Ness And His Family From - Partitions musicales à imprimer

Mon compte
(connectez-vous)

Matériel de Musique ▾

Ness And His Family From
Non classifié 19

Imprimer aprés achat

Accueil

Meilleures Ventes

Nouveautés

Vendeurs

Artistes Internationaux

Artistes Francophones

Top artistes

Artistes :
• Carter Family [The]
• Sly and the Family Stone
• Crabb Family [The]

PARTITIONS GRATUITES
188 000+ partitions

BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison

PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer

MATERIEL DE MUSIQUE
Accessoires & Instruments

Partitions Numériques, Accès après l'Achat

Expédition postale Téléchargement

Tri et filtres :

avec audio

avec vidéo

avec play-along

Vous avez sélectionné:

Ness And His Family From

Partitions à imprimer

142 partitions trouvées

....

126

Ness And His Family From "The Untouchables" for Brass Quintet

Ness And His Family From "The Untouchables" for Brass Quintet #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #INTERMÉDIAIRE/AVANCÉ #Film/TV #Ennio Morricone #Ness And His Family From "The #SheetMusicPlus

By Ennio Morricone. Arranged by Andrea Bonaldo. Score, Set of Parts. 13 pages. Published by Andrea Bonaldo...(+)

$15.00

Ness And His Family from the Paramount Motion Picture THE UNTOUCHABLES

Ness And His Family from the Paramount Motion Picture THE UNTOUCHABLES #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #INTERMÉDIAIRE #Film/TV #Ennio Morricone #Viktor Lindholm #Ness And His Family from the P #Viktor Lindholm #SheetMusicPlus

Brass Ensemble - Level 3 - SKU: A0.849887 Composed by Ennio Morricone. Arranged by Viktor Lindholm. Film/TV. Score and parts. 9 pages. Viktor Lindholm #...(+)

$12.99

Stories of the Early Days (accompaniment and lead sheet)

Guitar,Piano,Vocal,Voice - SKU: A0.893851 Composed by David Kai. Children,Christian,Sacred. Score. 3 pages. David Kai #5322227. Published by David Kai (...(+)

$4.00

The Home Coming March (1908) - Concert Band Score and Parts PDF

The Home Coming March (1908) - Concert Band Score and Parts PDF #Orchestre d'harmonie #INTERMÉDIAIRE #Contemporain #E #Brendan Elliget MAGA 537 #The Home Coming March #BJE Music #SheetMusicPlus

Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...(+)

$30.00

Too Much For Our Thirst (Trombone and Piano)

Too Much For Our Thirst (Trombone and Piano) #Trombone et Piano #INTERMÉDIAIRE/AVANCÉ #Contemporain #Alexander Burdiss #Too Much For Our Thirst #Ars Nova Press #SheetMusicPlus

Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Publishe...(+)

$9.99

Suite from "The Untouchables" (1987)

Suite from "The Untouchables" (1987) #Quatuor à cordes: 2 violons, alto, violoncelle #INTERMÉDIAIRE #Film/TV #Ennio Morricone #Suite from "The Untouchables" #Geronimo Oyenard #SheetMusicPlus

By Ennio Morricone. Arranged by Geronimo Oyenard. Score, Set of Parts. 33 pages. Published by Geronimo Oyenard ...(+)

$22.99

Strings & Threads Suite (string parts - for violin and string orchestra)

Strings & Threads Suite (string parts - for violin and string orchestra) #Orchestre à Cordes #INTERMÉDIAIRE/AVANCÉ #Mark Oâ€™Connor

Str #Mark O'Connor #Strings & Threads Suite #Mark O'Connor Musik International #SheetMusicPlus

String Orchestra - Level 4 - SKU: A0.861802 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 69 pages. Mark O'Connor Musik In...(+)

$45.00

Strings & Threads Suite (score - for violin and string orchestra)

Strings & Threads Suite (score - for violin and string orchestra) #Orchestre à Cordes #INTERMÉDIAIRE/AVANCÉ #Mark Oâ€™Connor

Str #Mark O'Connor #Strings & Threads Suite #Mark O'Connor Musik International #SheetMusicPlus

