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Never Coming Back
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Vous avez sélectionné:
Never Coming Back
Partitions à imprimer
32 partitions trouvées
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1
26
Never Coming Back
Never Coming Back
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Piano seul
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INTERMÉDIAIRE
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Evan Adrian Call
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poon
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Never Coming Back
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poon
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1296354 Composed by Evan Adrian Call (Pka Evan Call). Arranged by poon. Film/TV,Pop. Score. 3 pages. Poon #886605. Publis...
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Piano Solo - Level 3 - SKU: A0.1296354 Composed by Evan Adrian Call (Pka Evan Call). Arranged by poon. Film/TV,Pop. Score. 3 pages. Poon #886605. Published by poon (A0.1296354). Never coming back- Violet Evergarden OST - For Piano Soolo.
$4.99 ≈
£3.89
I Don't Think He's Ever Coming Back
I Don't Think He's Ever Coming Back
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Pop musique
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Chetwynd Seal and Peter T Wrig
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I Don't Think He's Ever Coming
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Chetwynd Seal
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SheetMusicPlus
Bass Guitar,Instrumental Duet - Level 3 - Interactive Download SKU: A0.1249171 Composed by Chetwynd Seal and Peter T Wright. This edition: Interactive Do...
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Bass Guitar,Instrumental Duet - Level 3 - Interactive Download SKU: A0.1249171 Composed by Chetwynd Seal and Peter T Wright. This edition: Interactive Download. Pop. 33 pages. Duration 178. Chetwynd Seal #7YjBoBWhNGCfEDfAwDhvQD. Published by Chetwynd Seal (A0.1249171). Key: C major.Another song written for a girl band. This song shows that you should never take anyone for granted. Complete with lyrics, melody line, tab and chord boxes.
$2.99 ≈
£2.33
Never Coming Back
Never Coming Back
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Piano seul
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Evan Call
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Daniel White
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Never Coming Back
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Daniel J White
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SheetMusicPlus
Instrumental Solo,Piano and Keyboard - Interactive Download SKU: A0.489686 Composed by Evan Call. Arranged by Daniel White. This edition: Interactive Dow...
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Instrumental Solo,Piano and Keyboard - Interactive Download SKU: A0.489686 Composed by Evan Call. Arranged by Daniel White. This edition: Interactive Download. Classical,Film/TV,Pop,Rock,Standards,Video Game,World. Individual part. 4 pages. Duration 129. Published by Daniel J White (A0.489686).
$4.99 ≈
£3.89
Coming to a Close (Level 4 piano solo)
Coming to a Close (Level 4 piano solo)
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Piano seul
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AVANCÉ
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Rhonda Bradley
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Coming to a Close
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Miss Rhonda’s Piano Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.876864 Composed by Rhonda Bradley. 20th Century,Contemporary,New Age,Pop. Score. 5 pages. Miss Rhonda’s Piano Musi...
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Piano Solo - Level 5 - SKU: A0.876864 Composed by Rhonda Bradley. 20th Century,Contemporary,New Age,Pop. Score. 5 pages. Miss Rhonda’s Piano Music #2907497. Published by Miss Rhonda’s Piano Music (A0.876864). Coming to a Close from the piano solo CD Where Everything is MusicAdvanced piano solo by Rhonda Bradley5 pages (including cover)This crowd-pleaser is worth every moment of your efforts because you'll continue playing it for a lifetime. Built on a strong and unforgettable melody, this song shines thanks to its' backdrop of busy and relentless harmony in the key of C minor. It's a combination of the Baroque, Classical, and New Age genres that never fails to stop passersby from asking What song is that?This piece does not include finger numbers but instead leaves them up to the choice of the performer. There are a handful of finger numbers written into the first two measures as a suggestion.Please check out the MP3 sample above -- it's listed just below the smaller thumbnail underneath the words look inside.Tips for learning this piece:- Write in the finger numbers as you choose them. Determining which finger numbers you'll use is the greatest challenge.- Memorize as you go. It won't be possible to read and perform this song at a professional level. Your hands will be all over the keyboard and you'll need your eyes to be there, too!Please let me know if there's any way I can help you in learning this piece. Enjoy!
