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Mysticism
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Vous avez sélectionné:
Mysticism
Partitions à imprimer
53 partitions trouvées
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Mysticism
Mysticism
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Jazz
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Horace Silver
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George Kaplan
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Mysticism
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George Kaplan
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SheetMusicPlus
Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081182 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interac...
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Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081182 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 9 pages. Duration 134. George Kaplan #3twZIB0zYvsynuaepMfK1d. Published by George Kaplan (A0.1081182). Key: F# major.Horace Silver had not seen the insides of a recording studio for 750 days before laying down Silver 'n Brass. His previous record, In Pursuit of the 27th Man, was unusual in its instrumentation (vibes) and for including a number of non-Silver tunes. (But the cover of Liberated Brother, from that record, did go on to become the backbone of his late 70s live shows.) So, as a prolific composer, Horace had a large backlog of tunes at his disposal as he entered the studio in January, 1975 and the 6 cuts on Silver 'n Brass are among his best. Horace broke the sessions into two: a straight-ahead post-bop session with Ron Carter (whose chubby bass spews artifacts all over the place, in his best late-70s style) and Al Foster on drums and another, more commercial session featuring Bob Cranshaw and Bernard Purdie. Wade Marcus later added horn overdubs employing an absolute who's-who of LA session players. (Word quickly got out among the cognoscenti, and Silver 'n Brass became hugely popular among fellow musicians, much to Horace's delight.) Highlights of the disc include: the composer's propulsive piano solo on Dameron's Dance, young Bob Berg's paint-peeling tenor solos (especially riveting on Kissin' Cousins) and the driving flat 9th chords of Adjustment. The tune Barbara, a gorgeous waltz dedicated to Horace's then-wife, has become a latter-day standard of sorts (Amazon's MP3 store lists a whole bunch of covers). Sophisticated Hippie, a tribute to Duke Ellington, features quite a rhythm-section workout in its closing vamp: this session would be the only time that Horace and Bernard's paths would intersect. There are no vocals this time out, just fully arresting post-bop of a high order.
$9.99 ≈
9.16€
String Quartet #4 "The Search for Truth" - 3 - Mysticism
String Quartet #4 "The Search for Truth" - 3 - Mysticism
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Ralph S
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String Quartet #4 "The Se
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Ralph S. Gardner II
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.1015537 Composed by Ralph S. Gardner II. Contemporary,Sacred. Score and parts. 7 pages. Ralph S. Gardn...
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String Quartet String Quartet - Level 5 - SKU: A0.1015537 Composed by Ralph S. Gardner II. Contemporary,Sacred. Score and parts. 7 pages. Ralph S. Gardner II #5999177. Published by Ralph S. Gardner II (A0.1015537). 3rd movement of my 4th String Quartet.
$1.99 ≈
1.83€
Yetzer Hara, for orchestra - Score Only
Yetzer Hara, for orchestra - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Daniel Despins
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Yetzer Hara, for orchestra - S
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Daniel Despins
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1454805 Composed by Daniel Despins. 21st Century,Classical,Contemporary,Jewish. 20 pages. Daniel Despins #1033873. Pu...
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Full Orchestra - Level 4 - SKU: A0.1454805 Composed by Daniel Despins. 21st Century,Classical,Contemporary,Jewish. 20 pages. Daniel Despins #1033873. Published by Daniel Despins (A0.1454805). Powerful, moving, and dramatic, Yetzer Hara by Daniel Despins is a perfect concert opener for any program!A note from the composer:In Jewish mysticism, the “yetzer hara” refers to one’s “evil inclination,” or the desire to commit acts that are considered evil or immoral. The yetzer hara is controlled and restrained by the “yetzer hatov,” or the inclination to do good things and commit acts of kindness. Rabbinic teachings emphasize the importance of both inclinations – without the yetzer hara, people would have no sense of motivation or purpose to their actions, but the yetzer hatov is necessary to ensure that those actions do not harm others. Thus, the two inclinations depend on each other for balance.This teaching resonates with me very personally, as someone who was prone to fits of anger while I was growing up. My adolescent years tested me as I struggled to keep my yetzer hara in check. Even at the time of this piece’s creation, I was struggling with the evil inclination, which was feeding feelings of animosity I had towards people that I believed had wronged me. This is a battle I will fight for the rest of my life, but I believe that balance will come with time and patience. We must all fight to keep our inclinations balanced, so that we are able to mature emotionally as human beings..