String Orchestra - Level 4 - SKU: A0.861800 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 47 pages. Mark O'Connor Musik In...(+)

$22.50

Strings & Threads Suite (violin solo part - for violin and string orchestra)

Strings & Threads Suite (violin solo part - for violin and string orchestra) #Orchestre à Cordes #INTERMÉDIAIRE/AVANCÉ #Mark Oâ€™Connor

Str #Mark O'Connor #Strings & Threads Suite #Mark O'Connor Musik International #SheetMusicPlus

String Orchestra - Level 4 - SKU: A0.861801 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 20 pages. Mark O'Connor Musik In...(+)

$15.00

Boy at Sea for TB and piano

Boy at Sea for TB and piano #Chorale 2 parties #FACILE #Adrienne Inglis #Boy at Sea for TB and piano #Adrienne Inglis #SheetMusicPlus

Choral Choir (TB) - Level 2 - SKU: A0.1281812 Composed by Adrienne Inglis (ASCAP). 21st Century,Celtic,Classical,Historic,Irish,Patriotic. Octavo. 20 pa...(+)

$1.99

Strings & Threads Suite (score - adapted for violin and guitar)

Strings & Threads Suite (score - adapted for violin and guitar) #Violon, Guitare (duo) #AVANCÉ #Mark Oâ€™Connor

#Mark O'Connor #Strings & Threads Suite #Mark O'Connor Musik International #SheetMusicPlus

Instrumental Duet Guitar,Instrumental Duet,Violin - Level 5 - SKU: A0.861797 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts....(+)

Instrumental Duet Guitar,Instrumental Duet,Violin - Level 5 - SKU: A0.861797 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 28 pages. Mark O'Connor Musik International #6202083. Published by Mark O'Connor Musik International (A0.861797). Strings & Threads Suite (adapted for violin and guitar) MO171AScore (violin and guitar parts available)Music by Mark Oâ€™Connor24 pages - 15:00 minutes in length I. Fair Dancer ReelII. Sailorâ€™s JigIII. Captainâ€™s JigIV. Off To SeaV. Pilgimâ€™s WaltzVI. Road To AppalachiaVII. Shine OnVIII. Cotton Pickinâ€™ BluesIX. Pickinâ€™ Parlor RagX. Queen Of The CumberlandXI. Texas Dance Hall BluesXII. Swing 11:11XIII. Sweet Suzanne Strings & Threads Suite adapted for violin and guitar is a piece comprising of thirteen tunes composed by Mark Oâ€™Connor. In 1986, the Tennessee Dance Theater commissioned the Suite from Oâ€™Connor to be performed as a violin solo at Nashvilleâ€™s Summer Lights Festival. The individual tunes are in various folk styles appearing in a chronological form for which Oâ€™Connor says not only represents the evolution of American folk music, but also mirrors his own familyâ€™s migration from Ireland and Holland to America. It traces the familyâ€™s route through the thirteen colonies initially, and then eventually out West during WWl nearly 300 hundred years later. Oâ€™Connor wrote the pieces in a manner and style in which he felt his family could have heard along the way. The Suite begins with Irish music, maybe similar to what Oâ€™Connorâ€™s family brought with them. Then in a thoughtful progression, reveals music they must of encountered living in early America. Strings & Threads musically describes how folk music styles hundreds of years apart are interconnected - possessing a common thread, from an Irish reel to jazz. The music is suited for advanced and intermediate.Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1986 Composed By Mark Oâ€™ConnorAdaptation for violin and guitar was commissioned by Sharon Isbin in 2006, and won a Grammy for BEST INSTRUMENTAL SOLOIST PERFORMANCE (WITHOUT ORCHESTRA) IN 2009Strings & Threads Suite (adapted for violin and guitar) can be heard on Journey to the New World by Sharon Isbin, Sony Classical Mark Oâ€™Connor â€“ violin, Sharon Isbin - guitarCatalogue Number MO171ACopyright Â© 1986 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$22.50

