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My Time Machine
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Vous avez sélectionné:
My Time Machine
Partitions à imprimer
20 partitions trouvées
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1
Come, Josephine in My Flying Machine
Come, Josephine in My Flying Machine
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Ensemble de cuivres
#
INTERMÉDIAIRE
#
Fred Fisher
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F
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Come, Josephine in My Flying M
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Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts...
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Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts. 40 pages. Sweetwater Brass Press #6215233. Published by Sweetwater Brass Press (A0.808706).     Orville and Wilbur Wright made their famous flight in late 1903; this song was published seven years later: Fred Fisher’s music with Alfred Bryan’s lyrics. The words form a narrative of a young man attempting to get his girlfriend to go up with him in his flying machine. And, that would take much more daring on her part than one might realize today. The year 1910 was still early days for aviation; most airplanes were still made of wood, wire and fabric and looked liked giant gliders. Supposedly, the Josephine of the song was Josephine Sarah Magner, reputed to be America’s first female parachutist. Magner married Leslie Burt Haddock, whose aviation career started in balloons, and made her first jump in 1905. During the next dozen years, she made more than 500 jumps. Pretty daring!    This arrangement is quirky and an absolute delight to play (and to listen to)! The first half is set in the song’s native ¾ time. The takeoff is the introduction, followed by the chorus, then the verse and again the chorus as the melody loops, rolls and spins through the five instruments. A middle section briefly quotes two other aerialist tunes-He flies through the air with the greatest of ease and Up in the air Junior Birdmen-and serves as a transition to cut time. A swing version of the chorus brings us in for a landing and final fade.    The arrangement begins in the key of C major and changes to G major during the transitional section. Suggested tempo is 76 bpm throughout. The arrangement comprises 202 measures: Horn in F plays the most notes, followed by Trombone and Tuba, while Trumpets get off relatively lightly. All notes are well within the normal playing range of the instruments; Trumpet 1 does, however, play A above its staff several times.    Completed in 2021, performance time for Come, Josephine in My Flying Machine runs about 3 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99 ≈
6.34€
My Time Of Day
My Time Of Day
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
#
Frank Loesser
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Zach Green
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My Time Of Day
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Green Machine Music
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1014253 Composed by Frank Loesser. Arranged by Zach Green. A Cappella,Jazz. 3 pages. Green Machine...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1014253 Composed by Frank Loesser. Arranged by Zach Green. A Cappella,Jazz. 3 pages. Green Machine Music #6606605. Published by Green Machine Music (A0.1014253). Originally from the classic musical Guys and Dolls, Frank Loesser's My Time of Day is a beautiful deep cut presented as a lush, harmonically-rich a cappella ballad. A unique arrangement for larger advanced/intermediate vocal jazz groups!Check out more of Z. M. Green's work at http://zmgreen.com!As performed by The New Standard
$7.00 ≈
6.35€
Those Magnificent Men In Their Flying Machines
Those Magnificent Men In Their Flying Machines
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Ron Goodwin
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Derek Hasted
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Those Magnificent Men In Their
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Derek Hasted
#
SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - SKU: A0.797771 Composed by Ron Goodwin. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 16 pages. De...
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Guitar Ensemble Guitar - Level 3 - SKU: A0.797771 Composed by Ron Goodwin. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 16 pages. Derek Hasted #5311943. Published by Derek Hasted (A0.797771). THOSE MAGNIFICENT MEN - 4 GUITARS or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes 'Those Magnificent Men In Their Flying Machines' is the theme music to the film of the same name and was composed by Ron Goodwin.This arrangement stays faithful to much of the original but there are some tiny little changes that make this version fit a guitar ensemble more comfortably...The key is more guitar-friendly.You can choose between 3 different 2-bar introductions.The more complex vocal alliterations in the original are slimmed down to avoid the guitar parts sounding too fussy.Some of the original features (sliding trombone notes, snare drums and tricky decorations) have been removed or offered as alternative. The full score and parts explain where there are choices that can be made.This arrangement will suit a large ensemble as well as a quartet, and it's been proven in concert on more than one occasion before it was published.I hope you enjoy playing it as much as my two ensembles (and their audiences!)
