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Music in My Mouth
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Vous avez sélectionné:
Music in My Mouth
Partitions à imprimer
58 partitions trouvées
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Music in My Mouth
Music in My Mouth
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Chorale SATB
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FACILE
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Musique Sacrée
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Ken Medema
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Ken Medema
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Music in My Mouth
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Ken Medema Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1372106 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Sacred. 23 pages. Ken Medema Music #956332....
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1372106 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Sacred. 23 pages. Ken Medema Music #956332. Published by Ken Medema Music (A0.1372106). SATB and Congregation with Piano/KeyboardPraises the use of music to celebrate who God isI will revel in the presence of my God, with music in my mouthI will revel in the presence of my God, with singing in my heartSometimes loud and boisterous, sometimes soft and gentleSometimes clear and lilting, sometimes all discordantMaybe a shout of celebration, maybe a dirge of lamentationMaybe a shout when the vict’ry is sweetMaybe a groan when striving means defeat
$1.99 ≈
1.82€
May the Words of My Mouth (Downloadable)
May the Words of My Mouth (Downloadable)
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Chorale SATB
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Joshua Fishbein
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May the Words of My Mouth
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8031-E Composed by Joshua Fishbein. 10 pages. E. C. Schirmer Music Company - Digital #8031-E. ...
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SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8031-E Composed by Joshua Fishbein. 10 pages. E. C. Schirmer Music Company - Digital #8031-E. Published by E. C. Schirmer Music Company - Digital (MQ.8031-E). English. Psalm 19:14 (15).This 2011 winner of the National Lutheran Choir's 25th Anniversary Choral Composition competition uses the text of Psalm 19 in both Hebrew and English. The music blossoms organically from the opening cantorial solo to the final triumphant Amen, using complex counterpoint along the way to propel the text, which is sometimes sung simultaneously in both languages. The music has religious intensity and a modern sensibility.
$2.65 ≈
2.43€
Crow with no mouth
Crow with no mouth
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Piano, Voix
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AVANCÉ
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Amos Elkana
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Crow with no mouth
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Amos Elkana
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1324262 Composed by Amos Elkana. 21st Century,Contemporary. Score. 10 pages. Amos Elkana #912460. Published by Amo...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1324262 Composed by Amos Elkana. 21st Century,Contemporary. Score. 10 pages. Amos Elkana #912460. Published by Amos Elkana (A0.1324262). In this composition, we delve into the enigmatic world of Ikkyu Sojun, a 15th-century Zen Buddhist monk renowned for his poetry that defies conventional boundaries. Ikkyu's work often reflects Zen principles, blending deep philosophical insights with a stark, often provocative simplicity. Among his most striking poems is Crow with No Mouth, a piece that captures the essence of Zen’s emphasis on the ineffable nature of reality and the limits of language.Crow With No Mouth Hearing a crow with no mouthCry in the deepDarkness of the night,I feel a longing forMy father before he was born. In these lines, Ikkyu conjures an image that is as perplexing as it is profound. The crow, a traditional symbol of mystery and the unknown, is rendered even more inscrutable by its lack of a mouth - a paradoxical figure that seems to transcend ordinary existence. This poem encapsulates the Zen concept of mu, or the negation of fixed concepts, challenging the listener to embrace the boundless nature of understanding.In my composition, I have strived to translate this philosophical depth into music. The interplay between the piano and the voice is crafted to reflect the paradoxical imagery of the poem. The music moves through moments of tension and release, mirroring the poem’s journey from perplexity to a serene acceptance of the unknown.This piece is an invitation to explore the spaces between notes, between words, where the essence of understanding might lie.The emotional core of this composition is also deeply personal. It resonates with my own longing for my father, who passed away seven years prior to the creation of this work. Just as Ikkyu's poem reflects a yearning for a connection with the past, this music embodies my own journey of grief, memory, and the search for peace in the echoes of loss. The intertwining of my personal narrative with Ikkyu’s profound words aims to offer a universal contemplation on the themes of absence, longing, and the ephemeral nature of existence.In creating this work, my aim has been to offer not just a musical experience, but a doorway into the profound simplicity of Zen thought. Through the synthesis of voice, piano, and Ikkyu's evocative poetry, we embark on a journey that transcends the mere act of listening, inviting contemplation, and perhaps, a glimpse into the boundless sky of our own perception.
