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Vous avez sélectionné:
Middle Of A Memory
Partitions à imprimer
88 partitions trouvées
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Middle Of A Memory
Middle Of A Memory
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Country
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Cole Swindell
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Jeff Tincher
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Middle Of A Memory
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Jeff Tincher
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.582603 By Cole Swindell. By Ashley Gorley, Cole Swindell, and Zach Crowell. Arranged by Jeff Tincher. ...
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String Quartet String Quartet - Level 2 - SKU: A0.582603 By Cole Swindell. By Ashley Gorley, Cole Swindell, and Zach Crowell. Arranged by Jeff Tincher. Country. Score and parts. 16 pages. Jeff Tincher #3425851. Published by Jeff Tincher (A0.582603). This is a String Quartet (Violins 1 & 2, Viola, Cello) arrangement of one of Cole Swindell's big country hits. In the original key from his You Should Be Here CD, this song is great for any live venue. Includes the guitar solo. Visit my websites:https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 ≈
£9.86
Paths of Memory
Paths of Memory
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Harpe
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INTERMÉDIAIRE
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Classique
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Sabrina Rose Vaughan
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Paths of Memory
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Sabrina Vaughan
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SheetMusicPlus
Harp - Level 3 - SKU: A0.518754 By Sabrina Rose Vaughan. By Sabrina Rose Vaughan. Classical. Score. 7 pages. Sabrina Vaughan #129465. Published by Sabri...
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Harp - Level 3 - SKU: A0.518754 By Sabrina Rose Vaughan. By Sabrina Rose Vaughan. Classical. Score. 7 pages. Sabrina Vaughan #129465. Published by Sabrina Vaughan (A0.518754). Peaceful melody reminiscent of a lullaby, beginning in Gb major and ending in Db major. Includes some intricate fingering in the flowing middle section. For intermediate pedal harp.
$16.00 ≈
£12.15
"Like a Whirling Sand Clock" - for Clarinet, Cello and Piano [Performance Score and Parts]
"Like a Whirling Sand Clock" - for Clarinet, Cello and Piano [Performance Score and Parts]
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Clarinette, Violoncelle, Piano (trio)
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AVANCÉ
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Contemporain
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Lior Navok
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"Like a Whirling Sand Clo
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Lior Navok Music
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Piano - Level 5 - SKU: A0.976003 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 57 pages. Lior Navok ...
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Small Ensemble Cello,Clarinet,Piano - Level 5 - SKU: A0.976003 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 57 pages. Lior Navok Music #4716983. Published by Lior Navok Music (A0.976003). LIKE A WHIRLING SAND CLOCKfor Clarinet, Cello and Piano (2006) Duration: 10:30 minutes Instrumentation: Clarinet, Cello and Piano PROGRAM NOTES: The composer writes about his work: While composing Like a Whirling Sand Clock for clarinet, cello and piano I was occupied with the notion of leaking time process which is a micro cosmos of a larger process, best to be described as going back in time.In September 2006, I feel that the world is standing on a pivot point: on one hand, the various religious and political forces insist on rooting themselves deeper and deeper into what they see as the only truth, while in reality such ideas and especially the religious ones are extremely fundamentalist, reactionary and ill-minded. For me, such clashes of ideas and ideals are reminiscences of the dark middle-ages days and the crusades, where people killed people because of blind belief. Yet, in our days, with sophisticated mass destruction tools as developed most efficiently by humanity, one asks himself towards where we are heading and what will bring tomorrow. The feeling of evaporating, leaking time gets stronger and stronger while our era's events remind more and more what history books tells us.While imagining an ever-whirling sand clock that drops its sand grains one by one while the sand pile is collected at the upper tube and not the lower one, (thus indicating a going back in time process), one can imagine visually what I have tried to portrait with sounds.Like a Whirling Sand Clock was generously commissioned in memory of Adele and John Gray for clarinetist Chen Halevi. INFO: Item: Full Score / Set of Parts Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: Score: 33 Parts: 24Ink: Black & White Paper Size:DIN A4 / Letter.
