Tout le site ▾
Tout le site ▾
Partitions GRATUITES
Partitions LIVRES
Partitions NUMÉRIQUES
MATERIEL de Musique
Mon compte
(connectez-vous)
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites ▾
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
|
Compositeurs membres
Compositeurs historiques
Tous les compositeurs
INSTRUMENTATIONS
|
SOLO
DUO
TRIO
QUATUOR
QUINTET
ENSEMBLE
TOUS
R. AVANCÉES
|
Partitions Numériques
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale ▾
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
SECTIONS
|
ARTISTES
EDITEURS
FORMATION MUSICALE
IDEES CADEAUX
LIVRES SUR LA MUSIQUE
PLAY-ALONG
R. AVANCÉE
Matériel de Musique ▾
STUDIO
|
SONO
|
ACCESSOIRES
|
ACCESSOIRES
|
CABLE
|
EFFET
|
FLIGHT
|
LOGICIEL
|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
|
PERCUSSION
|
VENT
|
NOËL
|
CORDES/TRAD.
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Music from Sing Percussion 1
Non classifié
205
Piano & claviers
Piano, Voix
11
Piano seul
7
Piano, Voix et Guitare
3
2 Pianos, 4 mains
2
Orgue
1
Instruments en Do
1
Piano Facile
1
+ 2 instrumentations
Retracter
Guitares
Voix
Chorale Unison
10
Chorale SATB
8
Chorale 2 parties
3
Voix Soprano
1
Vents
Clarinette (partie séparée)
3
Flute (partie séparée)
1
2 Clarinettes (duo)
1
Cuivres
Quatuor de cuivres: 4 trombones
12
Trompette (partie séparée)
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3
Harpe
2
Violon (partie séparée)
2
Contrebasse (partie séparée)
2
Alto seul
1
Violoncelle
1
2 Violons (duo)
1
4 Contrebasses
1
Violon
1
+ 4 instrumentations
Retracter
Percussions & orchestre
Orchestre d'harmonie
119
Orchestre
28
Percussion (partie séparée)
27
Orchestre à Cordes
21
Orchestre de chambre
4
Ensemble de Percussions
3
Ensemble Jazz
3
Xylophone, Piano
2
Percussion
2
Piano et Orchestre
1
Ensemble de cuivres
1
Caisse Claire
1
Timbales
1
+ 8 instrumentations
Retracter
Autres
Imprimer aprés achat
Accueil
Meilleures Ventes
Nouveautés
Vendeurs
Vendeurs
Européens
Chez Tomplay
Chez Quickpartitions
Chez Noviscore
Chez Profs-edition
Chez Note4piano
Américains
Chez Musicnotes
Chez Sheetmusicplus
Chez Virtualsheetmusic
Artistes Internationaux
Artistes Francophones
Top artistes
Top artistes
POP
Adele
Billie Eilish
Ed Sheeran
BTS
Coldplay
Pharrel Williams
Daft Punk
Avicii
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Beatles
NEW AGE / CONTEMPORAINS :
Ludovico Einaudi
Yiruma
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
FILMS
Lin-Manuel Miranda
Joe Hisaishi
Ennio Morricone
Yann Tiersen
John Williams
Howard Shore
Hans Zimmer
FRANÇAIS :
Slimane
Calogero
Clara Luciani
Vianney
Kendji Girac
Stromae
William Sheller
Georges Brassens
Claude Nougaro
Serge Gainsbourg
Jean Jacques Goldman
Artistes :
• Roxy Music
• Bethel Music
PARTITIONS GRATUITES
185 000+ partitions
BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison
PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer
MATERIEL DE MUSIQUE
Accessoires & Instruments
Partitions Numériques, Accès après l'Achat
Expédition postale
Téléchargement
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Meilleures ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Music from Sing Percussion 1
Partitions à imprimer
498 partitions trouvées
<
1
26
51
....
476
Music from Sing - Percussion 1
Music from Sing - Percussion 1
#
Percussion (partie séparée)
#
INTERMÉDIAIRE
#
James Kazik
#
Music from Sing - Percussion 1
#
Hal Leonard - Digital
#
SheetMusicPlus
Level 3-4 - SKU: HX.389032 Arranged by James Kazik. This edition: scorch. Children,Film/TV,Musical/Show,Pop. 2 pages. Hal Leonard - Digital #0. Publishe...
