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Mirror contemporary piano piece
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Vous avez sélectionné:
Mirror contemporary piano piece
Partitions à imprimer
71 partitions trouvées
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Mirror - contemporary piano piece
Mirror - contemporary piano piece
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Piano Facile
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FACILE
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Rino Jose Tirri Suarez
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Mirror - contemporary piano pi
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Rino Jose Tirri Suarez
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1026481 Composed by Rino Jose Tirri Suarez. 20th Century,Concert,Contemporary,Wedding. Score. 3 pages. Rino Jose Tirri Su...
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Easy Piano - Level 2 - SKU: A0.1026481 Composed by Rino Jose Tirri Suarez. 20th Century,Concert,Contemporary,Wedding. Score. 3 pages. Rino Jose Tirri Suarez #6521435. Published by Rino Jose Tirri Suarez (A0.1026481). Mirror is a piece I composed for piano solo, it has a beautiful melody that makes you feel like if it was part of a opening or ending from a anime. I would describe it as pure, inocent, might be romantic and lovelyI hope you like it
$5.00 ≈
4.50€
En Face Du Miroir (Facing The Mirror)
En Face Du Miroir (Facing The Mirror)
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Piano seul
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AVANCÉ
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Jazz
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Ma...
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Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:
"En Face Du Miroir (Facing The Mirror)"
- taken from the Isadar solo piano complete collection, "Red" (also available on SMP)
Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Album & Songbook Review by: Kathy Parsons
Red is pianist/composer Isadar?s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar?s best piano pieces; O Christmas, Isadar?s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.
I have been reviewing and thoroughly enjoying Isadar?s releases since his second piano album, 1999?s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar?s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.
Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar?s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.
Red opens with ?Broken Valentine,? a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. ?The Man Who Broke My Heart? is energetic and in constant swirling motion - also very free and from deep within. ?The Stairwell? is darker and much more mysterious, overflowing with Isadar?s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute ?Letting Go,? a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! ?En Face Du Miroir (Facing the Mirror)? is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with ?Blood ... Thicker Than Water,? again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.
Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!
Isadar?s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar?s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.
Isadar is an amazing pianist with a style all his own, so this isn?t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.
Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9?x12? format with a stapled binding.
If you enjoy listening to Isadar?s music, I?m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!
The songs with their key signatures and the number of pages is listed below:
Broken Valentine - C minor (3 flats) - 4 pages
Red - A minor (0 sharps or flats) - 5 pages
The Man Who Broke My Heart - A minor - 6 pages
The Stairwell - F# minor (3 sharps) - 7 pages
Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages
En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages
Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages
Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...
Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.
For more information, visit his website at: http://www.isadar.com
$5.99 ≈
5.39€
Etude 3.0 from 25 Etudes for Piano using Mirroring, Symmetry, and Intervals
Etude 3.0 from 25 Etudes for Piano using Mirroring, Symmetry, and Intervals
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Michael Bomier
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Etude 3.0 from 25 Etudes for P
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.862535 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 6 pages. Michael Butkus-Bomier #2033351. ...
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Piano Solo - Level 4 - SKU: A0.862535 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 6 pages. Michael Butkus-Bomier #2033351. Published by Michael Butkus-Bomier (A0.862535). Etude 3.0, the last of the single-interval material. tritones are rather easier to mirror, and otherwise make symmetrical than other intervals. Thus this piece is 100% mirrored, symmetrical, and topographically identical hand-to-hand. There are many structures which are also inversions, played simultaneously. Diminished 7ths, Dom7 b5 chords, even fifths with the tritone sandwiched in between the two halves of the fifths, are in evidence here. There are rhythmic syncopations and shifting accents. All in all a real showpiece of perpetuum mobile dissonance which makes sense even to the listener or player accustomed to Romantic literature. It's a gallop! Approx running time is 4 mins 20 secs. Two-interval pieces are next in line. MBB.