$3.99 ≈
£3.11
Never Coming Back by AcousticOST - Guitar Tab
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Guitare notes et tablatures
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AcousticOST
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Never Coming Back
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Musicnotes
Sheet Music for Never Coming Back from Violet Evergarden arranged for Guitar Tab;Instrumental Solo in G Minor. Digital sheet music from Musicnotes. ...
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Sheet Music for Never Coming Back from Violet Evergarden arranged for Guitar Tab;Instrumental Solo in G Minor. Digital sheet music from Musicnotes.
$5.79 ≈
£4.51
PIATTI, Carlo Alfredo - Quartettino "In Vacanza" for four cellos
PIATTI, Carlo Alfredo - Quartettino "In Vacanza" for four cellos
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4 Violoncelles
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INTERMÉDIAIRE
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Piatti, Carlo Alfredo
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PIATTI, Carlo Alfredo - Quarte
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 3 - SKU: A0.841328 Composed by Piatti, Carlo Alfredo. Arranged by Artistic Score Engraving by Michele Galvag...
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String Quartet Cello,String Quartet - Level 3 - SKU: A0.841328 Composed by Piatti, Carlo Alfredo. Arranged by Artistic Score Engraving by Michele Galvagno. Instructional,Romantic Period,Standards. 66 pages. Artistic Score Engraving di Galvagno Michele #3624857. Published by Artistic Score Engraving di Galvagno Michele (A0.841328). Piatti composed the small quartet (Quartettino) In vacanza (On holiday), a Sonata-form in three movements for four cellos, dedicating it to the young cellists from Bergamo in 1891. It was premiered at the final exams in the same year.It is a simply structured piece made of catchy melodies, thick of that irony, that carelessness that probably Piatti reckoned as a fundamental soft skill for young musicians. The first movement, Allegro con brio, bears the title Partenza(Departure), the second, Andantino quasi allegretto, Arrivo (Arrival), the third, Allegretto vivo, Danza rustica (Rustic Dance). One cannot help but notice the lack of a slow movement in the middle or of a Coming Back at the end. We can explain this only in recognising that Piatti, having come to the end of a long career, may have wanted to leave a wishing message to the younglings who were still at the beginning of their path: “may your life be as a long, endless holiday, with no slack moment; may the enthusiasm to push forward never falter you and may even old age have the cheerful rhythm of a danceâ€This score was published in 2018 and updated in 2023.
$24.95 ≈
£19.44
Shindig Shenanigans for Concert Band
Shindig Shenanigans for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Graham Boag
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#
Shindig Shenanigans for Concer
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Graham Boag
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.780111 Composed by Graham Boag. Contemporary,Standards. Score and parts. 306 pages. Graham Boag #6462613. Published by ...
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Concert Band - Level 3 - SKU: A0.780111 Composed by Graham Boag. Contemporary,Standards. Score and parts. 306 pages. Graham Boag #6462613. Published by Graham Boag (A0.780111). I started writing Shindig Shenanigans in the summer of 2019 and I had a specific mood or feeling of celebration in my mind when doing so however due to other commissions and work I never finished it, coming back to it intermittently over the next couple of years. Between March and June 2021, I made some final edits and finished the piece off. The piece is a celebration as implied in the title, ‘Shindig’ is a party and ‘Shenanigans’ are silly or high-spirited behavior and or mischief that people have at that party. I thought it was appropriate now as we finally start to move out of restrictions that we have seen and experience over the last year and a half. Shindig Shenanigans is a great concert opener or encore piece to your concert and gives the players plenty to work with both technical and melodically. .
$58.99 ≈
£45.96
Meditation on Adoro te devote, Op. 221 (Organ Solo) by Vidas Pinkevicius
Meditation on Adoro te devote, Op. 221 (Organ Solo) by Vidas Pinkevicius
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Orgue
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FACILE
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Musique Sacrée
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Christian contemporain
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Vidas Pinkevicius
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Meditation on Adoro te devote,
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1162578 Composed by Vidas Pinkevicius. Christian,Contemporary,Praise & Worship,Religious,Sacred. Score. 5 pages. Vidas Pinkevi...
