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Melo Music Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
#
Orchestre
#
Classique
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
(+)
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
¥178.16
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
#
Orchestre
#
Classique
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
(+)
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00 ≈
¥178.16
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
#
Orchestre
#
Classique
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
¥178.16
La Fille aux Cheveaux de Lin / The Girl With The Flaxen Hair by Claude Debussy. Lead sheet - melody/
La Fille aux Cheveaux de Lin / The Girl With The Flaxen Hair by Claude Debussy. Lead sheet - melody/
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Ligne De Mélodie, (Paroles) et Accords
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Classique
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Claude Debussy
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Andre Maaker
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La Fille aux Cheveaux de Lin /
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SheetMusicHub
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SheetMusicPlus
Small Ensemble C Instrument - SKU: A0.597705 Composed by Claude Debussy. Arranged by Andre Maaker. 20th Century,Classical,Jazz,Romantic Period. Lead She...
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Small Ensemble C Instrument - SKU: A0.597705 Composed by Claude Debussy. Arranged by Andre Maaker. 20th Century,Classical,Jazz,Romantic Period. Lead Sheet / Fake Book. 4 pages. SheetMusicHub #5324391. Published by SheetMusicHub (A0.597705). Lead sheet style notation of La Fille aux Cheveaux de Lin / The Girl With The Flaxen Hair by Claude Debussy. The melody is written out as original. In some places second line is added as well. Chord symbols also indicate the original inversions of the chords.Original key Gb - so I've kept the Cb, Fb chords there. Feel free to replace them (Cb=B, Fb=E etc.). NB! The file also includes the same material in key of F#!
$4.00 ≈
¥28.51
En sourdine by Debussy for Low Voice and Chords
En sourdine by Debussy for Low Voice and Chords
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Ligne De Mélodie, (Paroles) et Accords
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DÉBUTANT
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Classique
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Claude Debussy
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Langanho
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En sourdine by Debussy for Low
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Avery Lynn Jordan
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1177278 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Lead Sheet / Fake Book....
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C Instrument - Level 1 - SKU: A0.1177278 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Lead Sheet / Fake Book. 2 pages. Avery Lynn Jordan #777286. Published by Avery Lynn Jordan (A0.1177278). This score was adapted for low voice and chords, so that the beginner or professional student can perform the piece with precision, because it was modified to better meet the musical needs of the interpreter, however, without losing the original essence of the work. This is Fêtes Galantes L. 80, a cycle of six melodies composed by Claude Debussy to poems by Paul Verlaine, and is composed of two books of three songs, which were composed over several years, and were premiered in 1904.
$3.99 ≈
¥28.44
Preludes
Preludes
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Piano Facile
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FACILE
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Classique
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Preludes
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Schott Music - Digital
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SheetMusicPlus
Piano - easy to advanced - 40 Piano Pieces from 5 Centuries. This edition: Sheet music. Schott Piano Classics. Downloadable. Schott Music - Digital #Q544...
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Piano - easy to advanced - 40 Piano Pieces from 5 Centuries. This edition: Sheet music. Schott Piano Classics. Downloadable. Schott Music - Digital #Q54432. Published by Schott Music - Digital
The prelude has a long history. Originating in the 16th century from the improvisatory use of an instrument and the introduction of a key, it reached its apogee in the Baroque period with Bach, Handel or Couperin as a playful form with triads and rapid passages. In the 19th century, the prelude broke new ground as an imaginative instrumental piece. Chopin and Debussy created a variety of forms and character pieces in their preludes, some with programmatic titles or as descriptions of images of nature or figurations. In the 20th century, composers such as Eduard Putz and Nikolai Kapustin also opened up the prelude to stylistic features of jazz. This volume is a 'melodious history' of the prelude and a treasure trove for lessons and for piano lovers who wish to discover something new. Works by Bach, Handel, Couperin, Bertini, Chopin, Heller, Kirchner, Debussy, Satie, Scriabin, Rachmaninoff, Gershwin, Kapustin, and many more.