$20.00 ≈
18.35€
Yetzer Hara, for orchestra - Full Score and Parts
Yetzer Hara, for orchestra - Full Score and Parts
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
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Daniel Despins
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Yetzer Hara, for orchestra - F
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Daniel Despins
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1454803 Composed by Daniel Despins. 21st Century,Classical,Contemporary,Jewish. 65 pages. Daniel Despins #1031955. Pu...
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Full Orchestra - Level 4 - SKU: A0.1454803 Composed by Daniel Despins. 21st Century,Classical,Contemporary,Jewish. 65 pages. Daniel Despins #1031955. Published by Daniel Despins (A0.1454803). Powerful, moving, and dramatic, Yetzer Hara by Daniel Despins is a perfect concert opener for any program!A note from the composer:In Jewish mysticism, the “yetzer hara” refers to one’s “evil inclination,” or the desire to commit acts that are considered evil or immoral. The yetzer hara is controlled and restrained by the “yetzer hatov,” or the inclination to do good things and commit acts of kindness. Rabbinic teachings emphasize the importance of both inclinations – without the yetzer hara, people would have no sense of motivation or purpose to their actions, but the yetzer hatov is necessary to ensure that those actions do not harm others. Thus, the two inclinations depend on each other for balance.This teaching resonates with me very personally, as someone who was prone to fits of anger while I was growing up. My adolescent years tested me as I struggled to keep my yetzer hara in check. Even at the time of this piece’s creation, I was struggling with the evil inclination, which was feeding feelings of animosity I had towards people that I believed had wronged me. This is a battle I will fight for the rest of my life, but I believe that balance will come with time and patience. We must all fight to keep our inclinations balanced, so that we are able to mature emotionally as human beings..
$80.00 ≈
73.38€
Mr. Tambourine Man
Mr. Tambourine Man
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Piano seul
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FACILE
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Bob Dylan
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J
#
Mr. Tambourine Man
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Jhavilah
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1425872 By Bob Dylan. By Bob Dylan. Arranged by J.Palacius. 20th Century,Folk,Multicultural,Rock,Singer/Songwriter,World....
(+)
Piano Solo - Level 2 - SKU: A0.1425872 By Bob Dylan. By Bob Dylan. Arranged by J.Palacius. 20th Century,Folk,Multicultural,Rock,Singer/Songwriter,World. Score. 3 pages. Jhavilah #1006638. Published by Jhavilah (A0.1425872). Mr. Tambourine Man by Bob Dylan is a timeless classic that transcends generations with its poetic lyrics and mesmerizing melody. Released in 1965 as the opening track of Dylan's fifth studio album, Bringing It All Back Home, the song quickly became an anthem of the 1960s counterculture movement and remains a staple in Dylan's extensive repertoire.At its core, Mr. Tambourine Man is a surreal journey through the mind, filled with vivid imagery and dreamlike scenes. Dylan's lyrics evoke a sense of wanderlust and yearning for escape, as he addresses a mysterious figure - the Tambourine Man - who holds the key to unlocking a world of imagination and freedom.The tambourine, often associated with folk music and mysticism, serves as a symbol of the transformative power of music and creativity. Dylan's poetic verses invite listeners to join him on a transcendental voyage, where the boundaries between reality and fantasy blur, and the promise of liberation beckons.Musically, Mr. Tambourine Man captivates with its simple yet enchanting melody, driven by Dylan's distinctive vocal delivery and accompanied by acoustic guitar. The song's gentle rhythm and ethereal atmosphere create a sense of ethereal longing, perfectly complementing the introspective nature of the lyrics.Over the years, Mr. Tambourine Man has been covered by numerous artists, further cementing its status as a folk-rock classic. From The Byrds' iconic jangly rendition to interpretations by artists spanning various genres, the song's enduring appeal lies in its universal themes of escapism, inspiration, and the transformative power of music.In essence, Mr. Tambourine Man stands as a testament to Bob Dylan's unparalleled ability to craft songs that resonate deeply with audiences across generations. Its poetic lyricism and timeless melody continue to captivate listeners, making it a cornerstone of not only Dylan's illustrious career but also the broader landscape of popular music.