Strings & Threads Suite (violin part - adapted for violin and guitar)
Strings & Threads Suite (violin part - adapted for violin and guitar) #Violon, Guitare (duo) #AVANCÉ #Mark Oâ€™Connor
#Mark O'Connor #Strings & Threads Suite #Mark O'Connor Musik International #SheetMusicPlus

Instrumental Duet Guitar,Instrumental Duet,Violin - Level 5 - SKU: A0.861798 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts....(+)

Instrumental Duet Guitar,Instrumental Duet,Violin - Level 5 - SKU: A0.861798 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6202085. Published by Mark O'Connor Musik International (A0.861798). Strings & Threads Suite (violin part - adapted for violin and guitar) MO171BViolin Part (score and guitar parts available)Music by Mark Oâ€™Connor14 pages - 15:00 minutes in length I. Fair Dancer ReelII. Sailorâ€™s JigIII. Captainâ€™s JigIV. Off To SeaV. Pilgimâ€™s WaltzVI. Road To AppalachiaVII. Shine OnVIII. Cotton Pickinâ€™ BluesIX. Pickinâ€™ Parlor RagX. Queen Of The CumberlandXI. Texas Dance Hall BluesXII. Swing 11:11XIII. Sweet Suzanne Strings & Threads Suite adapted for violin and guitar is a piece comprising of thirteen tunes composed by Mark Oâ€™Connor. In 1986, the Tennessee Dance Theater commissioned the Suite from Oâ€™Connor to be performed as a violin solo at Nashvilleâ€™s Summer Lights Festival. The individual tunes are in various folk styles appearing in a chronological form for which Oâ€™Connor says not only represents the evolution of American folk music, but also mirrors his own familyâ€™s migration from Ireland and Holland to America. It traces the familyâ€™s route through the thirteen colonies initially, and then eventually out West during WWl nearly 300 hundred years later. Oâ€™Connor wrote the pieces in a manner and style in which he felt his family could have heard along the way. The Suite begins with Irish music, maybe similar to what Oâ€™Connorâ€™s family brought with them. Then in a thoughtful progression, reveals music they must of encountered living in early America. Strings & Threads musically describes how folk music styles hundreds of years apart are interconnected - possessing a common thread, from an Irish reel to jazz. The music is suited for advanced and intermediate.Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1986 Composed By Mark Oâ€™ConnorAdaptation for violin and guitar was commissioned by Sharon Isbin in 2006, and won a Grammy for BEST INSTRUMENTAL SOLOIST PERFORMANCE (WITHOUT ORCHESTRA) IN 2009Strings & Threads Suite (adapted for violin and guitar) can be heard on Journey to the New World by Sharon Isbin, Sony Classical Mark Oâ€™Connor â€“ violin, Sharon Isbin - guitarCatalogue Number MO171BCopyright Â© 1986 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$18.00

Strings & Threads Suite (guitar part - adapted for violin and guitar)
Strings & Threads Suite (guitar part - adapted for violin and guitar) #Violon, Guitare (duo) #AVANCÉ #Mark Oâ€™Connor
#Mark O'Connor #Strings & Threads Suite #Mark O'Connor Musik International #SheetMusicPlus

Instrumental Duet Guitar,Instrumental Duet,Violin - Level 5 - SKU: A0.861799 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts....(+)