$16.99 ≈
¥121.08
Footprints in the Snow by Debussy arr. for flute choir / ensemble
Footprints in the Snow by Debussy arr. for flute choir / ensemble
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy
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Footprints in the Snow by Debu
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as do Ray meflute studio production
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.874250 Composed by Claude Debussy. Arranged by Ray-Michael Kauffman , a doRayme flute studio production. 20th Century,C...
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Concert Band - Level 4 - SKU: A0.874250 Composed by Claude Debussy. Arranged by Ray-Michael Kauffman , a doRayme flute studio production. 20th Century,Concert,Contemporary. Score and parts. 21 pages. As do Ray meflute studio production #3927235. Published by as do Ray meflute studio production (A0.874250). Https://youtu.be/_e_043JWML4Des pas sur la neige is a musical composition by French composer Claude Debussy. It is the sixth piece in the composer's first book of Preludes, written between late 1909 and early 1910. The title is in French and translates to Footprints in the Snow . The piece is one of four Debussy preludes in book # 1. Thought to be inspired by the hugely popular French impressionist painting , called Snow at Louveciennes, Debussy's inspiration from Russian composer Modest Mussorgsky is evident in this piece through his utilization of a block-like dissonant chord just before the middle part of the piece My own personal touches on this piece, included extended chord progression and formation with small variants on melody and counter melodies, Also, more importantly, the expression of the performers interpretation as well as my own for the creation and musically paint a magical snow scene.Arranged and scored for piccolo, 6 flutes in c, alto flute in g, bass flute , opt. contra bass flute and / or optional cello.Perfect for large and small ensembles. Perfect for winter concerts, prelude services, recitals, concerts. I thought this impressionist piece, much like the the famous french paintings are a perfect pairing for winter, snow days, and environmental effects . Obviously, this is a professional arrangement, and super difficult to find on SHeetMusicPLus , compared to so many other simple and basic , cookie-cutter formatted arrangementsThis arrangement, however is true professionally arranged and definitely will stand out and shine for you ensemble or choir.A must for flute choir libraries!!
$14.00 ≈
¥99.77
Debussy - The Girl with the Flaxen Hair for Wind Quintet
Debussy - The Girl with the Flaxen Hair for Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Contemporain
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Lin Yizhi Ernest
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Debussy - The Girl with the Fl
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Lin Yizhi Ernest
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.748745 Arranged by Lin Yizhi Ernest. 20th Century. Score and parts. 10 pages. Lin Yi...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.748745 Arranged by Lin Yizhi Ernest. 20th Century. Score and parts. 10 pages. Lin Yizhi Ernest #6609931. Published by Lin Yizhi Ernest (A0.748745). Debussy's The Girl with the Flaxen Hair is an endearing piece and a great introduction to the musical world of Debussy. Every piano player would most probably be familiar with this piece, but not necessarily wind players. However, with this arrangement for Wind Quintet, the expressive voices of this piano piece are further explored by the colours of the Flute, Oboe, Clarinet, Horn and Bassoon.The opening solo is deliberately given to the flute, paying homage to another iconic piece of Debussy's, Prélude à l'après-midi d'un faune, which opens with a lower register flute solo starting with the same note Db.Conscious decisions were also made to give the phrases in bars 12-13 and 15-16 with larger melodic spreads to the Clarinet, whose expressive qualities across these ranges suit these phrases particularly well.The revisiting of the theme in bar 28, this time in a higher register, was deliberately given to the Oboe and not the flute (not every high register melodies needs to be assigned to the flute). Oboe's higher registers, when played delicately to the point of almost struggling to hang on to the higher notes, suit the sweetness (tre doux) of the solo passage particularly well.Not to forget the characteristic Debussy harmonies that is fully supported and suited to be powered by the French Horn and Bassoon. These lower voices provide the harmonic engine that powers this unmistakable Debussy sound.Truly, this arrangement is a challenge and masterclass in tone colour for the Wind Quintet that demands a simultaneous homogeneity, as well as balance that brings out the Debussy sound, yet allowing each of the characteristics of the Wind instruments to shine through.