$5.99 ≈
5.49€
Mr. Tambourine Man
Mr. Tambourine Man
#
Piano seul
#
FACILE
#
Bob Dylan
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J
#
Mr. Tambourine Man
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Jhavilah
#
SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1425863 By Bob Dylan. By Bob Dylan. Arranged by J.Palacius. 20th Century,Folk,Multicultural,Rock,Singer/Songwriter,World....
(+)
Piano Solo - Level 2 - SKU: A0.1425863 By Bob Dylan. By Bob Dylan. Arranged by J.Palacius. 20th Century,Folk,Multicultural,Rock,Singer/Songwriter,World. Score. 3 pages. Jhavilah #1006628. Published by Jhavilah (A0.1425863). Mr. Tambourine Man by Bob Dylan is a timeless classic that transcends generations with its poetic lyrics and mesmerizing melody. Released in 1965 as the opening track of Dylan's fifth studio album, Bringing It All Back Home, the song quickly became an anthem of the 1960s counterculture movement and remains a staple in Dylan's extensive repertoire.At its core, Mr. Tambourine Man is a surreal journey through the mind, filled with vivid imagery and dreamlike scenes. Dylan's lyrics evoke a sense of wanderlust and yearning for escape, as he addresses a mysterious figure - the Tambourine Man - who holds the key to unlocking a world of imagination and freedom.The tambourine, often associated with folk music and mysticism, serves as a symbol of the transformative power of music and creativity. Dylan's poetic verses invite listeners to join him on a transcendental voyage, where the boundaries between reality and fantasy blur, and the promise of liberation beckons.Musically, Mr. Tambourine Man captivates with its simple yet enchanting melody, driven by Dylan's distinctive vocal delivery and accompanied by acoustic guitar. The song's gentle rhythm and ethereal atmosphere create a sense of ethereal longing, perfectly complementing the introspective nature of the lyrics.Over the years, Mr. Tambourine Man has been covered by numerous artists, further cementing its status as a folk-rock classic. From The Byrds' iconic jangly rendition to interpretations by artists spanning various genres, the song's enduring appeal lies in its universal themes of escapism, inspiration, and the transformative power of music.In essence, Mr. Tambourine Man stands as a testament to Bob Dylan's unparalleled ability to craft songs that resonate deeply with audiences across generations. Its poetic lyricism and timeless melody continue to captivate listeners, making it a cornerstone of not only Dylan's illustrious career but also the broader landscape of popular music.
$5.99 ≈
5.49€
Mr. Tambourine Man
Mr. Tambourine Man
#
Piano seul
#
FACILE
#
Bob Dylan
#
J
#
Mr. Tambourine Man
#
Jhavilah
#
SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1425868 By Bob Dylan. By Bob Dylan. Arranged by J.Palacius. Folk,Multicultural,Rock,Singer/Songwriter,Standards,World. Sc...
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Piano Solo - Level 2 - SKU: A0.1425868 By Bob Dylan. By Bob Dylan. Arranged by J.Palacius. Folk,Multicultural,Rock,Singer/Songwriter,Standards,World. Score. 3 pages. Jhavilah #1006634. Published by Jhavilah (A0.1425868). Mr. Tambourine Man by Bob Dylan is a timeless classic that transcends generations with its poetic lyrics and mesmerizing melody. Released in 1965 as the opening track of Dylan's fifth studio album, Bringing It All Back Home, the song quickly became an anthem of the 1960s counterculture movement and remains a staple in Dylan's extensive repertoire.At its core, Mr. Tambourine Man is a surreal journey through the mind, filled with vivid imagery and dreamlike scenes. Dylan's lyrics evoke a sense of wanderlust and yearning for escape, as he addresses a mysterious figure - the Tambourine Man - who holds the key to unlocking a world of imagination and freedom.The tambourine, often associated with folk music and mysticism, serves as a symbol of the transformative power of music and creativity. Dylan's poetic verses invite listeners to join him on a transcendental voyage, where the boundaries between reality and fantasy blur, and the promise of liberation beckons.Musically, Mr. Tambourine Man captivates with its simple yet enchanting melody, driven by Dylan's distinctive vocal delivery and accompanied by acoustic guitar. The song's gentle rhythm and ethereal atmosphere create a sense of ethereal longing, perfectly complementing the introspective nature of the lyrics.Over the years, Mr. Tambourine Man has been covered by numerous artists, further cementing its status as a folk-rock classic. From The Byrds' iconic jangly rendition to interpretations by artists spanning various genres, the song's enduring appeal lies in its universal themes of escapism, inspiration, and the transformative power of music.In essence, Mr. Tambourine Man stands as a testament to Bob Dylan's unparalleled ability to craft songs that resonate deeply with audiences across generations. Its poetic lyricism and timeless melody continue to captivate listeners, making it a cornerstone of not only Dylan's illustrious career but also the broader landscape of popular music.