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Organ - Level 2 - SKU: A0.1162578 Composed by Vidas Pinkevicius. Christian,Contemporary,Praise & Worship,Religious,Sacred. Score. 5 pages. Vidas Pinkevicius #762951. Published by Vidas Pinkevicius (A0.1162578). This is a meditation on the beloved Gregorian chant tune Adoro te devote written in the key of C major. The tune which features a solo reed stop moves to Eb major area in the second verse before coming back to C major. Gentle refrain played on string stops helps to unify the piece. This composition will be very effective for liturgical organ playing and recital programs whenever contemplative music is desired. Dedicated to the memory of Aleksas SpeiÄys.
$4.99 ≈
£3.89
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
£3.11
The Guitar Études
The Guitar Études
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Guitare
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Methodes Etudes
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Apostolos Paraskevas
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The Guitar Études
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Silver Sickle Publications
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SheetMusicPlus
Composed by Apostolos Paraskevas (1964-). Contemporary Classical, Modern, Etudes and Exercises, Repertoire, World. Score. 37 pages. Published by Silve...
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Composed by Apostolos Paraskevas (1964-). Contemporary Classical, Modern, Etudes and Exercises, Repertoire, World. Score. 37 pages. Published by Silver Sickle Publications
tudes for Solo Guitar
The subject of creating an educational aid for guitar students of an intermediate level that will serve also as a similar aid for theory and composition students fascinates me and motivates my compositional thought for quite a while. The objective was to create miniature complete works for the guitar, as J. S. Bach did with his fifteen inventions, in the ?manner? of an tude that deals with specific aspects of guitar techniques and musicianship in general.
These tudes are gradually graded based on their difficulty and style. They cover all the positions of the guitar and explore known and some unfamiliar techniques for the contemporary guitarist.
I used a compositional language more familiar for the level of the intermediate guitarist but without sacrificing my original compositional voice so these pieces could be used as concert works by the advanced musicians as well. My intention is to educate students in a multilevel study environment and to be able to promote the music of our time. During my teaching years I found that students become better musicians when they have been taught to adapt certain performance difficulties and compositional techniques at an earlier level of their training.
Titles:
1 with false optimism
2 with moderate sadness
3 with just the two of you
4 with a touch of impatience
5 with a touch of grandeur
6 with a counterpoint attitude
7 with a touch of shame
8 with a touch of boredom
9 going and never coming back
10 with a peaceful anger
11 without the heavy ones
12 without hope
13 without sense of humor
14 with a masculine attitude
15 with two little bears in mind
16 without hesitation
17 with shameless vibrato
18 with a touch of distress
19 without fear of failure
20 with this and that
21 with a kind motion
22 with a rondo attitude
23 with suspense
24 with everything you may have
$22.00 ≈
£17.14
Celtiberian Landscape For Harp And Orquestra
Celtiberian Landscape For Harp And Orquestra
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Orchestre
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FACILE
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp
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Luis Anjos Teixeira
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeir...
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Full Orchestra - Level 2 - SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99 ≈
£19.47
Alfie
Alfie
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Dale Henry Allison
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John Fries
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Alfie
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.500158 Composed by Dale Henry Allison. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 p...
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C Instrument - Level 4 - SKU: A0.500158 Composed by Dale Henry Allison. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113341. Published by John Fries (A0.500158). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Alfie is a song written by Burt Bacharach and Hal David to promote the 1966 film Alfie. Cilia Black states that, rather than declining outright to record the song, she decided to set conditions: I said I'd only do it if Burt Bacharach himself did the arrangement, never thinking for one moment that he would. When the reply came back from America that he'd be happy to...I said I would only do it if Burt came over to London for the recording session. 'Yes,' came the reply. Next I said that as well as the arrangements and coming over, he had to play piano on the session. To my astonishment it was agreed that Burt would do all three. So by this time, coward that I was, I really couldn't back out. The song was a major hit for Cilla Black (UK) and Dionne Warwick (US).