$4.99 ≈
4.52€
Eloi (Solo Piano Excerpt)
Eloi (Solo Piano Excerpt)
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Piano seul
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FACILE
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Contemporain
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Stephen Richard Thomas Brown
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Eloi
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Stephen Richard Thomas Brown
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1130428 By Stephen Richard Thomas Brown. By Stephen Richard Thomas Brown. 20th Century,Classical,Contemporary. Score. 2 p...
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Piano Solo - Level 2 - SKU: A0.1130428 By Stephen Richard Thomas Brown. By Stephen Richard Thomas Brown. 20th Century,Classical,Contemporary. Score. 2 pages. Stephen Richard Thomas Brown #730797. Published by Stephen Richard Thomas Brown (A0.1130428). Eloi (Solo piano Excerpt) is the score for the piano part of my Electronic Music composition entitled Eloi. This piece comes from my Electronic Music project entitled The Time Machine which I completed around 2010.
$2.99 ≈
2.71€
Quartet #1
Quartet #1
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
#
Contemporain
#
Jeff Tincher
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Quartet #1
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Jeff Tincher
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.584656 Composed by Jeff Tincher. 20th Century,Contemporary. Score and parts. 19 pages. Jeff Tin...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.584656 Composed by Jeff Tincher. 20th Century,Contemporary. Score and parts. 19 pages. Jeff Tincher #6017675. Published by Jeff Tincher (A0.584656). This begins with a 7/4 time signature in A minor. The initial passage was created to sound like an industrial region in a run-down town. The machines continue to progress until the complete building is running like a well-oiled machine, to quote a anecdote. As it continues the business runs smooth like a waltz in 3/4 time. For a moment the initial passage returns before a climax in A major. The finale concludes as the day ends with the original passage returning in 7/4 time as the business closes for the day. Hear the full version of composition on Jeff Tincher's For Brass Quartet CD. Duration = 4:00. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 ≈
11.78€
Quartet #1
Quartet #1
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Ensemble de Percussions
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INTERMÉDIAIRE
#
Contemporain
#
Jeff Tincher
#
Quartet #1
#
Jeff Tincher
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.584689 Composed by Jeff Tincher. Contemporary. Score and parts. 21 pages. Jeff Tincher #6019457. Published by Je...
(+)
Percussion Ensemble - Level 3 - SKU: A0.584689 Composed by Jeff Tincher. Contemporary. Score and parts. 21 pages. Jeff Tincher #6019457. Published by Jeff Tincher (A0.584689). This begins with a 7/4 time signature in A minor. The initial passage was created to sound like an industrial region in a run-down town. The machines continue to progress until the complete building is running like a well-oiled machine, to quote a anecdote. As it continues the business runs smooth like a waltz in 3/4 time. For a moment the initial passage returns before a climax in A major. The finale concludes as the day ends with the original passage returning in 7/4 time as the business closes for the day. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 4:00. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 ≈
11.78€
Quartet #1
Quartet #1
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
#
Contemporain
#
Jeff Tincher
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Quartet #1
#
Jeff Tincher
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.584654 Composed by Jeff Tinch...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.584654 Composed by Jeff Tincher. 20th Century,Contemporary. 19 pages. Jeff Tincher #6017671. Published by Jeff Tincher (A0.584654). This begins with a 7/4 time signature in A minor. The initial passage was created to sound like an industrial region in a run-down town. The machines continue to progress until the complete building is running like a well-oiled machine, to quote a anecdote. As it continues the business runs smooth like a waltz in 3/4 time. For a moment the initial passage returns before a climax in A major. The finale concludes as the day ends with the original passage returning in 7/4 time as the business closes for the day. Hear the full version of composition on Jeff Tincher's For Saxophone Quartet CD. Duration = 4:00. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 ≈
11.78€
Quartet #1
Quartet #1
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Flûte, Hautbois, Clarinette, Basson
#
INTERMÉDIAIRE
#
Contemporain
#
Jeff Tincher
#
Quartet #1
#
Jeff Tincher
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.584655 Composed by Jeff Tincher. 20th Century,Contemporary. 19 pages....