Instrumental Duet Guitar,Instrumental Duet,Violin - Level 5 - SKU: A0.861799 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6202089. Published by Mark O'Connor Musik International (A0.861799). Strings & Threads Suite (guitar part - adapted for violin and guitar) MO171CGuitar Part (score and violin part available)Music by Mark Oâ€™Connor14 pages - 15:00 minutes in length I. Fair Dancer ReelII. Sailorâ€™s JigIII. Captainâ€™s JigIV. Off To SeaV. Pilgimâ€™s WaltzVI. Road To AppalachiaVII. Shine OnVIII. Cotton Pickinâ€™ BluesIX. Pickinâ€™ Parlor RagX. Queen Of The CumberlandXI. Texas Dance Hall BluesXII. Swing 11:11XIII. Sweet Suzanne Strings & Threads Suite adapted for violin and guitar is a piece comprising of thirteen tunes composed by Mark Oâ€™Connor. In 1986, the Tennessee Dance Theater commissioned the Suite from Oâ€™Connor to be performed as a violin solo at Nashvilleâ€™s Summer Lights Festival. The individual tunes are in various folk styles appearing in a chronological form for which Oâ€™Connor says not only represents the evolution of American folk music, but also mirrors his own familyâ€™s migration from Ireland and Holland to America. It traces the familyâ€™s route through the thirteen colonies initially, and then eventually out West during WWl nearly 300 hundred years later. Oâ€™Connor wrote the pieces in a manner and style in which he felt his family could have heard along the way. The Suite begins with Irish music, maybe similar to what Oâ€™Connorâ€™s family brought with them. Then in a thoughtful progression, reveals music they must of encountered living in early America. Strings & Threads musically describes how folk music styles hundreds of years apart are interconnected - possessing a common thread, from an Irish reel to jazz. The music is suited for advanced and intermediate.Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1986 Composed By Mark Oâ€™ConnorAdaptation for violin and guitar was commissioned by Sharon Isbin in 2006, and won a Grammy for BEST INSTRUMENTAL SOLOIST PERFORMANCE (WITHOUT ORCHESTRA) IN 2009Strings & Threads Suite (adapted for violin and guitar) can be heard on Journey to the New World by Sharon Isbin, Sony Classical Mark Oâ€™Connor â€“ violin, Sharon Isbin - guitarCatalogue Number MO171CCopyright Â© 1986 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$18.00

Ness and His Family - Violin & Piano by Silvio Caroli - Solo & Accompaniment #Violon et Piano #Silvio Caroli #Ness and His Family - Violin & #Musicnotes

Sheet Music for Ness and His Family from The Untouchables arranged for Solo & Accompaniment;Instrumental Parts in D Major. Digital sheet music from Musicnot...(+)

Sheet Music for Ness and His Family from The Untouchables arranged for Solo & Accompaniment;Instrumental Parts in D Major. Digital sheet music from Musicnotes.

$4.99

Ness and His Family - Flute & Piano by Silvio Caroli - Solo & Accompaniment #Flûte traversière et Piano #Silvio Caroli #Ness and His Family - Flute & #Musicnotes

Sheet Music for Ness and His Family from The Untouchables arranged for Solo & Accompaniment;Instrumental Parts in D Major. Digital sheet music from Musicnot...(+)

Sheet Music for Ness and His Family from The Untouchables arranged for Solo & Accompaniment;Instrumental Parts in D Major. Digital sheet music from Musicnotes.

$4.99

Jacques Leguerney: Sept Poèmes de François Maynard for medium voice and piano
Jacques Leguerney: Sept Poèmes de François Maynard for medium voice and piano #Voix moyenne, Piano #INTERMÉDIAIRE/AVANCÉ #Contemporain #Jacques Leguerney #Jacques Leguerney: Sept Poème #Musik Fabrik Music Publishing #SheetMusicPlus

Medium-Low Voice,Vocal Solo - Level 4 - SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publi...(+)