$3.99 ≈
£3.11
Alfie
Alfie
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Cher
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John Fries
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Alfie
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.501355 By Cher. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake...
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C Instrument - Level 4 - SKU: A0.501355 By Cher. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #114249. Published by John Fries (A0.501355). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Alfie is a song written by Burt Bacharach and Hal David to promote the 1966 film Alfie. Cilia Black states that, rather than declining outright to record the song, she decided to set conditions: I said I'd only do it if Burt Bacharach himself did the arrangement, never thinking for one moment that he would. When the reply came back from America that he'd be happy to...I said I would only do it if Burt came over to London for the recording session. 'Yes,' came the reply. Next I said that as well as the arrangements and coming over, he had to play piano on the session. To my astonishment it was agreed that Burt would do all three. So by this time, coward that I was, I really couldn't back out. The song was a major hit for Cilla Black (UK) and Dionne Warwick (US). This arrangement includes the lyrics.
$3.99 ≈
£3.11
Alfie
Alfie
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Cher
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John Fries
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Alfie
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John Fries
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1271506 By Cher. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Individua...
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Solo Guitar - Level 4 - SKU: A0.1271506 By Cher. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Individual part. 2 pages. John Fries #863904. Published by John Fries (A0.1271506). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Alfie is a song written by Burt Bacharach and Hal David to promote the 1966 film Alfie. Cilia Black states that, rather than declining outright to record the song, she decided to set conditions: I said I'd only do it if Burt Bacharach himself did the arrangement, never thinking for one moment that he would. When the reply came back from America that he'd be happy to...I said I would only do it if Burt came over to London for the recording session. 'Yes,' came the reply. Next I said that as well as the arrangements and coming over, he had to play piano on the session. To my astonishment it was agreed that Burt would do all three. So by this time, coward that I was, I really couldn't back out. The song was a major hit for Cilla Black (UK) and Dionne Warwick (US).
$4.99 ≈
£3.89
Alfie
Alfie
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Lily Allen
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John Fries
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Alfie
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1193967 By Lily Allen. By Greg Kurstin. Arranged by John Fries. 20th Century,Film/TV,Pop,Standards. Score. ...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1193967 By Lily Allen. By Greg Kurstin. Arranged by John Fries. 20th Century,Film/TV,Pop,Standards. Score. 2 pages. John Fries #793440. Published by John Fries (A0.1193967). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Alfie is a song written by Burt Bacharach and Hal David to promote the 1966 film Alfie. Cilia Black states that, rather than declining outright to record the song, she decided to set conditions: I said I'd only do it if Burt Bacharach himself did the arrangement, never thinking for one moment that he would. When the reply came back from America that he'd be happy to...I said I would only do it if Burt came over to London for the recording session. 'Yes,' came the reply. Next I said that as well as the arrangements and coming over, he had to play piano on the session. To my astonishment it was agreed that Burt would do all three. So by this time, coward that I was, I really couldn't back out. The song was a major hit for Cilla Black (UK) and Dionne Warwick (US). This arrangement includes the lyrics.
$4.99 ≈
£3.89
Bwana Nipe Pesa (for S/A.T.B voices)
Bwana Nipe Pesa (for S/A.T.B voices)
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Chorale SATB
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Super Mazembe
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Evans Obanda Mbinji
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Bwana Nipe Pesa
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Evans Obanda Mbinji
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SheetMusicPlus
Choral Choir (Mixed) - SKU: A0.1023308 Composed by Super Mazembe. Arranged by Evans Obanda Mbinji. A Cappella,African,Jazz,Pop. Octavo. 7 pages. Evans O...