$18.00 ≈
¥128.28
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
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Orgue
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AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Robert Orledge: A Night in the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishi...
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Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.
$12.95 ≈
¥92.29
Claude Debussy - Clair de lune (Moonlight) - lead sheet
Claude Debussy - Clair de lune (Moonlight) - lead sheet
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Instruments en Do
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Classique
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Claude Debussy
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Andre Maaker
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Claude Debussy - Clair de lune
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SheetMusicHub
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SheetMusicPlus
C Instrument - SKU: A0.720923 Composed by Claude Debussy. Arranged by Andre Maaker. 20th Century,Classical,Romantic Period,Wedding. Lead Sheet / Fake Bo...
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C Instrument - SKU: A0.720923 Composed by Claude Debussy. Arranged by Andre Maaker. 20th Century,Classical,Romantic Period,Wedding. Lead Sheet / Fake Book. 2 pages. SheetMusicHub #329286. Published by SheetMusicHub (A0.720923). This is a lead sheet style (melody, chords, form) notation of Clair de lune (Moonlight) by Claude Debussy. Lead sheet by Andre Maaker. From Wikipedia: Suite bergamasque (L. 75) is a piano suite by Claude Debussy. He began composing it around 1890, at the age of 28, but significantly revised it just before its 1905 publication. The popularity of the 3rd movement, Clair de lune, has made it one of the composer's most famous works for piano. The third movement of Suite bergamasque is Clair de lune, in D♠major. It is written in 9/8 meter and marked andante très expressif. Its title, which means moonlight in French, is taken from Verlaine's poem Clair de lune.
$4.00 ≈
¥28.51
O Holy Night for 2 pianos, 4 hands, Advanced, in the style of Debussy
O Holy Night for 2 pianos, 4 hands, Advanced, in the style of Debussy
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1 Piano, 4 mains
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AVANCÉ
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Noël
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Adolphe-Charles Adam
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Meryt Wilson
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O Holy Night for 2 pianos, 4 h
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Meryt Wilson,MusicForTheMaster
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.892262 Composed by Adolphe-Charles Adam. Arranged by Meryt Wilson. Christian,Christmas,Con...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.892262 Composed by Adolphe-Charles Adam. Arranged by Meryt Wilson. Christian,Christmas,Concert,Sacred. Score and parts. 12 pages. Meryt Wilson,MusicForTheMaster #3914965. Published by Meryt Wilson,MusicForTheMaster (A0.892262). Traditional Christmas melody classically arranged to reflect two of Claude Debussy's beautiful solo piano pieces, Clair de Lune and Arabesque No. 1. Suitable for service, recital, contest, and concert program music. Each part is 6 pages. This arranger also has a solo version of this 2-piano arrangement available on SMP.
$8.00 ≈
¥57.01
En sourdine by Debussy for Recorder and Chords
En sourdine by Debussy for Recorder and Chords
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Flûte à Bec
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DÉBUTANT
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Classique
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Claude Debussy
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Langanho
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En sourdine by Debussy for Rec
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Avery Lynn Jordan
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SheetMusicPlus
Recorder Solo - Level 1 - SKU: A0.1177396 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part. 2 pag...
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Recorder Solo - Level 1 - SKU: A0.1177396 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part. 2 pages. Avery Lynn Jordan #777405. Published by Avery Lynn Jordan (A0.1177396). This score was adapted for recorder and chords, so that the beginner or professional student can perform the piece with precision, because it was modified to better meet the musical needs of the interpreter, however, without losing the original essence of the work. This is Fêtes Galantes L. 80, a cycle of six melodies composed by Claude Debussy to poems by Paul Verlaine, and is composed of two books of three songs, which were composed over several years, and were premiered in 1904.