$2.50 ≈
2.25€
Mirrored Minutes
Mirrored Minutes
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Piano seul
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AVANCÉ
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Classique
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Frederic Chopin
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Samuel Wellman
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Mirrored Minutes
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Samuel Wellman
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.882143 Composed by Frederic Chopin. Arranged by Samuel Wellman. Contemporary. Score. 2 pages. Samuel Wellman #6055749. Pu...
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Piano Solo - Level 5 - SKU: A0.882143 Composed by Frederic Chopin. Arranged by Samuel Wellman. Contemporary. Score. 2 pages. Samuel Wellman #6055749. Published by Samuel Wellman (A0.882143). This piece is an exact mirror of Chopin's 'Minute' Waltz. The left hand now plays what the right hand originally had, and vice versa. It's not simply an inversion but the same relationship of black and white keys so that the 'feel' of the left hand duplicates the right hand original. One may inspect Vincent Persichetti's 'Seven Mirror Etudes' to see how this works; in his pieces the LH is a mirror of the RH. But in mine there are two mirrors, so to speak: each hand is a mirror of what the opposite hand has in the Chopin original. The result is somewhat odd, since major triads become minor and tonal relationships are altered.
$4.00 ≈
3.60€
Etude 1.0 + 2.5 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
Etude 1.0 + 2.5 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
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Piano seul
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INTERMÉDIAIRE
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Michael Bomier
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Etude 1.0 + 2.5 for Piano Solo
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.862548 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 6 pages. Michael Butkus-Bomier #2034423. ...
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Piano Solo - Level 3 - SKU: A0.862548 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 6 pages. Michael Butkus-Bomier #2034423. Published by Michael Butkus-Bomier (A0.862548). The combination of a 4th and a wholestep makes a structure known as the tritonic scale. Simply a three-tone scale, nothing more to it than that! highly pianistic, very mirror-able, and able to display sudden and dramatic shifts in harmonic colors while keeping a steady cascade of notes in motion. Octaves in the left hand make both a bassline and a melody underneath these arpeggiated scalar figures. The piece is in 12/8 time, as is often used for these three-notes up-three notes down, and back again kind of elements. The mirroring here is less topographical than the other pieces, but the contrary motion and mirrored fingerings persist, as does the strict use of the intervals at hand. Approx running time is 3 mins 15 secs. A Fun piece for the display of the sound of the piano, and the display of the ability of the player to maintain a flowing 1/8-note triplet motion through many different shades of major and minor, lydian and phrygian . MBB.
$2.50 ≈
2.25€
Butterfly in a Mirror, Op. 165
Butterfly in a Mirror, Op. 165
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Piano seul
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AVANCÉ
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Contemporain
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Samuel Wellman
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Butterfly in a Mirror, Op. 165
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Samuel Wellman
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.882049 Composed by Samuel Wellman. Contemporary. Score. 6 pages. Samuel Wellman #11305. Published by Samuel Wellman (A0.8...
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Piano Solo - Level 5 - SKU: A0.882049 Composed by Samuel Wellman. Contemporary. Score. 6 pages. Samuel Wellman #11305. Published by Samuel Wellman (A0.882049). An arrangement of a concert piece by Calixa Lavallee, the French Canadian who also wrote Canada's national anthem, O Canada. You may be familiar with mirror writing for the piano (see Vincent Persichetti's Mirror Etudes). So I took the busy right hand part of Calixa's piece and made a mirror for the left hand; original left hand figures went to the right. However, the accompaniment figures are not mirrored, but newly composed (the exact mirror was too dull). A kind of atonality is the delightful result.
$6.00 ≈
5.40€
Made in SA: a Piano Book Series, Book 2
Made in SA: a Piano Book Series, Book 2
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Piano Facile
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DÉBUTANT
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Charles Goodhue, Ken Metz, Kev
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Made in SA: a Piano Book Serie
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CASA Press
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1018079 Composed by Charles Goodhue, Ken Metz, Kevin Salfen, Timothy Kramer, William James Ross, and Yvonne Freckmann. Ch...