(+)
Level 3-4 - SKU: HX.389032 Arranged by James Kazik. This edition: scorch. Children,Film/TV,Musical/Show,Pop. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.389032).
$7.00 ≈
6.47€
Music from Sing - Percussion 2
Music from Sing - Percussion 2
#
Percussion (partie séparée)
#
INTERMÉDIAIRE
#
James Kazik
#
Music from Sing - Percussion 2
#
Hal Leonard - Digital
#
SheetMusicPlus
Level 3-4 - SKU: HX.389033 Arranged by James Kazik. This edition: scorch. Children,Film/TV,Musical/Show,Pop. 1 pages. Hal Leonard - Digital #0. Publishe...
(+)
Level 3-4 - SKU: HX.389033 Arranged by James Kazik. This edition: scorch. Children,Film/TV,Musical/Show,Pop. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.389033).
$7.00 ≈
6.47€
Selections from Sing - Percussion 1
Selections from Sing - Percussion 1
#
Percussion (partie séparée)
#
INTERMÉDIAIRE
#
Michael Brown
#
Selections from Sing - Percuss
#
Hal Leonard - Digital
#
SheetMusicPlus
Level 3 - SKU: HX.375122 Arranged by Michael Brown. This edition: scorch. Children,Film/TV,Musical/Show. 3 pages. Hal Leonard - Digital #0. Published by...
(+)
Level 3 - SKU: HX.375122 Arranged by Michael Brown. This edition: scorch. Children,Film/TV,Musical/Show. 3 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.375122).
$6.00 ≈
5.55€
Godzilla, Part 1: Auxiliary Percussion
Godzilla, Part 1: Auxiliary Percussion
#
Percussion (partie séparée)
#
Film/TV
#
Alexandre Desplat
#
Michael Story
#
Godzilla, Part 1: Auxiliary Pe
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Marching Band - SKU: AX.00-PC-0016967_APC Auxiliary Percussion. Composed by Alexandre Desplat. Arranged by Michael Story. Movie. Part. 1 pages. A...
(+)
Marching Band - SKU: AX.00-PC-0016967_APC Auxiliary Percussion. Composed by Alexandre Desplat. Arranged by Michael Story. Movie. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016967_APC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016967_APC). UPC: 038081497181.Alfred Music is pleased to present a three-piece halftime show based on the thrilling music from the hit motion picture Godzilla. Composer Alexandre Desplat has crafted a stunning score that translates perfectly to the marching band medium. Part 1 of our show begins quietly and mysteriously before gradually building to the rousing main theme. (2:00).
$3.00 ≈
2.77€
Missa Festiva: 1st Percussion
Missa Festiva: 1st Percussion
#
Percussion (partie séparée)
#
Methodes
#
John Leavitt
#
Recorded Acc. Available.
#
Missa Festiva: 1st Percussion
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
1st Percussion - SKU: AX.00-PC-0015923_PC1 1st Percussion. Composed by John Leavitt. Instructional. Part. 6 pages. Alfred Music - Digital Sheet M...
(+)
1st Percussion - SKU: AX.00-PC-0015923_PC1 1st Percussion. Composed by John Leavitt. Instructional. Part. 6 pages. Alfred Music - Digital Sheet Music #00-PC-0015923_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015923_PC1). UPC: 038081443430.Considered to be one of the most important choral works of our time, each of five individual movements is beautifully set with strength and dignity. The Latin texts from the Mass Ordinary provide a vehicle for excellent choral singing. This revised edition offers an expanded chamber orchestration and additional voicings. Instrumentation includes: 1 - Director's Score, 1 - Flute 1, 1 - Flute 2, 1 - Oboe, 1 - Clarinet 1 in B-flat, 1 - Clarinet 2 in B-flat, 1 - Clarinet 1 in A, 1 - Clarinet 2 in A, 1 - Bassoon, 1 - Percussion 1, 1 - Percussion 2, 1 - Percussion 3, 1 - Harp, 3 - Violin 1, 3 - Violin 2, 3 - Viola, 2 - Cello, and 1 - String Bass.Inst. Parts Available (choral); Recorded Acc. Available.