(+)
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.584655 Composed by Jeff Tincher. 20th Century,Contemporary. 19 pages. Jeff Tincher #6017673. Published by Jeff Tincher (A0.584655). This begins with a 7/4 time signature in A minor. The initial passage was created to sound like an industrial region in a run-down town. The machines continue to progress until the complete building is running like a well-oiled machine, to quote a anecdote. As it continues the business runs smooth like a waltz in 3/4 time. For a moment the initial passage returns before a climax in A major. The finale concludes as the day ends with the original passage returning in 7/4 time as the business closes for the day. Hear the full version of composition on Jeff Tincher's For Woodwind Quartet CD. Duration = 4:00. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 ≈
11.78€
Quartet #1
Quartet #1
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
#
Contemporain
#
Jeff Tincher
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Quartet #1
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Jeff Tincher
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.584653 Composed by Jeff Tincher. 20th Century,Contemporary. Score and parts. 19 pag...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.584653 Composed by Jeff Tincher. 20th Century,Contemporary. Score and parts. 19 pages. Jeff Tincher #6017667. Published by Jeff Tincher (A0.584653). This begins with a 7/4 time signature in A minor. The initial passage was created to sound like an industrial region in a run-down town. The machines continue to progress until the complete building is running like a well-oiled machine, to quote a anecdote. As it continues the business runs smooth like a waltz in 3/4 time. For a moment the initial passage returns before a climax in A major. The finale concludes as the day ends with the original passage returning in 7/4 time as the business closes for the day. Duration = 4:00. Hear the full version of composition on Jeff Tincher's For String Quartet CD. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 ≈
11.78€
Song Of The Jet (samba Do Avião)
Song Of The Jet (samba Do Avião)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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Antonio Carlos Jobim
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Peet du Toit
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Song Of The Jet
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802574 Composed by Antonio Carlos Jobim. Arranged by Peet du Toit. Contemporary. Score and...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802574 Composed by Antonio Carlos Jobim. Arranged by Peet du Toit. Contemporary. Score and parts. 11 pages. Peet du Toit #5801391. Published by Peet du Toit (A0.802574). Samba do Avião (a.k.a. Song of the Jet, translated literally as Airplane Samba) is a Brazilian song composed in 1962 by Antônio Carlos Jobim, who also wrote the original Portuguese lyrics. The English-language lyrics are by Gene Lees.In the biography Antonio Carlos Jobim: An Illuminated Man, Helena Jobim describes how her brother came up with the idea for the song: Tom's many walks from Ipanema to Santos Dumont Airport yielded that ode of beauty... He would head towards the airport, following the water's edge around Guanabara's Bay. The pretext to go there was to buy foreign magazines and newspapers. From Santos Dumont Airport he could observe his passion, the airplane. Yet he still kept some distance from those machines. He was afraid of flying, but he loved their power, splendor, and aerodynamics-man's conquest over machine.In the song, Jobim writes about landing at Galeão in Rio de Janeiro. The airport was renamed in his honor in 1999 and is now called Rio de Janeiro–Antonio Carlos Jobim International Airport.Jobim wrote Samba do Avião for an Italian film, Copacabana Palace (1962), where it was performed by Jula De Palma and I 4 + 4 di Nora Orlandi. The movie was filmed in Rio and features cameo appearances by Jobim, João Gilberto and Os Cariocas.The first performance of the song was by Jobim and Os Cariocas in August 1962 at the Au Bon Gourmet restaurant in Copacabana, Rio, at what music historian Ruy Castro calls the bossa nova show to end all bossa nova shows, as it featured Jobim, João Gilberto, VinÃcius de Moraes and Os Cariocas on stage together for the only time.The first recording of the song was released in October 1962 by Elza Laranjeira. Os Cariocas had a hit with their rendition in 1963.The first English-language version was by Tony Bennett for his 1965 album If I Ruled the World: Songs for the Jet Set.Here is my brass quintet version of the song for your enjoyment.