$8.00 ≈
7.33€
You Took The Words Right Out Of My Mouth
You Took The Words Right Out Of My Mouth
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Meat Loaf
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Laura Chegwidden
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You Took The Words Right Out O
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Laura Chegwidden
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1094549 By Meat Loaf. By Jim Steinman. Arranged by Laura Chegwidden. Contemporary,Pop,Rock,Wedding. 23...
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String Quartet String Quartet - Level 3 - SKU: A0.1094549 By Meat Loaf. By Jim Steinman. Arranged by Laura Chegwidden. Contemporary,Pop,Rock,Wedding. 23 pages. Laura Chegwidden #698606. Published by Laura Chegwidden (A0.1094549). You Took The Words Right Out Of My Mouth is a classic Meatloaf lovesong, perfect for a slightly alternative wedding. This arrangement suits students and professionals who are looking for something a bit different! Laura Chegwidden is a pianist, cellist, double bassist and singer from Toowoomba Australia. She graduated with distinction from the University of Newcastle with a B.MUS majoring in Cello and Composition. For more arrangements like this one or for any questions you can contact Laura through her facebook page or website: www.facebook.com/lchegmusic/ lchegmusic.com.
$16.99 ≈
15.58€
Let the Words of My Mouth
Let the Words of My Mouth
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Chorale SATB
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Musique Sacrée
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Trent R
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Let the Words of My Mouth
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Trent R Logan
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.957874 Composed by Trent R. Logan. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Trent R Logan #3546261. Published b...
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Choral Choir (SATB) - SKU: A0.957874 Composed by Trent R. Logan. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Trent R Logan #3546261. Published by Trent R Logan (A0.957874). The beautiful ending of the 19th Psalm set to music. Let the words of my mouth and the meditation of my heart be acceptable in thy sight O Lord, my strength and my redeemer. This SATB arrangement works well as a prayer response.
$2.00 ≈
1.83€
Let the Words of My Mouth
Let the Words of My Mouth
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W
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Let the Words of My Mouth
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William David Hedrick
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SheetMusicPlus
Vocal Solo,Voice - Level 3 - SKU: A0.881507 Composed by W. David Hedrick. Christian. 17 pages. William David Hedrick #18267. Published by William David ...
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Vocal Solo,Voice - Level 3 - SKU: A0.881507 Composed by W. David Hedrick. Christian. 17 pages. William David Hedrick #18267. Published by William David Hedrick (A0.881507). Let the Words of My Mouth is a solo edited from the composer’s oratorio Lord, What is Man?. It is a contemplative prayer with a flowing piano accompaniment. It is a beautiful song and suitable for recital, concert, or worship service. The music includes the high, medium, and low versions. The audio is a computer generated rendition in Finale.
$4.99 ≈
4.58€
God Be In My Head
God Be In My Head
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Chorale SATB
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INTERMÉDIAIRE
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Nicholas White
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God Be In My Head
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Nicholas White Music
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.1253778 Composed by Nicholas White. 21st Century,Classical,Religious,Traditional. Octavo. 12 pages. Nicho...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.1253778 Composed by Nicholas White. 21st Century,Classical,Religious,Traditional. Octavo. 12 pages. Nicholas White Music #847402. Published by Nicholas White Music (A0.1253778). A setting of the prayer from the Sarum Primer for choir, cello, and organ.God be in my head,And in my understanding;God be in mine eyes,And in my looking;God be in my mouth,And in my speaking;God be in my heart,And in my thinking;God be at mine end,And at my departing.
$2.00 ≈
1.83€
In Memoriam ... Children's Songs (2022)
In Memoriam ... Children's Songs (2022)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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In Memoriam ... Children's Son
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Thomas Oboe Lee
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1082546 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz. Score. 38 pages. Thomas Oboe Lee #686739. ...
