler, Karl. Romantic Period. Score, Set of Parts. 27 pages. Publishe...
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Brass Quintet - Advanced - Composed by Gottschalk, Louis Moreau. Arranged by Hinterbichler, Karl. Romantic Period. Score, Set of Parts. 27 pages. Published by Cherry Classics Music
Gottschalk was one of America's firstimportant composers. His numerous worksfor piano are mostly light. His Marche desGibaros from the Souvenir de Porto Ricotranscribed by Karl Hinterbichler is lively andbright. American born Louis MoreauGottschalk (1829-1869) was one of thegreat pianist/composers of his day. Hebegan his career in Europe but spent mostof his life touring from coast to coast in theUS, as well as South America, and theCaribbean.
He composed more than 100 works whichcombine the typical European Romanticvirtuoso style with musical traditions fromSouth America, the Caribbean, Spain andsacred and popular songs from the UnitedStates.
Originally for solo piano, Souvenir de PortoRico (op. 31), bears the subtitle Marche desGibaros, a reference to the peasants of theisland. The simple melody derives from aPuerto Rican song 'Si me dan pasteles, lesdnmelos calientes,' 'If you give me cakes,give them to me hot,' sung by strollingmusicians during the Puerto RicanChristmas season. This simple melody isthen subjected to a series of variations. Themusic depicts the sound of strollingmusicians, first heard in the distance,coming ever closer, rising to a climax andthen fading as the Gibaros march away intothe distance. The syncopated rhythmsstrongly suggest its Caribbean origins.
Instrumentation is for 2 Trumpets in Bb(Trumpet 1 doubles on Piccolo), Horn,Trombone and Tuba.
$17.50 ≈
16.36€
Sweet But Psycho (arr. Jay Dawson) - Flute 1
Sweet But Psycho (arr. Jay Dawson) - Flute 1
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Flute (partie séparée)
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Pop musique
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Ava Max
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Sweet But Psycho
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Arrangers' Publishing Company
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SheetMusicPlus
SKU: HX.435234 By Ava Max. Pop. Marching Band. 1 pages. Published by Arrangers' Publishing Company (HX.435234). ...
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SKU: HX.435234 By Ava Max. Pop. Marching Band. 1 pages. Published by Arrangers' Publishing Company (HX.435234).
$5.99 ≈
5.60€
Sweet But Psycho (arr. Jay Dawson) - Alto Sax 2
Sweet But Psycho (arr. Jay Dawson) - Alto Sax 2
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Saxophone (partie séparée)
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Pop musique
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Ava Max
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Sweet But Psycho
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Arrangers' Publishing Company
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SheetMusicPlus
SKU: HX.435240 By Ava Max. Pop. Marching Band. 1 pages. Published by Arrangers' Publishing Company (HX.435240). ...
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SKU: HX.435240 By Ava Max. Pop. Marching Band. 1 pages. Published by Arrangers' Publishing Company (HX.435240).
$5.99 ≈
5.60€
Sweet But Psycho (arr. Jay Dawson) - Alto Sax 1
Sweet But Psycho (arr. Jay Dawson) - Alto Sax 1
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Saxophone (partie séparée)
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Pop musique
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Ava Max
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Sweet But Psycho
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Arrangers' Publishing Company
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SheetMusicPlus
SKU: HX.435239 By Ava Max. Pop. Marching Band. 1 pages. Published by Arrangers' Publishing Company (HX.435239). ...
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SKU: HX.435239 By Ava Max. Pop. Marching Band. 1 pages. Published by Arrangers' Publishing Company (HX.435239).
$5.99 ≈
5.60€
Sweet But Psycho (arr. Jay Dawson) - Baritone Sax
Sweet But Psycho (arr. Jay Dawson) - Baritone Sax
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Saxophone (partie séparée)
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Pop musique
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Ava Max
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Sweet But Psycho
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Arrangers' Publishing Company
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SheetMusicPlus
SKU: HX.435242 By Ava Max. Pop. Marching Band. 1 pages. Published by Arrangers' Publishing Company (HX.435242). ...