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Choral Choir (Mixed) - SKU: A0.1023308 Composed by Super Mazembe. Arranged by Evans Obanda Mbinji. A Cappella,African,Jazz,Pop. Octavo. 7 pages. Evans Obanda Mbinji #5718561. Published by Evans Obanda Mbinji (A0.1023308). Bwana Nipe Pesa About this piece . . . . Kenyan Zilizopendwa - Song - Arranged by Evans O. Mbinji Zilizopendwa (literally, those which were loved') is a term used in Kenya to refer to early Kenyan popular music, synonymous with the term golden oldies as used in the United States. Kiswahili is the national language of Kenyan.All vowel sounds are pure as in Latin. Bwana Nipe Pesa is a Zilizopendwa song that should be performed with enthusiasm, Dance movement, However expressive accents should be given at appropriate points in the musical and textual phrases. Literal Transalation Bwana nipe pesa –Father give me money Watoto wana njaa – The children are hungry Lakini mke wako- But your wife anapenda kutangatanga – Is a loose lady, who moves with everyone Majirani wanachoka kumuona –Neighbours are tired of seeing her Fungueni milango anakuja – Close all the doors she is coming. Watu wote wa Nairobi,Mombasa – People from Nairobi & Mombasa Wakuona kila siku – They keep seeing you every day. Tafadhali bwana rudi – please father come back. Percussion Notes -Improvisation is encouraged. Percussion must never dominate the texture, but rather remain supportive -The piece my be performed a cappella However the effect of the piece will be greatly enhanced by using a variety of improvised percussion instruments like (conga,shakers,claves and rattles) The accompanying ensemble should take care to allow the the choir to be heard. About the Arranger Evans Obanda Mbinji is a composer,clinician,adjudicator, conductor,music educator and the founding Artistic Director of Jobel Chorale ,Zetech University. He has directed many choirs both in Kenya and international. And is a long-standing member of Kenyan Choral Directors Trust and ACDA. I hope you Enjoy! - Evans O.Mbinji .
$4.00 ≈
£3.12
The Painter
The Painter
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Piano seul
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INTERMÉDIAIRE
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Louis Landon
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The Painter
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Landon Creative, Inc.
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.761847 Composed by Louis Landon. New Age,Spiritual. Score. 5 pages. Landon Creative, Inc. #3129855. Published by Landon C...
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Piano Solo - Level 3 - SKU: A0.761847 Composed by Louis Landon. New Age,Spiritual. Score. 5 pages. Landon Creative, Inc. #3129855. Published by Landon Creative, Inc. (A0.761847). Healing Hearts is the fourth solo piano release from Louis Landon in less than two years, an indication that his 2013 move to Sedona, AZ sparked an amazing creative streak for him. Since his move, Landon has established Healing Piano of Sedona which offers a unique sound healing experience to create mental, physical and emotional well-being. Landon is a Steinway Artist who has toured internationally and has released seventeen albums, eleven of which are solo piano (one is a best of). He has been using the techniques of Gurdjieff and Ouspensky for spiritual development since 1980. Healing Piano of Sedona was created to help people live life joyously, passionately, stress- and disease-free.The thirteen tracks on Healing Hearts were created spontaneously to assist individuals in their emotional and spiritual well-being. I have to admit that in the past, I have had a strong preference for Landon’s more composed music, but he is improvising and performing so much now that his spontaneous music is incredibly cohesive and complete and the emotional content is rich and sincere. Landon has performed house concerts in my series every year for the past seven years and while his music has always been exceptionally good, now it’s often breathtaking in its beauty and honesty. Nothing is held back, coming from the purest source of creativity. I’m blown away by the music on Healing Hearts and am certain that it will be the second of Landon’s albums on my Favorites list for 2014.Most of the tracks overflow with peace and serenity. In fact, Louis calls his home studio The Peace Palace and I can see why! A couple of pieces are a bit livelier, but the entire album is perfect for a warm and soothing background. However, be sure to treat your mind and soul to a blissful hour of calming music that can effortlessly heal the spirit and wash away the cares of the moment, the day, or life in general - at least for a while. All of the tracks are exceptional, but I’ll mention a few favorites. Amy’s Song is a breath of fresh air - graceful, tender and very warm. Gorgeous! Desert Peace is somewhat more ambient and so peaceful. I love the title track, which is more minor and a bit darker, but so poignant and compelling. Now or Never seems to be offering support and encouragement to move forward - gently but firmly. Sacred is almost hymn-like. The Great Unknown is dedicated to a young family member who passed away recently. Dark and sometimes painfully sad, there is hope as the healing process takes place - an amazing piece of music! The Painter expresses the passionate spirit that can flow from one artist to another. Unstoppable begins quietly and simply, gradually building energy, strength and power. Unstoppable, indeed! A great, upbeat ending to a fantastic album!Healing Hearts is a must-hear! It is available from louislandon.com, Amazon, iTunes, and CD Baby. Very highly recommended!