Medium-Low Voice,Vocal Solo - Level 4 - SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publishing #3478897. Published by Musik Fabrik Music Publishing (A0.534413). 1. Plaintes d'OrphÃ©e2. Ã?pigramme Ã un mauvais payeur3. Ã Chloris4. D'une maigre dame5. Dans le fÃ´ret6. Secret Amour 7. Complients Ã une duÃ¨gnehttps://www.youtube.com/watch?v=Uo7KQ89pzz4ï»¿GÃ©rard Souzay, French baritone, said of Jacques Leguerneyâ??s music: â??How does one describe this music which is, at the same time, classic and modern? It is pure, but colorfully nuanced; it speaks to the heart as well as the mind: at times calm; at times witty; wise, yet sensual. The music of Jacques Leguerney is un jardin Ã la franÃ§aise, both elegant and stylish.â? Jacques Leguerney was born in Le Havre on 19 November 1906. His uncle bought his first piano and encouraged him to study and write music. He wrote chamber works, and took a few semesters of harmony with Nadia Boulanger, who arranged for a performance of his Epitaphe guerriÃ¨re and Clair de lune in a concert organized by the SociÃ©tÃ© musical indÃ©pendante at the Salle Pleyel. However, he decided not to continue his studies. He felt that his gift was natural and spontaneous, and that anyone who understood music should not have to do exercises to learn to compose. In 1928, Jane Bathori took an interest in Leguerney, including two songs during her tour in Argentina, and the following year at the Salle Erard in Paris. In 1932, when his father died, Leguerney took over the family business and stopped composing until the outbreak of World War II. The period extending from the German occupation of France to the end of the 1940s constitutes one of the important periods of Leguerneyâ??s musical life. He began his extended song cycle, PoÃ¨mes de la PlÃ©iade, and wrote many songs upon poems of Paul-Jean Toulet. He also continued to compose chamber music, including the Sonatine pour violon et piano, the â??Fantasie pour pianoâ? and the Quatuor Ã cordes en RÃ©. An important year for Leguerney was 1943. He met musical colleagues who would become his major interpreters. These included GÃ©rard Souzay as well as his half-sister, soprano GeneviÃ¨ve Touraine; pianist Jacqueline Robin (Bonneau), Pierre Bernac, and Francis Poulenc. Robin (Bonneau) particularly influenced Leguerneyâ??s style. His piano accompaniments were created specifically for her virtuosic and sensitive style of pianism. Bernac observed that Leguerney wrote melodies de pianiste. In 1946, Leguerney created a ballet on the mythological story of Endymion. The premiere was at the OpÃ©ra de Paris on 27 July 1949, with choreography by Serge Lifar. The OpÃ©ra de Paris immediately commissioned a second work, which was La VÃ©nus noire, based upon a short story by Prosper MÃ©rimÃ©e. This ballet was never produced, due to disagreements with the choreographer. Leguerney became discouraged and this situation was to lead to the end of his interest in composing. However, the years 1950-1954 brought Leguerney widespread recognition as he created his beautiful mÃ©lodie cycles including La Nuit, La Solitude (for piano as well as an orchestration), Le Paysage, and Le Carnaval, as well as the cantata Psaume LXII de David. GÃ©rard Souzay requested many new works for his recitals and premiered La Nuit, Le Carnaval and

$19.95

Calibrating the Moon - Tuba and Piano
Calibrating the Moon - Tuba and Piano #Tuba et Piano #AVANCÉ #Contemporain #Kyle Vanderburg #Calibrating the Moon - Tuba an #NoteForge #SheetMusicPlus

Piano,Tuba - Level 5 - SKU: A0.1002836 Composed by Kyle Vanderburg. Contemporary. Score and part. 33 pages. NoteForge #6113517. Published by NoteForge (...(+)

Piano,Tuba - Level 5 - SKU: A0.1002836 Composed by Kyle Vanderburg. Contemporary. Score and part. 33 pages. NoteForge #6113517. Published by NoteForge (A0.1002836). I spent New Year's Eve 2018 in Nye, Montana, visiting family and friends. One of those friends is an imaging specialist who regaled us with an explanation of his most recent project, which he described as calibrating the moon. Specifically, he was talking about the NASA ARCSTONE mission to calibrate the moon's reflectance to use as an accurate reference, primarily in climate science. The idea is that we have all this data about global warming and atmospheric changes, and a lot of that data uses the brightness of the moon as a control variable, but we don't actually have a precise definition of how bright the moon is. Ever since I was a part of that conversation, I knew that I wanted calibrating the moon as a title, and everything that came after that plays with the idea of moon themes or of doing big impossible-sounding things. When Connor Challey approached me about writing for tuba, Calibrating the Moon was an obvious choice.The work opens with Syzygy, a term describing the straight line between the sun, moon, and Earth that occurs every new and full moon. The movement starts dark and brooding, moves to an energetic middle section, and returns to being mysterious, kind of like a lunar cycle. Fun fact: This movement's theme is actually a tuba setting of the phrase Calibrating the moon.The Second movement, Spectral Reflectance, is slow and shiny. NDSU was fortunate to have portfolio tubist (and Connor's mentor) Sam Pilafian as a visiting guest artist for several years, and I finished Syzygy around the time of his passing. I spent a lot of time thinking about Sam while putting the second movement together, and I quoted a couple of his favorite tuba concerti.The work ends with Libration. If you were to watch a time-lapse video of a lunar cycle, you'd notice that the moon not only transitions from new to full to new, but also sort of oscillates or wags. That's Libration. The movement is likewise off-kilter, playing with the listener's sense of time through alternating time signatures.https://kylevanderburg.com/music/calibrating-the-moon/

