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Minutes, Op. 41 No. 3
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Vous avez sélectionné:
Minutes, Op. 41 No. 3
Partitions à imprimer
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Minutes, Op. 41 No. 3
Minutes, Op. 41 No. 3
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Anna Magdalena Notebook
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Samuel Wellman
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Minutes, Op. 41 No. 3
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Samuel Wellman
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.882122 Composed by Anna Magdalena Notebook. Arranged by Samuel Wellman. 20th Century,Baroque,Jazz. Score. 2 pages. Samuel...
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Piano Solo - Level 4 - SKU: A0.882122 Composed by Anna Magdalena Notebook. Arranged by Samuel Wellman. 20th Century,Baroque,Jazz. Score. 2 pages. Samuel Wellman #3686733. Published by Samuel Wellman (A0.882122). 'Minutes' is a distortion of the word 'Minuet.' Like my other piece, 'Menu,' 'Minutes' is a jazz arrangement of one of the minuets from the Anna Magdalena Notebook (the one in G with all of the eighth notes). The jazz element is not present rhythmically, but the harmonies exhibit what one may expect in a sophisticated jazz styling.
$2.50 ≈
¥18.01
Concerto for Oboe in Bb Major, Op. 9 No. 11
Concerto for Oboe in Bb Major, Op. 9 No. 11
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Tomaso Albinoni
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Don Werdick (1946 - )
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Concerto for Oboe in Bb Major,
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.955165 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and part. 41 pages. Cha...
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Oboe,Piano - Level 4 - SKU: A0.955165 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and part. 41 pages. Chamber Ensemble of Minnesota, Inc. #6026089. Published by Chamber Ensemble of Minnesota, Inc. (A0.955165). Oboe solo part, Oboe + Piano Score and Piano Accompaniment of the Concerto for Oboe in Bb Major, Op. 9, No. 11 and String Orchestra, composed in 1722 by T. Albinoni, arranged by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 50 seconds During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
$8.75 ≈
¥63.05
Studies on Chopin's Etudes
Studies on Chopin's Etudes
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Piano seul
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AVANCÉ
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Classique
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Frederic Chopin
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Leopold Godowsky
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Studies on Chopin's Etudes
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Robert Lienau Edition
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SheetMusicPlus
Composed by Frederic Chopin (1810-1849). Arranged by Leopold Godowsky. Downloadable, performance book. Op Band 5 No. 41-48. Duration 28 minutes and 3 ...
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Composed by Frederic Chopin (1810-1849). Arranged by Leopold Godowsky. Downloadable, performance book. Op Band 5 No. 41-48. Duration 28 minutes and 3 seconds. Robert Lienau Edition #Q555041. Published by Robert Lienau Edition
$16.99 ≈
¥122.43
Somewhere Over The Rainbow (solo piano)
Somewhere Over The Rainbow (solo piano)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Film/TV
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Harold Arlen and E
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Rupert Austin
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Somewhere Over The Rainbow
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Rupert Austin
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SheetMusicPlus
By Harold Arlen and E. Y. Harburg. Arranged by Rupert Austin. 6 pages. Published by Rupert Austin...
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By Harold Arlen and E. Y. Harburg. Arranged by Rupert Austin. 6 pages. Published by Rupert Austin
An arrangement of the timeless classic song that combines the rich harmonic palette of the jazz idiom with some keyboard techniques of the 19th century romantic composers. Performance duration is about 3 minutes 45 seconds, and a performance can be viewed at youtube.com/c/rupertaustin/videos.
A six bar introduction hints at the bridge of the song before the first two verses are presented; the first with chordal writing and the second introducing some left hand arpeggios. The first appearance of the bridge stays close to the original. This is followed by two more verses where the right hand takes flight with figurations that at first outline the famous melody, before the roulades of notes lose sight of the melody and instead weave around the harmonic changes. At bar 48 the bridge reappears with the melody incorporated into a right hand figuration inspired by passages from a Chopin etude (Op. 25, No. 11). However, the much slower tempo makes this section far more approachable than Chopin's fearsome etude. At bar 56 an earlier version of the verse is repeated, which then leads to the close.
A flexible tempo should be used, with generous rubato in appropriate places. In particular, bar 41 should not sound rushed and tempo can be held back significantly here. Fingering suggestions are given in many places, but these will not suit all hands. The closest attention to fingering is required in bars 48-49 and 52-54. The dynamic markings should be viewed as a rough guide and the performer is encouraged to find their own interpretation.
$6.50 ≈
¥46.84
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Minutes, Op. 41 No. 3