$5.00 ≈
4.62€
Missa Festiva: 3rd Percussion
Missa Festiva: 3rd Percussion
#
Percussion (partie séparée)
#
Methodes
#
John Leavitt
#
Recorded Acc. Available.
#
Missa Festiva: 3rd Percussion
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
3rd Percussion - SKU: AX.00-PC-0015923_PC3 3rd Percussion. Composed by John Leavitt. Instructional. Part. 3 pages. Alfred Music - Digital Sheet M...
(+)
3rd Percussion - SKU: AX.00-PC-0015923_PC3 3rd Percussion. Composed by John Leavitt. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015923_PC3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015923_PC3). UPC: 038081443430.Considered to be one of the most important choral works of our time, each of five individual movements is beautifully set with strength and dignity. The Latin texts from the Mass Ordinary provide a vehicle for excellent choral singing. This revised edition offers an expanded chamber orchestration and additional voicings. Instrumentation includes: 1 - Director's Score, 1 - Flute 1, 1 - Flute 2, 1 - Oboe, 1 - Clarinet 1 in B-flat, 1 - Clarinet 2 in B-flat, 1 - Clarinet 1 in A, 1 - Clarinet 2 in A, 1 - Bassoon, 1 - Percussion 1, 1 - Percussion 2, 1 - Percussion 3, 1 - Harp, 3 - Violin 1, 3 - Violin 2, 3 - Viola, 2 - Cello, and 1 - String Bass.Inst. Parts Available (choral); Recorded Acc. Available.
$5.00 ≈
4.62€
Missa Festiva: 2nd Percussion
Missa Festiva: 2nd Percussion
#
Percussion (partie séparée)
#
Methodes
#
John Leavitt
#
Recorded Acc. Available.
#
Missa Festiva: 2nd Percussion
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
2nd Percussion - SKU: AX.00-PC-0015923_PC2 2nd Percussion. Composed by John Leavitt. Instructional. Part. 4 pages. Alfred Music - Digital Sheet M...
(+)
2nd Percussion - SKU: AX.00-PC-0015923_PC2 2nd Percussion. Composed by John Leavitt. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0015923_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015923_PC2). UPC: 038081443430.Considered to be one of the most important choral works of our time, each of five individual movements is beautifully set with strength and dignity. The Latin texts from the Mass Ordinary provide a vehicle for excellent choral singing. This revised edition offers an expanded chamber orchestration and additional voicings. Instrumentation includes: 1 - Director's Score, 1 - Flute 1, 1 - Flute 2, 1 - Oboe, 1 - Clarinet 1 in B-flat, 1 - Clarinet 2 in B-flat, 1 - Clarinet 1 in A, 1 - Clarinet 2 in A, 1 - Bassoon, 1 - Percussion 1, 1 - Percussion 2, 1 - Percussion 3, 1 - Harp, 3 - Violin 1, 3 - Violin 2, 3 - Viola, 2 - Cello, and 1 - String Bass.Inst. Parts Available (choral); Recorded Acc. Available.
$5.00 ≈
4.62€
The New World, Finale from: 2nd Percussion
The New World, Finale from: 2nd Percussion
#
Percussion (partie séparée)
#
Classique
#
AntonÃÂn Dvorák
#
Patrick Roszell
#
Festival.
#
The New World, Finale from: 2n
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016549_PC2 2nd Percussion. Composed by AntonÃÂn Dvorák. Arranged by Patrick Roszell. Classical. Part. ...
(+)
Concert Band - SKU: AX.00-PC-0016549_PC2 2nd Percussion. Composed by AntonÃÂn Dvorák. Arranged by Patrick Roszell. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016549_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016549_PC2). UPC: 038081485928.Expose your students to one of the great symphonies of the 19th century. Numerous teaching opportunities are present for articulation, phrasing, and the clarinet register key. A great contest or concert piece exploring the music of DvorA!k! (4:30) This title is available in SmartMusic.Concert/Contest; Festival.