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Easy Piano - Level 1 - SKU: A0.1018079 Composed by Charles Goodhue, Ken Metz, Kevin Salfen, Timothy Kramer, William James Ross, and Yvonne Freckmann. Children,Contemporary,Standards. Score. 25 pages. CASA Press #6423383. Published by CASA Press (A0.1018079). Made in SA is a collection of new beginning-to-intermediate piano pieces composed by members of the Composers Alliance of San Antonio (CASA). The compositions have been collected into five graded volumes, from the most straightforward to the most musically advanced. Book 2 includes Riding the Tornado by William James Ross; The Escape, Don't Eat Too Much Candy, Riverwalk, and In the Mirror by Ken Metz; Three Moods by Yvonne Freckmann; Butterflies by Timothy Kramer; Jackrabbit by Charles Goodhue; and A Flat Accident by Kevin Salfen.
$9.99 ≈
9.00€
Etude 0.5 + 1.0 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
Etude 0.5 + 1.0 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Michael Bomier
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Etude 0.5 + 1.0 for Piano Solo
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.862538 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 8 pages. Michael Butkus-Bomier #2034191. ...
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Piano Solo - Level 4 - SKU: A0.862538 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 8 pages. Michael Butkus-Bomier #2034191. Published by Michael Butkus-Bomier (A0.862538). Here is the first in the sequence of dual-interval selections. The half-step and the whole-step, close cousins, but, Do They Get Along? Sure! The traditional musical element that uses both these intervals is the octotonic or diminished scale. So, this material figures prominently in the first section, accompanied by alternating major and minor sevenths. The piece uses mirrored and symmetrical passages in 7ths next, followed by the opposite smaller intervals. Rolled mirrored clusters, symmetrical open chords, every possibility is explored here, each aspect showing its own identity. The intervallic unity gives the piece, and ALL the pieces in this series, a continuity that binds the disparate pianistic applications together into unified and identifiable musics. Running time is approx. 3 mins 30 secs. at suggested tempo. Any piece in this series can go slower, if the player needs the time, or faster, if the player feels like gunning it! MBB.
$2.50 ≈
2.25€
Mirrors
Mirrors
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Piano seul
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FACILE
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Nathan Groenendyk
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Mirrors
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Nathan Groenendyk
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.915934 Composed by Nathan Groenendyk. Concert,Contemporary,Instructional,Standards. Score. 3 pages. Nathan Groenendyk #29...
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Piano Solo - Level 2 - SKU: A0.915934 Composed by Nathan Groenendyk. Concert,Contemporary,Instructional,Standards. Score. 3 pages. Nathan Groenendyk #2917973. Published by Nathan Groenendyk (A0.915934). In this piece for solo piano, the right and left hand are mirror images of each other. Whatever finger plays in the right hand, the left hand will play at the same time. Composition techniques including retrograde, transposition, augmentation, and diminution are used, making this an appropriate piece for theoretical analysis. (The inspiration for composing Mirrors came when I saw my reflection while parking my car in front of a building’s large window.)
$1.99 ≈
1.79€
Nocturne in G minor "The Mirror, Alone..." from Nine Character Pieces
Nocturne in G minor "The Mirror, Alone..." from Nine Character Pieces
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Michael Bomier
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Nocturne in G minor "The
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.862467 Composed by Michael Bomier. Contemporary,Romantic Period. Score. 4 pages. Michael Butkus-Bomier #2008699. Publishe...
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Piano Solo - Level 4 - SKU: A0.862467 Composed by Michael Bomier. Contemporary,Romantic Period. Score. 4 pages. Michael Butkus-Bomier #2008699. Published by Michael Butkus-Bomier (A0.862467). Here is a piece that uses traditional nocturne structures but employs modern harmony, to create a classic Romantic mood, with a contemporary sound and color. When one looks into a mirror, all alone, one sees the shifting colors of the light, of the world outside, and one's own inner light. A psychological kaleidescope... Altered seventh chords are used in the left-hand accompaniment throughout. The melody is less florid than a Chopin or Field piece. The music begins quietly, reaches a peak, and fades to an even softer ending. Approx duration just under 4 mins. Pedal for best clarity or best blend, your choice!