$18.95 ≈
£14.39
Cole Swindell: Middle Of A Memory - voice, piano or guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Country
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Cole Swindell
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Virtualsheetmusic
Instantly printable sheet music by Cole Swindell for voice, piano or guitar of MEDIUM skill level. / country,pop
Instantly printable sheet music by Cole Swindell for voice, piano or guitar of MEDIUM skill level. / country,pop
$7.97 ≈
£6.05
Gymnopedie no 4 Original Piano solo (In memory of E Satie)
Gymnopedie no 4 Original Piano solo (In memory of E Satie)
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Piano seul
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INTERMÉDIAIRE
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Grant Horsley
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Gymnopedie no 4 Original Piano
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Grant Horsley
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.785740 Composed by Grant Horsley. 20th Century,Contemporary,Film/TV,Instructional,Wedding. Score. 5 pages. Grant Horsley ...
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Piano Solo - Level 3 - SKU: A0.785740 Composed by Grant Horsley. 20th Century,Contemporary,Film/TV,Instructional,Wedding. Score. 5 pages. Grant Horsley #6053701. Published by Grant Horsley (A0.785740). This Original Gymnopedie is in memory of the great E Satie.It is a very delicate 3/4 dance in true french impressionistic style which has a slightly quicker middle section.Ternary form- 4 pages-around 3 minutes 30 in length. Intermediate level, the whole score is on the youtube link for you to assess suitability.Great for concerts, weddings, incidental music, TV theme, Radio theme- or just something maybe a little different to play.
$5.00 ≈
£3.80
The Jig of Joy-dedicated to the memory of Cap't. Chris Adams
The Jig of Joy-dedicated to the memory of Cap't. Chris Adams
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Dave Anthony Setteducati
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The Jig of Joy-dedicated to th
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Anthony David Setteducati
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1026670 Composed by Dave Anthony Setteducati. Contemporary. Individual part. 2 pages. Anthony David Setteducati #6339353...
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Solo Guitar - Level 4 - SKU: A0.1026670 Composed by Dave Anthony Setteducati. Contemporary. Individual part. 2 pages. Anthony David Setteducati #6339353. Published by Anthony David Setteducati (A0.1026670). A happy jig dedicated to the memory of one of my students, killed by terrorists while serving in the military in the middle east. I wanted the piece to be joyful, for that is how I want everyone to remember him. For fingerstyle guitar. Stream the entire piece on Spotify, or download at iTunes.com. From the album My Guitar.
$5.99 ≈
£4.55
The Dream Of Olwen
The Dream Of Olwen
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Flûte et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Pamela Page
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Derek Hasted
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The Dream Of Olwen
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Derek Hasted
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 4 - SKU: A0.797785 By Pamela Page. By Charles Williams and Cheri Williams. Arranged by Derek Ha...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 4 - SKU: A0.797785 By Pamela Page. By Charles Williams and Cheri Williams. Arranged by Derek Hasted. 20th Century,Contemporary,Film/TV. Score and parts. 14 pages. Derek Hasted #5792281. Published by Derek Hasted (A0.797785). THE DREAM OF OLWEN - FLUTE and GUITARFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This fantastic piece was written as an integral part of the film While I Live, and such is the power and emotion in the music, it has achieved a recognition that has far outlasted the film.The flute part has a compass from Middle C to the G two-and-a-half octaves up and suits an intermediate player.The guitar part will suit an advanced intermediate player - much of the music is fingered for ease of playing.My arrangement captures all of the original, fiendishly difficult, piano composition, but uses the sweet tone of the guitar and flute to add quality, rather than quantity, to the notes, creating a soundscape that works effectively and makes a piece lasting almost 4 minutes. The ability of the flute to hold a long note makes the music come alive and blossom even more.The centre section has a simpler accompaniment than the original to avoid an overly fussy and unsatisfactory sound. Elsewhere the accompaniment retains much of the original harmony and rhythm, but tailored to the gentle sounds of the flute and guitar.I hope you enjoy playing this piece!Dedicated to the memory of my maternal grandmother Olwen
$4.99 ≈
£3.79
I Sing the Mighty Power of God (for Voice and 8-note Boomwhackers®)
I Sing the Mighty Power of God (for Voice and 8-note Boomwhackers®)
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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I Sing the Mighty Power of God
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Sharon Wilson
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SheetMusicPlus
Boomwhackers,Piano Accompaniment,Voice - Level 2 - SKU: A0.565097 By Sharon Wilson. By Isaac Watts. Arranged by Sharon Wilson. Children,Instructional,Pr...