$3.00 ≈
2.77€
Do You Hear the People Sing? (from Les Misérables) (arr. John Leavitt) - Percussion 1
Do You Hear the People Sing? (from Les Misérables) (arr. John Leavitt) - Percussion 1
#
Percussion (partie séparée)
#
Comédie Musicale
#
Boublil & Schönberg
#
John Leavitt
#
Do You Hear the People Sing?
#
Hal Leonard - Digital
#
SheetMusicPlus
Choir,Choral - SKU: HX.494611 Composed by Boublil & Schönberg. Arranged by John Leavitt. This edition: scorch. Broadway,Musical/Show. Choral Instrume...
(+)
Choir,Choral - SKU: HX.494611 Composed by Boublil & Schönberg. Arranged by John Leavitt. This edition: scorch. Broadway,Musical/Show. Choral Instrumental Pak. 1 pages. Duration 165. Hal Leonard - Digital #198535. Published by Hal Leonard - Digital (HX.494611).
$7.00 ≈
6.47€
I Sing Out: 1st Percussion
I Sing Out: 1st Percussion
#
Percussion (partie séparée)
#
Methodes
#
Mark Hayes
#
Recorded Acc. Available.
#
I Sing Out: 1st Percussion
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
1st Percussion - SKU: AX.00-PC-0015381_PC1 1st Percussion. Composed by Mark Hayes. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Mus...
(+)
1st Percussion - SKU: AX.00-PC-0015381_PC1 1st Percussion. Composed by Mark Hayes. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015381_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015381_PC1). UPC: 038081425771.From the sensitive opening solo, through the captivating textured polyphony, to the final choral refrain, this contemporary powerhouse teaches an inspiring lesson about the strength of song. From the very best part of who I am, I sing out!Inst. Parts Available (choral); Recorded Acc. Available.
$3.00 ≈
2.77€
One last bar then Joe can sing
One last bar then Joe can sing
#
Gavin Bryars
#
One last bar then Joe can sing
#
Schott Music - Digital
#
SheetMusicPlus
Percussion-Quintett - SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloa...
(+)
Percussion-Quintett - SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloadable, score and parts. Duration 20 minutes. Schott Music - Digital #Q50078. Published by Schott Music - Digital (S9.Q50078). One Last Bar Then Joe Can Sing (1994) was commissioned by the Arts Council of Great Britain for the percussion quintet Nexus, and is a reflection on aspects of percussion history, both personal and musical. The members of Nexus are my friends (I played in the Steve Reich Ensemble along with Russ Hartenberger in 1972, the year after Nexus was formed). The piece aimed to demonstrate how a fine percussion ensmeble can be as musically expressive and subtle as, say, a string quartet. The piece starts from the last bar at the end of the second act of my opera Medea, a very short coda for a quintet of untuned percussion instruments during which the curtain falls. In this piece, however, this one apparently innocuous measure is progressively fragmented until it is taken over, little by little, by the addition of tuned percussion instruments. Eventually two metallophones (crotales and songbells) play aria-like material with bows, occasionally joined by the xylophone, and accompanied by marimba and xylophone ostinati. The piece ends with a coda in which phrases are passed from bowed vibraphone to bowed crotales, then to bowed songbells, supported by tremolos on the marimbas. The rare 3-octave songbells that Nexus owns is one of the American instrument maker J. C. Deagan's particularly fine instruments. The piece is effectively a kind of homage to Deagan, the Stradivarius of the tuned percussion world, who collaborated closely with Percy Grainger in the development of tuned percussion music between the wars. The allusions in the title are obvious: the one last bar is the last measure of music from my opera; the song is that of Deagan's songbells. In the case of Joe I wanted to link my father, Joe Bryars (who was a good amateur baritone singer) with Joseph Deagan and his songbells. However, some time after I had written the piece, Nexus's Bob Becker took me to one side and told me (gently) that the initial J in Deagan's name, in fact, stood for JohnGavin BryarsPercussion 1: Crotales (with bow), Chocolo, Mark Tree; Percussion 2I: Song Bells (with bow), Chinese Cymbal, 3 Wood Blocks; Percussion 3: 2 Cymbals, 2 Triangles, Xylophone, Marimba (shared with Marimba II), Vibraphone (with bow); Percussion 4: 2 Cymbals, 2 Gongs, Marimba I (with low F), Maracas; Percussion 5: 2 low Tom-Toms, Marimba II (to low A).