$14.99

The Other Side for SSAAA and vibraphone/percussion
The Other Side for SSAAA and vibraphone/percussion #Adrienne Inglis #The Other Side for SSAAA and v #Adrienne Inglis #SheetMusicPlus

Choral Choir,Choral (5-Part) - Level 4 - SKU: A0.1292547 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Patriotic. 19 pages. Adrienne Ingli...(+)

Choral Choir,Choral (5-Part) - Level 4 - SKU: A0.1292547 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Patriotic. 19 pages. Adrienne Inglis (ASCAP) #883097. Published by Adrienne Inglis (ASCAP) (A0.1292547). A gripping and dramatic telling of the USS Thresher disaster in 1963! Ideal for a Memorial Day or Veterans Day concertThe Other SideÂ for SSSAA voices and vibraphone/percussionIn memory of John â€œJackâ€ Penfield Inglis (1942-1963)Composed for VAMP Vocalsâ€™ â€œBetween the Worldsâ€ concert September 2023Music by Adrienne Inglis (ASCAP)Text adapted from essays by Robert Penfield Inglis (1913-2007) and used with permission from Jackâ€™s family, and communications with the USS ThresherDuration â€” about 5-7 minutesDifficulty 4 (Auditioned chorus)In memory of John â€œJackâ€ Penfield Inglis (1942-1963), who died in the USS Thresher disaster the day after his 21st birthday.Performances:8-9 Sep 2023 at 7 PM VAMP Vocalsâ€™ Between the Worlds concert, KMFA 89.5 Studios 41 Navasota Street Austin, TX 78702 Austin, Texas (https://www.vampvocals.com/)Dedicated to the memory of my first cousin, Jack Inglis, The Other Side is scored for treble voices and vibraphone/percussion. It grapples with the unimaginable tragedy of losing a child, the serious concerns about the fitness of the USS Thresher to leave dock for sea trials, the catastrophic implosion of the submarine that killed all 129 aboard, and the communications between Jack and his parents after the Thresher sank. I composed this piece for the five extraordinary voices of VAMP Vocals for their September 2023 concert â€œBetween the Worlds.â€ The treble voices tell the story and react to the narrative over evocative vibraphone harmonies. In the middle section, the percussionist bangs loudly on metal to sound like submarine pipes, structure, and hull breaking. The loss of the USS Thresher (SSN-593) spurred the Navy to institute the very successful Submarine Safety Program (SUBSAFE). The composer encourages performers to take dramatic license to enhance the emotional impact of the tragedy and the parentsâ€™ response.Â Recording and video will be available soon.Composer websitehttps://adrienneinglis.com/Composer YouTube channelhttps://www.youtube.com/@adrienneinglis.

$1.99

Hopewell Homestead from Hopewell Suite for Trumpet Sextet
Hopewell Homestead from Hopewell Suite for Trumpet Sextet #Folklorique/Traditionel #Eddie Lewis #Hopewell Homestead from Hopewe #Tiger Music #SheetMusicPlus

Brass Ensemble Trumpet - Level 4 - SKU: A0.750319 Composed by Eddie Lewis. Folk. Score and parts. 20 pages. Tiger Music #4794187. Published by Tiger Mus...(+)