$5.99 ≈
5.49€
Mr. Tambourine Man
Mr. Tambourine Man
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Piano seul
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FACILE
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Bob Dylan
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J
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Mr. Tambourine Man
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Jhavilah
#
SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1425856 By Bob Dylan. By Bob Dylan. Arranged by J.Palacius. 20th Century,Contest,Country,Festival,Folk,Rock. Score. 3 pag...
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Piano Solo - Level 2 - SKU: A0.1425856 By Bob Dylan. By Bob Dylan. Arranged by J.Palacius. 20th Century,Contest,Country,Festival,Folk,Rock. Score. 3 pages. Jhavilah #1006621. Published by Jhavilah (A0.1425856). Mr. Tambourine Man by Bob Dylan is a timeless classic that transcends generations with its poetic lyrics and mesmerizing melody. Released in 1965 as the opening track of Dylan's fifth studio album, Bringing It All Back Home, the song quickly became an anthem of the 1960s counterculture movement and remains a staple in Dylan's extensive repertoire.At its core, Mr. Tambourine Man is a surreal journey through the mind, filled with vivid imagery and dreamlike scenes. Dylan's lyrics evoke a sense of wanderlust and yearning for escape, as he addresses a mysterious figure - the Tambourine Man - who holds the key to unlocking a world of imagination and freedom.The tambourine, often associated with folk music and mysticism, serves as a symbol of the transformative power of music and creativity. Dylan's poetic verses invite listeners to join him on a transcendental voyage, where the boundaries between reality and fantasy blur, and the promise of liberation beckons.Musically, Mr. Tambourine Man captivates with its simple yet enchanting melody, driven by Dylan's distinctive vocal delivery and accompanied by acoustic guitar. The song's gentle rhythm and ethereal atmosphere create a sense of ethereal longing, perfectly complementing the introspective nature of the lyrics.Over the years, Mr. Tambourine Man has been covered by numerous artists, further cementing its status as a folk-rock classic. From The Byrds' iconic jangly rendition to interpretations by artists spanning various genres, the song's enduring appeal lies in its universal themes of escapism, inspiration, and the transformative power of music.In essence, Mr. Tambourine Man stands as a testament to Bob Dylan's unparalleled ability to craft songs that resonate deeply with audiences across generations. Its poetic lyricism and timeless melody continue to captivate listeners, making it a cornerstone of not only Dylan's illustrious career but also the broader landscape of popular music.
$5.99 ≈
5.49€
Mr. Tambourine Man
Mr. Tambourine Man
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Piano seul
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FACILE
#
Bob Dylan
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J
#
Mr. Tambourine Man
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Jhavilah
#
SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1425859 By Bob Dylan. By Bob Dylan. Arranged by J.Palacius. 20th Century,Country,Film/TV,Folk,Singer/Songwriter. Score. 3...