$5.25 ≈
£4.09
Hallelujah
Hallelujah
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Chorale SATB
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INTERMÉDIAIRE
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Lee DeWyze
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D
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Hallelujah
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D. M. Gardner Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.799676 By Lee DeWyze. By Leonard Cohen. Arranged by D. M. Gardner. A Cappella,Rock. Octavo. 10 pages. D. M. Gard...
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Choral Choir (SATB) - Level 3 - SKU: A0.799676 By Lee DeWyze. By Leonard Cohen. Arranged by D. M. Gardner. A Cappella,Rock. Octavo. 10 pages. D. M. Gardner Music #4803255. Published by D. M. Gardner Music (A0.799676). Hallelujah - For Those Who Fight for FreedomA Tribute to VeteransSATB a cappellaMy orders say we're shipping' outWe don’t have long now to talk aboutThe hundred thousand ways I’m gonna’ miss ya’When we told the kids I’d have to leaveThrough tears, they tried to comfort me And my broken heart cried out a Hallelujah!CHORUS: Hallelujah, Hallelujah, Hallelujah, HallelujahMy boots sink in the desert sandAnd all I want is to hold your handAnd kiss you like the day I whisper'd to ya’But reminding me as I left the gateYou said, Freedom’s call, it can never waitAnd you’d be right there when I came back runnin’ to ya’CHORUS****THIRD VERSE HIDDEN IN HOPES YOU WILL PURCHASE THE MUSIC! THANKS!***CHORUS X2My darling, would you please sit downAnd gather all the kids around?I got somethin’ that I really need to tell ya’Daddy’s not gonna’ make it home;I tried so hard, but your not alone,‘Cause from way up here, I can see your Momma’s with ya’!CHORUS X2Alternate lyrics for verse four:My darling, would you please sit downAnd gather all the kids around?I got somethin’ that I really need to tell ya’Sometimes you might feel alone, But please don't cry, 'cause I'm coming' home,And don't be afraid, 'cause you know I'm always with ya'!To learn more about the arranger and poet, please visit https://www.dmgardner.com*Please note, all text above is subject to copyright. Please do not use without purchase!
$1.99 ≈
£1.55
Carson Cooman: Sonata for Tuba and Piano (2007)
Carson Cooman: Sonata for Tuba and Piano (2007)
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Tuba et Piano
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AVANCÉ
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Gospel Spirituel
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Sonata for Tuba
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Tuba - Level 5 - SKU: A0.533704 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and part. 38 pages. Musik Fabrik Music Publishing...
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Piano,Tuba - Level 5 - SKU: A0.533704 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and part. 38 pages. Musik Fabrik Music Publishing #3039001. Published by Musik Fabrik Music Publishing (A0.533704). Sonata for Tuba and Piano (2007) was commissioned by and is dedicated to tubist MarkNelson for premiere at the 2007 Southwest Tuba and Euphonium Conference. The work isin three movements, each using the same basic musical material. Throughout the work,there is an integration of the total chromatic spectrum (represented through row-likeconstructions) with triadic and tonal elements, particularly connected to the interval of aminor third.The first movement, Speaking of Sunsets, is bold and dramatic throughout. The musicalmaterial is subjected to a series of circular paths that loop back on themselves until themovement ends. (The title refers to American poet James Tate’s poem Never Again theSame and also Charles Wuorinen’s musical setting of that text.)The second movement, Build Me a Garden, takes its title from an original song I overheardwhile planning this work. It sung by a homeless man who was then sitting on the banks ofthe Charles River in Boston, Massachusetts. His song (bearing both textual and musicalresemblance to various folk songs and African-American spirituals) spoke of hopes anddreams:Build me a garden, far ‘cross the seaBuild me a garden, a place I can beThe water is wide, the journey is long.I’ve put all my sorrows into this song.The movement opens with a slightly modified version of the song, which is developed overthe course of the movement. Connections are made between the first movement’s materialand the pentatonic melody (with its opening intervals of minor thirds).The third movement, Rising at Dawn, is a moto perpetuo. The ideas from both previousmovements are put together in new, dancing combinations. Coming out of the darker firsttwo movements, this movement continually seeks places of joy. The dance breaks down,and a recollection of the first movement leads to a bright coda.