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Piano Solo - Level 4 - SKU: A0.1082546 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz. Score. 38 pages. Thomas Oboe Lee #686739. Published by Thomas Oboe Lee (A0.1082546). Chick Corea died at the age of 69 on February 9, 2021. I have been a huge fan of his music and piano playing since I heard the album Now He Sings, Now He Sobs (1968). Assisted by Miroslav Vitous and Roy Haynes, Chick was in absolutely rare form on that seminal recording!!! As a tribute to him and a in memoriam to his musicianship, I wrote these movements for solo piano inspired by his compositions in the album Children's Songs (1984). Corea's Children's Songs is a suite of twenty solo piano pieces, each lasting between 1 to 2 minutes. These are truly little gems of composition in miniature, like the Chopin Preludes. But every time I hear them I always felt that these nice little pieces, at least to my ears, always came up short. A lot of them seem to end in mid-air. In my humble opinion, they needed development. But that is of course coming from the mouth of a classical composer, me. LOL!!! Nevertheless, in this tribute, I have taken some ideas from the original Corea songs and reinvented them in my own fashion. You will detect a thing or two from Chick, but mostly it's TOL music. Since my songs get development, the entire suite consists of ten movements, rather than Corea's twenty. Enjoy!!! Children's Song No. 1 ... Moderato Children's Song No. 2 ... Allegretto Children's Song No. 3 ... Adagio Children's Song No. 4 ... Moderato TRIO Children's Song No. 5 ... Allegro Children's Song No. 6 ... Moderato TRIO Children's Song No. 7 ... Presto TRIO Children's Song No. 8 ... Moderato Children's Song No. 9 ... Molto Allegro TRIO Children's Song No. 10 ... Largo.
$9.99 ≈
9.16€
Breton Regional Anthem for Brass Quintet
Breton Regional Anthem for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Patriotique
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James James
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Keith Terrett
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Breton Regional Anthem for Bra
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Music for all Occasions
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SheetMusicPlus
Composed by James James. Arranged by Keith Terrett. 20th Century, World, European, Patriotic. Score, Set of Parts. 9 pages. Published by Music for all...
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Composed by James James. Arranged by Keith Terrett. 20th Century, World, European, Patriotic. Score, Set of Parts. 9 pages. Published by Music for all Occasions
An arrangement of the regional anthem of Brittanny for Brass Quintet.
Bro Gozh ma Zado (Breton: Old Land of My Fathers) is the anthem of Brittany, sometimes presented as the "national anthem" although it has no official status. It is sung to the same tune as that of the national anthem of Wales, Hen Wlad Fy Nhadau, and has similar words. The Cornish anthem, Bro Goth Agan Tasow, is also sung to the same tune.
The Breton lyrics are the creation of Franois Jaffrennou in 1897, and the music was that composed by James James, of Pontypridd, Wales, for Hen Wlad Fy Nhadau. The new song was first published in 1898, and circulated as Henvelidigez ("Adaptation"). It was chosen as national anthem (and a song to celebrate friendship between the Welsh and Bretons) in 1903, at a Congress of the Union Rgionaliste Bretonne held in Lesneven. Maurice Duhamel adapted it for the piano, and it was first recorded by Path in 1910.
James James (also known by the bardic name Iago ap Ieuan) (1833?1902) was a harpist and musician from Pontypridd, Wales. He composed the tune of the Welsh national anthem Hen Wlad fy Nhadau (also known as Land of my Fathers).
He was born on 4 November 1832, at the ?Ancient Druid? inn, Hollybush, in the parish of Bedwellty, Monmouthshire. He was the son of Evan James (1809-1878) and Elizabeth Stradling of Caerphilly. His father, a Welsh versifier under the pen-name of leuan ab lago, moved with his family about 1844 to Pontypridd, where he carried on the business of weaver and wool merchant. His son James assisted him in the business.
James James composed the melody which was later known as Hen Wlad fy Nhadau in January 1856. At first it was known as Glan Rhondda (The banks of the Rhondda), and gave rise to the tradition that the tune had come to him as he walked on the bank of the River Rhondda. His father, Evan James, wrote the lyrics that eventually became the words of the Welsh national anthem.
A memorial to James James and his father, in the shape of two figures representing the muses of Poetry and Music, stands in Ynysangharad Park, Pontypridd. James James died in Aberdare in the Cynon Valley 11 January 1902,[3] he is buried in the local cemetery at Aberdare in the same grave as his wife Cecilia and daughter Louisa.
For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$8.99 ≈
8.24€
I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Chorale SATB
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INTERMÉDIAIRE
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Dandelion Music Press
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I Would Rock My Child to Sleep
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104...