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SKU: HX.435242 By Ava Max. Pop. Marching Band. 1 pages. Published by Arrangers' Publishing Company (HX.435242).
$5.99 ≈
5.60€
Marie-Agnès Nataf: IL FUOCO RUBATO Anamorphoses III for piano
Marie-Agnès Nataf: IL FUOCO RUBATO Anamorphoses III for piano
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Piano seul
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INTERMÉDIAIRE
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Marie-Agnès Nataf
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Marie-Agnès Nataf: IL F
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.533330 Composed by Marie-Agnès Nataf. Concert,Contemporary. Score. 7 pages. Musik Fabrik Music Publishing #2344341. Pu...
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Piano Solo - Level 3 - SKU: A0.533330 Composed by Marie-Agnès Nataf. Concert,Contemporary. Score. 7 pages. Musik Fabrik Music Publishing #2344341. Published by Musik Fabrik Music Publishing (A0.533330). Il fuoco rubato is one of the 3 pieces for piano solo Anamorphoses whose titles areBartoquade I, Bartoquade II b and Il fuoco rubato. These pieces can be linked together as awhole, in that order. The duration is of 5 minutes. They can also be played separately, orgrouped by two (Bartoquades I et II b, duration 3’). The same approach governs the writing ofthese compositions : taking model on works of the repertoire and transforming them as muchas possible while keeping a lot of important parameters.There are many cautionary accidentals. They are not enclosed in brackets to avoidoverloading writing. They are not systematically mentionned. In case of doubt, one willconsider the logic of the composition. When useful, one can distribute differently notesbetween the 2 hands on the condition of respecting the balance between voices. The sign *[on measure 80 means chromatic cluster (F-F#-G). Marie-Agnès NATAF was born on March 2, 1952 at Issy-les-Moulineaux, in the suburbs of Paris, Before deciding to devote herself completely to music, she began by studying both mathematics and musics at the same time. She had a varied base in her musical training, which allowed her to understand the teaching of her main teacher Narcis BONET. She studied the piano, chamber music, musical analysis, harmony and also to a lesser degree the flute, counterpoint and conducting. As a pianist, she received a First Prize in Piano and in Chamber Music at the Orsay Conservatory, the Gold Medla at the National Music School of Cahcan and the Artist Diploma at the Ecole Normale de Musique de Paris – in the class of Germaine MOUNIER. For composition, she studied with Narcis BONET (who later invited her to the Conservatoire Américain of Fontainebleau as accompanist and teacher of French Diction), Yoshihisa TAÃRA, and Edith CANAT de CHIZY. Having taught for a time at the Ecole Normale de Musique de Paris, she is currently professor of piano at the Conservatoire Erik Satie of Villebon-sur-Yvette, Marie-Agnès Nataf has a double career of performer and composer. In both areas, she is especially attracted to chamber music, for the rich musical and human exchanges that this type of music permits. She has written her works Trois mélodies sur des poèmes de Marie-Isabelle SOLANO, Révolte sans paroles and Elan brisé for her colleagues the mezzo-soprano Nicole PARAMYTHIOTTI and the flutiste Isabelle MARCHAL with whom he has given concerts for many years. As a performer, she has premiered works by composers such as Gian-Paolo CHITI, Gloria COATES, Jean-Marie MACHADO, Yoshifumi UMEZAWA, Miao Wen WANG, without speaking of her own compositions. She also tries to discover high quality works of music which are rarely performed, especially works by women composers such as Thérèse BRENET, Dianne GOOLKASIAN-RAHBEE, Ruth LOMON. Her principal works are Trois mélodies sur des poèmes de Marie-Isabelle SOLANO, for mezzo-soprano and piano, 8'30, 1981-83-86. Bartoquade I - Anamorphoses I, 1', et Bartoquade II b - Anamorphoses II, 2', for piano, 1990 revised in 2012. Il fuoco rubato - Anamorphoses III for piano, 2', 1991 revised in 2012. Révolte sans paroles for mezzo-soprano, flute and piano, 16'30, 2000. and Elan brisé and flute and piano, 6'30, 2005. In 2001, on the ocassion of the premier of Révolte sans paroles at the Centre Culturel Jacques Brel of of Villebon-sur-Yvette, she was invited to give a conference on her works at the Conservatoire Erik Satie. In April 2002, her songs were selected by the ensemble North /South Consonance directed by Max LIFCHITZ in a competition. In 2012, the Bartoquades were chosen to be on the list of works proposed by the FFEM for their examination list for intermediate pianists. On the su.