$2.99 ≈
¥21.31
En sourdine by Debussy for French Horn and Chords
En sourdine by Debussy for French Horn and Chords
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Cor
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Langanho
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En sourdine by Debussy for Fre
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Avery Lynn Jordan
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SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.1178148 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part. 2 ...
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French Horn Solo - Level 3 - SKU: A0.1178148 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part. 2 pages. Avery Lynn Jordan #778114. Published by Avery Lynn Jordan (A0.1178148). This score was adapted for french horn and chords, so that the beginner or professional student can perform the piece with precision, because it was modified to better meet the musical needs of the interpreter, however, without losing the original essence of the work. This is Fêtes Galantes L. 80, a cycle of six melodies composed by Claude Debussy to poems by Paul Verlaine, and is composed of two books of three songs, which were composed over several years, and were premiered in 1904.
$2.99 ≈
¥21.31
En sourdine by Debussy for Bassoon and Chords
En sourdine by Debussy for Bassoon and Chords
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Basson
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Langanho
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En sourdine by Debussy for Bas
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Avery Lynn Jordan
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SheetMusicPlus
Bassoon Solo - Level 3 - SKU: A0.1178166 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part. 2 page...
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Bassoon Solo - Level 3 - SKU: A0.1178166 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part. 2 pages. Avery Lynn Jordan #778131. Published by Avery Lynn Jordan (A0.1178166). This score was adapted for bassoon and chords, so that the beginner or professional student can perform the piece with precision, because it was modified to better meet the musical needs of the interpreter, however, without losing the original essence of the work. This is Fêtes Galantes L. 80, a cycle of six melodies composed by Claude Debussy to poems by Paul Verlaine, and is composed of two books of three songs, which were composed over several years, and were premiered in 1904.
$2.99 ≈
¥21.31
En sourdine by Debussy for Recorder
En sourdine by Debussy for Recorder
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Flûte à Bec
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DÉBUTANT
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Classique
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Claude Debussy
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Langanho
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En sourdine by Debussy for Rec
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Avery Lynn Jordan
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SheetMusicPlus
Recorder Solo - Level 1 - SKU: A0.1177398 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part. 2 pag...
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Recorder Solo - Level 1 - SKU: A0.1177398 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part. 2 pages. Avery Lynn Jordan #777407. Published by Avery Lynn Jordan (A0.1177398). This score was adapted for recorder, so that the beginner or professional student can perform the piece with precision, because it was modified to better meet the musical needs of the interpreter, however, without losing the original essence of the work. This is Fêtes Galantes L. 80, a cycle of six melodies composed by Claude Debussy to poems by Paul Verlaine, and is composed of two books of three songs, which were composed over several years, and were premiered in 1904.
$1.99 ≈
¥14.18
En sourdine by Debussy for Tuba
En sourdine by Debussy for Tuba
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Tuba
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Langanho
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En sourdine by Debussy for Tub
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Avery Lynn Jordan
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.1178176 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part. 2 pages. ...
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Tuba Solo - Level 3 - SKU: A0.1178176 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part. 2 pages. Avery Lynn Jordan #778140. Published by Avery Lynn Jordan (A0.1178176). This score was adapted for tuba, so that the beginner or professional student can perform the piece with precision, because it was modified to better meet the musical needs of the interpreter, however, without losing the original essence of the work. This is Fêtes Galantes L. 80, a cycle of six melodies composed by Claude Debussy to poems by Paul Verlaine, and is composed of two books of three songs, which were composed over several years, and were premiered in 1904.
$1.99 ≈
¥14.18
En sourdine by Debussy for French Horn
En sourdine by Debussy for French Horn
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Cor
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Langanho
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En sourdine by Debussy for Fre
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Avery Lynn Jordan
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SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.1178149 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part. 2 ...