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Choral Choir (SATB) - Level 3 - SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104497. Published by Dandelion Music Press (A0.891206). This tender lullaby is a touching memorial for an end of life commemoration of a parent or caregiver. Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infantIII. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10 ≈
1.93€
Shut Your Eyes Tightly and Open Your Mouth
Shut Your Eyes Tightly and Open Your Mouth
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Piano, Voix
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Gustave H
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Shut Your Eyes Tightly and Ope
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.838 Composed by Gustave H. Kline. Fathers & children, Birdcages, Guitars, Deer, Families, Mothers & children, Gifts. Lester S....
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Piano and voice - SKU: LV.838 Composed by Gustave H. Kline. Fathers & children, Birdcages, Guitars, Deer, Families, Mothers & children, Gifts. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.838). Charles A. Gardner's Song. Shut Your Eyes Tightly and Open Your Mouth. Composed by Gustave H. Kline. Published 1890 by Meyer & Brother, 108 E. Washington St. in Chicago. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Fathers & children, Birdcages, Guitars, Deer, Families, Mothers & children, Gifts. First line reads Listen, my little one, a story I'll tell, 'bout a small Dicky-bird.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.49€
Sun In My Mouth
Sun In My Mouth
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Piano, Voix
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Rock Alternatif
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Bjork
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Sun In My Mouth
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Hal Leonard Europe
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SheetMusicPlus
By Bjork. Alternative, Pop. Organ. 3 pages. Published by Hal Leonard Europe
By Bjork. Alternative, Pop. Organ. 3 pages. Published by Hal Leonard Europe
$4.99 ≈
4.58€
Open My Eyes, That I May See
Open My Eyes, That I May See
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Piano seul
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AVANCÉ
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Raluca Bojor
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Raluca Bojor
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Open My Eyes, That I May See
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Raluca Bojor
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1089944 By Raluca Bojor. By Clara H. Scott. Arranged by Raluca Bojor. Praise & Worship,Sacred,Spiritual,Traditional. Scor...
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Piano Solo - Level 5 - SKU: A0.1089944 By Raluca Bojor. By Clara H. Scott. Arranged by Raluca Bojor. Praise & Worship,Sacred,Spiritual,Traditional. Score. 4 pages. Raluca Bojor #694168. Published by Raluca Bojor (A0.1089944). This is the prefect piano hymn arrangement to play on Pentecost Sunday (or any other Sunday, for that matter). In this text, the author invites the Holy Spirit to transform her life by opening her eyes, her mouth, her ears. Each stanza ends with “illumine me, Spirit divine!†May that be our motto every day of our lives! The piano arrangement is structured in three sections (one style for each verse). In the first section the hands stay close to the middle register and the voicing is modest. And the oom-pah-pah rhythms will give it a light bounce that will bring a smile to whoever plays or listens. On the second verse the hands move to a higher register where the music suddenly becomes more delicate. Think of a music box! Lastly, on the third verse we pull all the stops! Large leaps in the left hand between the bass note and the chords plus full chords and octaves in the right hand. Download the PDF sheet music now:.
$6.00 ≈
5.50€
If Thou Canst Believe, sacred music for SATB choir
If Thou Canst Believe, sacred music for SATB choir
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Kevin G
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If Thou Canst Believe, sacred
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1254516 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 5 - SKU: A0.1254516 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 13 pages. Kevin G. Pace #848111. Published by Kevin G. Pace (A0.1254516). An epically beautiful, sacred choral arrangement with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text is in reference to Mark 9:24 in the New Testament: And straightway the father of the child cried out, and said with tears, Lord, I believe; help thou mine unbelief.Text: As the Savior neared, a man cried out so loud,“Have compassion on us, Lord; my son is on the ground.â€Foaming at the mouth, and being sorely vexed,Jesus said, “If thou believe, all things can come to rest.â€â€œLord, I do believe; help thou mine unbelief.â€Jesus charged the spirit there, thus offering relief.Jesus took his hand, then helped the lad arise.From that day the boy was cured, his father by his side.Though one’s faith be small, just even as a seed,Jesus offers sustenance to fill each wanting need.If thou canst believe, all things can yet be known.Miracles are possible when faith in God is shown.Chorus:Faith as a mustard seed, faith for ev’ry plea,Unveils God’s true miracles if thou canst believe.