$4.25 ≈
3.83€
House of Mirrors
House of Mirrors
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Mat Kim
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House of Mirrors
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Mat Kim
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.921434 Composed by Mat Kim. Contemporary. Score. 1 pages. Mat Kim #2855507. Published by Mat Kim (A0.921434). A...
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Piano Solo - Level 4 - SKU: A0.921434 Composed by Mat Kim. Contemporary. Score. 1 pages. Mat Kim #2855507. Published by Mat Kim (A0.921434). A total serial tribute to Boulez, written using indeterminacy in respect to pitch, rhythm and dynamics. The title refers to the fact that almost every aspect of the composition's structure is arranged in such a way as to mirror itself in multiple ways. If the performer so wishes, a 12-sided die may be used before performance to determine what the opening pitch class will be, with the rest of the piece offset by the same interval (for example, a roll of 4 would require the performer to transpose the entire piece up 4 semitones).
$9.99 ≈
9.00€
Etude 2.0 from 25 Etudes using Symmetry, Mirroring, and Intervals
Etude 2.0 from 25 Etudes using Symmetry, Mirroring, and Intervals
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Michael Bomier
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Etude 2.0 from 25 Etudes using
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.862533 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 6 pages. Michael Butkus-Bomier #2033289. ...
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Piano Solo - Level 4 - SKU: A0.862533 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 6 pages. Michael Butkus-Bomier #2033289. Published by Michael Butkus-Bomier (A0.862533). Etude 2.0 uses the major third as its component interval. Major 7th and augmented arpeggios predominate. Some are slow and graceful, others fast and turbulent, changing octaves with each iteration. Still others are pointillistically distributed between the hands. Octaves with major thirds attached to the outer ranges take mirrored, topographically identical structures, and explore the lowest and highest registers at the conclusion. Approx. running time is 3 mins 30 secs. More etudes to follow, til the set of 25 is complete. Once the single interval pieces have been posted, the combination pieces begin. All the possible groups of two have been utilized. Then the groups of three, and finally, the final etude uses all the intervallic elements in turn in one piece. MBB.
$2.50 ≈
2.25€
Etude 0.5 + 2.5 from 25 Etudes using Symmetry, Mirroring and Intervals
Etude 0.5 + 2.5 from 25 Etudes using Symmetry, Mirroring and Intervals
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Piano seul
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INTERMÉDIAIRE
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Michael Bomier
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Etude 0.5 + 2.5 from 25 Etudes
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.862543 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 6 pages. Michael Butkus-Bomier #2034361. ...
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Piano Solo - Level 3 - SKU: A0.862543 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 6 pages. Michael Butkus-Bomier #2034361. Published by Michael Butkus-Bomier (A0.862543). This piece is a cascading Minimalist waterfall of 4ths and half-steps. The half-step can be either inside or outside the 4th, and both are used, singly and mix-and-match fashion, as single notes and as chords. The fingerings are SUPER-simple. 4 2 1 or 4 3 1, usually together, but mixed as well. There are mirrored chords throughout as well. The composition uses black keys in bunches, or white keys all on their own. Keyboard topography is a large determining factor in ALL these Etudes, as the object was to create both musical moods and technical challenges, using as much hand-to-hand topographical mirroring as could be found, within a given interval or interval set. This piece has a rolling movement throughout, and even the dissonances sparkle! Approx. running time is 3 mins. Pedaling is marked throughout. MBB.
$2.50 ≈
2.25€
June 19 - Mirror Image
June 19 - Mirror Image
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Piano seul
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FACILE
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Contemporain
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The Awakened Soul
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June 19 - Mirror Image
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The Awakened Soul
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1298365 By The Awakened Soul. By Aporosa Malo. 21st Century,Contemporary,Film/TV,New Age,Video Game. Score. 1 pages. The ...