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Piano Solo - Level 2 - SKU: A0.1425859 By Bob Dylan. By Bob Dylan. Arranged by J.Palacius. 20th Century,Country,Film/TV,Folk,Singer/Songwriter. Score. 3 pages. Jhavilah #1006624. Published by Jhavilah (A0.1425859). Mr. Tambourine Man by Bob Dylan is a timeless classic that transcends generations with its poetic lyrics and mesmerizing melody. Released in 1965 as the opening track of Dylan's fifth studio album, Bringing It All Back Home, the song quickly became an anthem of the 1960s counterculture movement and remains a staple in Dylan's extensive repertoire.At its core, Mr. Tambourine Man is a surreal journey through the mind, filled with vivid imagery and dreamlike scenes. Dylan's lyrics evoke a sense of wanderlust and yearning for escape, as he addresses a mysterious figure - the Tambourine Man - who holds the key to unlocking a world of imagination and freedom.The tambourine, often associated with folk music and mysticism, serves as a symbol of the transformative power of music and creativity. Dylan's poetic verses invite listeners to join him on a transcendental voyage, where the boundaries between reality and fantasy blur, and the promise of liberation beckons.Musically, Mr. Tambourine Man captivates with its simple yet enchanting melody, driven by Dylan's distinctive vocal delivery and accompanied by acoustic guitar. The song's gentle rhythm and ethereal atmosphere create a sense of ethereal longing, perfectly complementing the introspective nature of the lyrics.Over the years, Mr. Tambourine Man has been covered by numerous artists, further cementing its status as a folk-rock classic. From The Byrds' iconic jangly rendition to interpretations by artists spanning various genres, the song's enduring appeal lies in its universal themes of escapism, inspiration, and the transformative power of music.In essence, Mr. Tambourine Man stands as a testament to Bob Dylan's unparalleled ability to craft songs that resonate deeply with audiences across generations. Its poetic lyricism and timeless melody continue to captivate listeners, making it a cornerstone of not only Dylan's illustrious career but also the broader landscape of popular music.
$5.99 ≈
5.49€
Mystical Landscape
Mystical Landscape
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Guitare
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AVANCÉ
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Nick Elliott
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Mystical Landscape
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Nick Elliott
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.997510 Composed by Nick Elliott. Concert,Contemporary. Individual part. 4 pages. Nick Elliott #5723915. Published by Nic...
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Solo Guitar - Level 5 - SKU: A0.997510 Composed by Nick Elliott. Concert,Contemporary. Individual part. 4 pages. Nick Elliott #5723915. Published by Nick Elliott (A0.997510). A piece for guitar inspired by the pieces of Toru Takemitsu. A piece filled with vast harmonic and contrapuntal colors. It is also inspired by fantasy literature and philosophical topics such as mysticism as well as abstract paintings. This piece paints a landscape in the listener’s mind of a Tolkienesque type world set in a dreary mystical landscape. I found the guitar was the perfect instrument to shape the kinds of harmony, counterpoint and colors needed to illustrate this mystical landscape.
$1.99 ≈
1.83€
Liszt: Consolation No. 6 for String Quartet
Liszt: Consolation No. 6 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Franz Liszt
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James M
#
Liszt: Consolation No. 6 for S
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1368172 Composed by Franz Liszt. Arranged by James M. Guthrie. 19th Century,Chamber...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1368172 Composed by Franz Liszt. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 14 pages. Jmsgu3 #952494. Published by jmsgu3 (A0.1368172). Liszt's Consolations is a set of six solo piano works known for their enchantingly lyrical and poetic nature. They express Liszt's genuine religious mysticism and are composed in either the key of E or Dâ™ major, each with a distinctive style. These pieces are considered relatively easy to play and appreciated for their serene sweetness and melancholic characteristics. They take the musical style of Nocturnes, with the third Consolation being an homage to Chopin's nocturnes. Liszt's ability to bring out the melody notes and subdue the harmony is necessary in interpreting these pieces. They are cataloged as S.172, a part of Liszt's more extensive work catalog created by Humphrey Searle.
$24.95 ≈
22.89€
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.30€
Liszt: Consolation No. 5 for String Quartet
Liszt: Consolation No. 5 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Franz Liszt
#
James M
#
Liszt: Consolation No. 5 for S
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jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1367513 Composed by Franz Liszt. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,H...
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String Quartet String Quartet - Level 3 - SKU: A0.1367513 Composed by Franz Liszt. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 8 pages. Jmsgu3 #951861. Published by jmsgu3 (A0.1367513). Liszt's Consolations is a set of six solo piano works known for their enchantingly lyrical and poetic nature. They express Liszt's genuine religious mysticism and are composed in either the key of E or Dâ™ major, each with a distinctive style. These pieces are considered relatively easy to play and appreciated for their serene sweetness and melancholic characteristics. They take the musical style of Nocturnes, with the third Consolation being an homage to Chopin's nocturnes. Liszt's ability to bring out the melody notes and subdue the harmony is necessary in interpreting these pieces. They are cataloged as S.172, a part of Liszt's more extensive work catalog created by Humphrey Searle.