$45.99 ≈
42.52€
From the Realms of Glory!: 1st Percussion
From the Realms of Glory!: 1st Percussion
#
Percussion (partie séparée)
#
Musique Sacrée
#
Patrick Roszell
#
From the Realms of Glory!: 1st
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016878_PC1 1st Percussion. Arranged by Patrick Roszell. Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music...
(+)
Full Orchestra - SKU: AX.00-PC-0016878_PC1 1st Percussion. Arranged by Patrick Roszell. Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016878_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016878_PC1). UPC: 038081496535.Written in the style of a fanfare, this piece intertwines three popular holiday carols, Angels from the Realms of Glory, Angels We Have Heard on High, and Hark! The Herald Angels Sing to uplift and entertain students and audience alike. Perfect to open your holiday concert! (1:45).
$3.00 ≈
2.77€
From the Realms of Glory!: 2nd Percussion
From the Realms of Glory!: 2nd Percussion
#
Percussion (partie séparée)
#
Musique Sacrée
#
Patrick Roszell
#
From the Realms of Glory!: 2nd
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016878_PC2 2nd Percussion. Arranged by Patrick Roszell. Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music...
(+)
Full Orchestra - SKU: AX.00-PC-0016878_PC2 2nd Percussion. Arranged by Patrick Roszell. Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016878_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016878_PC2). UPC: 038081496535.Written in the style of a fanfare, this piece intertwines three popular holiday carols, Angels from the Realms of Glory, Angels We Have Heard on High, and Hark! The Herald Angels Sing to uplift and entertain students and audience alike. Perfect to open your holiday concert! (1:45).
$3.00 ≈
2.77€
Pennsylvania 6-5000: 2nd Percussion
Pennsylvania 6-5000: 2nd Percussion
#
Percussion (partie séparée)
#
Methodes
#
Jerry Gray
#
Victor Lopez
#
Pennsylvania 6-5000: 2nd Percu
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - SKU: AX.00-PC-0002331_PC2 2nd Percussion. Composed by Jerry Gray. Arranged by Victor Lopez. Instructional. Part. 1 pages. Alfred M...
(+)
Concert Band - SKU: AX.00-PC-0002331_PC2 2nd Percussion. Composed by Jerry Gray. Arranged by Victor Lopez. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0002331_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002331_PC2). UPC: 654979084754.With all the charisma of the original, this is a treat for your beginners . . . Of course you'll have to explain the Pennsylvania exchange concept from the pre-touchtone days. The chart offers lots of opportunity to be creative with the ringing sounds -- bring it up to date by using a cell phone ring! Take a journey through musical -- and communication -- history with this energetic tune. (1:42).
$3.00 ≈
2.77€
Locked Out of Heaven: 1st Percussion
Locked Out of Heaven: 1st Percussion
#
Percussion (partie séparée)
#
Methodes
#
Bruno Mars
#
Patrick Moore
#
Locked Out of Heaven: 1st Perc
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Percussion Ensemble Percussion Ensemble - SKU: AX.00-PC-0016593_PC1 1st Percussion. By Bruno Mars. By Ari Levine and Philip Lawrence. Arranged by...
(+)
Percussion Ensemble Percussion Ensemble - SKU: AX.00-PC-0016593_PC1 1st Percussion. By Bruno Mars. By Ari Levine and Philip Lawrence. Arranged by Patrick Moore. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016593_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016593_PC1). ISBN 9781470614782. UPC: 038081481404.Locked Out of Heaven is the lead single off Unorthodox Jukebox (2012), the second studio album from American singer/songwriter Bruno Mars. A new wave, funk, and reggae rock song about the rapturous feelings brought about by a relationship infused with positive emotions, it was a huge commercial success quickly after its release on October 1, 2012. The song topped the Billboard Hot 100 for six consecutive weeks and the Canadian Hot 100 for three consecutive weeks, while also charting inside the Top 10 in 20 countries.
$3.00 ≈
2.77€
Summertime (from the musical Porgy and Bess): 2nd Percussion
Summertime (from the musical Porgy and Bess): 2nd Percussion
#
Percussion (partie séparée)
#
Classique
#
Dorothy Heyward, Du Bose Heywa
#
Mark Hayes
#
Summertime
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
2nd Percussion - SKU: AX.00-PC-0001359_PC2 2nd Percussion. Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arran...