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Boomwhackers,Piano Accompaniment,Voice - Level 2 - SKU: A0.565097 By Sharon Wilson. By Isaac Watts. Arranged by Sharon Wilson. Children,Instructional,Praise & Worship,Sacred,Traditional. 10 pages. Sharon Wilson #3409393. Published by Sharon Wilson (A0.565097). This arrangement is for voice (either solo or unison group singing) with chord accompaniment using 8-note (C major diatonic scale) Boomwhackers® and an optional easy Piano accompaniment. The following pages provide several options for learning, teaching, and enjoying this timeless hymn. This packet includes the following pages: * chord chart using colored noteheads corresponding to the Boomwhackers® color system* 2-page combined score with the melody (for voice with the lyrics for one verse) on the top staff and Boomwhackers® 3-note chords on the bottom staff* 1-page melody staff with lyrics and chord names (referring to the chord chart, follow the chord names above the staff to whack out the 3 beats in each measure using the corresponding Boomwhackers®* 1-page with lyrics and chords for 3 verses divided into beats (referring to the chord chart, whack out the beat using the corresponding chord indicated above each syllable, word, or phrase); this page is most useful once the melody and rhythm have been learned* 1-page piano accompaniment score (the right hand plays the melody, especially helpful if the melody is unfamiliar)This arrangement is one of the hymns in a series of Timeless Hymns for Voice and Boomwhackers®. These hymn arrangements provide an excellent teaching tool for families, schools, churches, and other children's ministries. Children will enjoy learning the lyrics and tunes of these classic hymns while accompanying themselves by whacking out chords with the Boomwhackers®. Frequent use of these songs will store the hymns' messages in their memory which they will cherish throughout their lifetime. Other suggestions and uses: * have the melody played by other instruments with a chromatic scale range of middle C to the second D above such as 20-note handbells, xylophones, or recorders; alternate singing one verse with playing an instrument on the melody for a second verse* use multiple sets of Boomwhackers® to amplify the sound and allow more people to enjoy whacking the tubes* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make as many copies as needed for one family, church, or other group. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99 ≈
£4.55
Variations on a Theme by Brahms
Variations on a Theme by Brahms
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Cloches
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FACILE
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Classique
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Johannes Brahms and Michael He
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Variations on a Theme by Brahm
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, or 5 octaves handbells - Level 2 - SKU: C7.CGB425 Composed by Johannes Brahms and Michael Helman. Arranged by Johannes Brahms and Michael Helman. ...
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3, 4, or 5 octaves handbells - Level 2 - SKU: C7.CGB425 Composed by Johannes Brahms and Michael Helman. Arranged by Johannes Brahms and Michael Helman. General. With Congregation. Score. 8 pages. Chorister's Guild - Digital #CGB425. Published by Chorister's Guild - Digital (C7.CGB425). UPC: 749193010921.Commissioned in memory of Carolyn Tenery, the bright opening and closing themes of this original composition are filled with syncopation, expressing the colorful and happy nature of Carolyn's personality. Sections using mallets, echoes, martellatos and shakes are employed, as Carolyn was a percussionist who loved techniques on handbells. The contrasting middle section is the blue period, and is best played on handchimes if possible. This work is suitable for worship, festivals and concerts. The alternate title, The Colors of Love, may be used in secular settings.
$4.50 ≈
£3.42
The Colors of God's Love (The Colors of Love)
The Colors of God's Love (The Colors of Love)
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Cloches
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INTERMÉDIAIRE
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Valerie W Stephenson
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The Colors of God's Love
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, 5, or 6 octaves handbells - Level 3 - SKU: C7.CGB432 Composed by Valerie W Stephenson. General. With 3 octaves handchimes, Congregation. Score. 12...
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3, 4, 5, or 6 octaves handbells - Level 3 - SKU: C7.CGB432 Composed by Valerie W Stephenson. General. With 3 octaves handchimes, Congregation. Score. 12 pages. Chorister's Guild - Digital #CGB432. Published by Chorister's Guild - Digital (C7.CGB432). UPC: 749193011003.Commissioned in memory of Carolyn Tenery, the bright opening and closing themes of this original composition are filled with syncopation, expressing the colorful and happy nature of Carolyn's personality. Sections using mallets, echoes, martellatos and shakes are employed, as Carolyn was a percussionist who loved techniques on handbells. The contrasting middle section is the blue period, and is best played on handchimes if possible. This work is suitable for worship, festivals and concerts. The alternate title, The Colors of Love, may be used in secular settings.