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Piano Solo - Level 2 - SKU: A0.1298365 By The Awakened Soul. By Aporosa Malo. 21st Century,Contemporary,Film/TV,New Age,Video Game. Score. 1 pages. The Awakened Soul #888353. Published by The Awakened Soul (A0.1298365). This piece was composed of daily word prompts over the course of the month. These pieces originated as piano improvisations but then were programmed into Sibelius to be composed and arranged.This piece is designed to capture the prompt/feeling of the title mentioned as it is designed for casual enjoyment or to be improvised upon.Website: https://awakenedsoulproductions.comFollow Awakened Soul Productions (Business) on…Linktre: https://linktr.ee/awakenedsoulproductionsInstagram: https://www.instagram.com/awakenedsoulproductionsFollow The Awakened Soul (Artist/Composer) on…Spotify: https://open.spotify.com/artist/77ZEJmucpeTGRNzN9K2o3OInstagram: https://www.instagram.com/7he4wak3nd5ou1/.
$10.00 ≈
9.01€
Etude 2.0 + 2.5 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
Etude 2.0 + 2.5 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
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Piano seul
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AVANCÉ
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Michael Bomier
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Etude 2.0 + 2.5 for Piano Solo
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.862553 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 4 pages. Michael Butkus-Bomier #2034459. ...
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Piano Solo - Level 5 - SKU: A0.862553 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 4 pages. Michael Butkus-Bomier #2034459. Published by Michael Butkus-Bomier (A0.862553). The major third and perfect fourth go majorly forth together to create music that is totally symmetrical and mirrored. This creates some contrasts of color and motion, as each measure's first music is often mirrored and inverted within that very measure. The piece can be played fast-ish, at the suggested tempo, or it can go slower, to bring out the shifts in colors that are happening right under your finger's nose (?) 12/8 time. MBB.
$2.50 ≈
2.25€
Etude 1.5 from 25 Etudes using Mirroring, Symmetry, and Intervals
Etude 1.5 from 25 Etudes using Mirroring, Symmetry, and Intervals
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Michael Bomier
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Etude 1.5 from 25 Etudes using
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.862532 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 6 pages. Michael Butkus-Bomier #2033257. ...
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Piano Solo - Level 4 - SKU: A0.862532 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 6 pages. Michael Butkus-Bomier #2033257. Published by Michael Butkus-Bomier (A0.862532). Here is Etude 1.5 using the minor third and its inverse, the Major 6th, as its only materials. A Minimalist flavor characterizes this piece. All manner of topographically identical and mirrored, symmetrical structures are found here, sometimes with multiple layers of intervallic unity. All the gestures are shaped the same, until the penultimate segment, with the ONLY deviation from absolute topographical mirroring, which is then followed by a triplet figure in contrary motion, both within and between each line. Lastly, a Cut, and a serene, white-key-based coda. Look for the rest of the set as both single titles and as a complete volume coming soon. Approx running time is just over 3 mins.
$2.50 ≈
2.25€
The Magic Mirror/Le miroir magique
The Magic Mirror/Le miroir magique
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Piano Facile
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Contemporain
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Alexandra Delgado
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The Magic Mirror/Le miroir mag
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Alexandra Delgado
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SheetMusicPlus
Easy Piano - SKU: A0.1001366 Composed by Alexandra Delgado. Contemporary. Score. 2 pages. Alexandra Delgado #6610143. Published by Alexandra Delgado (A0...
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Easy Piano - SKU: A0.1001366 Composed by Alexandra Delgado. Contemporary. Score. 2 pages. Alexandra Delgado #6610143. Published by Alexandra Delgado (A0.1001366). Beginner level. SOCAN. ISMN 979-0-706116-09-09 The Magic Mirror accurately describes the piece. The melody is first played in the right hand and then shifts to the left hand illustrating the « reflection ». The melody then disappears at the end as if going up in smoke. This piece is taken from the piano book Little Tales vol.1 (Les petites histoires vol.1). www.alexandradelgado.com
$2.99 ≈
2.69€
Halevi Songs (piano/vocal score only)
Halevi Songs (piano/vocal score only)
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Voix Soprano, Piano
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AVANCÉ
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Publi...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99 ≈
8.10€
Etude 2.5 + 3.0 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
Etude 2.5 + 3.0 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
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Piano seul
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AVANCÉ
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Michael Bomier
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Etude 2.5 + 3.0 for Piano Solo
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.862555 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 5 pages. Michael Butkus-Bomier #2034473. ...