Brass Ensemble Trumpet - Level 4 - SKU: A0.750319 Composed by Eddie Lewis. Folk. Score and parts. 20 pages. Tiger Music #4794187. Published by Tiger Music (A0.750319). Hopewell Homestead Sixth Movement from Hopewell Suite for Trumpet Ensemble by Eddie Lewis Hopewell Suite is a trumpet ensemble composition for four trumpets and two flugelhorns. It was composed in 2016 using inspirations Eddie Lewis collected while he was in South Africa for the jazz festival in Grahamstown, in the Eastern Cape. Hopewell is the name of the farm where Eddie and his wife stayed most of the time while they were in South Africa. The farm is owned by their brother-in-law. Hopewell Homestead is the sixth movement of the suite. The farm is a traditional one. This is not only a place of business, but a home to the Kretzmann family and my mother-in-law. It is a warm and welcoming home, full of joy and life and......pets.........lots of pets. :-) If you are interested in purchasing the full suite with all seven movements, you can do so at: Sheet Music Plus: https://goo.gl/ry175L (affiliate link).

$18.63

Ness and His Family by Silvio Caroli - Piano Solo #Piano seul #Silvio Caroli #Ness and His Family #Musicnotes

Sheet Music for Ness and His Family from The Untouchables arranged for Instrumental Solo in D Major. Digital sheet music from Musicnotes. ...(+)

Sheet Music for Ness and His Family from The Untouchables arranged for Instrumental Solo in D Major. Digital sheet music from Musicnotes.

$4.99

Nimrod, from Enigma Variations
Nimrod, from Enigma Variations #Quatuor à cordes: 2 violons, alto, violoncelle #INTERMÉDIAIRE #Sir Edward Elgar #Stephen Levintow #Nimrod, from Enigma Variations #Cypress Publishing #SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1458677 Composed by Sir Edward Elgar (1857-1934). Arranged by Stephen Levintow. 19t...(+)

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1458677 Composed by Sir Edward Elgar (1857-1934). Arranged by Stephen Levintow. 19th Century,Romantic Period,Wedding. 6 pages. Cypress Publishing #1037607. Published by Cypress Publishing (A0.1458677). Sir Edward Elgar’s Variations on an Original Theme, commonly known as Enigma Variations, may be the most wonderful musical tribute to friendship ever composed. Each of the fourteen variations is headed with initials or a code name of a family member or friend, with the last one being Elgar himself. The best known variation is the ninth, entitled Nimrod. It represents Augustus Jaeger, Elgar’s close friend and editor at his publisher Novello & Company. In the Bible, Nimrod is referred to as “the mighty hunter”, thus identifying with Jaeger (Jäger), meaning “hunter” in German. The stately and serene variation expresses the depth of the composer’s feelings for his friend, and is often performed separately on solemn occasions. This arrangement is based on the original orchestral score, and Elgar’s own piano reduction, both published by Novello in 1899. Technically it is not too difficult, though with some double stopping to complete the harmonies and for fullness of sound.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.

$5.00

Darkness as Light for SATB and pedal or lever harp or keyboard
Darkness as Light for SATB and pedal or lever harp or keyboard #Chorale SATB #FACILE #Adrienne Inglis #Darkness as Light for SATB and #Adrienne Inglis #SheetMusicPlus

Choral Choir (SATB) - Level 2 - SKU: A0.953617 Composed by Adrienne Inglis (ASCAP). Contemporary,Easter,Multicultural,Sacred,World. Octavo. 15 pages. Ad...(+)

Choral Choir (SATB) - Level 2 - SKU: A0.953617 Composed by Adrienne Inglis (ASCAP). Contemporary,Easter,Multicultural,Sacred,World. Octavo. 15 pages. Adrienne Inglis (ASCAP) #4569683. Published by Adrienne Inglis (ASCAP) (A0.953617). Ideal for contemplative, Lenten, memorial services, easy/moderate for SATB (no divisi) with harp or keyboard Darkness As Light is loosely based on a Venezuelan pasaje rhythm with modified Dorian modality typical of Andean mestizo music. Psalm 139:1-12, 23-24 occurs in the 16th Sunday in Ordinary Time in Year A of the Common Lectionary. Psalm 139: 7-12 Where can I go from your spirit? Or where can I flee from your presence? If I ascend to heaven, you are there; if I make my bed in Sheol, you are there. If I take the wings of the morning and settle at the farthest limits of the sea, even there your hand shall lead me, and your right hand shall hold me fast. If I say, â€˜Surely the darkness shall cover me, and the light around me become night,â€™ even the darkness is not dark to you; the night is as bright as the day, for darkness is as light to you. Scripture quotations are from the New Revised Standard Version Bible, copyright Â© 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. Duration: about 2:00 Third Edition with revised harp/keyboard part February 2019 Second Edition 31 July 2005 Third Edition 26 Apr 2018 Founder, award-winning composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. Frequently drawing on her family history and Ojibwe, Venezuelan, and Scottish ethnicities, Inglis composes choral, chamber, and orchestral music. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.https://adrienneinglis.com/