$4.95 ≈
£3.76
The Pines Of Roselawn, Intermezzo For Solo Cello and Strings (Cello and Piano Arrangement)
The Pines Of Roselawn, Intermezzo For Solo Cello and Strings (Cello and Piano Arrangement)
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Geraldine Green
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Geraldine Green
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The Pines Of Roselawn, Interme
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Geraldine
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.1300648 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Class...
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Cello,Piano - Level 4 - SKU: A0.1300648 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. Score and part. 22 pages. Geraldine (Denny) Green at Oakmountmusic #890388. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1300648). ALL PURCHASES COME WITH SCORE AND PARTSThe Pines Of Roselawn, Intermezzo for Solo Cello and Strings – October 2012.  Duration Approx. 12 minutesThis piece was written in memory of my father, Colum Denny, who passed away in May 2012.It is slow, beautiful and very Romantic in character. Its middle section is more turbulent with an exciting mixture of intensity and soaring “flying musicâ€.While the orchestral parts are fairly straightforward, the cello solo part would suit a cellist of about grade 7 upwards.There are 4 arrangements available;No.1 – School Arrangement ;  for Cello solo, Violins 1, 2 and 3. Cellos 1 and 2No.2 – Standard Arrangement; for Cello solo, Violins 1 and 2, Viola, Cello and Double BassNo.3 – Cello Solo and PianoNo.4 – Viola Solo and Piano.
$15.00 ≈
£11.39
The Pines Of Roselawn, Intermezzo For Solo Cello and Strings (Viola and Piano Arrangement)
The Pines Of Roselawn, Intermezzo For Solo Cello and Strings (Viola and Piano Arrangement)
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Geraldine Green
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Geraldine Green
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The Pines Of Roselawn, Interme
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Geraldine
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1300651 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Class...
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Piano,Viola - Level 4 - SKU: A0.1300651 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. Score and part. 22 pages. Geraldine (Denny) Green at Oakmountmusic #890393. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1300651). ALL PURCHASES COME WITH SCORE AND PARTSThe Pines Of Roselawn, Intermezzo for Solo Cello and Strings – October 2012.  Duration Approx. 12 minutesThis piece was written in memory of my father, Colum Denny, who passed away in May 2012.It is slow, beautiful and very Romantic in character. Its middle section is more turbulent with an exciting mixture of intensity and soaring “flying musicâ€.While the orchestral parts are fairly straightforward, the cello solo part would suit a cellist of about grade 7 upwards.There are 4 arrangements available;No.1 – School Arrangement ;  for Cello solo, Violins 1, 2 and 3. Cellos 1 and 2No.2 – Standard Arrangement; for Cello solo, Violins 1 and 2, Viola, Cello and Double BassNo.3 – Cello Solo and PianoNo.4 – Viola Solo and Piano.
$15.00 ≈
£11.39
The Pines Of Roselawn, Intermezzo For Solo Cello and Strings (School Arrangement)
The Pines Of Roselawn, Intermezzo For Solo Cello and Strings (School Arrangement)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Geraldine
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The Pines Of Roselawn, Interme
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Geraldine
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1300644 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 53 pages. Ge...
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String Orchestra - Level 4 - SKU: A0.1300644 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 53 pages. Geraldine (Denny) Green at Oakmountmusic #890377. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1300644). ALL PURCHASES COME WITH SCORE AND PARTSThe Pines Of Roselawn, Intermezzo for Solo Cello and Strings – October 2012.  Duration Approx. 12 minutesThis piece was written in memory of my father, Colum Denny, who passed away in May 2012.It is slow, beautiful and very Romantic in character. Its middle section is more turbulent with an exciting mixture of intensity and soaring “flying musicâ€.While the orchestral parts are fairly straightforward, the cello solo part would suit a cellist of about grade 7 upwards.There are 4 arrangements available;No.1 – School Arrangement ;  for Cello solo, Violins 1, 2 and 3. Cellos 1 and 2No.2 – Standard Arrangement; for Cello solo, Violins 1 and 2, Viola, Cello and Double BassNo.3 – Cello Solo and PianoNo.4 – Viola Solo and Piano.