(+)
2nd Percussion - SKU: AX.00-PC-0001359_PC2 2nd Percussion. Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Mark Hayes. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001359_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001359_PC2). UPC: 038081313269.This classic American song from Porgy and Bess® deserves only the finest choral treatment, and Mark Hayes has certainly given it that, with a rich, lush setting. The piano accompaniment carries the voices on a dramatic journey appropriate to the nature of the piece. A song that every singer should know and will love.
$3.00 ≈
2.77€
Aethelinda: 2nd Percussion
Aethelinda: 2nd Percussion
#
Percussion (partie séparée)
#
Methodes
#
Jeffrey S
#
Festival.
#
Aethelinda: 2nd Percussion
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016463_PC2 2nd Percussion. Composed by Jeffrey S. Bishop. Instructional. Part. 1 pages. Alfred Music - Digital Sh...
(+)
Full Orchestra - SKU: AX.00-PC-0016463_PC2 2nd Percussion. Composed by Jeffrey S. Bishop. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016463_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016463_PC2). UPC: 038081484198.Aethelinda is Welsh for dragon. This programmatic piece invokes the energy and power of a great winged beast as it awakens from its slumber to wreak havoc on the countryside. Opening with a low string choir, the piece builds to a rousing allegro section and then a soaring fanfare. (6:00) This title is available in SmartMusic.Concert/Contest; Festival.
$3.00 ≈
2.77€
Marching Tune: 2nd Percussion
Marching Tune: 2nd Percussion
#
Percussion (partie séparée)
#
Methodes
#
Percy Aldridge Grainger
#
Michael Story
#
Festival.
#
Marching Tune: 2nd Percussion
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015819_PC2 2nd Percussion. Composed by Percy Aldridge Grainger. Arranged by Michael Story. Instructional. Part. 1 p...
(+)
Concert Band - SKU: AX.00-PC-0015819_PC2 2nd Percussion. Composed by Percy Aldridge Grainger. Arranged by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015819_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015819_PC2). UPC: 038081455730.Australia-born Percy Aldridge Grainger lived in London from 1901--1914, where he developed an interest in folk music. It was during this period that he crafted the original setting of this Lincolnshire folk song for chorus with brass ensemble or piano accompaniment. This beginning band arrangement reinforces ensemble phrasing and breathing technique while demonstrating the lovely melody. Heartwarming! (2:30) This title is available in SmartMusic.Concert/Contest; Festival.
$3.00 ≈
2.77€
Separate Ways (Worlds Apart): 1st Percussion
Separate Ways (Worlds Apart): 1st Percussion
#
Percussion (partie séparée)
#
Methodes
#
Journey
#
Patrick Moore
#
Separate Ways
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Percussion Ensemble Percussion Ensemble - SKU: AX.00-PC-0016030_PC1 1st Percussion. By Journey. By Jonathan Cain and Steve Perry. Arranged by Pat...
(+)
Percussion Ensemble Percussion Ensemble - SKU: AX.00-PC-0016030_PC1 1st Percussion. By Journey. By Jonathan Cain and Steve Perry. Arranged by Patrick Moore. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016030_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016030_PC1). ISBN 9780739093344. UPC: 038081452104.Separate Ways is a song by Journey from their album Frontiers. Released as a single, it peaked at No. 8 for six consecutive weeks on the Billboard Hot 100, and spent four weeks at No. 1. Now arranged for percussion ensemble, it will make a great selection for your next concert program. Instrumentation: orchestra bells, xylophone, vibraphone, marimba 1, marimba 2, electric bass, timpani, chimes, congas, drumset.
$3.00 ≈
2.77€
Beyond the Forest (from The Hobbit: The Desolation of Smaug): 2nd Percussion
Beyond the Forest (from The Hobbit: The Desolation of Smaug): 2nd Percussion
#
Percussion (partie séparée)
#
Methodes
#
Howard Shore
#
Bob Phillips
#
Beyond the Forest
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016358_PC2 2nd Percussion. Composed by Howard Shore. Arranged by Bob Phillips. Instructional. Part. 1 pages. Alfr...