$25.95 ≈
£20.22
Here to See Santa Claus (Jolly Old Saint Nicholas) solo and piano
Here to See Santa Claus (Jolly Old Saint Nicholas) solo and piano
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Piano, Voix et Guitare
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FACILE
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James R
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Connie Boss
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Here to See Santa Claus
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Connie Boss
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1335072 Composed by James R. Murray. Arranged by Connie Boss. Children,Christmas. Score. 4 pages. Connie Bo...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1335072 Composed by James R. Murray. Arranged by Connie Boss. Children,Christmas. Score. 4 pages. Connie Boss #920918. Published by Connie Boss (A0.1335072). I put a twist on Jolly Old Saint Nicholas. I added verses and a different melody along with the familiar melody of Jolly Old Saint Nicholas. This song starts off with a child waiting patiently in line to see Santa so he can tell him what he wishes for him to bring him for Christmas. I started off with my own original melody and lyrics and then in the middle of the song, when the child finally reaches Santa, I switch to the melody of Jolly Old Saint Nicholas. However, to modernize it, I switched to Jolly Old Dear Santa Claus. I kept verse one lyrics the same except for that part. I changed the lyrics entirely for the second verse. The child tells Santa where he can put the presents and hopes one is for him. He also tells him he tries to wait up for him each year, but Santa is so quiet, he sleeps through the night. The last verse is back to my original melody and lyrics where Santa tells him it will be a surprise what he brings him this year. This brings the song all the way from waiting in line to see Santa to sitting on his knee and Santa telling him it will be a surprise. Let me know if you have any questions or request at cdboss@cvalley.net.Lyrics:Here to see Santa Claus “Jolly Old St Nicholasâ€Â I’m here to see Santa Claus But, it’s a long, long line, With lot’s of kids ahead of me, It will take some time I have with me my Christmas listTo tell dear Santa what I wish Now my time is finally hereTo sit up on his kneeHe asked me what I want this yearSo I whisper in his ear Jolly old dear Santa Claus, lean your ear this wayDon’t you tell a single soul what I’m going to sayChristmas eve is coming soon, now you dear old manWhisper what you’ll bring to me – tell me if you can Down the chimney you will comeRight next to the tree,You can put the presents thereI hope there’s one for me You never make any noiseI wait for you each yearBut I sleep all through the nightSo I can’t catch you here Then he looked and smiled at me and whispered in my earIt will be a big surprise what I bring to you this year.
$5.50 ≈
£4.28
It was a lover and his lass (a modern madrigal) for SATB choir
It was a lover and his lass (a modern madrigal) for SATB choir
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Chorale SATB
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David Warin Solomons
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It was a lover and his lass
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David Warin Solomons
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.576648 Composed by David Warin Solomons. 20th Century,Contemporary,Holiday,Love. Octavo. 6 pages. David Warin Solomons #49...