$13.00 ≈
11.79€
Timothy Brown: My Time Machine - piano solo
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Piano seul
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INTERMÉDIAIRE
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Timothy Brown
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Virtualsheetmusic
Instantly printable sheet music by Timothy Brown for piano solo of MEDIUM skill level. /
Instantly printable sheet music by Timothy Brown for piano solo of MEDIUM skill level. /
$5.48 ≈
4.97€
Reconciliation
Reconciliation
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Quatuor à cordes: 2 violons, alto, violoncelle
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Contemporain
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Liam Morrissey
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Reconciliation
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Liam Morrissey
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.1031806 Composed by Liam Morrissey. 20th Century,Contemporary. Score and parts. 2 pages. Liam Morrissey #3572227...
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String Quartet String Quartet - SKU: A0.1031806 Composed by Liam Morrissey. 20th Century,Contemporary. Score and parts. 2 pages. Liam Morrissey #3572227. Published by Liam Morrissey (A0.1031806). Between gigs on winter terraces , walks on frozen streets , chamber music rehearsals , and the recognition of the good and the bad in man and machine , my quartet was born . It came at a time of reconciliation , of a dawning acceptance of the beauty , the necessity of exploration of advancing technology in music . Before then I had trouble with the synthetic nature of contemporary music ; it seemed to me a symbol of the degradation of the importance that we give to nature in society . However , as I listened more and more to electronic music , as I rehearsed Philip Glass with my friends , I came to accept that there is a coexistence as natural and wonderful as a cup of tea . Yes , it still worries me , the level to which we have come to depend on technological advantage , and I feel we have a long way to go before we reach equilibrium .In the meantime , I wrote this piece and prepared it with completely synthetic effects in the hope of reaching that balance , at least from an aesthetic perspective . It starts somewhat coldy , a siren , a train motor , a deep respiration and a sigh . It twists , it turns , and by the end humanity and its steel and plastic progeny are one .
$10.00 ≈
9.07€
How Big, How Blue, How Beautiful
How Big, How Blue, How Beautiful
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Quatuor de Cuivres
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FACILE
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Florence + the Machine
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Jeff Tincher
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How Big, How Blue, How Beautif
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Jeff Tincher
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SheetMusicPlus
Brass Quartet Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1279366 By Florence + the Machine. By Florence Welch and Isabella Summers. Arranged by Jeff Tinc...