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Piano Solo - Level 5 - SKU: A0.862555 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 5 pages. Michael Butkus-Bomier #2034473. Published by Michael Butkus-Bomier (A0.862555). When using the intervals of a 4th and a tritone as material for a non-jazz piece, one has to be careful not to make the music sound like jazz, as this particular interval set comprises the essential dominant chord voicing for most jazz pianists. G-C#-F#, for instance, as a representation of A13 or A7. So, this piece uses complete symmetry, mirroring and topographically equivalent fingerings throughout, so as to avoid this problem. Admittedly, the spellings are not easy to decipher. They often use the flatted form of a note in one clef, and the sharped form of that same musical alphabet letter in the other. This is to avoid endless naturals, as the half-step motion, so typical of movement between 4ths and tritones, necessitates. Arpeggiated figures, block chords, and even some delicious chimes at the close make this piece more than a mere display of intervallic and pianistic options. It has a feeling all its own, as the sequential chromatic meandering up from the lower end of the keyboard to the upper shows each color in turn, all the while keeping to the strict rules that these etudes were constructed under.This is the last of the groups of two interval pieces. Running time is just under 3 mins. MBB.
$2.25 ≈
2.03€
Divertimento in F major for Piano and Harp, Opus 1: "Luna Park rides, Milson's Point, N.S.W., 2061,
Divertimento in F major for Piano and Harp, Opus 1: "Luna Park rides, Milson's Point, N.S.W., 2061,
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Harpe et Piano
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INTERMÉDIAIRE
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Australian neo-classical compo
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Divertimento in F major for Pi
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Mr. Phillip Anthony Russo
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1027281 Composed by Australian neo-classical composer, Mr. Phillip Anthony Russo, and born 19/03/1965. Classical,C...
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Chamber Orchestra - Level 3 - SKU: A0.1027281 Composed by Australian neo-classical composer, Mr. Phillip Anthony Russo, and born 19/03/1965. Classical,Contemporary,Instructional,Standards,World. Score and parts. 56 pages. Mr. Phillip Anthony Russo #2029033. Published by Mr. Phillip Anthony Russo (A0.1027281). Divertimento in F major for Piano and Harp, Opus 1. Copyright, 2005, 2010, 2014, by Phillip Russo, born 19/03/1965. All Rights Reserved. This beautiful, melodious and fun piece, which plays for 12 minutes and 17 seconds on the CD, is scored in a bright F major key, has two sections in C major, and employs 43 orchestral instruments, played by 40 musicians. Two percussionists play five instruments. The pianist directs and conducts the work from the piano, or a conductor may be employed instead. I chose a concert grand piano, or a baby grand piano, and a concert harp as the two leading, but not solo, orchestral instruments which are used to showcase the piece. I have included a .mp3 audio clip of this piece to illustrate the neo-classical melodies in it. Divertimenti, were first written by Franz Joseph Haydn, Michael Haydn and Wolfgang Amadeus Mozart during the Classical period, between 1750 and 1809. A divertimento is a short, entertaining, chamber ensemble or orchestral work, usually in the form of an orchestral suite, written in several sections and/or movements. It can have as few as three, or many more instruments! A divertimento does not have a strict format, but a liberal one, within acceptable limits or conventions, and only small chamber ensembles were employed to perform divertimenti in Haydn's and Mozart's day in the eighteenth century. Both a divertimento and a cassation may contain a leading or obbligato instrument(s), or can even be integrated with vocal or choral music. However, divertimenti and cassations never have solo instruments, as in a concerto. An Opus number 1, means that this is the first written work of a composer; opus 2 means the second work, and so forth. 'Opus' means a work, or composition. I sub-titled the piece: Luna Park rides, Milson's Point, N.S.W., 2061, Australia, and circus sideshows. I chose this sub-title because the work reminds me of my childhood days, of the rides at Luna Park, Sydney, such as the Merry-go-Round, the Ferris Wheel, the Cha-Cha, the Dodgem cars, the Rotor, the Mirror Maze, the slippery dips in Coney Island, the River Caves, the Ghost Train - burnt down presumably due to an electrical fault, in December, 1974, killing 7 people, the Giant Pendulum ride, the Giant Spider ride, the Big Dipper, later renamed the Wild Cat and later the Wild Mouse, which is actually a Roller-coaster ride. Some of the Harp part sounds like the movement of the Roller-coaster! Also, the work reminisces on my experience of the Sole Brothers' Circus sideshows, in 1977, such as the targeting games and prizes, and clowns sideshows, which my dad took me to see when I was about 12 years old.