$24.95 ≈
22.89€
Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
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Trompette, Piano
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INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Peri...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499993. Published by jmsgu3 (A0.549478). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.30€
Memories of Vishnitz: A Hasidic Rhapsody for English Horn and Piano
Memories of Vishnitz: A Hasidic Rhapsody for English Horn and Piano
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Cor anglais, Piano
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AVANCÉ
#
Moshe S
#
Memories of Vishnitz: A Hasidi
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ArtsAhimsa
#
SheetMusicPlus
English Horn,Piano - Level 5 - SKU: A0.950812 Composed by Moshe S. Knoll. 20th Century,Contemporary,Jewish. Score and part. 60 pages. ArtsAhimsa #347909...
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English Horn,Piano - Level 5 - SKU: A0.950812 Composed by Moshe S. Knoll. 20th Century,Contemporary,Jewish. Score and part. 60 pages. ArtsAhimsa #3479097. Published by ArtsAhimsa (A0.950812). An evocation of the lost world of Eastern European Jewry before World War II, heard and felt through the filter of a Twenty-First Century American sensibility. I am not so much trying to evoke the prosaic aspects of daily life, my focus is on the intense Mysticism that flourished in those settings, the otherworldliness of the spiritual leaders who would not renounce their faith in the face of persecution, and eventually extermination. It is hoped that this will be a welcome addition to the repertoire of the English Horn.
$20.00 ≈
18.35€
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
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English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.30€
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
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Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499839. Published by jmsgu3 (A0.549474). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.30€
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.30€
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.30€
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.30€
Bach: Prelude No. 10 in E Minor (BWV 855: 1) - As played By Vikingur Olafsson
Bach: Prelude No. 10 in E Minor (BWV 855: 1) - As played By Vikingur Olafsson
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and VÃ
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Flavio Regis Cunha
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Bach: Prelude No. 10 in E Mino
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1148922 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. ...
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Piano Solo - Level 4 - SKU: A0.1148922 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Easter,Festival,Instructional. Score. 8 pages. Flavio Regis Cunha #749054. Published by Flavio Regis Cunha (A0.1148922). Prelude and Fugue in E minor, BWV 855, is the 10th prelude and fugue for keyboard (harpsichord) in the first book of The Well Tempered Clavier, composed in 1722 by Johann Sebastian Bach. The Prelude in E minor, BWV 855a, features as No. 18 (Praeludium 5) in the 1720 Klavierbüchlein für Wilhelm Friedemann Bach. BWV 855a may also refer to both this Prelude and a Fughetta in the same key, an early version of BWV 855. Ólafsson teamed up with director Magnús Leifsson to shoot the video in a fish processing plant in Iceland, complete with grand piano. They use the fish, an early Christian symbol, to allude to the mysticism and timelessness of Bach’s music – as changeable as water, it has to be understood at a metalevel, given the many different ways in which composition, transcription and performance can be interwoven. Everything is there in Bach’s music, says the pianist, who transports the composer’s keyboard writing to new shores on his latest recording. Icelandic pianist VÃkingur Ólafsson releases video featuring music from his new album, Johann Sebastian Bach.Advanced Intermediate Format: Concert, 9 x 12 inches 8 pagesPLUS: Engraved and Published with Urtext Kapellmeister Music Fonts.
$5.99 ≈
5.49€
Prelude BWV 855a: 1. Prelude No. 10 in B Minor - As played By Víkingur Ólafsson
Prelude BWV 855a: 1. Prelude No. 10 in B Minor - As played By Víkingur Ólafsson
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Piano seul
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach and VÃ
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Flavio Regis Cunha
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Prelude BWV 855a: 1. Prelude N
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1250503 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. ...