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Brass Quartet Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1279366 By Florence + the Machine. By Florence Welch and Isabella Summers. Arranged by Jeff Tincher. Contemporary,Pop,Rock. 25 pages. Jeff Tincher #870850. Published by Jeff Tincher (A0.1279366). This first time I heard this song was when Florence + The Machine performed it live on the Later...With Jools Holland show. I immediately fell in love with the song. The makeup of the song, from ethereal to rock back to ethereal was something that has not been used in quite some time. And the brass ending is just amazing in its simplicity. Florence used (and still may use) this song to end her concerts. In the original key from their self-titled Florence + The Machine LP. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99 ≈
11.78€
How Big, How Blue, How Beautiful
How Big, How Blue, How Beautiful
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Florence + the Machine
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Jeff Tincher
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How Big, How Blue, How Beautif
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Jeff Tincher
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1279363 By Florence + the Ma...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1279363 By Florence + the Machine. By Florence Welch and Isabella Summers. Arranged by Jeff Tincher. Contemporary,Pop,Rock. 25 pages. Jeff Tincher #870848. Published by Jeff Tincher (A0.1279363). This first time I heard this song was when Florence + The Machine performed it live on the Later...With Jools Holland show. I immediately fell in love with the song. The makeup of the song, from ethereal to rock back to ethereal was something that has not been used in quite some time. And the brass ending is just amazing in its simplicity. Florence used (and still may use) this song to end her concerts. In the original key from their self-titled Florence + The Machine LP. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99 ≈
11.78€
How Big, How Blue, How Beautiful
How Big, How Blue, How Beautiful
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Florence + the Machine
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Jeff Tincher
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How Big, How Blue, How Beautif
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.1279365 By Florence + the Machine. By Florence Welch and Isabella Sum...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.1279365 By Florence + the Machine. By Florence Welch and Isabella Summers. Arranged by Jeff Tincher. Contemporary,Pop,Rock. 25 pages. Jeff Tincher #870849. Published by Jeff Tincher (A0.1279365). This first time I heard this song was when Florence + The Machine performed it live on the Later...With Jools Holland show. I immediately fell in love with the song. The makeup of the song, from ethereal to rock back to ethereal was something that has not been used in quite some time. And the brass ending is just amazing in its simplicity. Florence used (and still may use) this song to end her concerts. In the original key from their self-titled Florence + The Machine LP. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99 ≈
11.78€
How Big, How Blue, How Beautiful
How Big, How Blue, How Beautiful
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Florence + the Machine
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Jeff Tincher
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How Big, How Blue, How Beautif
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Jeff Tincher
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1279362 By Florence + the Machine. By Florence Welch and Isabella Summers. Arranged...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1279362 By Florence + the Machine. By Florence Welch and Isabella Summers. Arranged by Jeff Tincher. Contemporary,Pop,Rock. 25 pages. Jeff Tincher #870847. Published by Jeff Tincher (A0.1279362). This first time I heard this song was when Florence + The Machine performed it live on the Later...With Jools Holland show. I immediately fell in love with the song. The makeup of the song, from ethereal to rock back to ethereal was something that has not been used in quite some time. And the brass ending is just amazing in its simplicity. Florence used (and still may use) this song to end her concerts. In the original key from their self-titled Florence + The Machine LP. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99 ≈
11.78€
The Importance of Being Earnest
The Importance of Being Earnest
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Gerald Barry
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The Importance of Being Earnes
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Schott Music - Digital
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SheetMusicPlus
1(pic).1(ca).1.bcl.2(2.cbsn)-2.2(1.Dtpt).1.1-timp.2perc(mar, vib, cym, s.d, b.d, chimes, wind machine, lion's roar, flex, large hammer, white dinner plates, tel...
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1(pic).1(ca).1.bcl.2(2.cbsn)-2.2(1.Dtpt).1.1-timp.2perc(mar, vib, cym, s.d, b.d, chimes, wind machine, lion's roar, flex, large hammer, white dinner plates, telephone, jackboots, gun)-pno(cel)-str(1.1.1.1.1) - difficult - SKU: S9.Q17486 Opera in 3 acts based on the text by Oscar Wilde. Composed by Gerald Barry. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 90 minutes. Schott Music - Digital #Q17486. Published by Schott Music - Digital (S9.Q17486). English.When asked what the theme of his play was, Wilde answered “That we should treat all trivial things in life very seriously, and all serious things in life with a sincere and studied triviality. Gerald Barry’s fifth opera based on the play is genuine comic with a dark heart. The previous four have remarkable libretti, but The Importance of Being Earnest, written in 1894, is all but perfect in its construction, and Barry’s audacious approach triumphantly confounds all expectations. As Barry describes it: The play’s bones are unshatterable. My version is an X-ray of it. The musical references range from Beethoven to Schoenberg, all treated with a reckless panache and impish wit, by turns dazzling, startling and charming the audience.