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Choral Choir (SATB) - SKU: A0.576648 Composed by David Warin Solomons. 20th Century,Contemporary,Holiday,Love. Octavo. 6 pages. David Warin Solomons #49135. Published by David Warin Solomons (A0.576648). A jolly parody of Shakespeare's song by the same name but using my Bell Dance as the melody to represent mobile phones (or cell phones as they say in the USA). A version for men's voices is also available on this site. The sound sample here was performed by the Composer's Choir under Dan Shaw. ring ding dong ding dong ring ding dong ding dong It was a lover and his lass in the spring time that through the city streets did pass in this ring time calling each other every minute or two and texting in case they couldn't get through oh hearken to the lovers in the spring time! Between the supermarket aisles while they're shopping these pretty city folk would chat without stopping vainly the birds are welcoming spring with their song they'll wear themselves out e'er very long while lads and lasses never tire of ringing! Then one day when Romeo must text his Julietta just to say I luv ya yeah I luv ya so much but then she rings back to tell him that it's all over she's met a nicer lad from Folkestone or Dover (It's all over it's all over lad from Dover) so he just rings to all of his pals and calls her a slag! and all the people on the tram hear the show while our pretty city folk live all on their mobile then suddenly the battery's flat as a skate and Romeo can not ring his mate he's sorry that he called her slag in spring time he can't ring her he can't ring his Julietta sorry now in spring.
$3.99 ≈
£3.11
Sandcastle Dreams
Sandcastle Dreams
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Suzanne Herman
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Sandcastle Dreams
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Suzanne Herman Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1358220 By Suzanne Herman. By Suzanne Herman. Classical,Contemporary,Contest,Festival,New Age. Score. 3 pages. Suzanne He...
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Piano Solo - Level 4 - SKU: A0.1358220 By Suzanne Herman. By Suzanne Herman. Classical,Contemporary,Contest,Festival,New Age. Score. 3 pages. Suzanne Herman Music #942700. Published by Suzanne Herman Music (A0.1358220). Walking the beaches of Anna Maria Island, (a barrier island off the west coast of Florida), sandcastles will almost always be encountered. Some sandcastles are in the process of being created, others are in the process of washing away with incoming tides. Sandcastles come in all shapes and sizes. Some are true works of art with detials of exquisite design and excellence. Of equal significance are those sandcastles created by children while they laugh and play in the sunshine. The same can be said about hopes and dreams. Dreams can be big or small, consisting of different shapes and sizes. Many dreams are serious, detailing future endeavors, while other dreams are fun and involve play. Some dreams are in the process of being created, while other dreams never become reality, they get washed away with the waves. These sandcastles are the inspiration behind Sandcastle Dreams.Sandcastle Dreams is in 6/8 meter and immediately allows the right-hand melody to float above the sonorous laft-hand accompaniment. Powerful right-hand chords and left-hand arpeggiated patterns comprise the middle section. These passionate sounds then melt back into the original theme and its thought-provoking mood. Sandcastle Dreams, from the solo piano album and songbook A Seaside View, can be found worldwide on all major listening platforms including Spotify, Pandora, Apple Music, SoundCloud, etc.For more information about Suzanne Herman visit:WebsiteFacebookInstagramYouTube ChannelRegister for Newsletter
$5.50 ≈
£4.28
Same Old Story
Same Old Story
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Piano seul
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FACILE
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Louis Landon
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Same Old Story
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Landon Creative, Inc.
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.761885 Composed by Louis Landon. Concert,Instructional,New Age,Standards. Score. 7 pages. Landon Creative, Inc. #6322391....
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Piano Solo - Level 2 - SKU: A0.761885 Composed by Louis Landon. Concert,Instructional,New Age,Standards. Score. 7 pages. Landon Creative, Inc. #6322391. Published by Landon Creative, Inc. (A0.761885). Same Old Story was released on December 18, 2020. It is a single from the upcoming album, Provocative Piano. Recorded at the Peace Palace, Sedona, AZ on a Steinway B in September, 2020. It is available for streaming on Spotify, Apple Music and Pandora Radio It is also available for downloading at iTunes, Amazon and Bandcamp There's a sadness to this piece. Some things never change. The same theme keeps returning. There are places in the music where it seems like something different might happen, but then it goes back to the same old story. Things do change over time, but consciously seeing what needs to change in oneself requires awareness and effort. It is definitely worthwhile to make the effort to change and grow. Pproduced, arranged, composed & performed by Louis Landon Published by Landon Creative, Inc. BMI Louis Landon is a Steinway Artist Music mastering by Michael McDonald, Syntharts, Eugene, OR Cover photo and design by Louis Landon.
$5.25 ≈
£4.09
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Never Coming Back