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French Horn Solo - Level 3 - SKU: A0.1178149 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part. 2 pages. Avery Lynn Jordan #778115. Published by Avery Lynn Jordan (A0.1178149). This score was adapted for french horn, so that the beginner or professional student can perform the piece with precision, because it was modified to better meet the musical needs of the interpreter, however, without losing the original essence of the work. This is Fêtes Galantes L. 80, a cycle of six melodies composed by Claude Debussy to poems by Paul Verlaine, and is composed of two books of three songs, which were composed over several years, and were premiered in 1904.
$1.99 ≈
¥14.18
En sourdine by Debussy for Trumpet and Chords
En sourdine by Debussy for Trumpet and Chords
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Trompette
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DÉBUTANT
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Classique
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Claude Debussy
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Langanho
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En sourdine by Debussy for Tru
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Avery Lynn Jordan
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SheetMusicPlus
B-Flat Trumpet Solo - Level 1 - SKU: A0.1177406 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part....
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B-Flat Trumpet Solo - Level 1 - SKU: A0.1177406 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part. 2 pages. Avery Lynn Jordan #777416. Published by Avery Lynn Jordan (A0.1177406). This score was adapted for trumpet and chords, so that the beginner or professional student can perform the piece with precision, because it was modified to better meet the musical needs of the interpreter, however, without losing the original essence of the work. This is Fêtes Galantes L. 80, a cycle of six melodies composed by Claude Debussy to poems by Paul Verlaine, and is composed of two books of three songs, which were composed over several years, and were premiered in 1904.
$2.99 ≈
¥21.31
En sourdine by Debussy for Trombone
En sourdine by Debussy for Trombone
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Trombone
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Langanho
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En sourdine by Debussy for Tro
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Avery Lynn Jordan
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SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.1178171 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Baroque,Wedding. Individual part. 2 pages. Aver...
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Trombone Solo - Level 3 - SKU: A0.1178171 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Baroque,Wedding. Individual part. 2 pages. Avery Lynn Jordan #778135. Published by Avery Lynn Jordan (A0.1178171). This score was adapted for trombone, so that the beginner or professional student can perform the piece with precision, because it was modified to better meet the musical needs of the interpreter, however, without losing the original essence of the work. This is Fêtes Galantes L. 80, a cycle of six melodies composed by Claude Debussy to poems by Paul Verlaine, and is composed of two books of three songs, which were composed over several years, and were premiered in 1904.
$1.99 ≈
¥14.18
En sourdine by Debussy for Bassoon
En sourdine by Debussy for Bassoon
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Basson
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Langanho
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En sourdine by Debussy for Bas
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Avery Lynn Jordan
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SheetMusicPlus
Bassoon Solo - Level 3 - SKU: A0.1178168 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part. 2 page...
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Bassoon Solo - Level 3 - SKU: A0.1178168 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part. 2 pages. Avery Lynn Jordan #778133. Published by Avery Lynn Jordan (A0.1178168). This score was adapted for bassoon, so that the beginner or professional student can perform the piece with precision, because it was modified to better meet the musical needs of the interpreter, however, without losing the original essence of the work. This is Fêtes Galantes L. 80, a cycle of six melodies composed by Claude Debussy to poems by Paul Verlaine, and is composed of two books of three songs, which were composed over several years, and were premiered in 1904.
$1.99 ≈
¥14.18
En sourdine by Debussy for Clarinet
En sourdine by Debussy for Clarinet
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Clarinette
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Langanho
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En sourdine by Debussy for Cla
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Avery Lynn Jordan
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SheetMusicPlus
B-Flat Clarinet Solo - Level 3 - SKU: A0.1178134 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part...