$1.99 ≈
1.82€
Portsmouth - Hornpipe for 4 guitars/large ensemble
Portsmouth - Hornpipe for 4 guitars/large ensemble
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4 Guitares (Quatuor)
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Traditional
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Derek Hasted
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Portsmouth - Hornpipe for 4 gu
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - SKU: A0.1085456 Composed by Traditional. Arranged by Derek Hasted. Traditional. Score and parts. 23 pages. Derek Hast...
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Guitar Ensemble Guitar - Level 3 - SKU: A0.1085456 Composed by Traditional. Arranged by Derek Hasted. Traditional. Score and parts. 23 pages. Derek Hasted #689606. Published by Derek Hasted (A0.1085456). PORTSMOUTH - 4 GUITARS or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Although this piece was made famous by Mike Oldfield, it first appeared in John Playford’s “The Dancing Master†in 1701, and also found fame in the hands of Ralph Vaughan Williams. My arrangement starts with a slow, teasing, introduction, and introduces the famous melody very slowly and gently. “What Shall We Do With The Drunken Sailor†also makes a few appearances before we let the brakes off and burst into the tune that many people know. The music isn’t hard to play, and each line has some music interest, though only Guitar 1 has to venture up the neck. It’s ideal for a mixed ability ensemble, and runs at nearly five minutes, to make a substantial concert item that builds up and up. This arrangement was a firm favourite with the Hampshire Guitar Orchestra (HAGO) and their audiences. I hope you enjoy this piece as much as HAGO did!
$3.99 ≈
3.66€
In Thee Is Gladness
In Thee Is Gladness
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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First Plymouth Church
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Lyndell Leatherman
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In Thee Is Gladness
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1290704 By First Plymouth Church. By Words: Johann Lindemann / Music: Giovanni Giacomo Gastoldi. Arranged b...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1290704 By First Plymouth Church. By Words: Johann Lindemann / Music: Giovanni Giacomo Gastoldi. Arranged by Lyndell Leatherman. Christian,Religious,Renaissance,Sacred. Score. 2 pages. Leatherman Music Services #881410. Published by Leatherman Music Services (A0.1290704). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99 ≈
2.74€
There's a Wideness in God's Mercy
There's a Wideness in God's Mercy
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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Plymouth Church
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Lyndell Leatherman
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There's a Wideness in God's Me
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1244648 By Plymouth Church. By Words: Frederick W. Faber / Music: Lizzee S. Tourjee. Arranged by Lyndell Le...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1244648 By Plymouth Church. By Words: Frederick W. Faber / Music: Lizzee S. Tourjee. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #839601. Published by Leatherman Music Services (A0.1244648). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99 ≈
2.74€
Bjork Gudmundsdottir: Sun In My Mouth - organ
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Orgue
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INTERMÉDIAIRE
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Rock Alternatif
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Bjork Gudmundsdottir
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Virtualsheetmusic
Instantly printable sheet music by Bjork Gudmundsdottir for organ of MEDIUM skill level. / alternative,pop
Instantly printable sheet music by Bjork Gudmundsdottir for organ of MEDIUM skill level. / alternative,pop
$5.97 ≈
5.47€
Prayer (Bassoon & Piano)
Prayer (Bassoon & Piano)
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Basson, Piano (duo)
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Willard Zirk
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Prayer
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Imagine Music - Digital
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SheetMusicPlus
Bassoon & piano - SKU: IZ.IMS178 Composed by Willard Zirk. Score and Parts. 7 pages. Imagine Music - Digital #IMS178. Published by Imagine Music - Digit...
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Bassoon & piano - SKU: IZ.IMS178 Composed by Willard Zirk. Score and Parts. 7 pages. Imagine Music - Digital #IMS178. Published by Imagine Music - Digital (IZ.IMS178). 9 x 12 in inches.Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory ofMarie Mountain Clark. She was a friend and former principal flute in the Ann Arbor Symphony Orchestra (andCongressional Gold Medal recipient for her service as a WWII Women's Air Service Pilot aEUR WASP). Since thepremiere of Requiem in 2009, several of my friends have asked me to transcribe Prayer for their instruments. It hasbeen used for weddings, funerals, offertories, and preludes.Prayer precedes the final verses of Psalm 19 in the Requiem, and it introduces the Psalmist's poignant text on thehuman weakness of willful transgression. Cleanse thou me from secret faultsaEUR|. Let the words of my mouth, and themeditation of my heart, be acceptable in thy sight, O Lord, my strength, and my redeemer (KJV).I think the fact that I had a bad cold while writing this music added to its effectiveness, for I was feeling quite sorry formyself. The melody portrays my prayer rising ever higher, asking forgiveness for my sins. The plagal (Amen) cadenceat the end acknowledges God's gracious forgiveness.Difficulty level: College or advanced high school, requiring full control of intonation and long tones in all ranges.Performance Time: 3' 40
$10.00 ≈
9.17€
Prayer
Prayer
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Trompette, Piano
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Willard Zirk
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Prayer
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Imagine Music - Digital
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SheetMusicPlus
Trumpet & piano - SKU: IZ.IMS1924 Composed by Willard Zirk. Score and Parts. 7 pages. Imagine Music - Digital #IMS1924. Published by Imagine Music - Dig...