$25.00 ≈
£18.98
The Pines Of Roselawn, Intermezzo For Solo Cello and Strings (Standard Arrangement)
The Pines Of Roselawn, Intermezzo For Solo Cello and Strings (Standard Arrangement)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Geraldine
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The Pines Of Roselawn, Interme
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Geraldine
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1300645 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 54 pages. Ge...
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String Orchestra - Level 4 - SKU: A0.1300645 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 54 pages. Geraldine (Denny) Green at Oakmountmusic #890382. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1300645). ALL PURCHASES COME WITH SCORE AND PARTSThe Pines Of Roselawn, Intermezzo for Solo Cello and Strings – October 2012.  Duration Approx. 12 minutesThis piece was written in memory of my father, Colum Denny, who passed away in May 2012.It is slow, beautiful and very Romantic in character. Its middle section is more turbulent with an exciting mixture of intensity and soaring “flying musicâ€.While the orchestral parts are fairly straightforward, the cello solo part would suit a cellist of about grade 7 upwards.There are 4 arrangements available;No.1 – School Arrangement ;  for Cello solo, Violins 1, 2 and 3. Cellos 1 and 2No.2 – Standard Arrangement; for Cello solo, Violins 1 and 2, Viola, Cello and Double BassNo.3 – Cello Solo and PianoNo.4 – Viola Solo and Piano.
$25.00 ≈
£18.98
Middle of a Memory by Cole Swindell - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Country
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Cole Swindell
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Middle of a Memory
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Musicnotes
Performed by: Cole Swindell: Middle of a Memory Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar, inst...
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Performed by: Cole Swindell: Middle of a Memory Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 9 pages -- Country~~Country-Pop~~Contemporary Country
$5.99 ≈
£4.55
Middle Of A Memory
Middle Of A Memory
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Piano, Voix et Guitare
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Country
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Pop
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Middle Of A Memory
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
This edition: Interactive Download. Country; Pop. Piano/Vocal/Guitar (chords only). 9 pages. Published by Hal Leonard - Digital Sheet Music (HX.356926). - Piano...
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This edition: Interactive Download. Country; Pop. Piano/Vocal/Guitar (chords only). 9 pages. Published by Hal Leonard - Digital Sheet Music (HX.356926). - Piano/Vocal/Guitar (chords only) - Country; Pop - Hal Leonard - Digital Sheet Music
$4.99 ≈
£3.79
Reflections
Reflections
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Quatuor à cordes: 2 violons, alto, violoncelle
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Contemporain
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Alexander Burdiss
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Reflections
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Ars Nova Press
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.932210 Composed by Alexander Burdiss. 20th Century,Contemporary. Score and parts. 48 pages. Ars Nova Press #5372...
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String Quartet String Quartet - SKU: A0.932210 Composed by Alexander Burdiss. 20th Century,Contemporary. Score and parts. 48 pages. Ars Nova Press #5372785. Published by Ars Nova Press (A0.932210). Alexander Burdissfor String Quartet Performance Time: approx. 9:30Dedicated to 于倩Reflections is a work for string quartet that embodies the ambiguity of human memory, and reflections upon those memories. A theme is played, and when it is repeated it isn’t quite how you remembered it. The whole work is also in a rondo form, where the second half of the piece mirrors the first half. The mirror in the middle of the work is also a reflection of the original theme, but shown in a new harmonic context, showing how a memory can be seen in very different lights depending on how it is framed. Overall, the work tries to capture how ambiguous our memories and thoughts can be, and intrigue the listener with the same kind of wonder that so frequently enthralls the composer.