(+)
Full Orchestra - SKU: AX.00-PC-0016358_PC2 2nd Percussion. Composed by Howard Shore. Arranged by Bob Phillips. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016358_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016358_PC2). UPC: 038081486741.Including many of the themes from the hit movie in a single piece, this tune is dramatic and pensive. While remaining true to the original, this arrangement is designed for educational use. (5:10) This title is available in SmartMusic. This title is available in SmartMusic.
$3.00 ≈
2.77€
Beyond the Forest (from The Hobbit: The Desolation of Smaug): 1st Percussion
Beyond the Forest (from The Hobbit: The Desolation of Smaug): 1st Percussion
#
Percussion (partie séparée)
#
Methodes
#
Howard Shore
#
Bob Phillips
#
Beyond the Forest
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016358_PC1 1st Percussion. Composed by Howard Shore. Arranged by Bob Phillips. Instructional. Part. 1 pages. Alfr...
(+)
Full Orchestra - SKU: AX.00-PC-0016358_PC1 1st Percussion. Composed by Howard Shore. Arranged by Bob Phillips. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016358_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016358_PC1). UPC: 038081486741.Including many of the themes from the hit movie in a single piece, this tune is dramatic and pensive. While remaining true to the original, this arrangement is designed for educational use. (5:10) This title is available in SmartMusic. This title is available in SmartMusic.
$3.00 ≈
2.77€
Steal My Girl: Auxiliary Percussion
Steal My Girl: Auxiliary Percussion
#
Percussion (partie séparée)
#
One Direction
#
Steal My Girl: Auxiliary Percu
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Marching Band - SKU: AX.00-PC-0016988_APC Auxiliary Percussion. By One Direction. By Ed Drewett, John Ryan, Julian Bunetta, and Wayne Hector. Pop...
(+)
Marching Band - SKU: AX.00-PC-0016988_APC Auxiliary Percussion. By One Direction. By Ed Drewett, John Ryan, Julian Bunetta, and Wayne Hector. Pop/Rock. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016988_APC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016988_APC). UPC: 038081501871.The band One Direction is one of the hottest groups around. Here is the lead single from their latest album in a driving yet very playable arrangement by Victor LA3pez! (1:55).
$3.00 ≈
2.77€
Burn: Auxiliary Percussion
Burn: Auxiliary Percussion
#
Percussion (partie séparée)
#
Methodes
#
Brenth Kutzle, Elena Goulding,
#
Burn: Auxiliary Percussion
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Marching Band - SKU: AX.00-PC-0016509_APC Auxiliary Percussion. Composed by Brenth Kutzle, Elena Goulding, Greg Kurstin, Noel Zancanella, and Rya...
(+)
Marching Band - SKU: AX.00-PC-0016509_APC Auxiliary Percussion. Composed by Brenth Kutzle, Elena Goulding, Greg Kurstin, Noel Zancanella, and Ryan Tedder. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016509_APC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016509_APC). UPC: 038081483580.From pop singer Ellie Goulding comes this great tune that was climbing the charts at the end of 2013. Victor LA3pez's driving arrangement is perfect for the stands or for pep band! (1:37).
$3.00 ≈
2.77€
Gotta Be Somebody: 1st Percussion
Gotta Be Somebody: 1st Percussion
#
Percussion (partie séparée)
#
Methodes
#
Nickelback
#
Gotta Be Somebody: 1st Percuss
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014283_PC1 1st Percussion. Composed by Nickelback. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music...
(+)
Concert Band - SKU: AX.00-PC-0014283_PC1 1st Percussion. Composed by Nickelback. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014283_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014283_PC1). UPC: 038081378343.Dynamic rock band Nickelback's first official single off their sixth studio album, Dark Horse, debuted at #10 on the Billboard Hot 100. Gotta Be Somebody is sure to be a hit---straight from the radio to your band room.
$3.00 ≈
2.77€
Concerto
Concerto
#
Piano et Orchestre
#
AVANCÉ
#
Contemporain
#
Gyorgy Ligeti
#
Concerto
#
Schott Music - Digital
#
SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
(+)
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.18€
<
1
26
51
....
476