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Trumpet & piano - SKU: IZ.IMS1924 Composed by Willard Zirk. Score and Parts. 7 pages. Imagine Music - Digital #IMS1924. Published by Imagine Music - Digital (IZ.IMS1924). 9 x 12 in inches.Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory of Marie Mountain Clark. She was a friend and former principal flute in the Ann Arbor Symphony Orchestra (and Congressional Gold Medal recipient for her service as a WWII Women's Air Service Pilot - WASP). Since the premiere of Requiem in 2009, several of my friends have asked me to transcribe Prayer for their instruments. It has been used for weddings, funerals, offertories, and preludes. Prayer precedes the final verses of Psalm 19 in the Requiem, and it introduces the Psalmist's poignant text on the human weakness of willful transgression. Cleanse thou me from secret faults.... Let the words of my mouth, and the meditation of my heart, be acceptable in thy sight, O Lord, my strength, and my redeemer (KJV). I think the fact that I had a bad cold while writing this music added to its effectiveness, for I was feeling quite sorry for myself. The melody portrays my prayer rising ever higher, asking forgiveness for my sins. The plagal (Amen) cadence at the end acknowledges God's gracious forgiveness. Difficulty level: College or advanced high school, requiring full control of intonation and long tones in all ranges.Performance Time: 3' 40.
$10.00 ≈
9.17€
Prayer
Prayer
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Hautbois, Piano (duo)
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Willard Zirk
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Prayer
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Imagine Music - Digital
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SheetMusicPlus
Oboe & piano - SKU: IZ.IMF1819 Composed by Willard Zirk. Score and Parts. 7 pages. Imagine Music - Digital #IMF1819. Published by Imagine Music - Digita...
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Oboe & piano - SKU: IZ.IMF1819 Composed by Willard Zirk. Score and Parts. 7 pages. Imagine Music - Digital #IMF1819. Published by Imagine Music - Digital (IZ.IMF1819). 9 x 12 in inches.Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory of Marie Mountain Clark. She was a friend and former principal flute in the Ann Arbor Symphony Orchestra (and Congressional Gold Medal recipient for her service as a WWII Women's Air Service Pilot - WASP). Since the premiere of Requiem in 2009, several of my friends have asked me to transcribe Prayer for their instruments. It has been used for weddings, funerals, offertories, and preludes.Prayer precedes the final verses of Psalm 19 in the Requiem, and it introduces the Psalmist's poignant text on the human weakness of willful transgression. Cleanse thou me from secret faults.... Let the words of my mouth, and the meditation of my heart, be acceptable in thy sight, O Lord, my strength, and my redeemer (KJV).I think the fact that I had a bad cold while writing this music added to its effectiveness, for I was feeling quite sorry for myself. The melody portrays my prayer rising ever higher, asking forgiveness for my sins. The plagal (Amen) cadence at the end acknowledges God's gracious forgiveness.Difficulty level: College or advanced high school, requiring full control of intonation and long tones in all ranges.Performance Time: 3' 40.
$10.00 ≈
9.17€
Cello - "And Can It Be?" Theme and Variations
Cello - "And Can It Be?" Theme and Variations
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Cello - "And Can It Be?&q
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Dan Cutchen Music
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan C...
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Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00 ≈
5.50€
Tuba solo - "And Can It Be?" Theme and Variations
Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Tuba solo - "And Can It B
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cu...
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Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00 ≈
5.50€
Alto Sax - "And Can It Be?" Theme and Variations
Alto Sax - "And Can It Be?" Theme and Variations
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...
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Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00 ≈
6.42€
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