$7.95 ≈
7.43€
Vive Le Roi, Vive La France
Vive Le Roi, Vive La France
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Luis de Persuis
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Vive Le Roi, Vive La France
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Maxime's Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1025631 Composed by Luis de Persuis. Arranged by Arranged for band by Vincenzo Gambaro and Modern edition by Craig Dabe...
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Concert Band - Level 3 - SKU: A0.1025631 Composed by Luis de Persuis. Arranged by Arranged for band by Vincenzo Gambaro and Modern edition by Craig Dabelstein. Romantic Period. Score and parts. 28 pages. Maxime's Music #4896461. Published by Maxime's Music (A0.1025631). Vive Le Roi, Vive La FranceMarche des Gardes du Corpsà Monseigneur le Duc de GrammontLouis-Luc Loiseau de Persuis (1769–1819)Arranged for band by Vincenzo Gambaro (1746?–1824?)Modern edition by Craig Dabelstein (1973–)Date: unknownInstrumentation: Concert BandDuration: 2:25Level: 3
$70.00 ≈
65.45€
Yes And?
Yes And?
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Fanfare
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Pop musique
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Ariana Grande
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Yes And?
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Levi Downing
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SheetMusicPlus
Marching Band - SKU: A0.1371857 By Ariana Grande. By Ariana Grande, Ilya Salmanzadeh, Martin Max, and Max Martin. Arranged by Levi Downing and Michael G...
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Marching Band - SKU: A0.1371857 By Ariana Grande. By Ariana Grande, Ilya Salmanzadeh, Martin Max, and Max Martin. Arranged by Levi Downing and Michael Glasser. Pop. 19 pages. Levi Downing #956042. Published by Levi Downing (A0.1371857). Arrangement of Ariana Grande's yes, and? for Pep Band instrumentation.
$50.00 ≈
46.75€
2 Be Loved (Am I Ready) - Shortened Version - Full Score and Parts
2 Be Loved (Am I Ready) - Shortened Version - Full Score and Parts
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Fanfare
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INTERMÉDIAIRE
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Pop musique
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Lizzo
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2 Be Loved
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Jayden Gaskins
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SheetMusicPlus
Marching Band - Level 3 - SKU: A0.1220950 By Lizzo. By Anders Svensson, Ilya Salmanzadeh, Max Martin, Melissa Jefferson, and Savan Kotecha. Arranged by ...
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Marching Band - Level 3 - SKU: A0.1220950 By Lizzo. By Anders Svensson, Ilya Salmanzadeh, Max Martin, Melissa Jefferson, and Savan Kotecha. Arranged by Arranged by Jayden Gaskins. Pop. 30 pages. Jayden Gaskins #817291. Published by Jayden Gaskins (A0.1220950). As a famously known song, coming in the top songs of 2022, Lizzo’s “2 Be Loved (Am I Ready)†has made its way to stadiums everywhere for both extended and shorter time periods and is sure to leave your audience breathless. Please note that the piece's middle section has been shortened (and can be shortened even more to the director's choosing) for smaller field shows or stand tunes.Extended Arrangement Duration: 2:58Short Arrangement Duration: 1:37.
$50.00 ≈
46.75€
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
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