$7.99 ≈
£6.07
Fantasia In F, K. 594
Fantasia In F, K. 594
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Robert Stevens
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Fantasia In F, K. 594
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SAXpress.com
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1420092 Composed by Wolfgang...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1420092 Composed by Wolfgang Amadeus Mozart. Arranged by Robert Stevens. Chamber,Classical. 40 pages. SAXpress.com #1001523. Published by SAXpress.com (A0.1420092). Fantasia In F, K. 594 by Mozart, arranged for Saxophone Quintet SAATB or SSATB. Although originally intended for clockwork organ, this piece is also well known in arrangements for duo pianos, string quartet, orchestra, and woodwind quintet. This arrangment is for SAATB or SSATB saxophone quintet.This amazing work was composed in the last year of Mozart's life to fulfil an unusual commission. A wealthy Viennese aristocrat, Joseph Deym von Strzitez, owned several mechanical organs (also called musical clocks). One of these was in a public exhibit dedicated to the memory of a military hero. Deym wanted new music every week for his exhibit. This Fantasia In F, K. 594 is the first of three works Mozart composed especially for it.Mozart's original title is Adagio and Allegro for Mechanical Organ. Although dissatisfied with the timbre of the instrument, Mozart was plesed to have Deym's money. The music itself exceeded all expectations. One newspaper reported: Every hour one hears a suitable music which the unforgettable composer Mozart wrote especially for it. It surpasses in precision and clarity everything which was ever attempted or designed for this kind of artistic product. Fantasia In F begins and concludes with an adagio in F minor with slow moving chords and a gently descending, weeping melody line. The middle section is in F major and features trumpet calls and flashy counterpoint. All players will be well occupied with this piece.This arrangement for saxophone quintet is in the original keys of F minor and F major. The Alto Sax 1 part has long sections of 16th note passage work and requires great flexibility on the palm keys. The Soprano Sax 2 (Alto 1 sub) makes those sections much easier. An ideal solution would be to have the alto 1 player switch to soprano sax for the middle section.T.
$24.95 ≈
£18.94
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
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Voix Tenor
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AVANCÉ
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishin...
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Tenor Voice,Vocal Solo - Level 5 - SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishing #2331251. Published by Musik Fabrik Music Publishing (A0.533282). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95 ≈
£12.87
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Voix Baryton, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishi...
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Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95 ≈
£12.87
Only from Blood Does Freedom Grow (Full Score and Parts)
Only from Blood Does Freedom Grow (Full Score and Parts)
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Orchestre
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FACILE
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom G
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stanleymhoffman.com
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. St...
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Full Orchestra - Level 2 - SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
$68.00 ≈
£51.63
Only from Blood Does Freedom Grow (Piano/Choral Score)
Only from Blood Does Freedom Grow (Piano/Choral Score)
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Chorale SATB
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FACILE
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom G
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 2 - SKU: A0.1465704 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,...
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Choral Choir,Choral,SATB Chorus divisi - Level 2 - SKU: A0.1465704 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 16 pages. Stanleymhoffman.com #1044314. Published by stanleymhoffman.com (A0.1465704). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30.
$4.00 ≈
£3.04
Four Dimensions for Piano
Four Dimensions for Piano
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Piano seul
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Contemporain
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setting the melodic fragment a
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Mark Wilson
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Four Dimensions for Piano
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Mark Wilson
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SheetMusicPlus
Piano Solo - SKU: A0.1033214 Composed by Mark Wilson. Contemporary. Score. 27 pages. Mark Wilson #6268685. Published by Mark Wilson (A0.1033214).
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Piano Solo - SKU: A0.1033214 Composed by Mark Wilson. Contemporary. Score. 27 pages. Mark Wilson #6268685. Published by Mark Wilson (A0.1033214). When my friend, the composer and pianist Neil Crossland, asked me to write a work for him to perform, he requested that I give the piece a distinctly Scottish flavour. Perhaps as a consequence, hailing from Scotland as I do, the resulting work is distinctly autobiographical in nature. This is a challenging piece, aimed at advanced players. The four movements reflect the preoccupations of four stages of (my) life as seen in hindsight. The word dimensions in the piece's title refers to facets of my own character. The first movement, Complications, represents the self-image of the young. The music is adventurous and academic, full of the potential of a life yet to be lived and the earnest self obsession of youth. The second movement, Romance, is the search for love, though seen through the lens of memory and therefore touched with sadness. The third, Transience, shows the uncertainties of middle age, so full of frustration and of nostalgia. This movement contains my setting of the Jacobian poem Will Ye No Come Back Again?. The last movement, Revelry, blows away the uncertainties of the third movement with the driving energy of a Scottish reel. Perhaps increasing age brings a certain perspective; what does it matter if you have more past than future? Just get up and dance and let Dr. Music sweep your cares away. The piece features a musical fragment (first heard in bar 26 of the first movement) which has been the cause of much amusement between Neil Crossland and myself over the years. Neil has been composing music since his teens but the art has only much more recently become a big part of my life. However, musical ideas have always had a tendency to come into my head and, several years ago, I decided to play these two bars to Neil. Every so often, in the years that followed, he would teasingly ask me how my new piece was coming on, knowing full well that I'd have to admit that my magnum opus was still only two bars long! By setting the melodic fragment at the heart of this composition I have finally ensured that he can tease me about it no longer. More importantly, I hope that Neil enjoys our little in-joke.The audio file for this work is beautifully performed by the work's dedicatee, Neil Crossland.