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B-Flat Clarinet Solo - Level 3 - SKU: A0.1178134 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part. 2 pages. Avery Lynn Jordan #778097. Published by Avery Lynn Jordan (A0.1178134). This score was adapted for clarinet, so that the beginner or professional student can perform the piece with precision, because it was modified to better meet the musical needs of the interpreter, however, without losing the original essence of the work. This is Fêtes Galantes L. 80, a cycle of six melodies composed by Claude Debussy to poems by Paul Verlaine, and is composed of two books of three songs, which were composed over several years, and were premiered in 1904.
$1.99 ≈
¥14.18
En sourdine by Debussy for Trombone and Chords
En sourdine by Debussy for Trombone and Chords
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Trombone
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Langanho
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En sourdine by Debussy for Tro
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Avery Lynn Jordan
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SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.1178169 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part. 2 pag...
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Trombone Solo - Level 3 - SKU: A0.1178169 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part. 2 pages. Avery Lynn Jordan #778134. Published by Avery Lynn Jordan (A0.1178169). This score was adapted for trombone and chords, so that the beginner or professional student can perform the piece with precision, because it was modified to better meet the musical needs of the interpreter, however, without losing the original essence of the work. This is Fêtes Galantes L. 80, a cycle of six melodies composed by Claude Debussy to poems by Paul Verlaine, and is composed of two books of three songs, which were composed over several years, and were premiered in 1904.
$2.99 ≈
¥21.31
En sourdine by Debussy for Tuba and Chords
En sourdine by Debussy for Tuba and Chords
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Tuba
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Langanho
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En sourdine by Debussy for Tub
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Avery Lynn Jordan
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.1178175 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part. 2 pages. ...
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Tuba Solo - Level 3 - SKU: A0.1178175 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part. 2 pages. Avery Lynn Jordan #778139. Published by Avery Lynn Jordan (A0.1178175). This score was adapted for tuba and chords, so that the beginner or professional student can perform the piece with precision, because it was modified to better meet the musical needs of the interpreter, however, without losing the original essence of the work. This is Fêtes Galantes L. 80, a cycle of six melodies composed by Claude Debussy to poems by Paul Verlaine, and is composed of two books of three songs, which were composed over several years, and were premiered in 1904.
$2.99 ≈
¥21.31
En sourdine by Debussy for Voice and Chords
En sourdine by Debussy for Voice and Chords
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Instruments en Do
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Langanho
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En sourdine by Debussy for Voi
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Avery Lynn Jordan
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1177274 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Lead Sheet / Fake Book....
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C Instrument - Level 3 - SKU: A0.1177274 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Lead Sheet / Fake Book. 2 pages. Avery Lynn Jordan #777282. Published by Avery Lynn Jordan (A0.1177274). This score was adapted for voice and chords, so that the beginner or professional student can perform the piece with precision, because it was modified to better meet the musical needs of the interpreter, however, without losing the original essence of the work. This is Fêtes Galantes L. 80, a cycle of six melodies composed by Claude Debussy to poems by Paul Verlaine, and is composed of two books of three songs, which were composed over several years, and were premiered in 1904.
$3.99 ≈
¥28.44
En sourdine by Debussy for Flute
En sourdine by Debussy for Flute
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Flûte traversière
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DÉBUTANT
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Classique
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Claude Debussy
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Langanho
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En sourdine by Debussy for Flu
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Avery Lynn Jordan
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SheetMusicPlus
Flute Solo - Level 1 - SKU: A0.1177394 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part. 2 pages....
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Flute Solo - Level 1 - SKU: A0.1177394 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part. 2 pages. Avery Lynn Jordan #777403. Published by Avery Lynn Jordan (A0.1177394). This score was adapted for flute, so that the beginner or professional student can perform the piece with precision, because it was modified to better meet the musical needs of the interpreter, however, without losing the original essence of the work. This is Fêtes Galantes L. 80, a cycle of six melodies composed by Claude Debussy to poems by Paul Verlaine, and is composed of two books of three songs, which were composed over several years, and were premiered in 1904.
$1.99 ≈
¥14.18
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Melo Music Debussy