$2.99

O, MY BELOVED FATHER by PUCCINI, O MIO BABBINO CARO, from Gianni Schicci, arranged for Soprano, Org
O, MY BELOVED FATHER by PUCCINI, O MIO BABBINO CARO, from Gianni Schicci, - Soprano, Org #Giacomo Puccini #Alan Edgar #O, MY BELOVED FATHER by PUCCIN #Alan Edgar Ted Moon #SheetMusicPlus

Small Ensemble Clarinet,Flute,Organ,Violin,Voice - Level 2 - SKU: A0.903811 Composed by Giacomo Puccini. Arranged by Alan Edgar. 20th Century,Romantic P...(+)

Small Ensemble Clarinet,Flute,Organ,Violin,Voice - Level 2 - SKU: A0.903811 Composed by Giacomo Puccini. Arranged by Alan Edgar. 20th Century,Romantic Period. Score and parts. 15 pages. Alan Edgar Ted Moon #6674257. Published by Alan Edgar Ted Moon (A0.903811). English words added. Soprano d' up to g'', Flute, Clarinet,Violin and Organ, transposed from the original Ab to G. English and Italian lyrics provided. In this short, beautiful opera aria, Lauretta begs her father to help her: she has no dowry and so may not be accepted by her belovedâ€™s family, but he does not trust them and refuses. So she wheedles. 2 minutes. Love, sadness. Early intermediate.

$6.00

Mendelssohn: Wedding March for Soprano Sax & Piano
Mendelssohn: Wedding March for Soprano Sax & Piano #Saxophone Soprano et Piano #INTERMÉDIAIRE #Classique #Felix Bartholdy Mendelssohn #James M #Mendelssohn: Wedding March for #jmsgu3 #SheetMusicPlus

Piano,Soprano Saxophone - Level 3 - SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standar...(+)

Piano,Soprano Saxophone - Level 3 - SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603415. Published by jmsgu3 (A0.549895). Score: 12 pages, piano part: 6 pages, soprano sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding MarchMendelssohnâ€™s Wedding March is so popular that itâ€™s difficult to imagine a wedding without it. It seems like itâ€™s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohnâ€™s music for the Shakespeare play A Midsummer Nightâ€™s Dream. It was first used for a wedding in 1858Mendelssohn BackgroundFelix Mendelssohn (1809 â€“1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era.Early Family LifeMendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent.Early AdulthoodMendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint.Mature AdulthoodSchumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure.Musical FeaturesIn the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his musi.

$32.95

Mendelssohn: Wedding March for Clarinet & Piano
Mendelssohn: Wedding March for Clarinet & Piano #Clarinette et Piano #INTERMÉDIAIRE #Classique #Felix Bartholdy Mendelssohn #James M #Mendelssohn: Wedding March for #jmsgu3 #SheetMusicPlus

B-Flat Clarinet,Piano - Level 3 - SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...(+)

B-Flat Clarinet,Piano - Level 3 - SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602813. Published by jmsgu3 (A0.549889). Score: 12 pages, piano part: 6 pages, clarinet part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohnâ€™s Wedding March is so popular that itâ€™s difficult to imagine a wedding without it. It seems like itâ€™s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohnâ€™s music for the Shakespeare play A Midsummer Nightâ€™s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 â€“1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.

$24.95

<

1
26

51
....
126