$9.99 ≈
£7.58
In the Silence
In the Silence
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Cor et Piano
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Daniel Baldwin
In t
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Daniel Baldwin
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In the Silence
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Imagine Music - Digital
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SheetMusicPlus
Horn & piano - Grade 4 - SKU: IZ.IMS1512 Composed by Daniel Baldwin. Score and Parts. 18 pages. Duration 10 minutes, 20 seconds. Imagine Music - Digital...
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Horn & piano - Grade 4 - SKU: IZ.IMS1512 Composed by Daniel Baldwin. Score and Parts. 18 pages. Duration 10 minutes, 20 seconds. Imagine Music - Digital #IMS1512. Published by Imagine Music - Digital (IZ.IMS1512). 9 x 12 in inches.For Horn & Piano.By Daniel BaldwinIn the Silence for Euphonium and Band was commissioned by the Holcomb, KS, High School band (Paul White, director) in the winter of 2010. It was commissioned after the death of a recent graduate, Tanner Born, a euphonium player who participated in the band for all four years of high school. Tanner's parents funded the commission in his memory and asked that I not just make it a memorial piece, but a celebration of his life. Tanner was an avid bowler (illustrated in the rhythmic and celebratory middle section), golfer, and band member.In the Silence is by turns beautiful and contemplative, as well as dark and dramatic, framing an enjoyable and rhythmic affirmation of life. The piece was premiered on Tuesday, May 10, 2011 by the Holcomb High School band, Jim Krohn conducting, with Travis Keller as the euphonium soloist. I had the distinct honor of sitting in Tanner's chair and playing euphonium with the band at the premiere.It was just around a year earlier that Tanner had started attending the church in Garden City where I was choir director in 2009. I was introduced to him and remember a kind face. It was a surreal experience when I was reminded of that introduction after the premiere.You never know where life will take you and how our lives can be intertwined with the lives of others without even being aware of it. It was a wonderful reminder to me that with just a simple twist of fate, the smallest of moments can lead to some of the most powerful moments in our lives.
$15.00 ≈
£11.39
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Piano seul
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INTERMÉDIAIRE
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Bill Chase
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Jeff Tincher
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Jeff Tincher
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Piano Solo - Level 3 - SKU: A0.1289409 By Bill Chase. By Bill Chase, Jeff Moore, and Scott Boerma. Arranged by Jeff Tincher. Contemporary,Jazz,Rock. Sco...
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Piano Solo - Level 3 - SKU: A0.1289409 By Bill Chase. By Bill Chase, Jeff Moore, and Scott Boerma. Arranged by Jeff Tincher. Contemporary,Jazz,Rock. Score. 10 pages. Jeff Tincher #880155. Published by Jeff Tincher (A0.1289409). Here is a song that still thrills me to listen to. If you like screaming trumpets, this song is for you. In the original key from the LP Chase, this song is a fast, driving piece. One note about this arrangement...I know it's next to impossible to play both the melody and the chords in some parts of this arrangement. I wanted to keep the arrangement as it appears in the record as close as possible. I have a fond memory of this song and am sorry you can't experience this version anymore. I was working in a department store electronics dept the year Quadrophonic music came out. Quad was the precursor to Surround Sound. To stand in the middle of 4 speakers facing you and here the opening riffs of this song bounce from one speaker to the next is an experience that is hard to describe. There is a youTube video that has the Quad version posted. But it just isn't the same.
$5.99 ≈
£4.55
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