$66.99 ≈
60.74€
Hi-Tech Etudes Volume 1
Hi-Tech Etudes Volume 1
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Piano seul
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INTERMÉDIAIRE
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Dominic Irving
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Hi-Tech Etudes Volume 1
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Masquerade Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1422987 Composed by Dominic Irving. 21st Century,Comedy,Contemporary,Instructional,Jazz. Score. 28 pages. Masquerade Musi...
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Piano Solo - Level 3 - SKU: A0.1422987 Composed by Dominic Irving. 21st Century,Comedy,Contemporary,Instructional,Jazz. Score. 28 pages. Masquerade Music #1004343. Published by Masquerade Music (A0.1422987). Hi-Tech Etudes Volume One (solo piano) by Dominic Irving is the first volume in an inspiring and imaginative collection of pieces that reference technology or modern life along with some musical humour at times!The pieces in volume one vary in difficulty but are generally aimed at roughly grades 2-5 with a number of pieces falling into each level. Useful tips have been included to help students achieve the best outcome and creativity and imagination can often be fully explored. Contents: Augmented Reality Friend Request The Brightest Pixel Sir, this Piano's Broken! My Toaster's Online Machine Learning Don't Open the Box! Cyber Cat Living in the Cloud Holograms Dancing Counting the Leaves in the Forest The Day Sweets Fell to Earth Digital Detox Data Breach Red, White and Bluetooth Hi-Tech Etudes makes a great addition to lesson fun and for all ages!.
$9.87 ≈
8.95€
Batá para meu pai
Batá para meu pai
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Jonas Hocherman
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Jonas Hocherman
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Batá para meu pai
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Jonas Hocherman
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SheetMusicPlus
Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 4 - SKU: A0.1175824 By Jonas Hocherman. By Jonas Hocherman. Arranged by Jonas Hocherman...
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Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 4 - SKU: A0.1175824 By Jonas Hocherman. By Jonas Hocherman. Arranged by Jonas Hocherman. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. 49 pages. Jonas Hocherman #775945. Published by Jonas Hocherman (A0.1175824). This piece is for the formation of Brass ensemble. It's about passage, about path, about life and about death. I began to write this piece from a rhythmic ostinato that came to me from the machine that monitored my father's health in the hospital in his last days of life.This ostinato immediately referred me to a clave of a candomblé rhythm called batá. From this rhytmic motive that accompanies us on this path, the theme emerges as if it were a distant corner that resonsin our existence. The ideas that accompany emerge and transform, bringing to this passage between life and death, this environment of the existence of the work.Listening is an immersion in this moment that we don't know, but we can imagine.This timeless space arises from passage between life and death, death and life.
$70.00 ≈
63.47€
La Fee Verte Bagpipe Concerto
La Fee Verte Bagpipe Concerto
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Christine Southworth
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La Fee Verte Bagpipe Concerto
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Airplane Ears Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ear...
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Chamber Orchestra - Level 4 - SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ears Music #5802055. Published by Airplane Ears Music (A0.1013047). La Fee Verte (2013, 12 minutes) for chamber orchestra and Galician gaitasI first became obsessed with bagpipes when my grandfather, Boston Police Lieutenant David Moran, passed away. I was 14 years old, and at his funeral police pipers played, just before the rifles were fired. I was overwhelmed by the power of the instrument, of course compounded by my own sadness and emotion. Years later, a good friend died and another friend wrote him a requiem performed by 12 bagpipes, and after being in denial about his death the power of the sound again made be burst in to tears. Then I was out a Tanglewood at a Silk Road retreat and Osvaldo Golijov had brought a friend, Cristina Pato, to demonstrate her instrument, the Galician Gaita. I was blown away, for the first time the power of the instrument hit me with pure joy, I had never heard bagpipe played like this and by a woman, it was just spectacular! I immediately found a bagpipe teacher in Boston, and started learning Highland pipes, and a few years later, in 2010, went to Galicia and began studying the Gaita. This piece is dedicated to two great gaita players, Cristina Pato and my teacher Anton DaVila. La Fée Verte was commissioned by The Silk Road Project.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$30.00 ≈
27.20€
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My Time Machine