$40.00 ≈
36.03€
Shatterpoint "A Broken Mirror"
Shatterpoint "A Broken Mirror"
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Patrick Prejean
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Shatterpoint "A Broken Mi
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Patrick Prejean
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1451466 Composed by Patrick Prejean. 21st Century,Classical,Contemporary. Score. 6 pages. Patrick Prejean #1030848. Publi...
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Piano Solo - Level 4 - SKU: A0.1451466 Composed by Patrick Prejean. 21st Century,Classical,Contemporary. Score. 6 pages. Patrick Prejean #1030848. Published by Patrick Prejean (A0.1451466). I stare into a mirror only for it to shatter into pieces. How fitting.
$30.00 ≈
27.02€
Mirror
Mirror
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Piano seul
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INTERMÉDIAIRE
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Jim Shum
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Mirror
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JS-MUSIC
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.821017 Composed by Jim Shum. 20th Century,Contemporary,New Age,Standards. Score. 4 pages. JS-MUSIC #14839. Published by J...
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Piano Solo - Level 3 - SKU: A0.821017 Composed by Jim Shum. 20th Century,Contemporary,New Age,Standards. Score. 4 pages. JS-MUSIC #14839. Published by JS-MUSIC (A0.821017). Written on January 17, 2015, this is an original piano composition in a minimalist and emotional style and written at the intermediate level, included in Jim's piano solo album 'Journey, Memory'. Jim Shum is an indie musician from Hangzhou, China. You can view the video of this piece on YouTube: https://www.youtube.com/watch?v=S6BzsSWHnGo Jim's Youtube channel: https://www.youtube.com/channel/UCOmmDXkCR2Jxk7BG9VBDzTA
$3.99 ≈
3.59€
Reflection in a Mirror
Reflection in a Mirror
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Piano seul
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FACILE
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Contemporain
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Markus Lappalainen
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Reflection in a Mirror
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Markus Lappalainen
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1169841 Composed by Markus Lappalainen. Classical,Contemporary. Score. 3 pages. Markus Lappalainen #770207. Published by ...
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Piano Solo - Level 2 - SKU: A0.1169841 Composed by Markus Lappalainen. Classical,Contemporary. Score. 3 pages. Markus Lappalainen #770207. Published by Markus Lappalainen (A0.1169841). An autobiographical piece of what I felt about myself in a time of great difficulty. A musical reflection of a complex and troubling mental landscape.
$5.00 ≈
4.50€
Piano Quartet
Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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AVANCÉ
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Contemporain
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Ryan Noakes
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Piano Quartet
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Ryan Alexander Noakes
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1077090 Composed by Ryan Noakes. Classical,Contemporary. Score and parts. 51 ...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1077090 Composed by Ryan Noakes. Classical,Contemporary. Score and parts. 51 pages. Ryan Alexander Noakes #681242. Published by Ryan Alexander Noakes (A0.1077090). This piece is loosely structured around the cyclic idea of breathing, with there being always an in/out, up/down binary pair. Each music gesture is made up of a non-retrogradable rhythm, and each section of the piece is divided in half, with each half being a mirror image of the other.
$21.95 ≈
19.77€
Sonata for Flute and Piano, Op. 12
Sonata for Flute and Piano, Op. 12
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Flûte traversière et Piano
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AVANCÉ
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Tyler J
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Sonata for Flute and Piano, Op
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TJHoltMusic
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. ...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
$20.00 ≈
18.01€
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Mirror contemporary piano piece