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Piano Solo - Level 3 - SKU: A0.1250503 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Sacred. Score. 4 pages. Flavio Regis Cunha #844832. Published by Flavio Regis Cunha (A0.1250503). An exquisite and beautiful new sheet music of 'Prelude BWV 855a: 1. Prelude No. 10 in B Minor', composed by the legendary Johann Sebastian Bach as performed by renowned icelandic pianist VÃkingur Ólafsson, is now available!  This timeless classic is perfect for both students, amateurs and professional pianists alike, featuring exquisite melodies infused with emotion and passion. Captivate your audience with a soul-stirring performance! Follow in the footsteps of a master - purchase 'Prelude BWV 855a: 1. Prelude No. 10 in B Minor', composed by Johann Sebastian Bach and performed by VÃkingur Ólafsson today! IntermediateFormat: Concert, 9 x 12 inches4 pagesNotesPrelude and Fugue in E minor, BWV 855, is the 10th prelude and fugue for keyboard (harpsichord) in the first book of The Well Tempered Clavier, composed in 1722 by Johann Sebastian Bach. The Prelude in E minor, BWV 855a, features as No. 18 (Praeludium 5) in the 1720 Klavierbüchlein für Wilhelm Friedemann Bach. BWV 855a may also refer to both this Prelude and a Fughetta in the same key, an early version of BWV 855. Alexander Siloti made a piano arrangement in B minor of the Prelude BWV 855a.Ólafsson teamed up with director Magnús Leifsson to shoot the video in a fish processing plant in Iceland, complete with grand piano. They use the fish, an early Christian symbol, to allude to the mysticism and timelessness of Bach’s music – as changeable as water, it has to be understood at a metalevel, given the many different ways in which composition, transcription and performance can be interwoven. Everything is there in Bach’s music, says the pianist, who transports the composer’s keyboard writing to new shores on his latest recording. Icelandic pianist VÃkingur Ólafsson releases video featuring music from his new album, Johann Sebastian Bach.YT: https://youtu.be/rtT__umjFVY
$6.99 ≈
6.41€
Elven Dreams
Elven Dreams
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Piano seul
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INTERMÉDIAIRE
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Max Potseluiev
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Elven Dreams
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Max Potseluiev
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1255157 By Max Potseluiev. By Max Potseluiev. 20th Century,21st Century,Classical,New Age,Pop. Score. 2 pages. Max Potsel...
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Piano Solo - Level 3 - SKU: A0.1255157 By Max Potseluiev. By Max Potseluiev. 20th Century,21st Century,Classical,New Age,Pop. Score. 2 pages. Max Potseluiev #848722. Published by Max Potseluiev (A0.1255157). Elven Dreams is a mesmerizing composition from the piano album Soft Touching: seven smooth tunes for piano, composed by Max Potseluiev. Inspired by the enchanting world of John Ronald Tolkien's books, this piece takes the listener on a tranquil journey through the ethereal realm of elven dreams. With a moderate tempo, leisurely pacing, and a captivating interplay of ostinato quarter notes in the right hand and flowing major arpeggios in the left hand, Elven Dreams emanates a sense of calmness and contemplation.The delicate interweaving of the right-hand ostinato and left-hand arpeggios creates a serene and captivating soundscape, reminiscent of a hidden forest glade bathed in gentle moonlight. This composition captures the essence of the elven realm, evoking a sense of timelessness, beauty, and mysticism. Each note resonates with a sense of tranquility, inviting the listener to immerse themselves in a world of serenity and introspection.Elven Dreams embodies a contemplative mood, allowing the listener to reflect on the ethereal qualities of elven lore. The leisurely tempo and flowing arpeggios instill a sense of relaxation and peace, as if time itself slows down in the presence of the elven realm. The music paints a vivid picture of a magical world filled with ancient wisdom, enchanting melodies, and a deep connection to nature.As the composition unfolds, it gracefully builds upon its initial themes, gradually adding layers of harmonies and delicate embellishments. The music transports the listener to a realm where dreams and reality intertwine, inviting a moment of respite and allowing the imagination to roam freely.Elven Dreams is a testament to the power of music to capture the essence of a literary world, invoking a sense of wonder and fascination. Its calm and contemplative nature beckons the listener to explore the mysteries of the elven realm and embark on a journey of introspection and tranquility. Through its evocative melodies and serene atmosphere, this piece brings to life the ethereal dreams and enchanting beauty of Tolkien's literary universe.
$4.99 ≈
4.58€
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.30€
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